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23 sheet music found 11 CHILDREN’S SONGS FOR STRING AND PIANO: PART FOR 2.ND VIOLIN
11 CHILDREN’S SONGS FOR STRING AND PIANO: PART FOR 2.ND VIOLIN # String Orchestra # BEGINNER # Traditional # Lauri Hämäläinen # 11 CHILDREN’S SONGS FOR STRI # Suomi Music # SheetMusicPlus
String Orchestra - Level 1 - Digital Download SKU: A0.1317709 Composed by Traditional. Arranged by Lauri Hämäläinen. Chamber,Children,Classical,...(+)
String Orchestra - Level 1 - Digital Download SKU: A0.1317709 Composed by Traditional. Arranged by Lauri Hämäläinen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #906389. Published by Suomi Music (A0.1317709). 11 CHILDREN’S SONGS FOR STRING AND PIANO:Part FOR 2.ND VIOLINAre you ready to ignite your child’s musical journey and foster a sense of camaraderie through the joy of playing? Join the Vibrant VIOLIN FRIENDS Community! 11 Children’s Songs for Strings And Piano brings young musicians the opportunity to delve into rhythmical variations of beloved melodies. From timeless tunes like “Itsy Bitsy Spider,†“Samba Lele,†“Old McDonald,†“Pippi Longstocking,†“Mary Had a Little Lamb,†to the multicultural medley of “Potpourri†and the delightful charm of “Frère Jacques,†each song brings a new dimension of excitement and creativity. The string parts are thoughtfully written in the first position, ensuring accessibility for all skill levels. The versatility of this music set allows for performances with a string orchestra and piano soloists or a traditional string quartet or piano quintet, empowering your child to explore various musical collaborations. The part for the 3rd violin can seamlessly substitute the violas, ensuring that no aspiring musician is left behind. 11 CHILDREN’S SONGS FOR STRINGS AND PIANO supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet, or string orchestra. All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com. Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I # String Orchestra # INTERMEDIATE/ADVANCED # Classical # Johann Strauss Jr # Aaron Meier # Olga-Polka, Op. 196 # Aaron Meier # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Olga-Polka, Op. 196 (arr. for string orchestra): Viola # String Orchestra # INTERMEDIATE/ADVANCED # Classical # Johann Strauss Jr # Aaron Meier # Olga-Polka, Op. 196 # Aaron Meier # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass # String Orchestra # INTERMEDIATE/ADVANCED # Classical # Johann Strauss Jr # Aaron Meier # Olga-Polka, Op. 196 # Aaron Meier # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit. Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II # String Orchestra # INTERMEDIATE/ADVANCED # Classical # Johann Strauss Jr # Aaron Meier # Olga-Polka, Op. 196 # Aaron Meier # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Olga-Polka, Op. 196 (arr. for string orchestra): Cello # String Orchestra # INTERMEDIATE/ADVANCED # Classical # Johann Strauss Jr # Aaron Meier # Olga-Polka, Op. 196 # Aaron Meier # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit Disco Aardvark Goes to Beale Street
Disco Aardvark Goes to Beale Street # Jazz Ensemble # ADVANCED # Craig Wadley # Disco Aardvark Goes to Beale S # Wadley Publications # SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.983166 Composed by Craig Wadley. Concert,Jazz,Standards. Score and parts. 67 pages. Wadl...(+)
Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.983166 Composed by Craig Wadley. Concert,Jazz,Standards. Score and parts. 67 pages. Wadley Publications #3046207. Published by Wadley Publications (A0.983166). Yet another jazz tune with a name that makes absolutely no sense! In the same way one would not expect to see an actual aardvark strolling down Beale Street while listening to disco hits of the 1970s, one would not expect to find a G-flat wandering aimlessly about in an E-flat Major 9 chord. Nonetheless, both of these confounding conundrums are presented here. Anomalous Adventure Number One is about to start, so grab some hot salsa, get your waka-chicka on, and be ready to swing, big daddy! Optional parts are included for Bb, Eb, and Bass Clef solos in the event that there is no player for vibes, if you wish to feature a different performer, or if you wish to open solos for more players.INSTRUMENTATIONFeatured Solo - Vibes (opt. parts for substitutions)A Sax - 2 (opt. soprano 1)T Sax - 2B Sax - 1Trumpet - 5Trombone - 5Drum SetGuitarElec. BassPiano No Time To Die
