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1,243 sheet music found Vivaldi - Concerto in F major RV 569 for Two Oboes, Bassoon, Two Horns, Violin, Cello, Strings and C
Vivaldi - Concerto in F major RV 569 for Two Oboes, Bassoon, Two Horns, Violin, Cello, Strings and C # Chamber Orchestra # INTERMEDIATE/ADVANCED # Classical # Santino Cara # Santino Cara # Vivaldi - Concerto in F major # Santino Cara # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1083697 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 1...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1083697 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 169 pages. Santino Cara #687906. Published by Santino Cara (A0.1083697). Complete score and Parts of the Concerto in F major RV 569 for Oboes, Bassoon, Horns, Violin and Cello concertanti, Strings and Cembalo. Composed in Venice in 1718? by Antonio Vivaldi. Reconstructed and elaborated in Rome in 2019 by Santino Cara. 3 Movements: 1. Allegro, 2. Grave, 3. Allegro. Instrumentation: Oboe 1 and 2, Bassoon, Horn 1 and 2 in F, Violin concertante, Cello concertante, Violins 1 and 2 ripieni, Violas, Violoncellos, Double Basses, Cembalo. Sources: On the manuscript it says: Concerto with several instruments probably refers to the Concerto Grosso No.3. In the section of the Horns it says: Hunting horns. Documents found at the Pio Ospedale della Pietà in Venice dating back to 1710/1730 speak of Vivaldi's composition of a Concerto Grosso with oboes and hunting horns. Serenade Rondo (2013) for violin solo and chamber orchestra
Serenade Rondo (2013) for violin solo and chamber orchestra # Chamber Orchestra # INTERMEDIATE/ADVANCED # Thomas Oboe Lee # Serenade Rondo # Thomas Oboe Lee # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. S...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 36 pages. Thomas Oboe Lee #2071135. Published by Thomas Oboe Lee (A0.869428). Instrumentation: oboe, english horn, 2 french horns, and strings. I met Sharon Roffman in the fall of 2011 when maestro Steven Lipsitt and the Boston Classical Orchestra premiered my Symphony No. 8 … The City of Light at Faneuil Hall in Boston, Massachusetts. Sharon was the featured concerto soloist on the same program. She was an electrifying soloist in concertos by Mozart and Haydn, respectively. She wowed every one with her chops and musicality! A year later I went to hear Sharon and the BCO again, and this time I said to Steven Lipsitt that I want to write a concerto for Sharon. He thought it was great idea, and so did she. The title Serenade Rondo has the same acronym as Sharon Roffman. So in this case, the form precedes the composition. Originally I had planned to compose the concerto in the usual three-movement format. And I thought I was going to make the last movement a rondo, something in the usual ABACA thing. But as I proceeded with the composition, I realized that the work was moving in such a way that the whole thing could be conceived of as a rondo. Ultimately Serenade Rondo ended up in this form: ABACDAAudio link: https://thomasoboelee.bandcamp.com/album/serenade-rondo-2013Video link: https://youtu.be/4UPHQlqVNp8 Concerto for Two Oboes in C Major, Op. 9 No. 9 and String Orchestra
Concerto for Two Oboes in C Major, Op. 9 No. 9 and String Orchestra # String Orchestra # ADVANCED # Classical # Tomaso Albinoni # Don Werdick (1946 - ) # II score, Oboe I & # Concerto for Two Oboes in C Ma # Chamber Ensemble of Minnesota, Inc. # SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.955172 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score a...(+)
String Orchestra - Level 5 - Digital Download SKU: A0.955172 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 87 pages. Chamber Ensemble of Minnesota, Inc. #6140431. Published by Chamber Ensemble of Minnesota, Inc. (A0.955172). Complete score and parts of the Concerto for Two Oboes in C Major, Op. 9, No. 9 and String Orchestra , composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes Oboe I & II score, Oboe I & II separate parts and Double Bass part with figured bass notation. Movements: 1. Allegro 2. Adagio Legato 3. Allegro Time: 10 minutes, 35 seconds Full Score + Parts: Oboe I & II Parts, Oboe Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. The Oboe solo arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing. Double Oboe d’amore Concerto in A Major, Op. 9 No. 12 and String Orchestra
