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Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
Sinfonietta - A Symphony in Three Movements for Grade 3 Concert Band
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Concert band
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EASY
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Gregory Fritze
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Sinfonietta - A Symphony in Th
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score a...
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Concert Band - Level 2 - Digital Download SKU: A0.917410 Composed by Gregory Fritze. 20th Century,Classical,Contemporary,Instructional,Standards. Score and parts. 267 pages. Musica Nova USA #6078853. Published by Musica Nova USA (A0.917410). Sinfonietta (alternate title SinfonÃa de Vino y Aceite de Magallon) is a composition for concert band that can be played by any band whether it has 100 players or 30 players. It is at grade 3 level of difficulty and has several substitute parts for ensembles that may not have complete instrumentation. Although the scoring includes piccolo, oboes, bassoons, and French horns, these instruments are not needed to command a good performance.Sinfonietta adheres to classical forms of symphonies by composers such as Mozart, Haydn and Beethoven. The forms are very clear so the players of the band can learn this important history. The first movement is in standard Sonata Allegro form.The second movement is in A B A form and features a solo trumpet. The third movementis in a Rondo form (A B A C A) with three distinct themes. The work was commissioned in 2017 by the town of Magallón, Spain in celebration of the town’s industries of wine and olive oil. The mayor of the town of 1,000 inhabitants, Victor Manuel Chueca Rodriguez, was specific in his request for a composition at grade 3 level of difficulty. He also suggested the title as Symphony. Since it a three-movement composition instead of a four-movement composition (the normal Minuet and Trio movement is not included in this piece), the title of Sinfonietta instead of Symphony is used.Gregory Fritzeis a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositionsfor orchestra, band, chamber ensemblesand soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d'Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria, and others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world. He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$75.00 ≈
67.55€
Set Free to go Home - grade 3 concert band
Set Free to go Home - grade 3 concert band
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Concert band
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EASY
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Gregory Fritze
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Set Free to go Home - grade 3
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Musica Nova USA
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. ...
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Concert Band - Level 2 - Digital Download SKU: A0.917409 Composed by Gregory Fritze. 20th Century,Contemporary,Instructional,Standards. Score and parts. 52 pages. Musica Nova USA #6075605. Published by Musica Nova USA (A0.917409). Set Free to go Home was composed in the fall of 2019. It was commissioned by Dr. Kristen Tjornehoj, Conductor of the University of Wisconsin at River Falls Symphony Band in remembrance of Kaye Bird, who passed away in 2016 as a resident of River Falls and a member of the community for several years. Kaye Bird was also a resident of Indiana, PA for 37 years and was a well respected teacher in the public schools there. Set Free to go Home was premiered by the Indiana University of Pennsylvania Symphony Band at Fisher Auditorium on February 6, 2020, conducted by Dr. Jason Worzbyt. It is agrade 3 band piece with a duration of five minutes. It is published by Musica Nova USA and availableon sheetmusicplus.com and jwpepper.com.Performance Notes: Set Free to go Home was composed with flexible instrumentation in mind.There are several instruments listed in the score that would enhance the piece (such as harp, oboes,double bass, ect.) but are not necessary to convey a successful performance. For example, if there are not five percussionists available, the piece may be played by less performers with the use of a drumkit, with one person playing two or more parts. This composition can sound very good whether thereare fifteen players or a band with one hundred players.Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. His compositions have been performed more than one thousand times in over twenty-six countries. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, includingFirst Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winnerin Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d’Onore (highest award given) of the Mario Bernardo Angelo-Comneno International MusicCompetition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), 2nd Prize in the 2nd WASBE International Composition Contest 2019, several awards from The American Prize, annual composition awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers andmany others. He has been commissioned by The Rhode Island Philharmonic Orchestra, The Army Band Pershing’s Own of Washington, DC, The Banda Municipal of Bilbao, The Primativa de Lliria,and others. His compositions include works published by several publishers in the United States, SouthAmerica and Europe and have been performed extensively throughout the world.He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer atmany colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$40.00 ≈
36.03€
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
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Orchestra
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INTERMEDIATE
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Patriotic
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Manuel de Espinosa de los Mo
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Keith Terrett
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Spanish National Anthem for Sy
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Music for all Occasions
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SheetMusicPlus
Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Per...