No Time To Die # Brass ensemble # INTERMEDIATE # Pop music # Billie Eilish # Graham Boag # No Time To Die # Graham Boag # SheetMusicPlus
Brass Ensemble - Level 3 - Digital Download SKU: A0.780064 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. P...(+)
Brass Ensemble - Level 3 - Digital Download SKU: A0.780064 By Billie Eilish. By Billie Eilish O'Connell and Finneas O'Connell. Arranged by Graham Boag. Pop. Score and parts. 18 pages. Graham Boag #6026933. Published by Graham Boag (A0.780064). No Time to Die is a the twenty-fifth instalment in the James Bond film series produced by Eon Productions. It features Daniel Craig in his fifth and final outing as the fictional MI6 agent James Bond. It is directed by Cary Joji Fukunaga, who also co-wrote the screenplay with Neal Purvis, Robert Wade, and Phoebe Waller-Bridge. Ralph Fiennes, Naomie Harris, Ben Whishaw, Rory Kinnear, Jeffrey Wright, Léa Seydoux, and Christoph Waltz reprise their roles from previous films, with Rami Malek, Lashana Lynch, Dali Benssalah, Billy Magnussen, and Ana de Armas joining the cast. The theme song is sung by the American singer Billie Eilish. In January 2019, Eilish told her management that she wanted to be involved if any Bond things come up…whatever we have to do we will do. When the opportunity did arise, the pair jumped into action to book a recording studio, but it left them intensely uninspired and suffering from writer's block. Following this lacklustre day in the studio and they ended up writing and recording the song in a tour bus in Texas, after Finneas came up with an initial chord progression; in just three days the song was written and recorded. Prior to this, the siblings had a meeting with Bond producer Barbara Broccoli, who sent them the script for the opening scene in order to give them a bit of inspiration, which Eilish said was so cool and really, really helpful.Finneas claimed it was useful to go back to listen to previous Bond themes to ensure they were on the right track and did not copy or recreate something which had already been done before, adding that there are few things in your career that are as desirable as doing a Bond song. We did not take the opportunity lightly and worked as hard as we could to prove ourselves. Eilish also revealed that Daniel Craig himself had a major role in vetting the submissions.ALTERNATIVE PARTS 1, 2, 3 & 4 ARE INCLUDED TO ALLOW FOR FLEXIBILITY DURING COVID-19 REHEARSALS. March-Scherzo from Symphony No. 1
March-Scherzo from Symphony No. 1 # Concert band # INTERMEDIATE/ADVANCED # Classical # Camille Saint-Saens # Ted R # March-Scherzo from Symphony No # Ted R. Marcus # SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.840481 Composed by Camille Saint-Saens. Arranged by Ted R. Marcus. 19th Century,Classical,Contest,Festi...(+)
Concert Band - Level 4 - Digital Download SKU: A0.840481 Composed by Camille Saint-Saens. Arranged by Ted R. Marcus. 19th Century,Classical,Contest,Festival,March,Romantic Period. Score and Parts. 109 pages. Ted R. Marcus #3088637. Published by Ted R. Marcus (A0.840481). Camille Saint-Saëns was only 17 when he wrote his first published symphony. But he already had a mature mastery of orchestral writing, along with the courage to defy convention: A march takes the place of the normal triple-meter scherzo movement. It's an unconventional march that starts with an elegant melody, surveys a wide range of emotions, and dissipates into a quiet ending. It's really neither a march nor a scherzo, but something all its own.This colorful concert band arrangement was written for an adult community band. It's appropriate for a college or community band, or an adventurous high school wind ensemble. It features two solo flutes, two solo clarinets, soprano saxophone, vibraphone, and marimba (the vibraphone part is cued to allow performance without the marimba). It also requires strong oboe and bassoon players. Extensive cues allow rehearsal and performance without oboes, bassoons, soprano saxophone, and/or mallet percussion.  