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ORCHESTRA - BAND
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71 sheet music found
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Classical Concert Series ? Multi-Bundle Value Pack 2 (Flexible Instrumentation)
Classical Concert Series ? Multi-Bundle Value Pack 2 (Flexible Instrumentation)
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Concert band
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EASY
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Classical
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Holst - Tchaikovsky - Dvorak
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Classical Concert Series ? Mul
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Paul Barker
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SheetMusicPlus
Composed by Holst - Tchaikovsky - Dvorak. Arranged by Paul Barker. 20th Century, Romantic Period, Contemporary Classical, Repertoire, Christmas. Score, Set...
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Composed by Holst - Tchaikovsky - Dvorak. Arranged by Paul Barker. 20th Century, Romantic Period, Contemporary Classical, Repertoire, Christmas. Score, Set of Parts. 123 pages. Published by Paul Barker
The Multi-Bundle Value Pack 2 is a superb collection of 3 best sellers in the Flexi-Band Classical Concert Series for Grade 2 Bands and Orchestras. Featuring the concert opener Slavonic Dance No.8 (Dvorak), the Seasonal March from the Nutcracker (Tchaikovsky) and powerful Jupiter form The Planets (Holst). Accompaniment and Part-Dominant rehearsal tracks available for single or multi-user MP3 downloads for your entire ensemble from www.paulbarkermusic.com
The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band instruments, Keyboards and Percussion.
Level: Early Bands - Grade 2
Duration: Various
Occasion: General Concert - Band Repertoire - Ensemble Examinations
Instrumentation: Flexi- Instrumentation for C, Bb, Eb, F, Treble/Viola/Bass Clef Orchestral/Band instruments, Keyboards and Percussion.
$59.95 ≈
¥434.72
1812 Overture (Flexi-Band)
1812 Overture (Flexi-Band)
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Concert band
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Classical
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Peter Ilyich Tchaikovsky
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Paul Barker
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1812 Overture
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Paul Barker
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SheetMusicPlus
Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Paul Barker. Romantic Period, Contemporary Classical, Modern, Anniversary, Graduation. ...
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Composed by Peter Ilyich Tchaikovsky (1840-1893). Arranged by Paul Barker. Romantic Period, Contemporary Classical, Modern, Anniversary, Graduation. Score, Set of Parts. 60 pages. Published by Paul Barker
The 1812 Overture is a breath-taking finale arrangement in our Classical Concert Series for Grade 2+ flex-bands, orchestras and ensembles of all sizes. Tchaikovsky’s thunderous themes are shared seamlessly between performers to create a powerful concert finale with optional cannon sound effects!
Accompaniment & part-dominant rehearsal tracks are also available for your entire ensemble to rehearse and perform with from www.paulbarkermusic.com
The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band instruments, Keyboards & Percussion.
Level: Early Bands - Grade 2+
Duration: 2:15
Occasion: General Concert - Band Repertoire - Ensemble Examinations
Instrumentation: Flex-Instrumentation for C, Bb, Eb, F, Treble/Viola/Bass Clef Orchestral/Band instruments, Keyboards & Percussion
$29.95 ≈
¥217.18
In the Hall of the Mountain King (Flexi-Band Score & Parts)
In the Hall of the Mountain King (Flexi-Band Score & Parts)
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Flexible Instrumentation
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Classical
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Edvard Grieg
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Paul Barker
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In the Hall of the Mountain Ki
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Paul Barker
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SheetMusicPlus
Composed by Edvard Grieg (1843-1907). Arranged by Paul Barker. Romantic Period, Contemporary Classical, Repertoire. Score, Set of Parts. 59 pages. Pub...
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Composed by Edvard Grieg (1843-1907). Arranged by Paul Barker. Romantic Period, Contemporary Classical, Repertoire. Score, Set of Parts. 59 pages. Published by Paul Barker
In the Hall of the Mountain by Grieg is a fabulous concert opener/finale arrangement in our Classical Concert Series for Grade 2+ flex-bands, orchestras and ensembles of all sizes. With the famous melody and bass lines shared among the performers and the authentic use of powerful dynamics and percussion based on the original classic, it creates an authentic heart-stopping professional sound for your players.
Accompaniment & part-dominant rehearsal tracks available as single or multi-user MP3 downloads for your entire ensemble. Build your own Virtual Band using the GarageBand Recording Template. Add our Part Dominant guide tracks for performers to rehearse and record with to create your own performance - available from Paul Barker Music.
The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band instruments, Keyboards & Percussion.
