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You've selected:
Baroque Concert band, Choral
ORCHESTRA - BAND
Sheetmusic to print
20 sheet music found
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1
ChorAlles - Easy Chorales for Junior or Beginning Band (grade 1)
ChorAlles - Easy Chorales for Junior or Beginning Band (grade 1)
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Concert band
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BEGINNER
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Sacred music
#
Ivan Marini
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ChorAlles - Easy Chorales for
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www.dalsegno.eu
#
SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.770426 Composed by Ivan Marini. Baroque,Contemporary,Instructional,Praise & Worship,Sacred. Score and p...
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Concert Band - Level 1 - Digital Download SKU: A0.770426 Composed by Ivan Marini. Baroque,Contemporary,Instructional,Praise & Worship,Sacred. Score and parts. 22 pages. Www.dalsegno.eu #5221533. Published by www.dalsegno.eu (A0.770426). Three very easy chorales for beginning or Junior Band.Accurately scored for Grade 1 with easy keys and limited ranges:Flute: 1 Octave (A to A)Oboe (opt.): 1 Octave (F to F)Clarinet: bottom G to throat ASaxophones: 1 Octave (G to G)Trumpet: 1 Octave (B to B)Horn: 1 Octave (C to C)Low Brass: 1 Octave (written C to C, sounding Bb to Bb)Two Timpani opt.Every instrument or family takes the lead for a well-changing sound despite the easy level.Extended cross-cueing for smaller and/or incomplete bands.Ideal for band classes but also as a warm-up or tuning exercise for more experienced players, for final concerts and for every sacred or worship event.Complete set with full score and parts: Flute/Oboe, Bb Clarinet, Bb Bass Clarinet (opt.), Eb Alto Sax, Bb Tenor Sax, Bb Trumpet, F Horn, C Bassoon/Trombone/Euphonium, Bb Euphonium TC, C Basses, Timpani (opt.).Duration ca. 4 mins., 6 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu
$2.99 ≈
2.76€
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
Gabrieli: Jubilate Deo Ch. 136 for Concert Band
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Concert band
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EASY
#
Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pa...
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Concert Band - Level 2 - Digital Download SKU: A0.549200 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Easter,Renaissance,Standards. 27 pages. Jmsgu3 #3458689. Published by jmsgu3 (A0.549200). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: small concert band, no percussion. Here is a stunningly beautiful example of Renaissance polyphony and a mesmerizing fast-paced recital number. Program this initially to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not tricky, but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and reverberation for maximum effect. Gabrieli may have invented dynamics – or was the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He indeed used these to create striking spatial effects between instrumental forces. Indeed, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a group response. Sometimes there was probably a third group near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Gabrieli’s later motets Sacrae Symphoniae (1597) seem to move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.34€
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
Gabrieli: Sonata Pian e Forte Ch. 175 for Concert Band
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Concert band
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INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Sonata Pian e Forte
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549215 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 47 pages. Jmsgu3 #3467666. Published by jmsgu3 (A0.549215). A musical monument: the first known composition in history to employ dynamics. Instrumentation: Medium-sized Concert Band. 1 PiccoloAt least 2 flutes, clarinets, alto & tenor saxesAt least 1 bass clarinetAt least  2 trumpets, horns, trombones & tubas4 timpaniScore: 20 pg. 81 measures. Duration: 3:45 at half-note = 86. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
44.34€
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
#
Concert band
#
INTERMEDIATE
#
Gabrieli
#
James M
#
Gabrieli: Canzon Septimi Toni
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jmsgu3
#
SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Part...
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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.34€
Rhapsody for Concert Band
Rhapsody for Concert Band
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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July 16th, Clara noted in her
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Brock Lupton
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Rhapsody for Concert Band
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Brock Lupton
#
SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Pub...
