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HARP Piano solo
ORCHESTRA - BAND
Sheetmusic to print
199 sheet music found
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ATON part 10-Orchestermusik Ballett - woodwind, strings, piano, harp, timpani
ATON part 10-Orchestermusik Ballett - woodwind, strings, piano, harp, timpani
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Orchestra
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INTERMEDIATE
#
David Warin Solomons
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ATON part 10-Orchestermusik Ba
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.576188 Composed by David Warin Solomons. Contemporary,Multicultural,Opera,World. Score and Parts. 30 ...
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Full Orchestra - Level 3 - Digital Download SKU: A0.576188 Composed by David Warin Solomons. Contemporary,Multicultural,Opera,World. Score and Parts. 30 pages. David Warin Solomons #4573. Published by David Warin Solomons (A0.576188). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
4.62€
ATON part 6-Orchestermusik nach dem Lied an die Sonne - woodwind, strings, piano, harp, timpani
ATON part 6-Orchestermusik nach dem Lied an die Sonne - woodwind, strings, piano, harp, timpani
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Orchestra
#
INTERMEDIATE
#
David Warin Solomons
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ATON part 6-Orchestermusik nac
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.576184 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 17 pages. David W...
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Full Orchestra - Level 3 - Digital Download SKU: A0.576184 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 17 pages. David Warin Solomons #4563. Published by David Warin Solomons (A0.576184). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
4.62€
ATON part 14-Ballett-Ausgelassenheit woodwind, strings, piano, harp, timpani
ATON part 14-Ballett-Ausgelassenheit woodwind, strings, piano, harp, timpani
#
Orchestra
#
INTERMEDIATE
#
David Warin Solomons
#
ATON part 14-Ballett-Ausgelass
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David Warin Solomons
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.576192 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 26 pages. David W...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.576192 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 26 pages. David Warin Solomons #4583. Published by David Warin Solomons (A0.576192). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
4.62€
ATON part 11-Ankunft des Haremhab 3 soloists, choir, woodwind, strings, piano, harp, timps
ATON part 11-Ankunft des Haremhab 3 soloists, choir, woodwind, strings, piano, harp, timps
#
Orchestra
#
INTERMEDIATE
#
David Warin Solomons
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ATON part 11-Ankunft des Harem
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David Warin Solomons
#
SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.576189 Composed by David Warin Solomons. Contemporary,Multicultural,Opera,World. Score and Parts. 38 ...
(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.576189 Composed by David Warin Solomons. Contemporary,Multicultural,Opera,World. Score and Parts. 38 pages. David Warin Solomons #4575. Published by David Warin Solomons (A0.576189). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview.
$8.00 ≈
7.39€
ATON part 1-Orchestermusik - woodwind, strings, piano, timpani
ATON part 1-Orchestermusik - woodwind, strings, piano, timpani
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David Warin Solomons
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ATON part 1-Orchestermusik - w
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David Warin Solomons
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SheetMusicPlus
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.576179 Composed by David Warin Solomons. Contemp...
(+)
Large Ensemble Bassoon,Cello,Clarinet,Flute,Oboe,Piano,Viola,Violin - Level 3 - Digital Download SKU: A0.576179 Composed by David Warin Solomons. Contemporary,Opera,World. Score and parts. 17 pages. David Warin Solomons #4553. Published by David Warin Solomons (A0.576179). ATON is a stage play written by Manfred Strolz and Otmar Rützler which represents Egypt in the time of the Pharoahs but seen through the eyes of modern theatre directors and actors. The modern scenes are spoken but the Egyptian scenes require music, so Manfred and Otmar asked me to write the music for these. The music is composed for various forces as the play progresses, from the full orchestra (woodwind, strings, harp, piano, timpani) and choir down to more intimate moments with single voice or duets, flute and classical guitar or with single voice and bassoon. For each section the pdf file contains score and parts and the sound sample is an electronic preview. As I write 16 sections have been composed, but more are to come - please just search for Aton in due course for the full picture. The first performance is planned to take place in the Landestheater in Innsbruck during 2015 ================= ATON ist ein Bühnenstück von Manfred Strolz and Otmar Rützler geschrieben, das Ägypten von der Pharaonenzeit vorstellt aber auch duch die Augen moderner Direktoren und Schauspieler sieht. Die modernen Szenen sind gesprochen aber die ägyptischen Szenen brauchen Musik, deshalb haben mich Manfred und Otmar gebeten die Musik dafür zu schreiben. Die Musik ist für verschiedene Kräfte während des Stückes komponiert: vom vollen Orchester (Holzbläser, Streicher, Harfe, Klavier, Timpani) und Chor bis zu intimeren Augenblicken mit Solostimme (oder Duetten) mit Flöte und klassicher Gitarre oder Solostimme mit Fagott. Im Augenblick gibt es 16 Kompositionen, aber es wird noch mehr geben - bitte suche später nach Aton für das vollständige Bild. Für jede Komposition enhält die pdf-Datei Partitur und Stimmen und die mp3-Datei ist eine elektronische Vorschau. Es wird geplant, die erste Aufführung im Landestheater Innsbruck im Jahre 2015 stattzuhalten.
