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PIANO Piano and Orchestra
ORCHESTRA - BAND
Sheetmusic to print
4,904 sheet music found
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4901
Australia Our Land - Orchestra with SATB Choir and Piano
Australia Our Land - Orchestra with SATB Choir and Piano
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Orchestra
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INTERMEDIATE
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Brendan James Elliget NotePerf
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Brendan James Elliget MAGA 537
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Australia Our Land - Orchestra
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BJE Music
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Bren...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1033685 By Brendan James Elliget NotePerformer 3. By Brendan James Elliget MAGA 537. Arranged by Brendan James Elliget MAGA 537. Classical,Contemporary,Patriotic. Score and parts. 41 pages. BJE Music #638998. Published by BJE Music (A0.1033685). The words for this song were written as a poem by my late mother-in-law Olivia Morgan (94) about the love of her adopted country Australia. She originally came from her ancestral home in England when she was 14. She spent her early years in Australia on a cattle station. Many years later she wrote a poem. Olivia asked me to set her poem to music, which I did in 1990 in the style of an anthem. It has since been performed by the local symphony orchestra and full choir. This setting is for SATB Choir and Orchestra with or without piano accompaniment. The MP3 was recorded with NotePerformer… Grade = 3 Duration = 2:35 mins Full lyrics: Australia Our Land Australia great and fair Contained in azure sea Her beauty lies 'neath southern skies Enchanted wide and free From oceans pounded shore Through outback's silent space O'er desert sands and city strands She shows her varied face. Where high the eagle flies And mighty rivers run There rolling plains of golden grain Reflect the west'ring sun In bushland's shaded scene By mountain's dreaming haze There bird-land calls cascading falls Combine their songs of praise. Our country's bounteous gifts Extend from shore to shore In history's place, Her pride and grace Will live forever more This land that keeps our heart Afar though we may roam On land or sea Yet still to be Australia our dear home. (Repeat last two lines) Sung by Christine Neaves (Daughter of Brendan and Glenys Elliget) Words by Olivia Morgan (Mother of Glenys Elliget) Music by Brendan Elliget Copyright © 1996 BJE Music You can listen to the Vocal version at: https://www.bjemusic.com/store/p149/Australia%2C_Our_Land_-_SATB_Choir_or_Solo_Voice_with_Piano_PDF.html.
$28.00 ≈
$38.85
Sing, Sing, Sing [Chicago + big band] (full score & set of parts)
Sing, Sing, Sing [Chicago + big band] (full score & set of parts)
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Big band
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ADVANCED
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Rock
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Chicago
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Patrick Sheehan
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Sing, Sing, Sing [Chicago + bi
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SheetMusicPlus
Rock Band - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 87 pages. Published by Patrick Sheehan ...
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Rock Band - Advanced - Digital Download By Chicago. Arranged by Patrick Sheehan. Score, Set of Parts. 87 pages. Published by Patrick Sheehan
Transcribed as recordedby CHICAGO for their album CHICAGO “NIGHT AND DAY” (big band album) released in1995.
INSTRUMENTATION:Lead Vocal I, Lead Vocal II, Lead Vocal III, Background Vocal I, BackgroundVocal II, BackgroundVocal III, Background Vocal IV, Background Vocal V, Tenor Saxophone (Bb),Trumpet (Bb), Trombone, Grand Piano, Hammond B-3 Organ, Solo Flamenco Guitar,Acoustic Guitar II, Bass, Shaker, Whistle, Sleigh Bells, BongoDrums, Conga Drums, Drumset.
*** Score is 8.5” x 14” “legal” sizepaper, parts are standard 8.5”x11” size.
ABOUTTHE ARRANGER: Patrick Sheehan has servedas a professional music arranger, transcriptionist and copyist since 1999, andhas over 1,000 works in his catalog spanning various genres: wind band,orchestra, chamber music, along with pop & rock selections. His modus operandi centers around creatingarrangements and transcriptions that are true to the original definitiveversions and strives to produce clean and easy-to-read music. For questions or more information, pleasecontact the arranger at PatrickSheehanMusic@GMail.com.