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Full Orchestra - Intermediate - Digital Download Composed by Manuel de Espinosa de los Monteros (1730-1810). Arranged by Keith Terrett. Classical Period, European, Patriotic. 30 pages. Published by Music for all Occasions
The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!
The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.
One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.
There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.
According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.
After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.
The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.
Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.
Interpretation and etiquette:
Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.
The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.
Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.
The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.
The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.
There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.
As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.
As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com
$39.00 ≈
35.13€
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Claude Debussy/Robert Orledge:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. ...
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Full Orchestra - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic. Score. 19 pages. Published by Musik Fabrik Music Publishing
Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
$19.95 ≈
17.97€
Bee, Honey Bee: Reading on the Grand Staff
Bee, Honey Bee: Reading on the Grand Staff
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Orchestra
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BEGINNER
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Edna J
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Bee, Honey Bee: Reading on the
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Bloom Musicnotes
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SheetMusicPlus
Full Orchestra - Level 1 - Digital Download SKU: A0.836190 Composed by Edna J. Bloom. Children,Instructional. Score and parts. 4 pages. Bloom Musicnotes ...
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Full Orchestra - Level 1 - Digital Download SKU: A0.836190 Composed by Edna J. Bloom. Children,Instructional. Score and parts. 4 pages. Bloom Musicnotes #4409101. Published by Bloom Musicnotes (A0.836190). Bee, Honey Bee describes the activities of a bee gathering nectar. Ranging from bass clef line B up to the ledger line B above the treble clef, the simple melody employs repeated B's in various octaves and a few step-wise motifs. This piece can be used in a variety of ways: to help students understand high and low pitch, to develop spatial awareness at the keyboard, to reinforce the location of B's on the grand staff, and even for ensembles such as band, handbells, or orchestra.
$2.99 ≈
2.69€
We Are The Champions - Queen for Orchestra
We Are The Champions - Queen for Orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Rock
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Queen
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Javier Martínez Maya
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We Are The Champions - Queen f
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Arte Nova Music Lab
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SheetMusicPlus
Full Orchestra - Advanced Intermediate - Digital Download By Queen. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published b...
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Full Orchestra - Advanced Intermediate - Digital Download By Queen. Arranged by Javier Martínez Maya. Score, Set of Parts. 40 pages. Published by Arte Nova Music Lab
"We Are the Champions" is a song by the British rock band Queen, first released on their 1977 album News of the World. Written by lead singer Freddie Mercury, it is considered one of rock's most recognisable anthems. The song was a worldwide success, reaching number two in the UK Singles Chart, number four on the Billboard Hot 100 in the United States, number three in Canada and the top ten in many other countries. In 2009, "We Are the Champions" was inducted into the Grammy Hall of Fame and was voted the world's favourite song in a 2005 Sony Ericsson world music poll. In 2011, a team of scientific researchers concluded that the song was the catchiest in the history of popular music.
"We Are the Champions" has become an anthem for victories at sporting events, including as an official theme song for the 1994 FIFA World Cup, and has been often used or referenced in popular culture. The song has also been covered by many artists.
On 7 October 2017, Queen released a Raw Sessions version of the track to celebrate the 40th anniversary of the release of News of the World. It was made from previously unheard vocal and instrumental takes from the original multi-track tapes. It also presents for the first time the original recorded length of the track, which is two choruses more than the 1977 edited single.
$60.00 ≈
54.04€
Fantasy for Trombone and Brass Band
Fantasy for Trombone and Brass Band
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Trombone and Orchestra
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ADVANCED
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Classical
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Elizabeth Raum
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Dorothy Gates
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Fantasy for Trombone and Brass
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Cherry Classics Music
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SheetMusicPlus
Trombone solo and Brass Band - Advanced - Digital Download Composed by Elizabeth Raum (1945-). Arranged by Dorothy Gates. 21st Century, 20th Century, P...
