Digital sheet music, access after purchasing
Sheetmusic to print
93 sheet music found Opera for Kids - La traviata
Opera for Kids - La traviata # Concert band # BEGINNER # Giuseppe Verdi # Nuno Figueiredo # Opera for Kids - La traviata # Nuno Figueiredo # SheetMusicPlus
Concert Band - Level 1 - Digital Download SKU: A0.1452263 Composed by Giuseppe Verdi. Arranged by Nuno Figueiredo. 19th Century,Children,Opera. 56 pages....(+)
Concert Band - Level 1 - Digital Download SKU: A0.1452263 Composed by Giuseppe Verdi. Arranged by Nuno Figueiredo. 19th Century,Children,Opera. 56 pages. Nuno Figueiredo #1031586. Published by Nuno Figueiredo (A0.1452263). La Traviata Opera for Kids (Grade 1) Contents: Libiamo, ne lieti calici Includes: Full score, transposed flexible parts Instrumentation: (flexible / transpositions) Flute Oboe (flute, clarinet in Bb or clarinet in Eb) Clarinet in Bb1 (or clarinet in Eb) Clarinet in Bb2 (or alto saxophone) Alto Saxophone (or clarinet in Bb) Trumpet 1 Trumpet 2 Horn in F (trumpet, horn in Eb or euphonium in C/Bb) Trombone (horn in F, horn in Eb, euphonium in C/Bb, bassoon or quint bassoon) Low Brass & Woodwing (tuba in C/Bb/Eb, euphonium in C/Bb, bassoon or quint bassoon) Timpani Mallets Percussion I - Snare drumPercussion II - CymbalsPercussion III - Bass drum and trianglePiano (advanced and optional). La Califfa
La Califfa # Chamber Orchestra # INTERMEDIATE # Ennio Morricone # Flavio Regis Cunha # La Califfa # Flavio Regis Cunha # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1261422 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Chamber,Contest,...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1261422 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Chamber,Contest,Festival,Instructional,Wedding. Score and Parts. 18 pages. Flavio Regis Cunha #854497. Published by Flavio Regis Cunha (A0.1261422). Are you looking for the perfect piece to add to your school or professional orchestra’s repertoire? Look no further than 'La Califfa (Lady Caliph)' composed by Ennio Morricone and arranged for small orchestra by Flavio Regis Cunha. This timeless classic is sure to be a hit with audiences of all ages. With its lush strings, powerful brass, and stirring rhythm, 'La Califfa (Lady Caliph)' will bring your orchestra to life. Get your copy today and experience the beauty of this timeless masterpiece.INSTRUMENTATIONOBOE (Flute Optional) HORN IN F TRUMPET IN Bb PERCUSSION (vibraphone, optional Glokenspiel) PIANO VIOLIN 1 VIOLIN 2 VIOLA VIOLONCELLO DOUBLE BASS  Intermediate levelFormat: Concert, 9 x 12 inches18 pagesFull Score + Orchestral Parts. La Danza (Tarantella Napoletana) - for baritone in B and Concert Band
La Danza (Tarantella Napoletana) - for baritone in B and Concert Band # Concert band # INTERMEDIATE/ADVANCED # Gioachino Rossini # La Danza # Igor Zugrov # SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.859793 Composed by Gioachino Rossini. Arranged by Arranged by Igor Zugrov For Concert Band. Classical,O...(+)
Concert Band - Level 4 - Digital Download SKU: A0.859793 Composed by Gioachino Rossini. Arranged by Arranged by Igor Zugrov For Concert Band. Classical,Opera,Standards,World. Score and parts. 70 pages. Igor Zugrov #15899. Published by Igor Zugrov (A0.859793). Includes score and orchestral parts. Total: 69 pages. Orchestra: Flute1, Flute2/Piccolo, Oboe, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bassoon, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone saxophone, Horn in F 1, Horn in F 2, Horn in F 3, Horn in F 4, Trumpet in Bb 1, Trumpet in Bb 2, Trombone 1, Trombone 2, Trombone 3, Bass Trombone, Baritone in Bb Solo, Cornet in Bb 1, Cornet in Bb 2, Euphonium/Baritone in Bb 1, Euphonium/Baritone in Bb 2, Tuba 1, Tuba 2, Drum Set, Triangle, Bass Drum, Tambourine, Electric Guitar, Bass Guitar. La Danza Tarantella Napoletana - for Baritone in B and Concert Band
