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25 sheet music found My Shot
My Shot # Brass ensemble # INTERMEDIATE # Contemporary # Albert Johnson, Christopher Wa # Max Stannard # My Shot # Max Stannard Music # SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.773472 Composed by Albert Johnson, Christopher Wallace, Kejuan Waliek Muchita, Lin-Manuel Miranda, Os...(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.773472 Composed by Albert Johnson, Christopher Wallace, Kejuan Waliek Muchita, Lin-Manuel Miranda, Osten Harvey, Jr., and Roger Troutman. Arranged by Max Stannard. Contemporary. Score and parts. 118 pages. Max Stannard Music #3588327. Published by Max Stannard Music (A0.773472). Hamilton: An American Musical is a sung- and rapped-through musical about the life of American Founding Father Alexander Hamilton, with music, lyrics, and book by Lin-Manuel Miranda, inspired by the 2004 biography Alexander Hamilton by historian Ron Chernow. Incorporating hip hop, R&B, pop, soul, traditional-style show tunes, and color-conscious casting of non-white actors as the Founding Fathers and other historical figures, the musical achieved both critical acclaim and box office success. This arrangement is of the second song to feature in the musical, My Shot, in which the background to Alexander Hamilton's character as he explains the struggles in his early life and his ambitions to create an independent country in America. To successfully perform this piece, it will be necessary for your brass band to partner with a rapper. This arrangement gives you the opportunity to add a piece from a sell out musical to your concert repertoire. Duration: 5.30 www.maxstannardmusic.com @MStannardMusic. Little Brown Jug for String Orchestra & Drum Kit
Little Brown Jug for String Orchestra & Drum Kit # String Orchestra # INTERMEDIATE # Joseph Eastburn Winner # Keith Terrett # Little Brown Jug for String Or # Keith Terrett # SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.746791 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. Folk,Jazz,Traditi...(+)
String Orchestra - Level 3 - Digital Download SKU: A0.746791 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. Folk,Jazz,Traditional. 30 pages. Keith Terrett #3532487. Published by Keith Terrett (A0.746791). An arrangement of Little Brown Jug for String Orchestra & Drum Kit.Little Brown Jug is a song written in 1869 by Joseph Winner, originally published credited to Eastburn (Winner’s middle name).It was originally a drinking song. It remained well known as a folk song into the early 20th century. Like many songs which make reference to alcohol, it enjoyed new popularity during the Prohibition era. In 1939, bandleader Glenn Miller recorded and broadcast his swing instrumental arrangement of the tune with great success, and the number became one of the best known orchestrations of the American Big Band era His version did not have the lyrics.In 1939, Glenn Miller and His Orchestra released a hit version of the song on RCA Bluebird, as an A side 78 single, B-10286-A, in a new arrangement by Bill Finegan backed with Pavanne. The recording was an early chart hit for Glenn Miller. The song was performed in Glenn Miller’s Carnegie Hall concert that year and became a staple of the Glenn Miller Orchestra repertoire and a classic of the Big Band era.The song was featured in and was central to the plot of the 1953 Universal Pictures film biography The Glenn Miller Story starring James Stewart and June Allyson.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://www.sheetmusicplus.com/search?Ntt=keith+terrett I'd Rather Be Blue Over You Than Be Happy With
I'd Rather Be Blue Over You Than Be Happy With # Concert band # INTERMEDIATE # Billy Rose and Fred Fisher # Chris Harris # I'd Rather Be Blue Over You Th # CHRIS HARRIS MUSIC # SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1002654 Composed by Billy Rose and Fred Fisher. Arranged by Chris Harris. 20th Century,Blues,Jazz,Jewis...(+)