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Concert Band - Level 4 - Digital Download SKU: A0.942434 Arranged by Brock Lupton. Romantic Period. Score and parts. 84 pages. Brock Lupton #6879051. Published by Brock Lupton (A0.942434). Brahms composed the Alto Rhapsody, properly known as Rhapsody for Alto, Male Chorus, and Orchestra, opus 53 in 1869. It was first performed in Jena on March 3, 1870. The text is based on Harzreise im Winter (Winter Journey in the Harz Mountains), a poem by well-known German poet Johann Wolfgang von Goethe (1749-1832). The Alto Rhapsody, like many of Brahms’ works, has loneliness and alienation as its central themes. Brahms’ devotion to Clara Schumann, Robert Schumann’s widow, is well-known (the letters between her and Brahms fill two volumes). What is less well-known is that he was undoubtedly very fond of Julie Schumann, Clara’s daughter.In 1869, Brahms spent the summer near the Schumann’s residence and was in daily contact with Julie and Clara completing, among other works, the Liebeslieder (Love Song) Waltzes. In early July, Julie announced her engagement. Of course, I told Johannes first of all, Clara noted in her diary on the 11th. Soon after, the conductor Hermann Levi told her that Brahms had been devotedly attached to her daughter. By July 16th, Clara noted in her diary that Brahms speaks only in monosyllables . . . [and] treats Julie in the same manner, although he used to be so especially nice to her. Did he love her? Julie was married on September 22. Later on that very wedding day, Brahms called on Clara, who wrote in her diary, Johannes brought me a very wonderful piece . . . the words from Goethe’s Harzreise. . . He called it his bridal song. This piece seems to me neither more nor less than the expression of his own heart’s anguish. If only he would for once speak so tenderly! This piece is of course the dark and emotional Alto Rhapsody. Goethe’s poem Harzreise im Winter poetically describes the kind of life God intends for different temperaments. The three stanzas set by Brahms concern the fate of a man in fruitless struggle against the bonds of misery. A young man, turned misanthropic by sorrow, seeks solitude in the wilderness. The piece is in the baroque cantata style, with an opening recitative, and aria, and a concluding chorale. The alto describes the desolate winter landscape and in the final chorale joins the male chorus in a prayer for a melody that can bring comfort to the thirsting soul (indeed the plea restore his heart is repeated three times at the end, as a kind of Amen). In the Alto Rhapsody it is not hard to find evidence for Brahms’ statement that I speak through my music. The foregoing is from a program note written for a 1997 New York Choral Society performance of the Alto Rhapsody in observance of the centenary of the death of Johannes Brahms. It has been taken from the society web page http://www.nychoral.org/brahms/brahms3.htmlAn English translation of the German text used by Brahms SOLOBut down there, who is it?His path loses itself in the bush. Behind him the branches close. The grass stands up again. Desolation surrounds him. O, who heals the wounds of the one to whom balm has become poison, who drank hatred of people from the fullness of love? Once despised, now a despiser. Secretly he destroys himself in unsatisfying self-seeking. CHORUS If there is in your psaltery, Father of Love, a tone his ear can hear, let it enliven his heart. .
$20.00 ≈
18.49€
Three Bach Chorales - for Symphonic Band
Three Bach Chorales - for Symphonic Band
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Concert band
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EASY
#
Classical
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Johann Sebastian Bach
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Jason McChristian
#
Three Bach Chorales - for Symp
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Jason Gary McChristian
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.886147 Composed by Johann Sebastian Bach. Arranged by Jason McChristian. Baroque,Instructional,Standard...
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Concert Band - Level 2 - Digital Download SKU: A0.886147 Composed by Johann Sebastian Bach. Arranged by Jason McChristian. Baroque,Instructional,Standards. Score and parts. 49 pages. Jason Gary McChristian #3674773. Published by Jason Gary McChristian (A0.886147). Perfect as a warm-up exercise or a concert piece, Three Bach Chorales features Chorale 143. In dulci jubilo, Chorale 149. Nicht so traurig, nicht so sehr, and Chorale 211. Weltlich Ehre' und zeitlich Gut.
$40.00 ≈
36.99€
Concerto for 3 Violins in F Major, RV 551
Concerto for 3 Violins in F Major, RV 551
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Chamber Orchestra
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ADVANCED
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Classical
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Antonio Vivaldi
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Arte Nova Music Lab
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Concerto for 3 Violins in F Ma
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,Wor...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 73 pages. Arte Nova Music Lab #4598409. Published by Arte Nova Music Lab (A0.742470). Antonio Lucio Vivaldi (Italian: [anˈtÉ”Ënjo ˈluËtʃo viˈvaldi]; 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than fortyoperas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$30.00 ≈
27.74€
Concerto for 2 Cellos and Strings, RV 531 in G minor.
Concerto for 2 Cellos and Strings, RV 531 in G minor.
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String Orchestra
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ADVANCED
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Classical
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Antonio Vivaldi
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Arte Nova Music Lab
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Concerto for 2 Cellos and Stri
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.742474 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standar...
