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19 sheet music found
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1
Norwegian Wood (this Bird Has Flown) - Beatles for Chamber Orchestra
Norwegian Wood (this Bird Has Flown) - Beatles for Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE
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Rock
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The Beatles
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Javier Martínez
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Norwegian Wood
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SheetMusicPlus
Harpsichord, Violin, Viola, Cello - Intermediate - Digital Download By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. ...
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Harpsichord, Violin, Viola, Cello - Intermediate - Digital Download By The Beatles. Arranged by Javier Martínez. Score, Set of Parts. 18 pages. Published by Arte Nova Music Lab
"Norwegian Wood (This Bird Has Flown)" is a song by the English rock band the Beatles from their 1965 album Rubber Soul. It was written mainly by John Lennon and credited to the Lennon–McCartney songwriting partnership. Influenced by the introspective lyrics of Bob Dylan, the song is considered a milestone in the Beatles' development as songwriters. The track features a sitar part, played by lead guitarist George Harrison, that marked the first appearance of the Indian string instrument on a Western rock recording. The song was a number 1 hit in Australia when released on a single there in 1966, coupled with "Nowhere Man".
Lennon wrote the song as a veiled account of an extramarital affair he had in London. When recording the track, Harrison chose to add a sitar part after becoming interested in the instrument's exotic sound while on the set of the Beatles' film Help!, in early 1965. Further to several British bands, including the Beatles, using guitars to imitate the drone and other musical textures of the sitar in their recordings, "Norwegian Wood" was influential in the development of raga rock andpsychedelic rock during the mid 1960s. The song also helped elevate Ravi Shankar and Indian classical music to mainstream popularity in the West. Many other rock and pop artists, including the Byrds, the Rolling Stones and Donovan, began integrating elements of the genre into their musical approach. "Norwegian Wood" is also recognised as a key work in the early evolution of world music.
Taken from https://en.wikipedia.org/wiki/Norwegian_Wood_(This_Bird_Has_Flown)
$40.00 ≈
¥291.05
Donde Esta Santa Claus
Donde Esta Santa Claus
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Chamber Orchestra
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INTERMEDIATE
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Alvin Greiner, George Scheck,
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John Hoesly
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Donde Esta Santa Claus
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1353147 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. ...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1353147 Composed by Alvin Greiner, George Scheck, and Rod Gordon Parker. Arranged by John Hoesly. Christmas,Holiday,Latin,Pop. 66 pages. PRS&B #937946. Published by PRS&B (A0.1353147). Dónde Está Santa Claus- for CHAMBER/ SMALL orchestra is a playful and festive Christmas song that has delighted audiences for decades. Translating to Where is Santa Claus in English, this cheerful tune captures the excitement and curiosity surrounding Santa's whereabouts on Christmas Eve. The catchy melody and upbeat tempo of Donde está Santa Claus make it a fun and memorable for your audiences. Written for small orchestra with an extended percussion section (all of which are optional and could be played by members of the orchestra), this Latin tinged arrangement will be a welcomed addition to your holiday library. 0-1-1-1-1 -2-1-1-0-timp., vib or marmb., sl. bls., bong., clav., guiro., maras., drm set (or divided between two perc.), kybrd., hrp., str. Intermediate level.
$70.00 ≈
¥509.35
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
¥407.40
The Platypus
The Platypus
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Chamber Orchestra
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BEGINNER
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Sue Moore
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The Platypus
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Susie Moore
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SheetMusicPlus
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie ...
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie Moore #4766683. Published by Susie Moore (A0.1008342). An instructional Chamber Orchestra work written for beginning strings and early intermediate winds. This work is in 6/4 time. The string parts (depicting the bubbles that are seen as the Platypus are submerged) have been written where they are either using the open strings or the patterns are repeated over several bars so that beginning students are able to focus on the challenges of the 6/4 time. Mapping which beat each string part falls on is helpful when starting to teach this piece. Platypus are shy in nature and do not normally cohabit in the same location in large numbers. This piece was written as the composer observed an unusually large number of Platypus in one location. The wind parts depict the Platypus as they surfaced and descended in the billabong where they lived and as they happened to meet another Platypus or come up where she was sitting they quickly retreated with a loud splash. This is heard throughout the piece. Parts are available.
$4.99 ≈
¥36.31
Small Train for Piano Quartet or Junior Strings
Small Train for Piano Quartet or Junior Strings
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Chamber Orchestra
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BEGINNER
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Traditional children's song fr
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Lauri Hämäläinen
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Small Train for Piano Quartet
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - Digital Download SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen...