La Danza Tarantella Napoletana - for Baritone in B and Concert Band # Concert band # INTERMEDIATE # Gioachino Antonio Rossini # Igor Zugrov For Concert Band # La Danza Tarantella Napoletana # Igor Zugrov # SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.859808 Composed by Gioachino Antonio Rossini (1792 – 1868). Arranged by Igor Zugrov For Concert ...(+)
Concert Band - Level 3 - Digital Download SKU: A0.859808 Composed by Gioachino Antonio Rossini (1792 – 1868). Arranged by Igor Zugrov For Concert Band. Opera,Romantic Period,Standards. Score and parts. 70 pages. Igor Zugrov #24363. Published by Igor Zugrov (A0.859808). Includes score and orchestral parts. Total: 70 pages. Orchestra: Flute1, Flute2/Piccolo, Oboe, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bassoon, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone saxophone, Horn in F 1, Horn in F 2, Horn in F 3, Horn in F 4, Trumpet in Bb 1, Trumpet in Bb 2, Trombone 1, Trombone 2, Trombone 3, Bass Trombone, Baritone in Bb Solo, Cornet in Bb 1, Cornet in Bb 2, Euphonium/Baritone in Bb 1, Euphonium/Baritone in Bb 2, Tuba 1, Tuba 2, Drum Set, Triangle, Bass Drum, Tambourine, Electric Guitar, Bass Guitar. La Danza (Tarantella Napoletana) - for Baritone in B and Concert Band
La Danza (Tarantella Napoletana) - for Baritone in B and Concert Band # Concert band # INTERMEDIATE/ADVANCED # Gioachino Antonio Rossini # Igor Zugrov For Concert Band # La Danza # Igor Zugrov # SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.859805 Composed by Gioachino Antonio Rossini (1792 – 1868). Arranged by Igor Zugrov For Concert ...(+)
Concert Band - Level 4 - Digital Download SKU: A0.859805 Composed by Gioachino Antonio Rossini (1792 – 1868). Arranged by Igor Zugrov For Concert Band. Classical,Opera,Standards,World. Score and parts. 70 pages. Igor Zugrov #23479. Published by Igor Zugrov (A0.859805). Includes score and orchestral parts. Total: 69 pages. Orchestra: Flute1, Flute2/Piccolo, Oboe, Clarinet in Bb 1, Clarinet in Bb 2, Clarinet in Bb 3, Bassoon, Alto Saxophone 1, Alto Saxophone 2, Tenor Saxophone 1, Tenor Saxophone 2, Baritone saxophone, Horn in F 1, Horn in F 2, Horn in F 3, Horn in F 4, Trumpet in Bb 1, Trumpet in Bb 2, Trombone 1, Trombone 2, Trombone 3, Bass Trombone, Baritone in Bb Solo, Cornet in Bb 1, Cornet in Bb 2, Euphonium/Baritone in Bb 1, Euphonium/Baritone in Bb 2, Tuba 1, Tuba 2, Drum Set, Triangle, Bass Drum, Tambourine, Electric Guitar, Bass Guitar. Albeniz/Leytush – “La Vega”, (The Alhambra)
Albeniz/Leytush – “La Vega”, (The Alhambra) # Orchestra # ADVANCED # Classical # Isaac Albeniz # A # Albeniz/Leytush – “La Vega # Arkady Leytush # SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. A...(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1076412 Composed by Isaac Albeniz. Arranged by A. Leytush. 20th Century. Score and parts. 96 pages. Arkady Leytush #680568. Published by Arkady Leytush (A0.1076412). Orchestra: Piccolo, Flute, Oboe, English Horn, Clarinet in B flat, Soprano Saxophone, Bass Clarinet, 2 Bassoons, 4 Horns in F, 2 Trumpets in B flat, 2 Trombones, Bass Trombone, Tuba, Timpani, Percussion: Triangle, Castanets, Maracas, Snare drum, Cymbals, Gong, Tam-tam, Bass drum, Harp and Strings. - Advanced Intermediate - Digital Download Composed by Isaac Albeniz (1860-1909). Arranged by Arkady Leytush. Romantic Period, Impressionistic, Repertoire, European. 