Double Oboe d’amore Concerto in A Major, Op. 9 No. 12 and String Orchestra # Renaissance # Tomaso Albinoni # Don Werdick (1946 - ) # Double Oboe d’amore Concerto # Chamber Ensemble of Minnesota, Inc. # SheetMusicPlus
Small Ensemble Cello,Double Bass,Oboe d'Amore,Viola - Level 4 - Digital Download SKU: A0.955182 Composed by Tomaso Albinoni (1671-1751). Arranged by Don ...(+)
Small Ensemble Cello,Double Bass,Oboe d'Amore,Viola - Level 4 - Digital Download SKU: A0.955182 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Renaissance. Score and parts. 61 pages. Chamber Ensemble of Minnesota, Inc. #6415585. Published by Chamber Ensemble of Minnesota, Inc. (A0.955182). Complete score and parts of T. Albinoni’s Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra, arranged for Oboe d’amore and String Orchestra in A Major by D Werdick. Includes separate Oboe d’amore I & II score and solo parts. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 9 minutes, 0 seconds Full Score + Parts: Oboe d’amore I & II Parts, Oboe d’amore Score, Violin I, Violin II, Viola, Cello, Double Bass. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing. Double Oboe Concerto in D Major, Op. 9 No. 12 and String Orchestra
Double Oboe Concerto in D Major, Op. 9 No. 12 and String Orchestra # Classical # Tomaso Albinoni # Don Werdick (1946 - ) # II score, Oboe I & # Double Oboe Concerto in D Majo # Chamber Ensemble of Minnesota, Inc. # SheetMusicPlus
Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955178 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick ...(+)
Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955178 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 61 pages. Chamber Ensemble of Minnesota, Inc. #6402777. Published by Chamber Ensemble of Minnesota, Inc. (A0.955178). Complete score and parts of the Concerto for Two Oboes in D Major, Op. 9, No. 12 and String Orchestra , composed/first edition in 1722 by T. Albinoni, arranged by D Werdick. Includes Oboe I & II score, Oboe I & II separate parts and Double Bass part with figured bass notation. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 9 minutes, 0 seconds Full Score + Parts: Oboe I & II Parts, Oboe Score, Violin I, Violin II, Viola, Cello, Double Bass with figured bass notation. During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music. 2021 Chamber Ensemble of Minnesota, Inc. Publishing. Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren # Chamber Orchestra # INTERMEDIATE/ADVANCED # Classical # Claude Debussy/Robert Orledge # Claude Debussy: Sérénade for # Musik Fabrik Music Publishing # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot. Ange Flégier: Dixtuor for flute, oboe, clarinet, bassoon, horn, two violins, viola, violoncello and
Ange Flégier: Dixtuor for flute, oboe, clarinet, bassoon, horn, two violins, viola, violoncello and # Chamber Orchestra # INTERMEDIATE/ADVANCED # Classical # Ange Flégier # Ange Flégier: Dixtuor for flu # Musik Fabrik Music Publishing # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534544 Composed by Ange Flégier. Romantic Period. Score and parts. 13 pages. Musik Fabrik Music...(+)
Ange Flégier: Dixtuor for flute, oboe, clarinet, bassoon, horn, two violins, viola, violoncello and
Ange Flégier: Dixtuor for flute, oboe, clarinet, bassoon, horn, two violins, viola, violoncello and # Chamber Orchestra # INTERMEDIATE/ADVANCED # Classical # Ange Flégier # Ange Flégier: Dixtuor for flu # Musik Fabrik Music Publishing # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534545 Composed by Ange Flégier. Romantic Period. Score and parts. 13 pages. Musik Fabrik Music...(+)
Concerto for Oboe d’amore in C Major, Op. 7 No. 12 and String Orchestra
Concerto for Oboe d’amore in C Major, Op. 7 No. 12 and String Orchestra # Classical # Tomaso Albinoni # Don Werdick (1946 - ) # Concerto for Oboe d’amore in # Chamber Ensemble of Minnesota, Inc. # SheetMusicPlus
Small Ensemble Cello,Double Bass,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.955145 Composed by Tomaso Albinoni (1671-1751). Arranged by Don W...(+)
Small Ensemble Cello,Double Bass,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.955145 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 54 pages. Chamber Ensemble of Minnesota, Inc. #4883281. Published by Chamber Ensemble of Minnesota, Inc. (A0.955145). Arrangement by: Don Werdick (1946 - ) Complete score and parts of the Concerto for Oboe in C Major, Op. 7, No. 12 and String Orchestra , composed in 1715 by T. Albinoni, arranged for Oboe d’amore by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 8 minutes, 30 seconds Full Score + Parts: Oboe d’amore, Violin I, Violin II, Viola, Cello, Double Bass 2019 Chamber Ensemble of Minnesota, Inc. Concerto for Oboe in D Minor, Op. 9 No. 2 and String Orchestra