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Standards. Score and parts. 19 pages. Suomi Music #6679213. Published by Suomi Music (A0.885867). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.The 11 Children's Songs are part of the Violin Friends music books for beginner and intermediate violin and viola students.
$9.99 ≈
¥72.69
Serenade for flute, horn and orchestra
Serenade for flute, horn and orchestra
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Anton Emil Titl
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James Strauss
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Serenade for flute, horn and o
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James Strauss
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Sc...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 30 pages. James Strauss #5873421. Published by James Strauss (A0.1035228). AntonÃn Emil Titl Was born October 2, 1809 in Pernstein, and died in January 21, 1882 in Vienna was an Austrian composer. Titl had been the military bandmaster in Prague since 1835. In 1840 he was hired as the successor of Heinrich Proch to the theater in Josefstadt, where he stayed until 1846. From 1850 until his retirement in 1870 he worked at the Burgtheater as Kapellmeister. As a composer, Titl created numerous songs and stage music for both of the above theaters. His greatest success was the Singspiel Der Zauberschleier by Franz Xaver Told, which contained the song A Wirtsg'schäft, which was extremely popular at the time, is really not bad.In 1898 the Titlgasse in Vienna-Hietzing was named after him. Titl's Serenade was composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8, its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute, horn and orchestra is based in 2 sources , a set or parts published in 1896 by the French publisher E. GALLET plate n. G.5688 and a manuscript of the parts from Austrian National Library and has been carefully arranged and edited by James Strauss. All the discrepancies between the sources were corrected and for the very first time in a Full Score format.
$30.00 ≈
¥218.29
Nocturne for Strings- Op. 26
Nocturne for Strings- Op. 26
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Dana Taylor
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Nocturne for Strings- Op. 26
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Dana Taylor Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.987737 Composed by Dana Taylor. Contemporary. Score and parts. 13 pages. Dana Taylor Music #28939....
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.987737 Composed by Dana Taylor. Contemporary. Score and parts. 13 pages. Dana Taylor Music #28939. Published by Dana Taylor Music (A0.987737). Nocturne for Strings is a rondo where each section of the orchestra has a chance to stand out. I chose Advanced Intermediate because the mode tends to be mixolydian, with shifting tonal centers and keys, but always melodic,and the parts are interesting. Depending on your group Nocturne is full of teachable moments, from what makes it modal to how go we modulate from one key to the next, and why. And your musicians and audience alike will be humming this afterward. Parts sold separately.
$30.00 ≈
¥218.29
Ave Maria (For Euphonium and chamber orchestra)
Ave Maria (For Euphonium and chamber orchestra)
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Franz Schubert
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Kestutis Planciunas
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Ave Maria
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Kestutis Planciunas
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.972722 Composed by Franz Schubert. Arranged by Kestutis Planciunas. Christian,Christmas,Easter,Sac...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.972722 Composed by Franz Schubert. Arranged by Kestutis Planciunas. Christian,Christmas,Easter,Sacred,Standards. Score and parts. 14 pages. Kestutis Planciunas #4796717. Published by Kestutis Planciunas (A0.972722). Adopted for chamber orchestra where Euphonium plays solo. Suitable to be performed in church. Can be performed by intermediate level students. Composition length: 4 min 10 s.
$14.99 ≈
¥109.07
Ave Maria (For trombone and chamber orchestra)
Ave Maria (For trombone and chamber orchestra)
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Chamber Orchestra
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INTERMEDIATE
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Giulio Caccini
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Kestutis Planciunas
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Ave Maria
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Kestutis Planciunas
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.972728 Composed by Giulio Caccini. Arranged by Kestutis Planciunas. Christian,Christmas,Sacred,Sta...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.972728 Composed by Giulio Caccini. Arranged by Kestutis Planciunas. Christian,Christmas,Sacred,Standards,Wedding. Score and parts. 23 pages. Kestutis Planciunas #4850725. Published by Kestutis Planciunas (A0.972728). Adopted for chamber orchestra where trombone plays solo. Best sounds when performed in church. Can be performed by intermediate level students. Composition length: 4 minutes and 15 s. Consists of 23 pages which include scores and individual parts.