$5.00 ≈
4.62€
Prelude to Dashti in E (Window into the Past - for Oboe, Violin, Harp & Strings)
Prelude to Dashti in E (Window into the Past - for Oboe, Violin, Harp & Strings)
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Chamber Orchestra
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INTERMEDIATE
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Mehdi D
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Prelude to Dashti in E
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Mehdi D. Ardebili
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1102386 Composed by Mehdi D. Ardebili. 19th Century,Classical,Multicultural,Romantic Period,World....
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1102386 Composed by Mehdi D. Ardebili. 19th Century,Classical,Multicultural,Romantic Period,World. Score and Parts. 2 pages. Mehdi D. Ardebili #705795. Published by Mehdi D. Ardebili (A0.1102386). Dedicated in memory of the late contemporary Persian poet Houshang Ebtehaj. Miniature piece in Dashti E for oboe, violin solo, harp & strings out of a set of original preludes for piano solo. Composed and arranged by Mehdi D. Ardebili.SoundCloud Link: https://on.soundcloud.com/5Z1XH.
$16.00 ≈
14.78€
Celtiberian Landscape For Harp And Orquestra
Celtiberian Landscape For Harp And Orquestra
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Orchestra
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EASY
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Lu...
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99 ≈
23.09€
Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s
Thérèse Brenet: Quand Les Astres du Matin Chantaient en Choeur for piano, narrator and orchestra: s
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Orchestra
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ADVANCED
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Christian contemporary
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Sacred music
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Therese Brenet
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Thérèse Brenet: Quand Les As
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Brenet. Contemporary,Sacred. Score and parts. 33 pages. Musik Fabrik Music...
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Full Orchestra - Level 5 - Digital Download SKU: A0.533179 Composed by Therese Brenet. Contemporary,Sacred. Score and parts. 33 pages. Musik Fabrik Music Publishing #1911519. Published by Musik Fabrik Music Publishing (A0.533179). This work is in three movements: the first and third, very animated and intense, form a sort of framing for the second movemnt which is in another orchestral color and another intensity. This second movement is inspired by a fragment from Masnavi by the poet Jallaleddin el Roumi. The text is recited to express the poetry and the beauty of the cosmos. This text has inspired Thérèse Brenet in several works.This is the orchestral score. The parts are available on rental from the publisher. Nos musiques sont l'écho des hymnes que les sphères chantent dans leurs révolutions Le chant des mondes qui évoluent, les hommes essaient de le reproduire en s'aidant du luth et de la voix. Nous avons tous entendu ces hautes mélodies dans le Paradis que nous avons perdu; Et bien que la terre et l'eau nous aient accablés nous conservons le souvenir des chants du ciel. Celui qui aime nourrit son amour en prêtant l'oreille à la musique, Car la musique lui rappelle les joies de sa première union avec Dieu. D'après JALLALEDDINE EL ROUMI, Masnawi, passim Scoring : piano solo, narrator, and orchestra (2(pic)222/4331/timp/2perc/vibraphone/harp/Ondes Martenot/strings I. L'INFINIE DENSITÉ, UNE PLÉNITUDE 3'40 II. LITURGIE CELESTE 5'20 III. NOCTURNE 5' total duration: 14'00.
$29.95 ≈
27.67€
Golden Harps Are Sounding
Golden Harps Are Sounding
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Jazz combo
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ADVANCED
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Don Hodell Chilcote
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Don Hodell Chilcote
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Golden Harps Are Sounding
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Don Hodell Chilcote
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SheetMusicPlus
Jazz Combo - Level 5 - Digital Download SKU: A0.778934 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Easter,Gospel,Jazz,Sac...