Duration: approx. 5:00. The audio clip is a complete performance by the Peninsula Symphonic Winds. Instrumentation: Flute 1A and 1B (two solo players) / Flute 2 / Oboe 1-2 / Clarinet 1A and 1B (two solo players) / Clarinet 2-3 / Alto Clarinet / Bass Clarinet / E-flat Contra-alto clarinet (optional alternate for string bass) / B-flat Contrabass Clarinet (optional alternate for string bass) / Bassoon 1-2 / Soprano Saxophone / Alto Saxophone / Tenor Saxophone / Baritone Saxophone / Trumpet 1-2-3 / Horn 1-2-3-4 / Trombone 1-2-3 / Euphonium / Baritone T.C. / String Bass / Vibes / Marimba (Vibes part has cues for performance without marimba)  Please visit my Web site to explore more classics for adventurous concert bands. Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion # Chamber Orchestra # INTERMEDIATE/ADVANCED # Classical # Johann Strauss Jr # Aaron Meier # Olga-Polka, Op. 196 # Aaron Meier # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score # Orchestra # INTERMEDIATE/ADVANCED # Classical # Johann Strauss Jr # Aaron Meier # Olga-Polka, Op. 196 # Aaron Meier # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub. I Believe
I Believe # Orchestra # INTERMEDIATE # Aled Jones # Flavio Regis Cunha # Cecilia Bartolli VERSION) # I Believe # Flavio Regis Cunha # SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1337963 By Aled Jones. By Eric Levisalles. Arranged by Flavio Regis Cunha. Christmas,Classical,Contes...(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1337963 By Aled Jones. By Eric Levisalles. Arranged by Flavio Regis Cunha. Christmas,Classical,Contest,Festival,Instructional,Wedding. 66 pages. Flavio Regis Cunha #923709. Published by Flavio Regis Cunha (A0.1337963). DESCRIPTIONEric Levisalles: I Believe for Orchestra (Andrea Bocelli & Cecilia Bartolli VERSION).🎶 Elevate Your Orchestra's Performance with I Believe 🎶Are you ready to transport your audience to the realm of pure emotion and musical brilliance? Look no further! Introducing the enchanting sheet music of I Believe for orchestra, composed by the renowned Eric Levisalles and beautifully interpreted by the incomparable Andrea Bocelli and Cecilia Bartolli.🌟 Why I Believe for Your Orchestra? 🌟1ï¸âƒ£ **Emotional Resonance:** Immerse your audience in the powerful emotions conveyed through every note. I Believe transcends the ordinary, creating a musical experience that will leave a lasting impact.2ï¸âƒ£ **Versatility:** Perfect for professional orchestras seeking a challenging and captivating repertoire, as well as school and church orchestras aiming to inspire and connect with their community.3ï¸âƒ£ **World-Class Composition:** Eric Levisalles' masterful composition combined with the enchanting voices of Bocelli and Bartolli ensures a musical journey that is both profound and awe-inspiring.🎼 **Unlock the Potential of Your Orchestra** 🎼🌈 Whether you're aiming for a soul-stirring performance, seeking to captivate a diverse audience, or simply wanting to elevate your orchestra to new heights – I Believe is the answer.🔥 **Order Now and Let the Music Speak for Itself!** 🔥Visit our website or call [Your Contact Information] to secure your sheet music today. Transform your orchestra into a beacon of musical excellence with I Believe – where passion meets precision.🎶 **Believe in the Power of Music. Believe in Your Orchestra's Brilliance. I Believe.** 🎶Level: Intermediate Format: Concert, 9 x 12 inchesSize: 66 pagesContent: Full Score and Parts)PLUS!!! Engraved with Urtext Kapellmeister Music Font#IBelieve #andreabocelli #EricLevisalles # CeciliaBartolli #flavioregiscunha #OrchestraMagic #MusicalBrilliance #EricLevisalles #BocelliAndBartolli #SheetMusic #ElevateWithMusic #EmotionalResonance #MusicJourney #OrchestraExcellence #BelieveInThePowerOfMusichttps://youtu.be/rjO__MKd9Mc New Jersey Folk Song Sweet