Concert Band - Level 3 - Digital Download SKU: A0.1002654 Composed by Billy Rose and Fred Fisher. Arranged by Chris Harris. 20th Century,Blues,Jazz,Jewish,Standards. Score and parts. 38 pages. CHRIS HARRIS MUSIC #603763. Published by CHRIS HARRIS MUSIC (A0.1002654). I’D RATHER BE BLUE, THINKING OF YOU (than be happy with somebody else) was originally recorded by pioneering American songstress Fanny Brice in 1929. Since then it was featured in her biography “Funny Girl†when it was sung (and danced on roller-skates!) by Barbra Streisand. This is a FLEXIBLE ORCHESTRATION which implies that it is intended for community bands, bands in small schools, club bands etc. and can be played, not only by full bands or orchestras but by incomplete bands and bands that are made up of almost any mixture of instrument that you can imagine. To achieve this, the music is made up of five “Parts†or voices which are defined by pitch and key e.g. Part II Bb – Trumpet, Clarinet, Tenor saxophone etc. To those five are added additional parts for percussion, tuned percussion, piano and voice. I should mention here that, besides regular band or orchestral instruments, it is possible to include less used instruments such as harmonica, piano-accordion, ukulele, electric guitar – the list is endless! Lastly, it is possible to use flexible orchestrations for chamber groups of any size. They can be chosen by instrument family e.g. Woodwind quintet, or by particular instrument e.g. Clarinet Trio. PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full score + Set of Parts)
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full score + Set of Parts) # Orchestra # INTERMEDIATE/ADVANCED # Klezmer # Lev PULVER # Sergei PICHUGIN # PULVER Lev: Jewish Dance for V # Really Good Music, LLC. # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868902 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.868902 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4822415. Published by Really Good Music, LLC. (A0.868902). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance. PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Set of Parts)
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Set of Parts) # Orchestra # INTERMEDIATE/ADVANCED # Klezmer # Lev PULVER # Sergei PICHUGIN # PULVER Lev: Jewish Dance for C # Really Good Music, LLC. # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868899 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.868899 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 82 pages. Really Good Music, LLC. #4811241. Published by Really Good Music, LLC. (A0.868899). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance. PULVER Lev: "Freylekhs" Suite for Symphony Orchestra (Full score)
PULVER Lev: "Freylekhs" Suite for Symphony Orchestra (Full score) # Orchestra # INTERMEDIATE/ADVANCED # Lev PULVER # Sergei LEONOV # PULVER Lev: "Freylekhs" Suite # Really Good Music, LLC. # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868911 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/S...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.868911 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei LEONOV. 20th Century,Musical/Show,World. Score and parts. 89 pages. Really Good Music, LLC. #4834501. Published by Really Good Music, LLC. (A0.868911). The music to Freylekhs, one of the most significant and successful productions of the Moscow State Jewish Theater (GOSET), was composed by Lev PULVER (1883 – 1970) in 1945. This is its first publication, based on the autograph manuscripts of the score, realized and edited by Sergei LEONOV. The music to Freylekhs is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Leonov, includes a short biography of the composer and a description of Freylekhs. PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full Score + Viola Solo part)
PULVER Lev: Jewish Dance for Viola Solo and Symphony Orchestra (Full Score + Viola Solo part) # Orchestra # INTERMEDIATE/ADVANCED # Klezmer # Lev PULVER # Sergei PICHUGIN # PULVER Lev: Jewish Dance for V # Really Good Music, LLC. # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868903 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.868903 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 28 pages. Really Good Music, LLC. #4822417. Published by Really Good Music, LLC. (A0.868903). This is the first publication of the Jewish Dance for cello solo (arranged for viola solo) and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance. PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Cello Solo part)
