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1,163 sheet music found Concertino For Two Solo Violins and Strings (School Arrangement)
Concertino For Two Solo Violins and Strings (School Arrangement) # String Orchestra # INTERMEDIATE/ADVANCED # Geraldine Green # Geraldine Green # approx # Concertino For Two Solo Violin # Geraldine # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1296875 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,C...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1296875 By Geraldine Green. By Geraldine (Denny) Green. Arranged by Geraldine Green. 21st Century,Chamber,Children,Classical. Score and Parts. 92 pages. Geraldine (Denny) Green at Oakmountmusic #887025. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1296875). ALL PURCHASES COME WITH SCORE AND PARTSWritten in May 2013 – Duration; approx. 10 minutesStandard of solo parts; Approx. Grade 7/8There are 4 arrangements available:No.1 – School Arrangement – 2 Solo violins, Violins 1, 2 and 3 and cellos. The cello part does divide into 2 in places throughout.No.2 – Standard Arrangement – 2 solo violins, Violins 1 and 2, violas, cellos and double bassesNo.3 – Piano reduction – for 2 solo violins and pianoNo. 4 – Arrangement for Flute, violin and piano The piece is light-hearted and tuneful and in simple ternary form. The outer sections are perky, playful and dance-like, and they frame a slow, luscious middle section where the soloists have some high harmonics.I would guess that the orchestral players would need to be at about Grade 4/5 upwards to manage this comfortably. Concertino For Two Solo Violins and Strings (Standard Arrangement)
Concertino For Two Solo Violins and Strings (Standard Arrangement) # String Orchestra # INTERMEDIATE/ADVANCED # Geraldine # approx # Concertino For Two Solo Violin # Geraldine # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1296861 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Par...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1296861 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 88 pages. Geraldine (Denny) Green at Oakmountmusic #887011. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1296861). ALL PURCHASES COME WITH SCORE AND PARTSWritten in May 2013 – Duration; approx. 10 minutesStandard of solo parts; Approx. Grade 7/8There are 4 arrangements available:No.1 – School Arrangement – 2 Solo violins, Violins 1, 2 and 3 and cellos. The cello part does divide into 2 in places throughout.No.2 – Standard Arrangement – 2 solo violins, Violins 1 and 2, violas, cellos and double bassesNo.3 – Piano reduction – for 2 solo violins and pianoNo. 4 – Arrangement for Flute, violin and piano The piece is light-hearted and tuneful and in simple ternary form. The outer sections are perky, playful and dance-like, and they frame a slow, luscious middle section where the soloists have some high harmonics.I would guess that the orchestral players would need to be at about Grade 4/5 upwards to manage this comfortably. THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A
THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS A # Jazz Ensemble # INTERMEDIATE # Classical # Joe Procopio These arrangement # Johann Sebastian Bach # Joe Procopio # THE BACH JAZZ SONATA FROM THE # JoeCopio Music LLC # SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score ...(+)
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.876417 Composed by Johann Sebastian Bach. Arranged by Joe Procopio. Baroque,Jazz. Score and parts. 42 pages. JoeCopio Music LLC #2032001. Published by JoeCopio Music LLC (A0.876417). THE BACH JAZZ SONATA FROM THE 3RD MOVEMENT OF THE FLUTE/VIOLIN SONATA II IN Eb* FOR Eb INSTRUMENTS Arr. By Joe Procopio These arrangements by Joe Procopio from J.S. Bach’s Flute/Violin Sonata II in Eb are special in many ways. Firstly, it fills the need for the very best in music combining the genres of both Classical and Jazz. In addition, it is also importantly unique because it may be performed by a variety of musicians. For example, the arrangement in C may be performed by 2 or more C Instruments including Flute, Piccolo, Oboe and Violin with a small band accompaniment (Piano, Guitar, Bass, and Drums - Guitar is optional). The work may also be performed with just the Piano and/or Guitar for accompaniment. What’s more, the Rhythm Track Accompaniment is available without the solo instruments adding to the already many attributes of this music that enhance its inherent genuine global appeal. This is critical because teachers, students and musicians