Concerto for Oboe in D Minor, Op. 9 No. 2 and String Orchestra # Classical # Tomaso Albinoni # Don Werdick (1946 - ) # Concerto for Oboe in D Minor, # Chamber Ensemble of Minnesota, Inc. # SheetMusicPlus
Small Ensemble Cello,Double Bass,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.955147 Composed by Tomaso Albinoni (1671-1751). Arranged by Don W...(+)
Small Ensemble Cello,Double Bass,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.955147 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 71 pages. Chamber Ensemble of Minnesota, Inc. #5315019. Published by Chamber Ensemble of Minnesota, Inc. (A0.955147). Complete score and parts of the Concerto for Oboe in D Minor, Op. 9, No. 2 and String Orchestra , composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 11 minutes, 45 seconds Full Score + Parts: Oboe, Violin I, Violin II, Viola, Cello, Double Bass 2020 Chamber Ensemble of Minnesota, Inc. Publishing Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings) # Chamber Orchestra # INTERMEDIATE # Sacred music # Johann Sebastian Bach # Flavio Regis Cunha # Aria: Erbarme Dich, mein Gott # FRC Music # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.496445 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.496445 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easter,Praise & Worship,Sacred. Score and parts. 21 pages. FRC Music #110623. Published by FRC Music (A0.496445). The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo. Intermediate Level Fomat: Concert 9 x 12 inches. 21 pages. Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings) # Chamber Orchestra # INTERMEDIATE/ADVANCED # Classical # Johann Sebastian Bach # Flávio Régis Cunha # Aria: Erbarme Dich, mein Gott # Flavio Regis Cunha # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. B...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and parts. 21 pages. Flavio Regis Cunha #4603489. Published by Flavio Regis Cunha (A0.597237). The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIntermediate Level Fomat: Concert 9 x 12 inches. 21 pages. Concerto for Oboe d’amore in E Minor, Op. 9 No. 8 and String Orchestra
Concerto for Oboe d’amore in E Minor, Op. 9 No. 8 and String Orchestra # String Orchestra # ADVANCED # Classical # Tomaso Albinoni # Don Werdick (1946 - ) # Concerto for Oboe d’amore in # Chamber Ensemble of Minnesota, Inc. # SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.955164 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score a...(+)
String Orchestra - Level 5 - Digital Download SKU: A0.955164 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 70 pages. Chamber Ensemble of Minnesota, Inc. #5884095. Published by Chamber Ensemble of Minnesota, Inc. (A0.955164). Complete score and parts of the Concerto for Oboe in G Minor, Op. 9, No. 8 and String Orchestra, composed in 1722 by T. Albinoni, arranged in E minor for Oboe d’amore and string orchestra by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 12 seconds Full Score + Parts: Oboe d’amore, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This arrangement for Oboe d’amore offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Concerto for Oboe in Bb Major, Op. 9 No. 11 and String Orchestra
Concerto for Oboe in Bb Major, Op. 9 No. 11 and String Orchestra # Classical # Tomaso Albinoni # Don Werdick (1946 - ) # Concerto for Oboe in Bb Major, # Chamber Ensemble of Minnesota, Inc. # SheetMusicPlus
Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955166 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick ...(+)
Small Ensemble Cello,Double Bass,Oboe,Viola - Level 4 - Digital Download SKU: A0.955166 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 83 pages. Chamber Ensemble of Minnesota, Inc. #6026099. Published by Chamber Ensemble of Minnesota, Inc. (A0.955166). Complete score and parts of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra , composed in 1722 by T. Albinoni, arranged by D Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds Full Score + Parts: Oboe Solo, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. The Oboe solo arrangement part offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing. Concerto for Oboe D’amore in G Major, Op. 9 No. 11 and String Orchestra