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String Orchestra - Level 5 - Digital Download SKU: A0.742474 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Easter,Standards,World. Score and parts. 50 pages. Arte Nova Music Lab #4601825. Published by Arte Nova Music Lab (A0.742474). Antonio Lucio Vivaldi 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than forty operas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$25.00 ≈
23.12€
Wachet auf ruft uns die Stimme - Choral and Prelude BWV 645 - Concert Band
Wachet auf ruft uns die Stimme - Choral and Prelude BWV 645 - Concert Band
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Concert band
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INTERMEDIATE
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Classical
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Johann Sebastian Bach
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Thomas Graf
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Wachet auf ruft uns die Stimme
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1111040 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score ...
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Concert Band - Level 3 - Digital Download SKU: A0.1111040 Composed by Johann Sebastian Bach. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 60 pages. Thomas Graf - the-hit-factory.com #713312. Published by Thomas Graf - the-hit-factory.com (A0.1111040). Perfect for any Christmas Concert About this arrangement: Instrumentation: Full Score Flute 1 Flute 2/ Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Alto 1 Alto 2 Tenor Sax Baritone Sax Flugelhorn (Solo) Trumpet 1 in Bb Trumpet 2/3 in Bb Horn in F Tenor Horn Baritone Horn Trombone Tuba Piano Guitar Bass in Bb Bass Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$25.00 ≈
23.12€
Messiah - Hallelujah - HWV 56 - Concert Band with Choir - C - Score Only
Messiah - Hallelujah - HWV 56 - Concert Band with Choir - C - Score Only
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Concert band
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INTERMEDIATE
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George Frideric Handel
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Thomas Graf
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Messiah - Hallelujah - HWV 56
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1112084 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christma...
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Concert Band - Level 3 - Digital Download SKU: A0.1112084 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 15 pages. Thomas Graf - the-hit-factory.com #714268. Published by Thomas Graf - the-hit-factory.com (A0.1112084). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter[n 2] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. About this arrangement: Instrumentation: Full Score Flute 1 Flute 2/Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F 1/3 Baritone 1 in Bb Baritone 2 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Soprano Alto Tenor Bass Piano Guitar cont Bass in Eb Bass in Bb Bass Guitar Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00 ≈
9.25€
Messiah - Hallelujah - HWV 56 - Concert Band - C - Score Only
Messiah - Hallelujah - HWV 56 - Concert Band - C - Score Only
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Concert band
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INTERMEDIATE
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George Frideric Handel
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Thomas Graf
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Messiah - Hallelujah - HWV 56
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1112086 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christma...
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Concert Band - Level 3 - Digital Download SKU: A0.1112086 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 15 pages. Thomas Graf - the-hit-factory.com #714270. Published by Thomas Graf - the-hit-factory.com (A0.1112086). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter[n 2] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. About this arrangement: Instrumentation: Full Score Flute 1 Flute 2/Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F 1/3 Baritone 1 in Bb Baritone 2 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Piano Guitar cont Bass in Eb Bass in Bb Bass Guitar Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00 ≈
9.25€
Messiah - Hallelujah - HWV 56 - Concert Band - C
Messiah - Hallelujah - HWV 56 - Concert Band - C
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Concert band
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INTERMEDIATE
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George Frideric Handel
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Thomas Graf
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Messiah - Hallelujah - HWV 56
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1112074 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christma...
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Concert Band - Level 3 - Digital Download SKU: A0.1112074 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 75 pages. Thomas Graf - the-hit-factory.com #714263. Published by Thomas Graf - the-hit-factory.com (A0.1112074). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter[n 2] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. About this arrangement: Instrumentation: Full Score Flute 1 Flute 2/Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F 1/3 Baritone 1 in Bb Baritone 2 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Piano Guitar cont Bass in Eb Bass in Bb Bass Guitar Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$25.00 ≈
23.12€
Messiah - Hallelujah - HWV 56 - Concert Band with Choir - C
Messiah - Hallelujah - HWV 56 - Concert Band with Choir - C
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Concert band
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INTERMEDIATE
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George Frideric Handel
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Thomas Graf
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Messiah - Hallelujah - HWV 56
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1112072 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christma...