New Jersey Folk Song Sweet # String Orchestra # INTERMEDIATE/ADVANCED # Erik Meyer # New Jersey Folk Song Sweet # Erik Meyer # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1238256 Composed by Erik Meyer. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 188 p...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1238256 Composed by Erik Meyer. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 188 pages. Erik Meyer #833731. Published by Erik Meyer (A0.1238256). The string orchestra piece you never knew you needed! The New Jersey Folk Song Sweet is a suite of eight original works for string ensemble (vln 1+2, vla, vc, cb, with divisi) for upper intermediate players.These delightfully attractive yet subtly devious works use hidden gems from the folk song traditions from the historic New Jersey regions of Nutley, Ho-Ho-Kus, Parsippany, and more (guaranteed to be free from influence from any of the Oranges!)Each movement bears a title important to the cultural traditions of the state:I. Molten OreganoII. Watsamadawichu VariationsIII. Marche con QuestoIV. Ground Beefs (obviously this one is Hoboken)V. SchartzoVI. FughettiosVII. AdaddioVIII. Allegro con CalzoneSo what are you waiting for? Show your Jersey pride and play this piece already!*purchasing this will give you a PDF document with a full score and set of parts. You are free to print as many parts as needed for your ensemble. Please do not share or distribue this PDF with others.*Questions? Suggestions? Requests? contact me at aemeyer.com. Who Wants To Live Forever
Who Wants To Live Forever # Orchestra # INTERMEDIATE/ADVANCED # Queen # John Langley / Studio Orchestr # Who Wants To Live Forever # www.studio-orchestrations.com # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1427918 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Mu...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1427918 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera,Pop,Rock. 118 pages. Www.studio-orchestrations.com #1008658. Published by www.studio-orchestrations.com (A0.1427918). This arrangement / score is set in D Minor, a tone / 2 steps below the original recorded song. Versions of this same score will be available on this website in both E Minor [original key] and also C sharp Minor [Down a minor 3rd / 3 steps] to give your vocal soloist and choir key options.Amid a truly extraordinary and long back catalogue of amazing songs written and performed by QUEEN, Who wants to live forever stands out as one of their greatest and most popular musical achievements. Written originally for the 1986 Sean Connery/Christopher Lambert film HIGHLANDER it highlighted the incredible range of musical output the band were capable of, being best known for their rock music output. It became a poignant and wistful anthem for the great Freddie Mercury who died only a matter of 5 years later.It is the most incredible song and in this arrangement combines symphony orchestra, with rock singer, rhythm section and for added value optional SATB chorus, bringing an additional texture to what is already an epic piece. The Youtube link below (in the lower key of C# Minor) illustrates the power of this version in an incarnation recorded during lockdown in 2020 with the combined forces of the Welsh National Opera orchestra and chorus and Welsh, TV stage and Hollywood actor star Luke Evans. All individual tracks and performances were recorded in their singers and musicians own homes, then mixed, spliced and compiled into what many have now come to regard as a classic.Both this and the WNO version were arranged by John Langley and pay a respectful tribute to the original version and its composer Brian May. We commend this for any concert of film or popular music with your professional, semi-professional or intermediate orchestra, choir and soloist. [The choir is optional but the piece is much more epic with one!]INSTRUMENTATION:2 Flutes1 Oboe1 Clarinet1 Bassoon4 Horns2 Trumpets3 TrombonesTimpani2 Percussion [Cymbals / Bass Drum / Snare Drum / Cabasa or small shaker]PianoElectric GuitarBass GuitarDrum KitRock - Tenor SoloistSATB [Optional but desirable!]Strings. Who Wants To Live Forever