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Jazz Combo - Level 5 - Digital Download SKU: A0.778934 Composed by Don Hodell Chilcote. Arranged by Don Hodell Chilcote. Christian,Easter,Gospel,Jazz,Sacred. Score and parts. 3 pages. Don Hodell Chilcote #3480025. Published by Don Hodell Chilcote (A0.778934). Golden Harps Are Sounding for piano solo or ensemble. This is a passion prelude, easter, resurrection sunday tune with a great funky vibe. The piece has a distinct and unique theme, and development. 2 page arrangement is challenging but not overly so, and well worth the effort to learn. Fun tune to learn and improvise over. I used it in church for a prelude and it was well received with a jamming drummer. Fun Stuff.
$2.99 ≈
2.76€
Concertino for Solo Violin, Solo Cello, Solo Piano and Orchestra (Full Score and All Parts)
Concertino for Solo Violin, Solo Cello, Solo Piano and Orchestra (Full Score and All Parts)
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Orchestra
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ADVANCED
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Contemporary
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James Nathaniel Holland
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Concertino for Solo Violin, So
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730454 Composed by James Nathaniel Holland. Contemporary. Score and parts. 221 pages. James Nathaniel...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730454 Composed by James Nathaniel Holland. Contemporary. Score and parts. 221 pages. James Nathaniel Holland #3544313. Published by James Nathaniel Holland (A0.730454). FULL SCORE AND ALL INDIVIDUAL PARTS (Including Solos). The concertino, a form from the eighteenth century that features two or more soloists with orchestra. Here American composer James Nathaniel Holland has composed a three movement piece for solo violin, solo cello, and solo piano with orchestra. I. Divine Goddess, II. The Saddest Song, III. Bruegel's Seven Deadly Sins. Reduced piano score (with solo parts), Full Score only sold separately. Instrumentation: picc, fl12, ob12, eh, clBb 12, bsn 12, cbsn, hrn 1234, tpt 12, trmb 12, tba, timp, perc (bdrm, hand cym/susp. cym with soft mall., tri, temple blks, gong) harp, soloists, strings Duration: 24 minutes YouTube Presentation: https://youtu.be/BxiTM50KwCk Composer website: http://lacoronadelossantos.net/jamesnathanielholland.html
$39.95 ≈
36.91€
Watercolors of Earth and Sky (violin and harp - or violin and piano)
Watercolors of Earth and Sky (violin and harp - or violin and piano)
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Orchestra
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INTERMEDIATE/ADVANCED
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Jeffrey Hoover
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Watercolors of Earth and Sky
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Musicart Publications
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SheetMusicPlus
Instrumental Duet,Piano Harp,Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.971648 Composed by Jeffrey Hoover. 20th Century,Contempo...
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Instrumental Duet,Piano Harp,Instrumental Duet,Piano,Violin - Level 4 - Digital Download SKU: A0.971648 Composed by Jeffrey Hoover. 20th Century,Contemporary,Spiritual. Score and parts. 38 pages. Musicart Publications #4367732. Published by Musicart Publications (A0.971648). Watercolors of Earth and Sky is a work that celebrates the beauty and opportunity of nature through four musical movements. This work is for violin and harp (or piano). The violin part incorporates special techniques that help shape the sound and overall texture of the work. Each of the four movements presents an aspect of the composer’s experience in parks, plains, and woodlands. The music is also colored by the composer’s work as a performer of both classical and jazz music. As with other compositions by Jeffrey Hoover, there is a series of four paintings by Hoover with the same titles that are visual interpretations of the music. Images of these paintings that can be projected in performance are available directly from Hoover. This work is appropriate for performance for a broad audience.Jeffrey Hoover's works - ranging from music for soloist to symphony orchestra - have received recognition through the prestigious Trieste prize, the Russolo Competition, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications, fellowships, and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement in composition. One unique aspect of Hoover's work is when he combines his compositions with his own paintings, creating synergetic works. He is the author of The Arts and Society: Making New Worlds (Kendall Hunt Publishing).Born on September 11, 1959, in Anderson, Indiana, Jeffrey Hoover holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included appointments both as a faculty member and an arts administrator. For more information, please visit his website at https://jeffreyhooverart.wixsite.com/mysite
$24.95 ≈
23.05€
Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, solo harp part
Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, solo harp part
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Chamber Orchestra
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart, Marie
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Wolfgang Amadeus Mozart: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534110 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Score and par...