$50.00 ≈
$69.38
Piano Concerto No. 3 James Nathaniel Holland, Individual Instrument Parts ONLY
Piano Concerto No. 3 James Nathaniel Holland, Individual Instrument Parts ONLY
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Orchestra
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ADVANCED
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Contemporary
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James Nathaniel Holland
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Piano Concerto No. 3 James Nat
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730446 Composed by James Nathaniel Holland. Contemporary. Score and parts. 146 pages. James Nathaniel...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730446 Composed by James Nathaniel Holland. Contemporary. Score and parts. 146 pages. James Nathaniel Holland #3525483. Published by James Nathaniel Holland (A0.730446). Concerto No. 3 for Piano and Orchestra, Original Music by James Nathaniel Holland Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html Duration: 22 minutes INDIVIDUAL INSTRUMENT PARTS ONLY, INCLUDING SOLO PIANO PART The beautiful and mystical third piano concerto of 21st Century American composer James Nathaniel Holland, a very mystical and romantic piece that follows somewhat in the vein of Russian composer Rachmaninoff. Instrumentation: fl/picc, fl2, ob12, clbb12, bsn 12, hrn123, tpt 123, trm12, tba, tim, 2 perc (hand cym, ride cym w/sft mall/ tri/high hat), bsdrm/glk/gong, pno solo, hrp, strings YouTube Video Presentation of Piano with Orchestra: https://youtu.be/juYohREyCBY Full Score only, full score with individual parts, 2 pianos/4 hands score sold separately.
$34.95 ≈
$48.50
Jazz Brazilian Piano Concerto No 1 in Three Movements (Full Score and Individual Parts)
Jazz Brazilian Piano Concerto No 1 in Three Movements (Full Score and Individual Parts)
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Orchestra
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ADVANCED
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James Nathaniel Holland
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Jazz Brazilian Piano Concerto
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730384 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin,Multicultural,World. 379 pages. J...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730384 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin,Multicultural,World. 379 pages. James Nathaniel Holland #3073409. Published by James Nathaniel Holland (A0.730384). American composer James Nathaniel Holland brings the piano and orchestra together with a Brazilian beat in this exciting new piano concerto. Virtuosic, rhythmic and beautiful it would any nice addition to any concert, summer outdoor concert or any classical pianist looking for a jazz piece vehicle. Â Offered here full score and all individual parts, including piano solo part. 2 Pianos/4 hands, full score with parts, or parts only sold separately. CD To Warmer Climes (Symphony No 2 and Piano Concerto No. 1) also available on-line.Instrumentation: Fl1, Alto fl/fl2, ob12, cl1, bcl/cl2, bsn1, cbsn/bsn2, h1234, tpt 12, trmb12,btrm1, tim, prc (sus. cym (st./mall), tri./cow bell, agogos, pandeiro, bdrm(or surdo)) piano soloist, vln solo, stringsMovement 1 - Slow Samba Six Days in Rio Movement 2 - Slow South American Nights Movement 3 - Fast Samba Brazilian Carnival (Duration: 35 minutes).
$55.95 ≈
$77.64
Concerto No. 4 for Piano and Orchestra "The Bells" Full Score and Parts
Concerto No. 4 for Piano and Orchestra "The Bells" Full Score and Parts
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Orchestra
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ADVANCED
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Contemporary
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James Nathaniel Holland
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Concerto No. 4 for Piano and O
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730521 Composed by James Nathaniel Holland. Contemporary. Score and parts. 224 pages. James Nathaniel Holland #6198859. Published by James Nathaniel Holland (A0.730521). Full Score (in concert pitch) and individual parts including the solo piano part. American classical music composer James Nathaniel Holland brings you the fourth of his piano concertos, a two movement piece called The Bells The first is the lonely chime ringing from a cathedral over the city or countryside, a style reminiscent of Debussy and Ravel, and a beautiful 2nd singing theme in right hand. The second movement transports us to the mystic Italian castle high on the mountain. Instrumentation in the orchestral is: Picc/Fl1, fl2, ob12, cl Bb 12, Bsn 12, Hrn 123,Tpt Bb 1.2.3. (sometimes with mute), trmb 12, tba, timpPercussion Player #1 and #2, Bass Drum/Glockenspiel/Chimes, Piano Soloist, Strings This publication is for 4 hands and 2 pianos (orchestra reduction) to be used for rehearsal. Duration: 25 minutes. One of the easier piano concertos in the repertoire. YouTube video demo: https://youtu.be/WbK8Mc7N-sc.