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Trombone solo and Brass Band - Advanced - Digital Download Composed by Elizabeth Raum (1945-). Arranged by Dorothy Gates. 21st Century, 20th Century, Post-Romantic. Score, Set of Parts, Solo Part. 69 pages. Published by Cherry Classics Music
Fantasy for Trombone was written in 1981 as a Christmas present for Richard Raum while he and Elizabeth Raum were performing with the Regina Symphony. Ms. Raum is a highly respected Canadian composer with a catalog of outstanding compositions, many featuring brass instrument solos. Fantasy for Trombone and Brass Band was arranged by Dorothy Gates in 2007.
The beautiful performance is by UK Trombonist Nick Hudson.
Fantasy is dramatic, lyrical and very expressive, making it an ideal choice to feature your brass band's trombone soloist.
The work has gained immense popularity since its debut, having been performed and recorded by major artists worldwide. It is 6 1/2 minutes in length and appropriate for advanced performers.
The instrumentation is for: Solo Trombone, Soprano Cornet, 4 Cornets, Flugelhorn, 3 Horns in E-flat, 2 Baritones, 3 Trombones, Euphonium, E-flat Bass Tuba, B-flat Bass Tuba.
$95.00 ≈
85.56€
Miss Trombonism for solo Trombone and Concert Band
Miss Trombonism for solo Trombone and Concert Band
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Trombone and Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Nathaniel Cleophas Davis
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Aaron Hettinga
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Miss Trombonism for solo Tromb
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Cherry Classics Music
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SheetMusicPlus
Trombone solo with Concert Band - Advanced Intermediate - Digital Download Composed by Nathaniel Cleophas Davis. Arranged by Aaron Hettinga. 20th Centu...
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Trombone solo with Concert Band - Advanced Intermediate - Digital Download Composed by Nathaniel Cleophas Davis. Arranged by Aaron Hettinga. 20th Century, Dixieland, Ragtime, Americana. Score, Set of Parts, Solo Part. 42 pages. Published by Cherry Classics Music
Miss Trombonism by African American composer, trombonist, bandleader, and publisher Nathaniel Cleophas "Shorty" Davis was written in 1918 as a Trombone solo in the American genre of Ragtime featuring the trombone's patented glissando as the "hook". These solos were also called smears or jazzes.
Miss Trombonism is one of five entertaining works of Davis' "Trombone Family" written between 1915 and 1921 with the subtitle - A Slippery Tune. The granddaughter of "Oh Slip It Man" and daughter of Mr. Trombonology.
This arrangement has been wonderfully arranged by Aaron Hettinga for Trombone (the whole section can perform it) and Concert Band and is playable by moderately advanced performers.
Cherry Classics Music will be publishing the complete series of these works by Davis.
Thanks to Douglas Yeo for his research and advice.
$75.00 ≈
67.55€
Sarabande from the Dance Suite for Orchestra
Sarabande from the Dance Suite for Orchestra
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Orchestra
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INTERMEDIATE
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Robert E
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Sarabande from the Dance Suite
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.809814 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 33 pages. R. E. Proc...
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Full Orchestra - Level 3 - Digital Download SKU: A0.809814 Composed by Robert E. Proctor. Contemporary,Renaissance. Score and parts. 33 pages. R. E. Proctor #3417175. Published by R. E. Proctor (A0.809814). Sarabande - Apparently a notorious dance for it's day, having been banded in Spain by Philip II in 1590. This Sarabnde is written in C minor, in 3/4 meter, and a tempo set to 1/4 note = 44. Moody and somewhat dark, it will not be what your listeners will be expecting. A haunting melody is passed from various instruments over pizzicato strings then the orchestra as a whole. Approximate length 3 minutes and 51 seconds.