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534110 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #3113293. Published by Musik Fabrik Music Publishing (A0.534110). This edition of the Mozart flute and harp concert was directed by harpist Marie-Claire Jamet and flutist Chistien Lardé, both former teachers at the Paris Conservatory. The cadenzas were written by Madame Jamet, who also fingered, pedaled and provided ossias for a number of passages in the harp part. The flute part was completely annotated by Mr. Lardé.The orchestral score contains a number of ossias passages for the harp. The score and complete parts, a piano reduction and the solo parts, and the individual parts are all available for sale Orchestration: 2 oboes, 2 horns in C, stringsThe solo part for harp also contains a reduced version of the solo flute part, for ease of performance.
$12.95 ≈
11.96€
Fantasy for trombone solo, harp and string orchestra
Fantasy for trombone solo, harp and string orchestra
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String Orchestra
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ADVANCED
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William Pagan-Perez
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Fantasy for trombone solo, har
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William Pagan-Perez
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SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.933824 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 113 pages. William...
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String Orchestra - Level 5 - Digital Download SKU: A0.933824 Composed by William Pagan-Perez. Contemporary,Standards. Score and Parts. 113 pages. William Pagan-Perez #4303367. Published by William Pagan-Perez (A0.933824). Fantasy is a single-movement piece for trombone solo, harp, and string orchestra (violin 1, violin 2, viola, cello, double bass). This piece has some folkloric elements of the Plena (a music genre developed in the town of Ponce, Puerto Rico). Instead of a cadenza, the piece has some bars to play improvisations as it happens in folklore.This edition also includes a Piano part as a substitute for the Harp, just in case the harpist is not available or the music is too difficult. Midi: https://youtu.be/fTm8JD6a4nY.
$39.95 ≈
36.91€
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
Thérèse Brenet: Poème de Jade, seven mélodies on Chinese Poems for baritone, flute solo and orchestr
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String Orchestra
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Contemporary
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Therese Brenet
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Thérèse Brenet: Poème de Ja
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Musik Fabrik Music Publishing
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SheetMusicPlus
String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music P...
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String Orchestra - Digital Download SKU: A0.532834 Composed by Therese Brenet. 20th Century,Contemporary. Score and parts. 39 pages. Musik Fabrik Music Publishing #45419. Published by Musik Fabrik Music Publishing (A0.532834). Thérèse Brenet was attracted to the Chinese poems in La Flûte de Jade by Franz Toussaint. She chose seven of these poems in a contrasting style and assembled them into a single work, striving to create an unusual orchestration which reflects this delicate, fantastic and sensual qualities of these poems. Her orchestration uses a small group of strings which are re-enforced by a harpsichord, a vibraphone, a harp and percussion, often superimposed, which serve to underline the delicate character of the poems. IN addition, she uses all styles of vocal production, from whispered passages to spoken words or screams, and from singing normally to sprechgesang. The work finishes serenely with a long melody in flute upon which the baritone repeats the last phrases of the poem in a long perdendosi. The voice and the flute slowly die away without there being a definite ending to the work, which allow the listener to imagine that the work continues, as in a waking dream. One could imagine hearing the echo of the words whispered by the baritone and the arien and luminous sounds of the flute which has lulled us as a soloist throughout the seven poems of the cycle. The orchestration is for 4 percussion, harp, harpsichord, piano and strings (44221). The piece generally lasts approximately fourteen minutes. The composer has intentionally broken with tradition by using instrumental notation for the vovcal part. This notations gives, in her view, a greater ease of reading when the voice exchanges with the flute. This version for flute, voice and piano is identical, as much as is possible, with the orchestral version, excpet for short segments in the 5th and 7th poems. These differences only affect the flute and piano parts and do not affect the vocal part. The Baritone may therefore use this score for performances with orchestra. The Flutist should use the part included in the orchestral parts for performances with orchestra. This work was first performed at the Villa Medicis during Thérèse Brenet time spend there during her Prix de Rome voyage. It was recorded in 2014 with Kurt Ollmann Baritone, Christel Rayneau, flute and the National Polish Radio Orchestra under the direction of Paul Wehage. The orchestral materials are on rental from the publisher.
$25.95 ≈
23.97€
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
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Orchestra
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ADVANCED
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Thierry Pélicant
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Thierry Pélicant: Concerto fo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 page...