$25.95 ≈
$36.01
Jazz Brazilian Piano Concerto No 1 in Three Movements (Individual Parts Only)
Jazz Brazilian Piano Concerto No 1 in Three Movements (Individual Parts Only)
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Orchestra
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ADVANCED
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James Nathaniel Holland
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Jazz Brazilian Piano Concerto
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730385 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin,Multicultural,World. 241 pages. J...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730385 Composed by James Nathaniel Holland. Contemporary,Jazz,Latin,Multicultural,World. 241 pages. James Nathaniel Holland #3073415. Published by James Nathaniel Holland (A0.730385). American composer James Nathaniel Holland brings the piano and orchestra together with a Brazilian beat in this exciting new piano concerto. Virtuosic, rhythmic and beautiful it would any nice addition to any concert, summer outdoor concert or any classical pianist looking for a jazz piece vehicle.  Offered here individual parts only.  Full score only, 2 Pianos/4 hands, full score with parts, or CD To Warmer Climes sold separately.Instrumentation: Fl1, Alto fl/fl2, ob12, cl1, bcl/cl2, bsn1, cbsn/bsn2, h1234, tpt 12, trmb12,btrm1, tim, prc (sus. cym (st./mall), tri./cow bell, agogos, pandeiro, bdrm(or surdo)) piano soloist, vln solo, stringsMovement 1 - Slow Samba Six Days in Rio Movement 2 - Slow South American Nights Movement 3 - Fast Samba Brazilian Carnival (Duration: 35 minutes).
$35.95 ≈
$49.89
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
Concerto n° 1 for cembalo [fortepiano] and orchestra in C major - Score Only
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Orchestra
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INTERMEDIATE
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Opera
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Classical
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Johann Simon Mayr
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Fabrizio Capitanio & Michele G
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Concerto n° 1 for cembalo [fo
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Centur...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317490 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio & Michele Galvagno. 19th Century,Instructional,Opera,Romantic Period. 110 pages. Artistic Score Engraving di Galvagno Michele #906154. Published by Artistic Score Engraving di Galvagno Michele (A0.1317490). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible.A reduction for two pianos is available under Catalogue N° ASE 0051, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque!
$45.00 ≈
$62.44
Concertino for Solo Violin, Solo Cello, Solo Piano and Orchestra (Full Score and All Parts)
Concertino for Solo Violin, Solo Cello, Solo Piano and Orchestra (Full Score and All Parts)
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Orchestra
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ADVANCED
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Contemporary
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James Nathaniel Holland
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Concertino for Solo Violin, So
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730454 Composed by James Nathaniel Holland. Contemporary. Score and parts. 221 pages. James Nathaniel...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730454 Composed by James Nathaniel Holland. Contemporary. Score and parts. 221 pages. James Nathaniel Holland #3544313. Published by James Nathaniel Holland (A0.730454). FULL SCORE AND ALL INDIVIDUAL PARTS (Including Solos). The concertino, a form from the eighteenth century that features two or more soloists with orchestra. Here American composer James Nathaniel Holland has composed a three movement piece for solo violin, solo cello, and solo piano with orchestra. I. Divine Goddess, II. The Saddest Song, III. Bruegel's Seven Deadly Sins. Reduced piano score (with solo parts), Full Score only sold separately. Instrumentation: picc, fl12, ob12, eh, clBb 12, bsn 12, cbsn, hrn 1234, tpt 12, trmb 12, tba, timp, perc (bdrm, hand cym/susp. cym with soft mall., tri, temple blks, gong) harp, soloists, strings Duration: 24 minutes YouTube Presentation: https://youtu.be/BxiTM50KwCk Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$39.95 ≈
$55.44
Alexander Glazunov - Grand Concert Waltz in E-Flat Major, Op. 41, For Piano and Orchestra, Orche
Alexander Glazunov - Grand Concert Waltz in E-Flat Major, Op. 41, For Piano and Orchestra, Orche
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Orchestra
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Classical
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Alexander Glazunov
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Arkady Leytush
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both, pianists and conductors
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Alexander Glazunov - Grand Con
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.1008425 Composed by Alexander Glazunov. Arranged by Arkady Leytush. Romantic Period. Score and parts. 82 pages....