$7.95 ≈
7.16€
Five Australian Scenes for String Orchestra - 3. The Outback
Five Australian Scenes for String Orchestra - 3. The Outback
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String Orchestra
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INTERMEDIATE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1368928 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 28 pages. MA Lass & I La...
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String Orchestra - Level 3 - Digital Download SKU: A0.1368928 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 28 pages. MA Lass & I Lass #953270. Published by MA Lass & I Lass (A0.1368928). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, The Outback, is set in the abandoned gold mining town of Goongarrie in the state WA. It depicts sunrise in the outback, the gradual heating up of the day, the scourge of blow flies, the searing and unbearable heat of midday, a sudden flash thunderstorm, and, as the storm clears, sunset over the abandoned town.
$39.00 ≈
35.13€
Latvian National Anthem for Symphony Orchestra
Latvian National Anthem for Symphony Orchestra
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Orchestra
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INTERMEDIATE
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Patriotic
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Sy
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Keith Terrett
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SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Pr...
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Full Orchestra - Level 3 - Digital Download SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99 ≈
36.02€
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
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Concert band
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INTERMEDIATE
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Contemporary
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Jeremy Goh, Daniel Cheng
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Theme and Variations on a Chin
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Jeremy Goh
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #1212...
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Concert Band - Level 3 - Digital Download SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by Jeremy Goh (A0.1027334). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work.
$5.99 ≈
5.39€
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and orchestra
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 page...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik Music Publishing #3133403. Published by Musik Fabrik Music Publishing (A0.534136). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and solo part for the orchestral version. Versions are available from Musik Fabrik for piano for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$25.95 ≈
23.37€
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Ludwig van Beethoven
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Adrian Gagiu
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Overture and Minuet in C major
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Adrian Gagiu
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian G...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00 ≈
90.07€
Five Australian Scenes for String Orchestra - 2. Glowworm Tunnel
Five Australian Scenes for String Orchestra - 2. Glowworm Tunnel
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String Orchestra
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INTERMEDIATE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I La...
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String Orchestra - Level 3 - Digital Download SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Published by MA Lass & I Lass (A0.1368923). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Glowworm Tunnel, is about a day trip in Newnes in the state of NSW. Newnes is a former shale mining site, now abandoned. A railway once ran from the entry of the site to the mine itself. A tunnel was bored through a low mountain to gain access. Since then, the railway itself now removed but the path of it remaining, the tunnel has become the home of thousands of glowworms - a magical and awe-inspiring experience to witness. The piece depicts the journey along the former rail line, the experience of the glowworm tunnel, and the journey back.
$39.00 ≈
35.13€
20 Arrangements of Classical Favorites for Beginner and Intermediate String Orchestra
20 Arrangements of Classical Favorites for Beginner and Intermediate String Orchestra
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String Orchestra
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EASY
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Classical
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Bach, Beethoven, Bizet, Brahms
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Laura Jekel
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20 Arrangements of Classical F
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Laura Jekel
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1107759 Composed by Bach, Beethoven, Bizet, Brahms, Dvorak, Handel, Mozart, Puccini, Rossini, Wagne...