Concerto for Oboe D’amore in G Major, Op. 9 No. 11 and String Orchestra # String Orchestra # ADVANCED # Classical # Tomaso Albinoni # Don Werdick (1946 - ) # Concerto for Oboe D’amore in # Chamber Ensemble of Minnesota, Inc. # SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.955170 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score a...(+)
String Orchestra - Level 5 - Digital Download SKU: A0.955170 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 86 pages. Chamber Ensemble of Minnesota, Inc. #6050973. Published by Chamber Ensemble of Minnesota, Inc. (A0.955170). Complete score and parts of the Concerto for Oboe in Bb Major, Op. 9, No. 11 and String Orchestra, composed in 1722 by T. Albinoni, arranged in G Major for String Orchestra and Oboe d’amore by D. Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 10 minutes, 50 seconds Full Score + Parts: Oboe d’amore Solo, Violin I, Violin II, Viola, Cello, Double Bass During the Baroque period (c. 1600 to 1750) music written in the Italian style, and German music to a lesser degree, scores and solo parts contain little (if any) information about elements like articulation, ornamentation or dynamics, so the soloists and ensemble players needed to make their own informed choices before each performance. This Oboe d’amore solo arrangement offers dynamics, articulations, ornamentation and nuances of tone color as to how to effectively present the composition and can help the performer to build on these ideas to effectively communicate the sense of the music ... 2020 Chamber Ensemble of Minnesota, Inc. Publishing. Concerto for Oboe d’amore, Op. 9 No. 2 and String Orchestra
Concerto for Oboe d’amore, Op. 9 No. 2 and String Orchestra # String Orchestra # INTERMEDIATE/ADVANCED # Classical # Tomaso Albinoni # Don Werdick (1946 - ) # Concerto for Oboe d’amore, O # Chamber Ensemble of Minnesota, Inc. # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.955150 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score a...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.955150 Composed by Tomaso Albinoni (1671-1751). Arranged by Don Werdick (1946 - ). Baroque. Score and parts. 71 pages. Chamber Ensemble of Minnesota, Inc. #5320173. Published by Chamber Ensemble of Minnesota, Inc. (A0.955150). Complete score and parts of the Concerto for Oboe in D Minor, Op. 9, No. 2 and String Orchestra , composed in 1722 by T. Albinoni, arranged in B Minor for Oboe d’amore and String Orchestra by D. Werdick. Movements: 1. Allegro 2. Adagio 3. Allegro Time: 11 minutes, 45 seconds Full Score + Parts: Oboe d’amore, Violin I, Violin II, Viola, Cello, Double Bass 2020 Chamber Ensemble of Minnesota, Inc. Publishing Far and Away: Concerto for Oboe and String Orchestra in A flat Major (9x12)
Far and Away: Concerto for Oboe and String Orchestra in A flat Major (9x12) # Chamber Orchestra # INTERMEDIATE/ADVANCED # Contemporary # Jamey Aston # Far and Away: Concerto for Obo # Montana Knites Publishing # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Kni...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1025353 Composed by Jamey Aston. 20th Century,Contemporary. Score and parts. 77 pages. Montana Knites Publishing #5802253. Published by Montana Knites Publishing (A0.1025353). Concerto for Oboe and String Orchestra: Far and AwayOboe, Violin I & II, Solo Violin, Viola, Cello, Contrabass*Optimized for 9 x 12 in paperAn intermediate level piece suitable for college level or advanced high school orchestras. Far and Away is a semi-thematic piece. The first movement is pastoral in nature with a gentle melody and strong call and response between the oboe and the orchestra. The driving second movement, The Adventure, is true to its name with a constant string ostinato keeping the listener on the edge of their seat. The Journey Home, the third movement, is light and jovial with some emotional surprises for the audience. Duration: 19 minutes. First movement 9 minutes. Second and third movements each approximately 5 minutes.Publisher: Montana Knites Publishing ASCAPFacebook: @jameyastonTwitter: @JameyAstonwww.montanaknites.comI would love to hear you play this! If you do, please contact me at jamey.aston@montanaknites.com and let me know where I can see your performance!