worldwide are constantly seeking music of the highest quality that can be skillfully presented to the public while having, at the same time, built-in qualities both pleasing to the listener and the performer alike. Bach’s melodies have certainly stood the test of time and Jazz is without question internationally popular. That makes these arrangements truly worthy of attention from people, artists and publishers throughout the world. The composer personally has had great success with this work in many major concerts including its premier performance using a Flute Choir at a Civic Center Concert held in Syracuse, NY before several thousand people who triumphed the young musicians with a standing ovation. The melody by J.S. Bach used in this work is taken from the Bach-Gesellschaft Ausgabe Band 9 and 1 Kammermusik BWV 1031- known as the complete works of Johann Sebastian Bach which was published in 46 volumes from 1851-1899. A single volume was issued in 1926. The last surviving editor of the series died in 1928, and these volumes are now public domain worldwide. They are also held in acclaim because there are no articulation or expression marks in the Gesellshaft. Therefore, the articulation and expression marks written in these arrangements by the arranger are suggestions only. Musicians may perform the works in any manner best suited to the betterment of their own performance. ATON part 1-Orchestermusik - woodwind, strings, piano, timpani
ATON part 1-Orchestermusik - woodwind, strings, piano, timpani # David Warin Solomons # ATON part 1-Orchestermusik - w # David Warin Solomons # SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.576179 Composed by David Warin Solomons. Contemp...(+)
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.576179 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 17 pages. David Warin Solomons #4553. Published by David Warin Solomons (A0.576179). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten. Queen Of The Waves (String Orchestra and Piano)
Queen Of The Waves (String Orchestra and Piano) # Sacred music # Stephen DeCesare # Stephen DeCesare # 2, Viola 1 & # Queen Of The Waves # Exultet Music # SheetMusicPlus
String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.618728 By Stephen DeCesare. By Unknown. Arranged by Stephen DeCesare. Chris...(+)
String Ensemble Cello,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.618728 By Stephen DeCesare. By Unknown. Arranged by Stephen DeCesare. Christian,Praise & Worship,Sacred,Standards,Traditional. 21 pages. Exultet Music #1795693. Published by Exultet Music (A0.618728). French Hymn sung by the Sisters as they prayed for Our Lady's protection has now been arranged for String Orchestra. Scored for Violin 1 & 2, Viola 1 & 2, Cello, Flute, and Piano. An SATB version and accompaniment track is also available. Tune That Thang. For flute, violin, C instruments.
Tune That Thang. For flute, violin, C instruments. # Jazz combo # INTERMEDIATE/ADVANCED # George Arvola, Virginia Mathew # Tune That Thang. For flute, vi # George Arvola and Virginia Mathews # SheetMusicPlus
Jazz Combo - Level 4 - Digital Download SKU: A0.947513 Composed by George Arvola, Virginia Mathews. Concert,Holiday,Instructional,Jazz,Standards. Score a...(+)
In the Outhouse Blues for flute, violin, C instruments.
In the Outhouse Blues for flute, violin, C instruments. # Jazz combo # INTERMEDIATE/ADVANCED # George Arvola, Virginia Mathew # In the Outhouse Blues for flut # George Arvola and Virginia Mathews # SheetMusicPlus
Jazz Combo - Level 4 - Digital Download SKU: A0.947495 Composed by George Arvola, Virginia Mathews. Blues,Concert,Holiday,Instructional,Standards. Score ...(+)
Dance of the Reed Flutes from the Nutcracker for String Quartet (or Mixed Quartet or Piano Quintet)
Dance of the Reed Flutes from the Nutcracker for String Quartet (or Mixed Quartet or Piano Quintet) # Chamber Orchestra # INTERMEDIATE/ADVANCED # Christmas # Peter Ilyich Tschaikovsky # Daniel Kelley # Cello, Piano Quartet & # Dance of the Reed Flutes from # Last Resort Music Publishing # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530736 Composed by Peter Ilyich Tschaikovsky. Arranged by Daniel Kelley. Baroque,Christmas,Standar...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530736 Composed by Peter Ilyich Tschaikovsky. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 12 pages. Last Resort Music Publishing #4887859. Published by Last Resort Music Publishing (A0.530736). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com Flute Mystery Op.66a (Alto Flute version)