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Concert Band - Level 3 - Digital Download SKU: A0.1112072 By George Frideric Handel. By George Frideric Handel. Arranged by Thomas Graf. Baroque,Christmas,Classical. Score and parts. 83 pages. Thomas Graf - the-hit-factory.com #714259. Published by Thomas Graf - the-hit-factory.com (A0.1112072). Messiah (HWV 56) is an English-language oratorio composed in 1741 by George Frideric Handel. The text was compiled from the King James Bible and the Coverdale Psalter[n 2] by Charles Jennens. It was first performed in Dublin on 13 April 1742 and received its London premiere nearly a year later. After an initially modest public reception, the oratorio gained in popularity, eventually becoming one of the best-known and most frequently performed choral works in Western music. About this arrangement: Will work fine both with and without Choir. Vocal parts included. Instrumentation: Full Score Flute 1 Flute 2/Oboe Bassoon Clarinet 1 in Bb Clarinet 2 in Bb Clarinet 3 in Bb Bass Clarinet in Bb Alto Saxophone 1 Alto Saxophone 2 Tenor Saxophone 1 Tenor Saxophone 2 Baritone Saxophone Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Horn in F 1/3 Baritone 1 in Bb Baritone 2 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Timpani Soprano Alto Tenor Bass Piano Guitar cont Bass in Eb Bass in Bb Bass Guitar Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$30.00 ≈
27.74€
A Mighty Fortress (Concert Band)
A Mighty Fortress (Concert Band)
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Concert band
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INTERMEDIATE
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Classical
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Jubal's Lyre Music
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Martin Dicke
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A Mighty Fortress
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Jubal's Lyre Music Publishers
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.918905 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Arranged by Martin Dicke. ...
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Concert Band - Level 3 - Digital Download SKU: A0.918905 By Jubal's Lyre Music. By Johann Pachelbel and Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Christian,Classical,Contest,Festival,Sacred. Score and Parts. 65 pages. Jubal's Lyre Music Publishers #6567815. Published by Jubal's Lyre Music Publishers (A0.918905). Here is a compelling setting of Martin Luther’s hymn A Mighty Fortress Is Our God (EIN FESTE BURG) by Johann Pachelbel (1653-1750). Originally composed for organ, it has been arranged for Concert Band with optional keyboard. Two harmonizations of the isometric version of the hymn are also provided. The first is a standard harmonization found in many hymnals. The second is based on the concluding Chorale of Cantata 80 by Johann Sebastian Bach (1685-1750). Including the music of both Bach and Pachelbel, this arrangement serves as an excellent introduction to the music of the Baroque era and the contributions of great Lutheran composers. It also provides opportunities to discuss the time of the Reformation. For worship the arrangement can be played alone or it can be used to accompany congregational singing. The Full Score is formatted for legal-size paper (8.5x14) while the parts are formatted for letter-size paper (8.5x11). Additional arrangements are available for Brass, Woodwind Quintet, and Strings. For more music and information, visit www.jubalslyre.com/music.
$40.00 ≈
36.99€
CHORAL PRELUDE BWV 727 "Herzlich thut mich verlangen"
CHORAL PRELUDE BWV 727 "Herzlich thut mich verlangen"
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Concert band
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JEAN SEBASTIEN BACH
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Olivier Costa
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CHORAL PRELUDE BWV 727 "Herzli
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OLIVIER COSTA
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SheetMusicPlus
Concert Band - Digital Download SKU: A0.993425 Composed by JEAN SEBASTIEN BACH. Arranged by Olivier Costa. Baroque,Contemporary,Wedding. Score and parts....
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Concert Band - Digital Download SKU: A0.993425 Composed by JEAN SEBASTIEN BACH. Arranged by Olivier Costa. Baroque,Contemporary,Wedding. Score and parts. 30 pages. OLIVIER COSTA #3897475. Published by OLIVIER COSTA (A0.993425). CHORAL PRELUDE BWV 727 Herzlich thut mich verlangenOrchestration FlexiblePARTIE 1 : Flute Clarinette Sib Trompette Sib Violon PARTIE 2 : Flute/Hautbois/Violon Clarinette Sib Trompette Sib Saxophone Alto Mib PARTIE 3 : Clarinette Sib Trompette Sib Saxophone alto Mib Saxophone ténot Sib Cor en Fa Alto PARTIE 4 : Trombone Basson/Violoncelle Saxophone ténor Sib/Euphonium en Sib Cor en Fa PARTIE 5 : Basson/Contrebasse Clarinette basse Sib/Euphonium Sib Saxophone Baryton Mib Tuba Ut/Trombone
$20.00 ≈
18.49€
Bach, J.S.: Chorale Prelude: Ein' Feste Burg Ist Unser Gott, BWV 720 (transcribed for band by Stev
Bach, J.S.: Chorale Prelude: Ein' Feste Burg Ist Unser Gott, BWV 720 (transcribed for band by Stev
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Concert band
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ADVANCED
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Classical
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Johann Sebastian Bach
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Steve Reisteter
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Bach, J.S.: Chorale Prelude: E
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Steve Reisteter
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SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.925206 Composed by Johann Sebastian Bach. Arranged by Steve Reisteter. Baroque. Score and parts. 77 pag...