Level: Early Bands - Grade 2+
Duration: 2:45
Occasion: General Concert - Band Repertoire - Ensemble Examinations
Instrumentation: Flex-Instrumentation for C, Bb, Eb, F, Treble/Viola/Bass Clef Orchestral/Band instruments, Keyboards & Percussion
$29.95 ≈
¥217.18
Italian National Anthem for String Orchestra ("Il Canto degli Italiani") - Mameli's Hymn
Italian National Anthem for String Orchestra ("Il Canto degli Italiani") - Mameli's Hymn
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String Orchestra
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INTERMEDIATE
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Patriotic
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Michele Novaro
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Keith Terrett
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Italian National Anthem for St
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Casio
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SheetMusicPlus
Composed by Michele Novaro (October 23, 1818 â?? October 21, 1885,. Arranged by Keith Terrett. For String Orchestra,Chamber Orchestra. Romantic Period,World,Eu...
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Composed by Michele Novaro (October 23, 1818 â?? October 21, 1885,. Arranged by Keith Terrett. For String Orchestra,Chamber Orchestra. Romantic Period,World,European,Patriotic. Intermediate. Score,Set of Parts. 14 pages. Published by Casio
$8.99 ≈
¥65.19
Pictures at an Exhibition (Flexible Instrumentation)
Pictures at an Exhibition (Flexible Instrumentation)
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Concert band
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EASY
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Modest Petrovich Mussorgsky an
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Paul Barker
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Pictures at an Exhibition
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Paul Barker Music
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.725347 By Modest Petrovich Mussorgsky and Paul Barker. By Modest Petrovich Mussorgsky. Arranged by Paul...
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Concert Band - Level 2 - Digital Download SKU: A0.725347 By Modest Petrovich Mussorgsky and Paul Barker. By Modest Petrovich Mussorgsky. Arranged by Paul Barker. Classical,Contemporary,Contest,Festival,Romantic Period,Standards. Score and parts. 62 pages. Paul Barker Music #6559543. Published by Paul Barker Music (A0.725347). Iconic and stately: The Promenade from Mussorgsky's Pictures at an Exhibition is a momentous concert opener/finale for special occasions such as graduations and major public events. Accompaniment & Part-Dominant rehearsal tracks are available as multi-user MP3 downloads for your entire ensemble to rehearse and perform with from www.paulbarkermusic.com The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band Instruments, Keyboards and Percussion. ​Duration: 1:50 Level: Early Level Bands (Grade 2+) Occasion: Graduations - Important Occasions - General Concert - Band Repertoire Orchestration: Flexi-Band (Mix & Match Orchestration)
$29.95 ≈
¥217.18
Symphony No. 8 ... City of Light (2011) for chamber orchestra
Symphony No. 8 ... City of Light (2011) for chamber orchestra
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 8 ... City of Lig
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. S...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99 ≈
¥72.44
Concert Full Orchestra - Book 1
Concert Full Orchestra - Book 1
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Orchestra
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EASY
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Paul Barker Music
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Paul Barker
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Concert Full Orchestra - Book
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Paul Barker Music
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SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.1398539 By Paul Barker Music. By Beethoven, Elgar and Haydn. Arranged by Paul Barker. Classical,Conte...
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Full Orchestra - Level 2 - Digital Download SKU: A0.1398539 By Paul Barker Music. By Beethoven, Elgar and Haydn. Arranged by Paul Barker. Classical,Contemporary,Contest,Festival,Instructional,Romantic Period. 118 pages. Paul Barker Music #981814. Published by Paul Barker Music (A0.1398539). An easily accessible collection of three popular concert classics, which includes: Ode To Joy (Beethoven), Nimrod (Elgar), and the Surprise Symphony (Haydn). Imaginatively scored for Full Orchestra, this collection is ideal for general concerts, recitals, and festivals. A violin II is included which doubles the Viola part. Performance recordings are available individually for rehearsal and performance accompaniment.Also, explore our extensive range of Christmas Holiday arrangements for the same instrumentation and level. Â Â Â Â Â Â Â Â Â Â Â Â Â Level: Early Intermediate - Grade 2 Duration: VariousOccasion: General Concert - Formal/Informal Occasions - FestivalsInstrumentation: Full Orchestra (Optional Piano and Percussion).
$59.95 ≈
¥434.72
Concert String Orchestra - Book 1
Concert String Orchestra - Book 1
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String Orchestra
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EASY
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Paul Barker Music
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Paul Barker
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Concert String Orchestra - Boo
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Paul Barker Music
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.1398538 By Paul Barker Music. By Beethoven, Elgar and Haydn. Arranged by Paul Barker. Classical,Con...