Who Wants To Live Forever # Orchestra # INTERMEDIATE/ADVANCED # Queen # John Langley / Studio Orchestr # Who Wants To Live Forever # www.studio-orchestrations.com # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1428141 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Mu...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1428141 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera,Pop,Rock. 118 pages. Www.studio-orchestrations.com #1008969. Published by www.studio-orchestrations.com (A0.1428141). This arrangement / score is set in C# Minor, a Minor 3rd / 3 steps below the original recorded song. Versions of this same score will be available on this website in both E Minor [original key] and also D Minor [Down a TONE / 2 steps] to give your vocal soloist and choir key options.Amid a truly extraordinary and long back catalogue of amazing songs written and performed by QUEEN, Who wants to live forever stands out as one of their greatest and most popular musical achievements. Written originally for the 1986 Sean Connery/Christopher Lambert film HIGHLANDER it highlighted the incredible range of musical output the band were capable of, being best known for their rock music output. It became a poignant and wistful anthem for the great Freddie Mercury who died only a matter of 5 years later.It is the most incredible song and in this arrangement combines symphony orchestra, with rock singer, rhythm section and for added value optional SATB chorus, bringing an additional texture to what is already an epic piece. The Youtube link below illustrates the power of this version in an incarnation recorded during lockdown in 2020 with the combined forces of the Welsh National Opera orchestra and chorus and Welsh, TV stage and Hollywood actor star Luke Evans. All individual tracks and performances were recorded in their singers and musicians own homes, then mixed, spliced and compiled into what many have now come to regard as a classic. This recording is - like this score - also in C# Minor Both this and the WNO version were arranged by John Langley and pay a respectful tribute to the original version and its composer Brian May. We commend this for any concert of film or popular music with your professional, semi-professional or intermediate orchestra, choir and soloist. [The choir is optional but the piece is much more epic with one!]INSTRUMENTATION:2 Flutes1 Oboe1 Clarinet1 Bassoon4 Horns2 Trumpets3 TrombonesTimpani2 Percussion [Cymbals / Bass Drum / Snare Drum / Cabasa or small shaker]PianoElectric GuitarBass GuitarDrum KitRock - Tenor SoloistSATB [Optional but desirable!]Strings. Who Wants To Live Forever
Who Wants To Live Forever # Orchestra # INTERMEDIATE/ADVANCED # Queen # John Langley / Studio Orchestr # Who Wants To Live Forever # www.studio-orchestrations.com # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1428144 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Mu...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1428144 By Queen. By Brian May. Arranged by John Langley / Studio Orchestrations. Broadway,Film/TV,Musical/Show,Opera,Pop,Rock. 114 pages. Www.studio-orchestrations.com #1008972. Published by www.studio-orchestrations.com (A0.1428144). This arrangement / score is set in E Minor, the original key of the recorded song. Versions of this same score will be available on this website in both D Minor [Down a Tone / 2 Steps] and also C sharp Minor [Down a minor 3rd / 3 steps] to give your vocal soloist and choir key options.Amid a truly extraordinary and long back catalogue of amazing songs written and performed by QUEEN, Who wants to live forever stands out as one of their greatest and most popular musical achievements. Written originally for the 1986 Sean Connery/Christopher Lambert film HIGHLANDER it highlighted the incredible range of musical output the band were capable of, being best known for their rock music output. It became a poignant and wistful anthem for the great Freddie Mercury who died only a matter of 5 years later.It is the most incredible song and in this arrangement combines symphony orchestra, with rock singer, rhythm section and for added value optional SATB chorus, bringing an additional texture to what is already an epic piece. The Youtube link below (in the lower key of