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Full Orchestra - Digital Download SKU: A0.1008425 Composed by Alexander Glazunov. Arranged by Arkady Leytush. Romantic Period. Score and parts. 82 pages. Arkady Leytush #6599291. Published by Arkady Leytush (A0.1008425). Glazunov's orchestral repertoire includes two famous waltzes op. 47 and 51. Big concert waltz op. 41 was written exclusively for piano. I had a great desire to change the salon scale of this work, moving it to the concert stage, making a transcription for piano with a large symphony orchestra. The structure and periodicity of the musical form allowed me to realize this idea as a dialogue, a duet of a soloist and an orchestra. In some episodes, only the orchestra or only the solo piano sounds, while a number of other places are more like a typical concert for piano and orchestra. I hope this new transcription should be of an interest for both, pianists and conductors. Considering the compactness of the sound (7 minutes), this piece could, for example, decorate a concert program after performing a concert for piano and orchestra as an encore.
$60.00 ≈
$83.26
Celtiberian Landscape For Harp And Orquestra
Celtiberian Landscape For Harp And Orquestra
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Orchestra
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EASY
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Lu...
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99 ≈
$34.68
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95 ≈
$41.56
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pag...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95 ≈
$54.05
Mussorgsky: Pictures at an Exhibition for Piano and String Orchestra
Mussorgsky: Pictures at an Exhibition for Piano and String Orchestra
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String Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Modest Petrovich Mussorgsky
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James M
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Mussorgsky: Pictures at an Exh
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jmsgu3
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SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1399365 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Contest...
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String Orchestra - Level 4 - Digital Download SKU: A0.1399365 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Standards. 252 pages. Jmsgu3 #982648. Published by jmsgu3 (A0.1399365). Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.Pictures at an Exhibition (Ð?аÑ?Ñ?инки Ñ Ð²Ñ?ÑÑ?авки) by Modest PetroviÄ Musorgskij, 1874(Ð?одеÑÑ? Ð?еÑ?Ñ?овиÑ? Ð?Ñ?ÑоÑ?гÑкий) Arranged for Piano Quartet by James M. Guthrie (Ð?Ð¶ÐµÐ¹Ð¼Ñ Ð?. Ð?аÑ?Ñ?и)Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)   Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Ð?алеÑ? невÑ?лÑ?пивÑ?иÑ?ÑÑ Ð¿Ñ?енÑ?ов  Scherzino 6. Samuel Goldenberg und Schmuÿle  Ð?вÑ?ей в меÑ?овой Ñ?апке. CандомиÑ? Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÃ?. (La grande nouvelle) The Market (The Great News)   Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Ð?аÑ?ижÑкие каÑ?акомбÑ? Largo    CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)   Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Ð?збÑ?Ñ?ка Ð?абÑ?-Яги на кÑ?Ñ?Ñ?иÑ? ожкаÑ?. ЧаÑÑ? в Ñ?Ñ?ÑÑком ÑÑ?иле   Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Ð?Ñ?оекÑ? гоÑ?одÑкиÑ? воÑ?оÑ? в Ð?иеве. Ð?лавнÑ?й Ñ?аÑадThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza
$72.95 ≈
$101.23
Piano Concerto No. 3 James Nathaniel Holland, Full Orchestral Score ONLY
Piano Concerto No. 3 James Nathaniel Holland, Full Orchestral Score ONLY
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Orchestra
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ADVANCED
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Contemporary
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James Nathaniel Holland
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Piano Concerto No. 3 James Nat
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730444 Composed by James Nathaniel Holland. Contemporary. Score and parts. 98 pages. James Nathaniel ...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730444 Composed by James Nathaniel Holland. Contemporary. Score and parts. 98 pages. James Nathaniel Holland #3520665. Published by James Nathaniel Holland (A0.730444). Piano Concerto No. 3 Original Music by James Nathaniel Holland Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html Duration: 22 minutes The beautiful and mystical third piano concerto of 21st Century American composer James Nathaniel Holland, a very mystical and romantic piece that follows somewhat in the vein of Russian composer Rachmaninoff. Instrumentation: fl/picc, fl2, ob12, clbb12, bsn 12, hrn123, tpt 123, trm12, tba, tim, 2 perc (hand cym, ride cym w/sft mall/ tri/high hat), bsdrm/glk/gong, pno solo, hrp, stringsYouTube Video Presentation of Piano with Orchestra: https://www.youtube.com/watch?v=juYohREyCBYIndividual parts, full score with individual parts, 2 pianos/4 hands score sold separately.
$19.95 ≈
$27.68
THE GREAT WALL CONCERTO For Piano & Orchestra
THE GREAT WALL CONCERTO For Piano & Orchestra
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Orchestra
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ADVANCED
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ROBERT VAN HORNE
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THE GREAT WALL CONCERTO For Pi
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White Piano International Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romant...
