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It Tenor Voice, Choir
ORCHESTRA - BAND
Sheetmusic to print
9 sheet music found
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1
God Bless America
God Bless America
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Brass ensemble
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EASY
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Jazz
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Celine Dion
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Anthony Giamanco
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God Bless America
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Whole Tone Press
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SheetMusicPlus
Brass Ensemble - Level 2 - Digital Download SKU: A0.773735 By Celine Dion. By Irving Berlin. Arranged by Anthony Giamanco. Jazz. Score and parts. 18 page...
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Brass Ensemble - Level 2 - Digital Download SKU: A0.773735 By Celine Dion. By Irving Berlin. Arranged by Anthony Giamanco. Jazz. Score and parts. 18 pages. Whole Tone Press #4633147. Published by Whole Tone Press (A0.773735). This unique and stirring arrangement of Irving Berlin's God Bless America is scored for brass quartet and vocal solo (tenor or soprano). The brass plays primarily an accompaniment role to the singer. However, at the return to the A section, the 1st trumpet takes the melody, then the voice re-enters at section B. The voice part could alternatively be sung by a unison choir of sopranos and/or tenors. If you have a good boy soprano, this could provide a great showcase for his talent, especially if he can hit the high A-flat at the end! This medium-easy work is ideal for patriotic celebrations and concerts. Audiences will love it! .
$12.99 ≈
¥91.09
Con Te Partiro (time To Say Goodbye)
Con Te Partiro (time To Say Goodbye)
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Orchestra
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INTERMEDIATE
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Andrea Bocelli
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Flavio Regis Cunha
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Con Te Partiro
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Flavio Regis Cunha
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1139872 By Andrea Bocelli. By Francesco Sartori and Lucio Quarantotto. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Opera,Pop,Wedding. Score and Parts. 59 pages. Flavio Regis Cunha #740145. Published by Flavio Regis Cunha (A0.1139872). Introducing the most romantic and emotive piece of music composed by two legendary Italian artists - Lucio Quarantotto and Francesco Sartori - 'Con Te Partiro (Time to Say Goodbye). This timeless piece of music has the power to hit the heartstrings and the mind in equal measure. It is the perfect choice for any orchestra or group of musicians wanting to create an atmosphere of emotion in their performance. Â Let this venerable music take your performance to a new level of excellence as you transport your audience to a world of romance and deep emotion. 'Con Te Partiro (Time to Say Goodbye) will be sure to create a powerful, lasting impression on even your toughest critics. Â Download your copy today and add a classic touch to your music.Sheet music download, complete score and all individual instruments and voice parts. Advanced Intermediate.Format: Concert, 9 x 12 inches59 pages.Time To Say Goodbye (FULL SCORE) Con te partiro for Soprano, Tenor and Orchestra. Andrea Bocelli and Sarah Brightman: Time To Say Goodbye. Live From Teatro Del Silenzio, Italy / 2007 Artist Andrea Bocelli & Sarah Brightman Composers Frank Peterson, Lucio Quarantotto, Francesco Sartori Complete version of TIME TO SAY GOODBYE from Andrea Bocelli & Sarah Brightman for Soprano, Tenor, Choir and Orchestra.Orchestration: FLUTE 1, FLUTE 2, OBOE 1, OBOE 2, CLARINET 1 IN Bb, CLARINET 2 IN Bb, BASSOON 1, BASSOON 2 , HORN 1 IN F, HORN 2 IN F, HORN 3 IN F, TRUMPET 1 IN Bb, TRUMPET 2 IN Bb, TROMBONE 1, TROMBONE 2, BASS TROMBONE, TUBA, PERCUSSION (Timpani, Snare Drum, Bass Drum, Cymbals) - 4 players, HARP, PIANO, CHOIR (SATB), VIOLIN 1, VIOLIN 2, VIOLA, VIOLONCELLO, DOUBLE BASS.Program NotesCon Te Partiro (Time To Say Goodbye), composed by Lucio Quarantotto and Francesco Sartori, is an Italian aria of immense power and emotional intensity. The iconic performance of the song was delivered by world renowned artists Andrea Bocelli and Sarah Brightman at the Teatro del Silenzio in Italy during 2007. The song emerged from a commingling of their beautiful voices in perfect harmony, ultimately delivering an emotionally charged performance that transcended beyond language barriers and touched the souls of people around the world. Â This heartfelt performance of Con Te Partiro (Time To Say Goodbye) takes its audience on a journey. From the emotion-filled verses, to the powerful build up of the instruments supporting the crescendo of the chorus, the energy and emotion reach a crescendo before slowly fading out to a beautiful and melancholic farewell. The combination of affective singing and passionate playing of the instruments created an intimate atmosphere, leaving the audience with a sense of heartache and clarity. Â This song represents a beautiful goodbye to a loved one, and the emotions portrayed echo each listener's hope for a meaningful and beautiful farewell. With its powerful vocals and evocative arrangement, Con Te Partiro (Time to Say Goodbye) by Lucio Quarantotto and Francesco Sartori will remain a timeless classic.