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String Orchestra - Level 2 - Digital Download SKU: A0.1107759 Composed by Bach, Beethoven, Bizet, Brahms, Dvorak, Handel, Mozart, Puccini, Rossini, Wagner. Arranged by Laura Jekel. Classical,Instructional,Romantic Period,Standards. Score and parts. 125 pages. Laura Jekel #710385. Published by Laura Jekel (A0.1107759). 20 fun arrangements for beginner and intermediate string orchestra. Written for and played by the MYCincinnati Youth Orchestra over the last decade, and they are greatly enjoyed by the students. These arrangements are available individually, and you can also buy 10 beginner pieces or 10 intermediate pieces. Hope you enjoy! 1. Sarabande and Gavotte by J.S. Bach 2. Symphony No. 5, Movement 3 by Ludwig van Beethoven 3. Symphony No. 7, Movement 2 by Ludwig van Beethoven 4. Carmen Overture by Georges Bizet 5. Piano Quartet No. 1, Gypsy Rondo by Johannes Brahms 6. New World Symphony Finale by Antonin Dvorak 7. Hallelujah Chorus from Messiah by G.F. Handel 8. Rondo alla Turca from Sonata K. 331 by W.A. Mozart 9. Vogelfanger from the Magic Flute by W.A. Mozart 10. ‘O mio babbino caro from Gianni Schicchi by Giaccomo Puccini 11. Nessun Dorma from Turandot by Giaccomo Puccini 12. Overture from William Tell by Gioacchino Rossini 13. Symphony No. 3, Movement 2 by Jean Sibelius 14. Poet and Peasant Overture by Franz von Suppe 15. Symphony No. 4, Movement 3 by P.I. Tchaikovsky 16. Andante from Serenade for Strings by P.I. Tchaikovsky 17. Dance of the Little Swans from Swan Lake by P.I. Tchaikovsky 18. Triumphal March from Aida by Giuseppe Verdi 19. Spring from the Four Seasons by Antonio Vivaldi 20. Tannhauser Overture by Richard Wagner.
$49.99 ≈
45.02€
Two Ecosaisses for Orchestra (or Strings Alone), WoO 22-23
Two Ecosaisses for Orchestra (or Strings Alone), WoO 22-23
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Chamber Orchestra
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INTERMEDIATE
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Classical
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Ludwig van Beethoven
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Joel Jacklich (ASCAP)
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Two Ecosaisses for Orchestra
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Joel Jacklich
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SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.723152 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (ASCAP). Classical,Romantic Per...
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.723152 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (ASCAP). Classical,Romantic Period. Score and parts. 24 pages. Joel Jacklich #5304807. Published by Joel Jacklich (A0.723152). Beethoven wrote a number of ecossaises for the piano. These two had been scored for military band. It can be played by the full orchestration here, or by just the strings. The ecossaise is an energetic country dance in duple time in which couples form lines facing each other. Ecossaises were usually danced in 2/4 time. Although the word ecossaise is derived from the mid-Fench term for Scotland, any connection with Scotland is unclear. The orchestration is for Flute (with Piccolo doubling at the octave), 2 Oboes, 2 Clarinets in A (Clarinets in B-flat are also included in the set), 2 Bassoons; 2 Horns in F, 2 Trumpets in B-flat; Timpani (G2, A2, D3), Triangle, Snare Drum, Bass Drum, Crash Cymbals; Violin I, Violin I, Viola, Violoncello, and Contrabass.
$25.00 ≈
22.52€
La Tomatina for Symphonic Band
La Tomatina for Symphonic Band
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Concert band
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INTERMEDIATE
#
GregoryFritze
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La Tomatina for Symphonic Band
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Musica Nova USA
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica No...
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Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica Nova USA #4805407. Published by Musica Nova USA (A0.917395). La Tomatina was composed in 1996 in Buñol, Spain while I was researching Spanish band music. Buñol is a small town of about 9,000 inhabitants about 19 miles (30 kilometers) from Spain’s 3rd largest city, Valencia. For 364 days of the year, it is a typical small town, but on the last Wednesday of August it becomes an international attraction. On that day the La Tomatina festival is held. Several trucks drop as many as 145,000 kilograms of tomatoes unto the main street and for an hour at 12:00 noon there are up to 100,000 people taking part in throwing tomatoes at each other. At 1:00 everybody goes to the specialpublic showers to wash up. A fire truck comes down the street washing down the buildings and the main street and by about 2:00 all is returned to normal and all references to the tomato fight are gone. Thetradition has been going on since 1945. I was in the streets taking part in throwing tomatoes for three years. After that when I was in Spain