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Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95 ≈
27.67€
INTREPID: A Fantasy for Oboe/English Horn Soloist and Chamber Orchestra (Parts Only)
INTREPID: A Fantasy for Oboe/English Horn Soloist and Chamber Orchestra (Parts Only)
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Sarah Wallin Huff
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INTREPID: A Fantasy for Oboe/E
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Novel Soundtrax
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.800343 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 55 pages. Novel Soundtrax #48...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.800343 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 55 pages. Novel Soundtrax #484973. Published by Novel Soundtrax (A0.800343). Evoking the driving forces of metamorphosis and migration, INTREPID is a cinematic Fantasy for soloist on oboe and english horn, with small chamber orchestra accompaniment. It is rich in color and texture, persistently forward-moving on its sweeping journey. --Instrument List: 2 Flutes / 1 Piccolo (doubled by Flute II) 1 Clarinet in Bb (or 1 part for Bb/A Clarinets) Bassoon Solo Oboe and English Horn in F (doubled by soloist) 2 Horns in F 2 Tenor Trombones 1 Percussionist: Suspended Cymbal, Triangle, Maracas, and Cabasa Piano Harp Strings (vln 1, vln 2, vla, cello, bass).
$45.00 ≈
41.57€
Song of Joy for Solo Soprano Voice, Choir and Pops Orchestra Key of F to G major
Song of Joy for Solo Soprano Voice, Choir and Pops Orchestra Key of F to G major
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Daryl McKenzie
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Song of Joy for Solo Soprano V
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Daryl McKenzie
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.717854 Composed by Ludwig van Beethoven. Arranged by Daryl McKenzie. Christmas,Holiday,Multicultural,...
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Full Orchestra - Level 4 - Digital Download SKU: A0.717854 Composed by Ludwig van Beethoven. Arranged by Daryl McKenzie. Christmas,Holiday,Multicultural,Praise & Worship,Spiritual,World. Score and parts. 70 pages. Daryl McKenzie #3866927. Published by Daryl McKenzie (A0.717854). Song of Joy Key of F major with Key change to G major for Solo Voice, Choir and Pops Orchestra - Fl, Ob, Cl, BCL, 3 FHn, 3 Trpt, 3Trb, P G B D, Perc (timps), Harp, Vln1, Vln2, Vla, VC, CB. Includes Rehearsal Piano part. Same arrangement in the Key of Ab major with Key change to Bb major (As per the Youtube clip) for Solo Voice (Tenor) with Big Band or Pops Orchestra available here: http://bit.ly/3EMliMm Audio demo here: https://soundcloud.com/user-99505314/song-of-joy-carols-by-candlelight-2012 (this is in the Key for Tenor soloist) More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.comYoutube Playlist: https://bit.ly/3m0oUkH
$79.99 ≈
73.89€
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95 ≈
15.66€
The Hero and Damned, An Opera In Four Acts, Individual Instruments 2 of 2 (Strings, Harp, and Percus
The Hero and Damned, An Opera In Four Acts, Individual Instruments 2 of 2 (Strings, Harp, and Percus
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Orchestra
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ADVANCED
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James Nathaniel Holland
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The Hero and Damned, An Opera
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.730484 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts...
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Full Orchestra - Level 5 - Digital Download SKU: A0.730484 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 232 pages. James Nathaniel Holland #4332749. Published by James Nathaniel Holland (A0.730484). SECOND SET OF INDIVIDUAL INSTRUMENT PARTS OF THE ORCHESTRA (Strings, Harp, Timpani and Percussion). The Story of Medusa and Perseus Setting: Ancient Mythological Greece, 2019 Revised Edition with second verse added to the popular alto aria, Let Me Weep (Duration: 2.5 hours) Follow the journey of Perseus as he discovers himself and travels to distant lands and battles the infamous Medusa in order to save his mother from a tyrant. Musically exciting and accessible. Be the first organization to premiere this American contemporary opera in English. Instrumentation: picc/fl, fl, ob12, cl1, cl/bcl, bsn 1, bsn/cbsn, hrn 1234, tpt 123, trmb12, btrom, tba, timp, perc, harp, strings. Full orchestral score, piano vocal score and individual instrument parts 2 (strings) sold separately. Solos, duets, ensembles. Arias for the operatically neglected alto and mezzo-soprano. This opera can also pass as musical theater. Composer Website: https://www.facebook.com/jamesnathanielholland/YouTube Demo: https://youtu.be/XLbxwQyZPhI.
$48.95 ≈
45.22€
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HARP Piano solo