C# Minor) illustrates the power of this version in an incarnation recorded during lockdown in 2020 with the combined forces of the Welsh National Opera orchestra and chorus and Welsh, TV stage and Hollywood actor star Luke Evans. All individual tracks and performances were recorded in their singers and musicians own homes, then mixed, spliced and compiled into what many have now come to regard as a classic.Both this and the WNO version were arranged by John Langley and pay a respectful tribute to the original version and its composer Brian May. We commend this for any concert of film or popular music with your professional, semi-professional or intermediate orchestra, choir and soloist. [The choir is optional but the piece is much more epic with one!]INSTRUMENTATION:2 Flutes1 Oboe1 Clarinet1 Bassoon4 Horns2 Trumpets3 TrombonesTimpani2 Percussion [Cymbals / Bass Drum / Snare Drum / Cabasa or small shaker]Piano/KeyboardElectric GuitarBass GuitarDrum KitRock - Tenor SoloistSATB [Optional but desirable!]Strings. Born This Way
Born This Way # Concert band # EASY # Lady Gaga # Fernando Garibay, Stefani Germ # Simone Orsini # Born This Way # Simone Orsini # SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1422717 By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Arranged ...(+)
Concert Band - Level 2 - Digital Download SKU: A0.1422717 By Lady Gaga. By Fernando Garibay, Jeppe Laursen, Paul Blair, and Stefani Germanotta. Arranged by Simone Orsini. 21st Century,Pop. 104 pages. Simone Orsini #1004068. Published by Simone Orsini (A0.1422717). BORN THIS WAY performed by Lady GagaFor Concert Band - Performance Time 3:40 - Digital DownloadComposed by Fernando Garibay, Stefani Germanotta, Paul Blair, Jeppe LaursenArranged by Simone OrsiniInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Tuba, El. Bass, Drum Set, Percussion 1 (Tamb., Shaker), Percussion 2 (Bongos, Cowbell) El. Guitar, keyboard.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., Bb Bass Trombone T.C., Bb Euphonium T.C., Bb Bass T.C.Born This Way is a song by American singer Lady Gaga, and the lead single from her second studio album of the same name. Written by Gaga and Jeppe Laursen, who produced it along with Fernando Garibay and DJ White Shadow, the track was developed while Gaga was on the road with the Monster Ball Tour. Inspired by 1990s music which empowered women, minorities, and the LGBT community, Gaga explained that Born This Way was her freedom song. It was also inspired by Carl Bean and his song I Was Born This Way, released in 1977. She sang part of the chorus at the 2010 MTV Video Music Awards and announced it as the lead single from the album, released on February 11, 2011.The song is backed by rumbling synth sounds, a humming bass and additional chorus percussion, with sole organ toward the end. The lyrics discuss the self-empowerment of the LGBT community and racial minorities. Critics positively reviewed the song, calling it a club-ready anthem. In 2023, Rolling Stone named Born This Way the Most Inspirational LGBT Song of All Time. It reached number one in over 25 countries and was her third single to top the US Billboard Hot 100 chart and the 1,000th song in that chart's history (since 1958) to reach number one. Born This Way has sold 8.2 million copies worldwide, making it one of the best-selling singles of all time.Nick Knight directed the accompanying music video, which was inspired by surrealist painters like Salvador Dalí and Francis Bacon. Gaga is depicted as giving birth to a new race during a prologue. After a series of dance sequences, the video concludes with the view of a city populated by this race. Critics noted the video's references to the work of Madonna, Michael Jackson and fashion designer Alexander McQueen, as well as to Greek mythology and surrealism.Gaga performed the song at the 53rd Annual Grammy Awards after coming out of an incubating vessel. Shortly after, she added it to the setlist of the last leg of the Monster Ball Tour. Born This Way was later performed on television shows, such as Saturday Night Live, Dick Clark's New Year's Rockin' Eve and Good Morning America, many of the singer's tours, and it was notably part of her Super Bowl LI halftime show set. The song was treated with different remixes, including a Country Road version recorded by Gaga herself and another by Indian production duo Salim–Sulaiman. It has been covered by artists such as Alice Cooper, Madonna, and Katy Perry. LIVING PULSE for Saxophone Quartet and Concert Band/Wind Ensemble