$28.00 ≈
¥203.74
Ave Maria (For Horn in F and chamber orchestra)
Ave Maria (For Horn in F and chamber orchestra)
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Franz Schubert
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Kestutis Planciunas
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Ave Maria
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Kestutis Planciunas
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.972720 Composed by Franz Schubert. Arranged by Kestutis Planciunas. Christian,Christmas,Easter,Sac...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.972720 Composed by Franz Schubert. Arranged by Kestutis Planciunas. Christian,Christmas,Easter,Sacred,Standards. Score and parts. 14 pages. Kestutis Planciunas #4796715. Published by Kestutis Planciunas (A0.972720). Adopted for chamber orchestra where Horn in F plays solo. Suitable to perform in church. Easy arrangement is perfect for intermediate level students to play. Composition length: 4 min 10 s.
$14.99 ≈
¥109.07
On The road To Mandalay for Tenor and Chamber Orchestra
On The road To Mandalay for Tenor and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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the time your soloist reaches
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Oley Speaks, Rudyard Kipling
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John Hoesly
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On The road To Mandalay for Te
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.771584 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 1...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.771584 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 113 pages. PRS&B #379228. Published by PRS&B (A0.771584). On The Road To Mandalay- for Tenor and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Tenor (C- F Sharp)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00 ≈
¥509.35
Ave Maria (For trombone and chamber orchestra)
Ave Maria (For trombone and chamber orchestra)
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Franz Schubert
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Kestutis Planciunas
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Ave Maria
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Kestutis Planciunas
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.972723 Composed by Franz Schubert. Arranged by Kestutis Planciunas. Christian,Christmas,Easter,Sac...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.972723 Composed by Franz Schubert. Arranged by Kestutis Planciunas. Christian,Christmas,Easter,Sacred,Standards. Score and parts. 14 pages. Kestutis Planciunas #4797341. Published by Kestutis Planciunas (A0.972723). Adopted for chamber orchestra where trombone plays solo. Suitable for intermediate level students. Best sounds in church. Composition length: 4 min 10 s.
$13.99 ≈
¥101.80
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Georg Friedrich Händel, Ali
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35: Ouv
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By Ge...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99 ≈
¥290.98
On The road To Mandalay for Baritone and Chamber Orchestra
On The road To Mandalay for Baritone and Chamber Orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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the time your soloist reaches
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Oley Speaks, Rudyard Kipling
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John Hoesly
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On The road To Mandalay for Ba
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.771583 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 1...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.771583 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 109 pages. PRS&B #379227. Published by PRS&B (A0.771583). On The Road To Mandalay- for Baritone and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Baritone (A Flat- D)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00 ≈
¥509.35
Forrest Gump - Score
Forrest Gump - Score
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Chamber Orchestra
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INTERMEDIATE
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Film/TV
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Alan Silvestri
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Flávio Régis Cunha
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Forrest Gump - Score
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.597203 Composed by Alan Silvestri. Arranged by Flávio Régis Cunha. 20th Century,Contemporary...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.597203 Composed by Alan Silvestri. Arranged by Flávio Régis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Instructional. Score and parts. 24 pages. Flavio Regis Cunha #4405850. Published by Flavio Regis Cunha (A0.597203). This is a beautiful arrangement for acoustic guitar, percussion and string orchestra. This music is of extreme beauty and simplicity. While the guitar performs the main melody, the string orchestra performs simple figurations, occasionally in divisi. Two lines of cellos were added to take better advantage of the instrument. Intermediate.Format: Concert, 9 x 12 inches.FULL SCOE AND ORCHESTRAL PARTS16 pages. Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
$49.99 ≈
¥363.75
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Sebastian Bach
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Flávio Régis Cunha
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Aria: Erbarme Dich, mein Gott
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. B...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and parts. 21 pages. Flavio Regis Cunha #4603489. Published by Flavio Regis Cunha (A0.597237). The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIntermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$14.99 ≈
¥109.07
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (9x12)
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (9x12)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Jamey Aston
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Far and Away: Concerto for Obo
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Montana Knites Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Kni...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Knites Publishing #5802253. Published by Montana Knites Publishing (A0.1025353). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 9 x 12 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95 ≈
¥254.31
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99 ≈
¥29.03
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (8 1/2 x 11)
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (8 1/2 x 11)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Jamey Aston
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Far and Away: Concerto for Obo
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Montana Knites Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Kni...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025352 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 82 pages. Montana Knites Publishing #5294211. Published by Montana Knites Publishing (A0.1025352). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 8 1/2 x 11 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!
$34.95 ≈
¥254.31
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