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Concert Band - Level 5 - Digital Download SKU: A0.925206 Composed by Johann Sebastian Bach. Arranged by Steve Reisteter. Baroque. Score and parts. 77 pages. Steve Reisteter #5195511. Published by Steve Reisteter (A0.925206). This is a transcription for concert band of the organ chorale prelude Ein' Feste Burg Ist Unser Gott (A Mighty Fortress Is Our God), BWV 720.
$20.00 ≈
18.49€
Jesu, Joy of Man's Desiring (Chorale from Cantata #147)
Jesu, Joy of Man's Desiring (Chorale from Cantata #147)
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Concert band
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INTERMEDIATE/ADVANCED
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Classical
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Joh
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Marc Oliver
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Jesu, Joy of Man's Desiring
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.732964 Composed by Joh. Seb. Bach. Arranged by Marc Oliver. Baroque. Score and parts. 36 pages. Ayotte ...
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Concert Band - Level 4 - Digital Download SKU: A0.732964 Composed by Joh. Seb. Bach. Arranged by Marc Oliver. Baroque. Score and parts. 36 pages. Ayotte Custom Musical Engravings #2002787. Published by Ayotte Custom Musical Engravings (A0.732964).
$59.99 ≈
55.47€
Stille, stille! ist die Losung
Stille, stille! ist die Losung
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Concert band
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EASY
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Classical
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Johann Sebastian Bach
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Juanjo Gallego
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Stille, stille! ist die Losung
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Juanjo Gallego
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1028662 Composed by Johann Sebastian Bach. Arranged by Juanjo Gallego. Baroque,Christmas,Easter,Holiday...
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Concert Band - Level 2 - Digital Download SKU: A0.1028662 Composed by Johann Sebastian Bach. Arranged by Juanjo Gallego. Baroque,Christmas,Easter,Holiday,Wedding. Score and parts. 21 pages. Juanjo Gallego #4360805. Published by Juanjo Gallego (A0.1028662). This J.S Bach choral has been instrumented for concert band without percussion and with an approximate difficulty level of 2.5 A very appropriate arrangement for liturgical celebrations.
$11.00 ≈
10.17€
Suite Pastiche: No. 7
Suite Pastiche: No. 7
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Concert band
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INTERMEDIATE
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Classical
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Gilles Arcens
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Suite Pastiche: No. 7
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FLEX Editions - Digital Sheet Music
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SheetMusicPlus
Concert Band Concert Band - Grade 3 - Digital Download SKU: FX.FX070913 Composed by Gilles Arcens. Classical. Score and Set of Parts. FLEX Editions - Dig...
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Concert Band Concert Band - Grade 3 - Digital Download SKU: FX.FX070913 Composed by Gilles Arcens. Classical. Score and Set of Parts. FLEX Editions - Digital Sheet Music #FX070913. Published by FLEX Editions - Digital Sheet Music (FX.FX070913). We are now in Baroque epoch, with a Piece in Bach's choral style.
$28.95 ≈
26.77€
Little Song
Little Song
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Brass ensemble
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EASY
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Classical
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Johann Sebastian Bach
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Willie Garza
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Little Song
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Willie Garza
#
SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.997451 Composed by Johann Sebastian Bach. Arranged by Willie Garza. Baroque,Instructional,Standards. ...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.997451 Composed by Johann Sebastian Bach. Arranged by Willie Garza. Baroque,Instructional,Standards. Score and parts. 19 pages. Willie Garza #5726455. Published by Willie Garza (A0.997451). The piece was written as a duet that has been arranged as a beginning concert band piece. The arrangement still has the duet aspect in each section with the first and second parts which could be another way of featuring certain sections of the ensemble. With the addition of low brass instruments brings more depth with a subtle Bach choral vibe. Along with the standard beginning band orchestration, the arrangement has a piano and bass guitar part. This is a great piece to start focusing on tone and intonation for beginning instrumentalists. Definitely a great addition for proper band warm-ups and concert program piece.
$12.00 ≈
11.10€
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Baroque Concert band, Choral