96 pages. Published by Arkady Leytush (S0.616185). Item Number: S0.616185 The composition of La Vega completed in 1897. It is interesting to note that Albeniz almost completely abandoned the composition of piano works after La Vega, although his fame was mainly focused on the works for this instrument. Although La Vega was planned as part of a cycle of melodies written on poems by his patron Money-Coutts and was therefore used as an independent piece of an orchestra suite, this work was originally composed for piano. According to the autographed dating found on the last page of the manuscript, Albeniz finished La Vega at first on January 26, 1897 in Auteuil, in a Paris neighborhood. In the course of the following weeks, decided to make profound changes. He deleted the last five pages of the Vega, added six at the beginning and composed a different ending of seven more pages. This revision ended in Paris on February 14, 1897, and Albeniz wrote down on the last page: La Alhambra, symphonic suite on poems by F. B. Money-Coutts: nº 1: La Vega. La Vega is an evocation of the Granada plains on the edge of the city, a musical reflection, as the composer put it, contemplated from the Alhambra Palace. Claude Debussy, on hearing Albeniz play the piece, enthusiastically told him of his wish to immediately go and discover Granada. Viva La Vida
Viva La Vida # Concert band # INTERMEDIATE # Pop music # Coldplay # Jon Buckland, Will Champion, C # Lorenzo Bocci # Viva La Vida # Lorenzo Bocci # SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1462020 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Lorenz...(+)
Concert Band - Level 3 - Digital Download SKU: A0.1462020 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Lorenzo Bocci. Pop. 105 pages. Lorenzo Bocci #1040756. Published by Lorenzo Bocci (A0.1462020). VIVA LA VIDA performed by Coldplayfor Concert Band - Grade 3 - Digital Download Composed by Jon Buckland, Will Champion, Chris Martin, Guy Berryman. Arranged by Lorenzo Bocci. Pop. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 4'00''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Timpani, Drum Set, Percussion (Tubolar Bells, Sus. Cymb.), Electric Guitar, Piano.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Viva la Vida is a song by British rock band Coldplay. It was written by all members of the band for their fourth album, Viva la Vida or Death and All His Friends (2008). The lyrics to the song contain historical and Christian references, and the track is built around a looping string section in unison with a digitally processed piano, with other layers gradually being added as the song builds. The track was first made available as part of the album pre-order on 7 May 2008, being released individually on 25 May 2008 as the album's second single. Debuting to critical acclaim and commercial success, Viva la Vida reached the top spot of the UK Singles Chart and Billboard Hot 100, becoming the band's first number-one single in both the U.S. and U.K. The song also won the Grammy Award for Song of the Year at the 51st Annual Grammy Awards in 2009. Subscribe to my YouTube Channel to stay updated on new releases. Ob-la-di, Ob-la-da
Ob-la-di, Ob-la-da # Brass ensemble # INTERMEDIATE # Rock # The Beatles # David Catherwood # Ob-la-di, Ob-la-da # Opus 3 Music # SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.739492 By The Beatles. By John Lennon and Paul McCartney. Arranged by David Catherwood. Rock. Score a...(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.739492 By The Beatles. By John Lennon and Paul McCartney. Arranged by David Catherwood. Rock. Score and parts. 18 pages. Opus 3 Music #5713355. Published by Opus 3 Music (A0.739492). Ob-La-Di, Ob-La-DaThis great tune by the Beatles in a simple but effective arrangement.Whilst this arrangement is suitable for school ensembles, The arrangement also allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for parts for all orchestra, concert band or brass band players - Will also be useful for String Quartets, Brass ensembles etc..A full set contains a score and a generous set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C ( Flute, Oboe, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in Eb (Alto Saxophone, Eb Horn)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Bb Bass Tuba (treble clef)Drum kit (Guide) La Virgen De La Macarena