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Full Orchestra - Level 5 - Digital Download SKU: A0.1316174 By ROBERT VAN HORNE. By ROBERT VAN HORNE. Classical,Contemporary,Film/TV,Multicultural,Romantic Period,World. 175 pages. White Piano International Publishing #904561. Published by White Piano International Publishing (A0.1316174). THE GREAT WALL CONCERTO for Piano & Orchestra by ROBERT VAN HORNE175 PagesPiano & Full Orchestra – AdvancedConductor Score & All Instrumental Parts IncludedApprox. Duration 13 minutes; 30 secondsComposing THE GREAT WALL CONCERTO for Piano & Orchestra was a journey of inspiration, passion, and deep personal connection for me. Having traveled to China, I was most impressed with seeing the Great Wall. Years later, I composed a musical work for piano and orchestra - a creative and classic concerto that captures the Great Wall's grandeur and majestic attraction.My first visit to the Great Wall of China was in 1983 while engaged as a pianist onboard a cruise ship that sailed the waters of Asia. My first impression seeing the Great Wall and the scenic landscape surrounding it, was one of awe and amazement.At that time, I did not realize the lasting effect this memorable attraction would have on me. Inspired and motivated by several cherished Chinese excursions to the Great Wall during my cruise ship engagement, I began the monumental task of scoring music for piano and orchestra several years later. An excerpt from 2008 Music Teacher of California Magazine review states “…The Great Wall Concerto is pleasant to listen to and has a retro 1940’s movie soundtrack mood about it - Rachmaninoff style chords against melodies in the strings...Listening to this piece, I imagined a film starring Joan Fontaine and Claude Rains as star crossed lovers fleeing their respective spouses on a visit to China.â€After many years of offering the score directly to Music Directors around the world, I am now publishing THE GREAT WALL CONCERTO with Sheet Music Plus and Sheet Music Direct.THE GREAT WALL CONCERTO is an ideal work for professional, semi-professional, pops, college and university orchestras as well as community orchestras. It can be added to any concert program featuring a guest piano soloist, and a violinist or erhu soloist.The Conductor’s Score and all Instrumental Parts are legibly notated with phrasing, dynamics, accents, and musical word descriptions. All the individual instrument parts have easy page turns with large readable scores.This 2006 recording of THE GREAT WALL CONCERTO is for demo purposes only. Except for the piano, all other instruments are digital samples. This recording does not include all the instrumental parts being heard. THE GREAT WALL CONCERTO arrangement for Two Pianos, Four Hands is also available and published by White Piano International Publishing. Robert Van Horne is a member of ASCAP.Official Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.com
$59.99 ≈
$83.24
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Chamber Orchestra
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ADVANCED
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Contemporary
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musi...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95 ≈
$41.56
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95 ≈
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Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s
Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s
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Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Therese Brenet
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Thérèse Brenet: Quand Les As
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Brenet. Contemporary,Sacred. Score and parts. 33 pages. Musik Fabrik Music...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Brenet. Contemporary,Sacred. Score and parts. 33 pages. Musik Fabrik Music Publishing #1911519. Published by Musik Fabrik Music Publishing (A0.533179). This work is in three movements: the first and third, very animated and intense, form a sort of framing for the second movemnt which is in another orchestral color and another intensity. This second movement is inspired by a fragment from Masnavi by the poet Jallaleddin el Roumi. The text is recited to express the poetry and the beauty of the cosmos. This text has inspired Thérèse Brenet in several works.This is the orchestral score. The parts are available on rental from the publisher. Nos musiques sont l'écho des hymnes que les sphères chantent dans leurs révolutions Le chant des mondes qui évoluent, les hommes essaient de le reproduire en s'aidant du luth et de la voix. Nous avons tous entendu ces hautes mélodies dans le Paradis que nous avons perdu; Et bien que la terre et l'eau nous aient accablés nous conservons le souvenir des chants du ciel. Celui qui aime nourrit son amour en prêtant l'oreille à la musique, Car la musique lui rappelle les joies de sa première union avec Dieu. D'après JALLALEDDINE EL ROUMI, Masnawi, passim Scoring : piano solo, narrator, and orchestra (2(pic)222/4331/timp/2perc/vibraphone/harp/Ondes Martenot/strings I. L'INFINIE DENSITÉ, UNE PLÉNITUDE 3'40 II. LITURGIE CELESTE 5'20 III. NOCTURNE 5' total duration: 14'00.
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PIANO Piano and Orchestra