PULVER Lev: Jewish Dance for Cello Solo and Symphony Orchestra (Full score + Cello Solo part) # Orchestra # INTERMEDIATE/ADVANCED # Klezmer # Lev PULVER # Sergei PICHUGIN # PULVER Lev: Jewish Dance for C # Really Good Music, LLC. # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.868900 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.868900 Composed by Lev PULVER (1883 – 1970). Arranged by Sergei PICHUGIN. 20th Century,Jewish,Standards,World. Score and parts. 25 pages. Really Good Music, LLC. #4811235. Published by Really Good Music, LLC. (A0.868900). This is the first publication of the Jewish Dance for cello solo and symphony orchestra by Lev PULVER (1883 – 1970), based on the autograph manuscript of the orchestral score, realized and edited by Sergei Pichugin. The piece was composed in 1942–43 in the midst of World War II. Presumably it was never performed since 1950, being completely forgotten. Jewish Dance is definitely among the masterpieces of Yiddish musical culture of the 20th century. Introductory text to the publication, written by Sergei Pichugin, includes a short biography of the composer and a description of the Jewish Dance. Symphony No. 5 ... Utopia Parkway (2003) full score
Symphony No. 5 ... Utopia Parkway (2003) full score # Orchestra # INTERMEDIATE/ADVANCED # Thomas Oboe Lee # Symphony No. 5 ... Utopia Park # Thomas Oboe Lee # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 p...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.869677 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. Score and parts. 147 pages. Thomas Oboe Lee #5968133. Published by Thomas Oboe Lee (A0.869677). Conceptually it all began a year ago when I came upon a book edited by Jonathan Safran Foer, A Convergence of Birds: Original Fiction and Poetry Inspired by the Work of Joseph Cornell. It is a beautiful book for the mind and the eyes: imaginative short stories and poetry alongside magnificently rendered color-plate reproductions of several Joseph Cornell box constructions. The book led me to a biography by Deborah Solomon, Utopia Parkway, and the germ of a symphonic work for Joseph Cornell was born.Symphony No. 5 ... Utopia Parkway is in five movements.I. Allegro marcato 3708 Utopia Parkway, Flushing, NYII. Lento The Enchanted Wanderer ... for Hedy LaMarr, 1941III. Avian scherzo Habitat Group for a Shooting Gallery, 1943IV. Allegro ... à la Can-can A Pantry Ballet ... for Jacques Offenbach, 1942 V. Moderato Apotheosis: Mary Baker Eddy, Christian ScientistJoseph Cornell lived most of his life with his mother and brother Robert at 3807 Utopia Parkway, Flushing, NY. The first movement, Allegro marcato, is a musical rendition of Joseph’s daily commute into Manhattan where he frequently visited dime stores, junk shops, used book stores, the New City Public Library, art galleries, movie houses and restaurants like Bickford’s and Schraft’s.The Enchanted Wanderer is a collage work on paper by Joseph Cornell – a tribute to Hedy Lamarr. Hollywood fascinated Cornell. He made several box constructions as tributes to movie stars like Lauren Bacall, Jennifer Jones, Greta Garbo, Audrey Hepburn, etc.Avian scherzo. Many of Cornell’s boxes featured cutout pictures of parakeets, parrots and cockatoos. Habitat Group for a Shooting Gallery is an especially evocative box of his aviary series. There are four birds in it, amidst other odds and ends. A number is attached to each one. There is a crack in the glass encasement – as if hit by a bullet. Blood splatters from the head of one of the birds. . In between the shooting gallery music, there is a Trio: a requiem for the dead cockatoo.Allegro ... à la Can-can. Cornell attended the ballet fervently. He made many box constructions inspired by ballet dancers: Fanny Cerrito, Marie Taglioni, Tamara Toumanova, Zizi Jeanmaire, Allegra Kent, etc. A Pantry Ballet for Jacques Offenbach is a very funny box with five red plastic lobsters in tutus. I provided a polka as background music. This movement is dedicated to Allegra Kent – a friend and confidante of Cornell.Joseph Cornell was an active member of the Christian Science Church for all of his adult life. He attended services regularly, and taught Sunday-school classes. For a while he even worked as an attendant in a Christian Science Reading Room in Great Neck, NY. In the Christian Science Hymnal I found several hymns written by the founder, Mary Baker Eddy, set to music by a number of different composers. I wrote a new tune to her hymn, Shepherd, show me how to go. The last movement, Apotheosis, is a theme and variations on this tune. It begins like a singing congregation, and it ends with the opening of Heaven’s doors – for Joseph, of course.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-5-utopia-parkway-2003 TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF) # Chamber Orchestra # ADVANCED # Classical # Georg Philipp Telemann # Sneakwood Editions # TELEMANN – VIOLIN CONCERTO I # Sneakwood Editions # SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Scor...(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com