$89.99 ≈
¥631.05
Requiem
Requiem
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Chamber Orchestra
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil I...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
¥392.63
Richard Wagnersche Klavierlieder
Richard Wagnersche Klavierlieder
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Hans Werner Henze and Richard
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Richard Wagnersche Klavierlied
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Schott Music - Digital
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SheetMusicPlus
2 soloists, mixed choir and orchestra - Digital Download SKU: S9.Q23929 For two vocalists (mezzo soprano and baritone), mixed chorus and orchestra...
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2 soloists, mixed choir and orchestra - Digital Download SKU: S9.Q23929 For two vocalists (mezzo soprano and baritone), mixed chorus and orchestra. Composed by Hans Werner Henze and Richard Wagner. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 60 minutes. Schott Music - Digital #Q23929. Published by Schott Music - Digital (S9.Q23929). When Hans Werner Henze received a commission to instrument early lieder by Richard Wagner at the end of the 1990s, he realised that he could not simply recreate the piano part in a scoring for classical-romantic orchestra. ’It was not only my wish but also a necessity to progress much further than the path I had taken in my Wesendonck arrangements if this operation was not to prove to be an entirely superfluous exercise. Numerous changes have therefore presented themselves during this process, not arbitrarily, but out of a certain artistic curiosity: for example changes of metre, tonal and tessitura transformations and the realisation and completion of the two fragments ’Extase’ and ’La tombe dit à la rose’. I have added subsidiary voices and all manner of things, frequently concealed in the piano part, which corresponded to my intentions of focusing a spotlight on the often only allusively detected fineness of this music, thereby permitting it to unfold to its full extent of richness and radiance.’ (Hans Werner Henze)2 (1. auch Picc., 2. auch Picc. u. Altfl.) · 2 (2. auch Engl. Hr.) · 2 (2. auch Bassklar.) · 2 (2. auch Kfg.) - 2 · 2 · 0 · Tenortb. (Wagner-Tuba, von einem Hornisten zu spielen) · 0 · Kb.-Tb. - P. S. (Glsp. · Crot. · Vibr. · Marimba · 3 hg. Beck. · Beckenpaar · Tamt. · Tamb. · 3 Tomt. · kl. Tr. · Rührtr. · Mil. Tr. · gr. Tr. m. Beck. · Kast. · Guiro) (3 Spieler) - Hfe. · Cel. · Klav. - Str.
$55.99 ≈
¥392.63
Celtiberian Landscape For Harp And Orquestra
Celtiberian Landscape For Harp And Orquestra
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Orchestra
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EASY
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Luis Anjos Teixeira
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Celtiberian Landscape For Harp
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Luis Anjos Teixeira
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Lu...