La Virgen De La Macarena # Concert band # INTERMEDIATE # Arturo Sandoval # B # Marco Pasquini # La Virgen De La Macarena # Arr. by Marco Pasquini # SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1307467 By Arturo Sandoval. By Monteverde Bautista and Ortiz Calero. Arranged by Marco Pasquini. 20th C...(+)
Concert Band - Level 3 - Digital Download SKU: A0.1307467 By Arturo Sandoval. By Monteverde Bautista and Ortiz Calero. Arranged by Marco Pasquini. 20th Century,Christian,Latin,Mariachi,Pop. Score and Parts. 93 pages. Arr. by Marco Pasquini #896752. Published by Arr. by Marco Pasquini (A0.1307467). The Basilica of the Macarena is famous for the Virgin of the Macarena, venerated in Seville as the protector of bullfighters. The piece by B. Monterde is arranged by Marco Pasquini for Trumpet and complete Concert Band (with cadence), but the version by the great trumpeter Rafael Mendez is certainly very famous. Bernardino Bautista Monterde (1880-1959) was a Spanish composer. Little is known of his life other than his most famous composition, La Virgen de la MacarenaINSTRUMENTATIONConductor, Bb Soloist Trumpet (with cadenza), Flute, Oboe, Eb Piccolo Clarinet, Bb Clarinet 1, Bb Clarinet 2, Bb Clarinet 3, Bb Bass Clarinet, Bb Soprano Sax, Eb Alto Sax 1, Eb Alto Sax 2, Bb Tenor Sax, Eb Baritone Sax, F Horn 1, F Horn 2, F Horn 3, Trumpet 1, Trumpet 2, Trumpet 3, Trombone 1 e 2, Euphonium 1 e 2, Tuba, Mallets, Timpani, Snare Drum, Bass Drum & Cymbals, Percussion (Nacchere) Optional parts:Bassoon 1 e 2, Eb Horn 1, 2 e 3, TC Trombone 1 e 2, TC Euphonium 1 e 2, TC TubaDuration: 4'30Concert Band - Level 3 - Digital Download Composed by B.B. Monterde. Arranged by Marco Pasquini Concert Band. Ethnic Music. 93 pages. Published by Marco Pasquini on ArrangeMe [Score + Set of Parts included]. L' heure de la Mort (for Orchestra with Cello Solo)
L' heure de la Mort (for Orchestra with Cello Solo) # Orchestra # INTERMEDIATE # Contemporary # Tito Abeleda # L' heure de la Mort # Visionary Quest Records # SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.984558 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 73 pages. Visionary Ques...(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.984558 Composed by Tito Abeleda. 20th Century,Contemporary. Score and parts. 73 pages. Visionary Quest Records #5712563. Published by Visionary Quest Records (A0.984558). L' heure de la Mort means the hour of death. L’ heure de la Mort allows one to reflect and to contemplate about the sanctity of life. Musicians, young and seasoned, will find this piece easily accessible and enjoyable for learning and performing. Audiences will identify with the musical emotionality conveyed in this piece as it takes its listeners on a vivid epic journey filled with much pathos. L' heure de la Mort (for Orchestra with Cello Solo) was composed by Tito Abeleda (1964 - ). Digital Download = 73 pages Level = Advanced IntermediateInstruments: Flute 1-2, Oboe, Clarinet 1-2, Bassoon1-2, Horn 1-4, Trumpet1-4, Trombone1-2, Timpani, Snare Drum, Bass Drum, Tubular Bells, Orchestral Bells, Cymbals, Piano, Violin 1-2, Viola 1-2, Violoncello Solo, Violoncello 1-2, ContrabassContact Tito for original compositions -Email: tito@visionaryquestrecords.comPRO: BMI.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunesSpecial Thanks to Ivan Siarbolin - photographer for sheet music cover. Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra # Jazz # Silvano A # Introduction, Theme and Variat # Soundnotation # SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music. Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra # Jazz # Silvano A # Introduction, Theme and Variat # Soundnotation # SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...(+)
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - Digital Download SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.