LIVING PULSE for Saxophone Quartet and Concert Band/Wind Ensemble # Concert band # INTERMEDIATE/ADVANCED # Ivan Marini # LIVING PULSE for Saxophone Qua # www.dalsegno.eu # SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.770394 Composed by Ivan Marini. Contemporary,Multicultural,World. Score and parts. 152 pages. Www.dalse...(+)
Concert Band - Level 4 - Digital Download SKU: A0.770394 Composed by Ivan Marini. Contemporary,Multicultural,World. Score and parts. 152 pages. Www.dalsegno.eu #4756671. Published by www.dalsegno.eu (A0.770394). Concerto for saxophone quartet and band, from Minimal music to Tango.Complete set with score and parts: Solos (Soprano or Alto 1, Alto 2, Tenor, Bari), Piccolo, Flute 1+2, Oboe 1+2, Bassoon 1+2, Clarinets 1+2+3+bass, Trumpets 1+2+3, F Horns 1+2+3+4, Trombones 1+2+3, Euphonium/Baritone, Tuba, String Bass, Timpani, Heartbeat, Percussions 1+2+3 .Other transpositions (e.g. Bb Trombones TC) available for free at simply request. Euphoniums already provided in Bb (TC) and C (BC). Arrangement for percussion ensemble and saxophone quartet also available.Duration ca. 9 mins., 152 pages. Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu A Celebration of Bells (A Christmas Overture)
A Celebration of Bells (A Christmas Overture) # Concert band # EASY # Christmas # Calkin, James Pierpont, and Lo # Christopher Durigg # A Celebration of Bells # Christopher Durigg # SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.934824 Composed by Calkin, James Pierpont, and Longfellow. Arranged by Christopher Durigg. Christmas,Co...(+)
Concert Band - Level 2 - Digital Download SKU: A0.934824 Composed by Calkin, James Pierpont, and Longfellow. Arranged by Christopher Durigg. Christmas,Contemporary,Folk. Score and parts. 44 pages. Christopher Durigg #6433709. Published by Christopher Durigg (A0.934824). PUBLISHER: C. DURIGG MUSICPUBLISHER WEBSITE: www.cdurigg.com VISIT FOR AN AUDIO SAMPLE RECORDING AND VIRTUAL SCORE: http://www.cdurigg.com/cdb002.htmlC. DURIGG MUSIC ID FOR THIS PIECE: CDB-002GRADE LEVEL: EMERGING BAND SERIES (Grade 1.5)OTHER ASSOCIATED SERIES: LIMITED OR FULL BAND SERIESWHAT IS THE LIMITED OR FULL BAND SERIES FROM C.DURIGG MUSIC?Do you have intermediate or advanced students in a very small band program? Are your students ready for more intermediate or advanced band repertoire, yet the band’s limited instrumentation holds them back?My Limited or Full series is geared toward the success of small bands with limited instrumentation. These pieces aim at giving small bands more advanced music within the framework of a young band arrangement. If you like the music, these pieces also sound great with a larger full instrumentation.PRODUCT DESCRIPTION:The joyful ringing of bells is often associated with the holiday season. This is a common theme running through Christmas Carol literature. Conceived as a fun, accessible overture for young bands or bands with limited instrumentation, A Celebration of Bells highlights two of the most beloved Christmas carols associated with bells. The piece begins with a joyful brass bell-tone fanfare accompanied by trilling woodwinds. The introduction gives way to mostly-unison woodwind rendition of I Heard the Bells On Christmas Day. The brass then further works out the melody with a more chordal presentation. The woodwinds present a short, light interlude, followed by an explosive snare drum and full-band chord one key higher than the beginning. The piece shifts to a Jingle Bells march. Following the march, the music modulates back down one key and returns to a full band, Maestoso version of I Heard the Bells. The overture comes to a close with a return to the familiar introductory bell tones. This piece is sure to be a festive hit for both your students and their audience!