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Full Orchestra - Level 2 - Digital Download SKU: A0.889427 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 74 pages. Luis Anjos Teixeira #4725435. Published by Luis Anjos Teixeira (A0.889427). „Celtiberian Landscape For Harp, Choir and Symphonic Orchestra All the woodwind solo parts and the Horn can be doubled. The chamber option for a minimum number of soloists would be, 1 Flute 1 Oboe 1 English Horn 1 Eb Clarinet 1 Bb Clarinet 1 Fagotte 1 Kontra Fagotte 1 F Horn 2 C Trumpet 2 Trombone 2 Tuba Timbale Bells, „Glockenspiel or Piano Percussion: gong, bass drum, snare, splash, triangle. Harp Celesta or Piano Violin I Violin II Viola Cello DoubleBass DoubleBass Solo Soprano Alto Tenor Bass In this PDF file, for each voice in the score there is an individual part ready to print. Included in this file is also the full score for the choir with individual parts. There is no text to be sung, so in the sense of a vocalizo „oh and „ah can be used „ad lieb by the singers. For the bells there is an extra optional score that could be eventually used by a keyboard instrument. The percussion could be performed by 3 or 4 musicians. It consists of a set of cymbals „G, A and C, a splash or crash, an open triangle, a snare drum, One or 2 Gongs and a bass drum. For each voice in the ensemble score there is an individual part ready to print and an optional standard one. The parts are very easy to perform. The piece is can easily be adjusted to different situations. It is perfect for school ensembles and mixed groups of beginner students and advanced ones. A little story about this piece In my early teens I dreamed in my sleep that I met a very nice gentleman, in a beautiful garden. At the time I did not now that the man in my dream was my „genetic Grandpa himself, I had never seen a picture from him, only many years later after this dream. Now back to the Dream. Grandpa toke me from the garden to a House full of sculptures and art work. There was also a room with 3 great pianos, sat to perform on 3 different stages. Family life size portraits where hanging on a corridor. Another room was full of swords and ancient family weapons. In the end of the dream a dangerous Entity approached the house, Grandpa disappears and I had to leave the place in a hurry without being noticed. I climbed up the house and went hiding on the celling. I could than see a middle aged, middle-Lower class lady coming in the House, she was very stiff, all dressed in black like a widow. It was a very weary feeling, I woke up to never forget this dream. About 20 years later I was in that garden. It was really abandoned and I spend much of my time hanging there, I wrote a lot of music in this garden. I knew about The owner of this garden, he was living not so far away from me. Curious I decided to visit him. He leaved in the house that I dreamed of and he was actually my Father but I did not know that he was my Father and either did he knew about me being his son. He died shortly after we met. His name was Pedro Augusto Franco Dos Anjos Teixeira and my Grandpa was Artur Gaspar Dos Anjos Teixeira. Thanks to Claudia Eppelt for the all the Love and cover design. Special Thanks to Grandpa, Nina and Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Disclaimer: The score was written on Finale and the sound file was p.
$24.99 ≈
¥175.24
Nessun Dorma
Nessun Dorma
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Brass ensemble
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INTERMEDIATE
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Contemporary
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The Usaf Band
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Craig Garner
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Nessun Dorma
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Dorm 40 Music
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.740278 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by Craig Garner. Conte...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.740278 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by Craig Garner. Contemporary. Score and parts. 22 pages. Dorm 40 Music #4413145. Published by Dorm 40 Music (A0.740278). This arrangement is part of the Chicago Gargoyle Brass & Organ Ensemble Signature Series. Nessun dorma (None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot and is one of the best-known arias in all of opera. Although Nessun dorma has long been a staple of operatic recitals, Luciano Pavarotti popularized the piece well beyond the world of opera with his many recordings and live performances. Nessun dorma became his signature aria. Nessun dorma also appeared on the best selling classical album of all time, The Three Tenors in Concert. However, our favorite version will always be the soul-infused rendition by Aretha Franklin during the 1998 Grammy Awards, in which she sang in place of Luciano Pavarotti when he was unable to perform due to throat problems. This arrangement for brass quintet, organ, timpani/suspended cymbal, includes a full score, organ, percussion and brass parts (trumpet parts are provided for both B-flat and C; percussion part is designed for one player). Perfect for any concert and it makes a great encore, as well! And, if you want to add voices, we’ve got you covered. Dorm 40 Music has also published a version for mixed choir (SATB), brass quintet, organ and percussion. And, it is available for sale on Sheet Music Plus. Performance time, 2:45. Published by Dorm 40 Music, www.dorm40music.com.
$20.00 ≈
¥140.25
Scream
Scream
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Concert band
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INTERMEDIATE/ADVANCED
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Jamie Houston
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Jeffrey Bowen
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Scream
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Music Arrangement Services Inc.
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1490215 Composed by Jamie Houston. Arranged by Jeffrey Bowen. Contest,Festival,Film/TV,Pop. 56 pages. M...