Flute Mystery Op.66a (Alto Flute version) # String Orchestra # INTERMEDIATE/ADVANCED # Contemporary # Flint Juventino Beppe # Flute Mystery Op.66a # The FJB Fingerprint # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.990570 Composed by Flint Juventino Beppe. Contemporary. Score and parts. 54 pages. The FJB Fingerpr...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.990570 Composed by Flint Juventino Beppe. Contemporary. Score and parts. 54 pages. The FJB Fingerprint #3030219. Published by The FJB Fingerprint (A0.990570). Op.66 is dedicated to Sir James Galway, and was first performed in Washington D.C. on the 5th of October 2006 by Galway and the National Symphony Orchestra, conducted by Leonard Slatkin (Alto Flute version).Version for Flute in C, Op.66b, first performed in 2008 by flutist Judith Hall, harpist Willy Postma and the Pluri_Art Festival Orchestra, conducted by Viacheslav Valeev. UK premiere in 2009 by flutist Emily Beynon, harpist Catherine Beynon and the Philharmonia Orchestra, conducted by Vladimir Ashkenazy.A piano reduction is also available (Op.66c).In order to achieve the best results of the use of divisi, it is recommended to have a minimum of string players available:Violin I - 8 playersViolin II - 8 playersViola - 6 playersCello - 5 playersContrabass - 3 playersBigger string groups are preferable.Fermata duration is meant to constitute an addition of half of the duration of the note. E.g. a fermata over a quarter note should have a duration of a quarter note / rest + a eighth note / rest.«Whilst this is instantly attractive, melodic music, if one looks under the surface one finds so much more. There are many attractive depths to this atmospheric music.» The Classical Reviewer (UK)Further details: http://www.fjb.space/publishing/flutemusic.html NB! The attached audio is the version for Flute in C (Op.66b), performed by Emily Beynon, Catherine Beynon and Philharmonia Orchestra, conducted by Vladimir Ashkenazy. Available on the album Flute Mystery (2L-058-SABD). All rights reserved by the producers Lindberg Lyd AS and Flint Juventino Beppe.© Flint Juventino Beppe | All rights reserved Flute Mystery Op.66b
Flute Mystery Op.66b # String Orchestra # INTERMEDIATE/ADVANCED # Contemporary # Flint Juventino Beppe # Flute Mystery Op.66b # The FJB Fingerprint # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.990569 Composed by Flint Juventino Beppe. Contemporary. Score and parts. 54 pages. The FJB Fingerpr...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.990569 Composed by Flint Juventino Beppe. Contemporary. Score and parts. 54 pages. The FJB Fingerprint #3029577. Published by The FJB Fingerprint (A0.990569). Op.66 is dedicated to Sir James Galway, and was first performed in Washington D.C. on the 5th of October 2006 by Galway and the National Symphony Orchestra, conducted by Leonard Slatkin (Alto Flute version).Version for Flute in C, Op.66b, first performed in 2008 by flutist Judith Hall, harpist Willy Postma and the Pluri_Art Festival Orchestra, conducted by Viacheslav Valeev. UK premiere in 2009 by flutist Emily Beynon, harpist Catherine Beynon and the Philharmonia Orchestra, conducted by Vladimir Ashkenazy.A piano reduction is also available (Op.66c).In order to achieve the best results of the use of divisi, it is recommended to have a minimum of string players available:Violin I - 8 playersViolin II - 8 playersViola - 6 playersCello - 5 playersContrabass - 3 playersBigger string groups are preferable.Fermata duration is meant to constitute an addition of half of the duration of the note. E.g. a fermata over a quarter note should have a duration of a quarter note / rest + a eighth note / rest.«Whilst this is instantly attractive, melodic music, if one looks under the surface one finds so much more. There are many attractive depths to this atmospheric music.» The Classical Reviewer (UK)Further details: http://www.fjb.space/publishing/flutemusic.htmlNB! The attached audio is performed by Emily Beynon, Catherine Beynon and Philharmonia Orchestra, conducted by Vladimir Ashkenazy. Available on the album Flute Mystery (2L-058-SABD). All rights reserved by the producers Lindberg Lyd AS and Flint Juventino Beppe.© Flint Juventino Beppe | All rights reserved Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren # Chamber Orchestra # INTERMEDIATE/ADVANCED # Classical # Claude Debussy/Robert Orledge # Claude Debussy: Sérénade for # Musik Fabrik Music Publishing # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.