during the festival I watched it on TV.Buñol also has a rich tradition of having two very good concert bands – the Litros and the Feos. Most of the 9,000 inhabitants formally belong to one of the two social clubs. There are several band competitionsheld in Spain and both of these bands take part. The band competition is fierce as bragging rights are won by the winning society. It is thought that this fierce competition is what helps develop excellentmusicians in that many young people become professional musicians and play in many orchestras and bands throughout the country.La Tomatina was premiered by the U. S. Army Band Pershing’s Own on the U. S. Capital steps in June 1996, the composer conducting. La Tomatina is the second movement of SinfonÃa de Valencia, a three- movement composition that was premiered in Buñol by the band of Centro Instructivo Musical El Litro Buñol, conducted by Francisco Tamarit in August 1997. SinfonÃa de Valencia is recorded by the band of Centro Instructivo Musical El Litro Buñol, conducted by Fernando Bonete Piqueras on Mark Records (CD3816). La Tomatina is also on Youtube with video of the festival at: https://www.youtube.com/watch?v=bbpZU7vK3PQ.La Tomatina was a winning composition in 1996, awarded a grant by the Massachusetts Cultural Council. It also won the IBLA Grand Prize in Sicily, Italy in 1998 and was a Semi Finalist as part of the American Prize Composition Competition – Band Division in 1996.This arrangement of La Tomatina was prepared especially for conductor Natalia Montañés in 2004. In thisarrangement there are four percussionists instead of the original five.La Tomatina has been very popular among bands around the world, performed over one hundred times.
$60.00 ≈
54.04€
Für Elise (Flexi-Band Score & Parts)
Für Elise (Flexi-Band Score & Parts)
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Flexible Instrumentation
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Classical
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Ludwig van Beethoven
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Paul Barker
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Für Elise
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Paul Barker
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SheetMusicPlus
Composed by Ludwig van Beethoven (1770-1827). Arranged by Paul Barker. Classical Period, Contemporary Classical, Repertoire, Latin, Pop. Score, Set ...
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Composed by Ludwig van Beethoven (1770-1827). Arranged by Paul Barker. Classical Period, Contemporary Classical, Repertoire, Latin, Pop. Score, Set of Parts. 58 pages. Published by Paul Barker
Beethoven’s Für Elise is another great classical arrangement in our popular Rock-Style series for Flexi-Bands. The piece develops Beethoven’s memorable themes through a fusion of irresistible Samba and Rock styles. This is a fantastic way to introduce your band and audience to one of the most famous pieces ever composed! Also ideal for ensemble examination purposes.
MP3 Performance Recording and Backing Track featuring rhythm section also available.
TheFlexi-Band Classical Pop Series allows conductors to mix and matchorchestration to meet available resources. Piano, Drum Kit, Rhythm Guitar andBass Guitar provide strong harmonic and rhythmical support for commoncombinations of C, Bb, Eb, F, Viola/Bass Clef instruments including lead guitarand Nuvo instruments.
Moretitles available from www.paulbarkermusic.com
$29.95 ≈
26.97€
2 Andean Airs (Band)
2 Andean Airs (Band)
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Concert band
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EASY
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Edgar F Girtain IV
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2 Andean Airs
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Edgar F. Girtain IV
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1369577 Composed by Edgar F Girtain IV. Contemporary,Contest,Festival,Multicultural,World. 70 pages. Ed...
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Concert Band - Level 2 - Digital Download SKU: A0.1369577 Composed by Edgar F Girtain IV. Contemporary,Contest,Festival,Multicultural,World. 70 pages. Edgar F. Girtain IV #953943. Published by Edgar F. Girtain IV (A0.1369577). Since relocating to Southern Chile in 2016, composer Edgar Girtain has been immersed in the music of his adopted home, frequently performing with folk musicians in rural areas through the Los Lagos region. Two Andean Airs draws on a folkmusic style native to northern Chile (cultures of the Andean Plateau). The first piece was drawn from the third of composer's well-known Trios for Flute, Violin and Cello, while the second comes from a suite of Huaynos composed and arranged for a latin-american orchestra ofstudents that the composer co-directs in Puerto Montt. Both are outdoor style pieces, typical of what might be heard performed by brass or pan-flute bands at religious festivals in the deserts of northern Chile.
$80.00 ≈
72.05€
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