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Concert Band - Level 4 - Digital Download SKU: A0.1490215 Composed by Jamie Houston. Arranged by Jeffrey Bowen. Contest,Festival,Film/TV,Pop. 56 pages. Music Arrangement Services Inc. #1067055. Published by Music Arrangement Services Inc. (A0.1490215). From the Walt Disney Pictures “High School Musical 3: Senior Year”. This Concert Band Scores accompanies the SSA/Piano Score with parts for 2 Trumpets, Trombone, Alto Sax, Tenor Sax, Baritone Sax, Synth, Guitar, Bass, Drums and Percussion. This song is about the struggles of finding your personal path as you enter adulthood. The song refers to a door closed, echoes, trust your heart, being unsure, voices in your head, pushing, driving, fighting, upside down world, wanting your own thing, gonna scream, being confused, kicking down walls, finding yourself, searching, finding the right road, clock’s running down, working it out. This arrangement is designed for high school or college show choir, concert choir or community choir. SSA/Piano Score also available. Performance time is approximately 3:35.
$49.99 ≈
¥350.55
Duck You Sucker (Cues)
Duck You Sucker (Cues)
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Concert band
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INTERMEDIATE
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Film/TV
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Ennio Morricone
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Lorenzo Bocci
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Duck You Sucker
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1407903 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 127 pages. Lorenz...
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Concert Band - Level 3 - Digital Download SKU: A0.1407903 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 127 pages. Lorenzo Bocci #990504. Published by Lorenzo Bocci (A0.1407903). GIÙ LA TESTA (Duck, You Sucker!)for Concert Band (with Fanfare Band parts) - with Soprano and Choir (SATB) optional - Grade 3 - Digital Download Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With Soprano and Choir (SATB) optional. Score and parts. With Fanfare Band parts. Duration 4'19''. Published by Lorenzo Bocci.Instrumentation:Full Score, Soprano, Piccolo, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Electric Bass, Mallets Percussion (Vibraphone, Glockenspiel) Drum Set, Percussion (Triangle, Sus. Cymb.), Keyboard, Choir (SATB).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Giù la testa (Duck, You Sucker!), also known as A Fistful of Dynamite and Once Upon a Time...the Revolution, is a 1971 epic Zapata Western film directed and co-written by Sergio Leone and starring Rod Steiger, James Coburn, and Romolo Valli. It is the second film of Leone's unofficial Once Upon a Time Trilogy, which includes the previous Once Upon a Time in the West (1968) and the subsequent Once Upon a Time in America (1984). The musical score for Giù la testa (Duck, You Sucker!) was composed by Ennio Morricone, who collaborated with Leone in all his previous projects as a director with the exception of his debut, The Colossus of Rhodes. The insistent repetition of the vocal theme Sean Sean with the addition of the melodic vocalization of Edda Dell'Orso make the song unmistakable and well known, with Morricone mixing whistles, unusual instruments, ethereal female voices, objects and noises to enrich the possibilities of cinema music.Subscribe to my YouTube Channel to stay updated on new releases.
$99.00 ≈
¥694.23
You'll Never Walk Alone
You'll Never Walk Alone
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Brass ensemble
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INTERMEDIATE
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Richard Rodgers
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Hannah Hawken
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You'll Never Walk Alone
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Hannah Hawken
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SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.752569 Composed by Richard Rodgers. Arranged by Hannah Hawken. Broadway,Film/TV. Score and parts. 13 ...
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Brass Ensemble - Level 3 - Digital Download SKU: A0.752569 Composed by Richard Rodgers. Arranged by Hannah Hawken. Broadway,Film/TV. Score and parts. 13 pages. Hannah Hawken #5725645. Published by Hannah Hawken (A0.752569). I will be donating any royalties from this title to charity.You'll Never Walk Alone is from the Rogers and Hammerstein musical, Carousel but has been covered by many artists since, including Gerry & the Pacemakers, and has become the theme song of Liverpool Football Club. Most recently, it has been released as a charity single by Michael Ball, Captain Tom Moore and the NHS Voices of Care Choir to raise funds for NHS Charities Together during the 2020 coronavirus pandemic.This 4 part brass arrangement comes with these parts:Part 1: Cornet/Trumpet in BbPart 2: Tenor Horn / Horn in F / Trombone in Bb / Trombone in Bass ClefPart 3: Trombone in Bb / Trombone in Bass ClefPart 4: Euphonium in Bb / Euphonium in Bass ClefOf course the euphonium parts can be played on baritone/trombone and vice versa.
$12.99 ≈
¥91.09
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