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String Orchestra - Level 2 - Digital Download SKU: A0.1398538 By Paul Barker Music. By Beethoven, Elgar and Haydn. Arranged by Paul Barker. Classical,Contemporary,Contest,Festival,Instructional,Romantic Period. 77 pages. Paul Barker Music #981813. Published by Paul Barker Music (A0.1398538). An easily accessible collection of three popular concert classics, which includes: Ode To Joy (Beethoven), Nimrod (Elgar), and the Surprise Symphony (Haydn). Imaginatively scored for String Orchestra, this collection is ideal for general concerts, recitals, and festivals. A violin II is included which doubles the Viola part. Performance recordings are available individually for rehearsal and performance accompaniment.Also, explore our extensive range of Christmas Holiday arrangements for the same instrumentation and level. Â Â Â Â Â Â Â Â Â Â Â Â Â Level: Early Intermediate - Grade 2 Duration: VariousOccasion: General Concert - Formal/Informal Occasions - FestivalsInstrumentation: String Orchestra (Optional Piano and Percussion).
$59.95 ≈
¥434.72
The Skaters' Waltz (Flexible Instrumentation)
The Skaters' Waltz (Flexible Instrumentation)
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Concert band
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EASY
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Paul Barker
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Paul Barker
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Percussion  Â
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The Skaters' Waltz
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Paul Barker Music
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SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1325827 By Paul Barker. By Emile Waldteufel. Arranged by Paul Barker. 19th Century,Classical,Contest,Fe...
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Concert Band - Level 2 - Digital Download SKU: A0.1325827 By Paul Barker. By Emile Waldteufel. Arranged by Paul Barker. 19th Century,Classical,Contest,Festival,Holiday,Romantic Period. 65 pages. Paul Barker Music #914018. Published by Paul Barker Music (A0.1325827). The Skaters’ Waltz is a rich, graceful arrangement in our Classical Concert Series for Grade 2+ Flexible Instrumentation, Orchestras and Ensembles of all sizes. Perfect for mid-year concerts and more formal occasions.Performance Recording MP3 is available here.The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band Instruments, Keyboards and percussion.Level: Early Bands - Grade 2+Duration: 2:30Occasion: General Concert - Main Showpiece Instrumentation: Flex-Instrumentation for C, Bb, Eb, F, Treble/Viola/Bass Clef Orchestral/Band Instruments, Keyboards & Percussion  Â
$29.95 ≈
¥217.18
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
Olga-Polka, Op. 196 (arr. for string orchestra): Full Score
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Orchestra
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INTERMEDIATE/ADVANCED
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Classical
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922635 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 7 pages. Aaron Meier #5792353. Published by Aaron Meier (A0.922635). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Full Score ONLY True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) ---Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit sites.google.com/view/aaronmeier for more information regarding this arrangement and other works. • Find a full midi recording of this arrangement on YouTub.
$10.99 ≈
¥79.69
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
Olga-Polka, Op. 196 (arr. for string orchestra): Violin I
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922634 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792359. Published by Aaron Meier (A0.922634). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin I True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
¥28.93
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
#
Chamber Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and pa...
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99 ≈
¥28.93
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
Olga-Polka, Op. 196 (arr. for string orchestra): Viola
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922638 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792369. Published by Aaron Meier (A0.922638). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Viola True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
¥28.93
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
Olga-Polka, Op. 196 (arr. for string orchestra): Double Bass
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922639 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792379. Published by Aaron Meier (A0.922639). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Double Bass True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit.
$3.99 ≈
¥28.93
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
Olga-Polka, Op. 196 (arr. for string orchestra): Violin II
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922636 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792367. Published by Aaron Meier (A0.922636). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Violin II True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
¥28.93
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
Olga-Polka, Op. 196 (arr. for string orchestra): Cello
#
String Orchestra
#
INTERMEDIATE/ADVANCED
#
Classical
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and par...
(+)
String Orchestra - Level 4 - Digital Download SKU: A0.922637 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792373. Published by Aaron Meier (A0.922637). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: Cello True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020. Resources: • Visit
$3.99 ≈
¥28.93
I've Got Suffin On Mah Mind
I've Got Suffin On Mah Mind
#
Concert band
#
EASY
#
Classical
#
Robert Browne Hall
#
Lilly Piper
#
I've Got Suffin On Mah Mind
#
Lilly Piper
#
SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.1256483 Composed by Robert Browne Hall. Arranged by Lilly Piper. 19th Century,Classical,Historic,Romant...
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Concert Band - Level 2 - Digital Download SKU: A0.1256483 Composed by Robert Browne Hall. Arranged by Lilly Piper. 19th Century,Classical,Historic,Romantic Period,Traditional. Score and Parts. 23 pages. Lilly Piper #848956. Published by Lilly Piper (A0.1256483). Jaunty band/orchestra piece for intermediate players, previously unpublished from a small museum collection. Composed by Robert Browne Hall, 1858-1907. Romantic period. 19th century music. Full score (10 pages) plus individual parts (23 pages total). Duration 4:08.This is a fun piece that exemplifies band music of the 19th century. It's an easy play for intermediate band members with a delightful and energising cadence. Perfect for happy occasions.
$12.99 ≈
¥94.20
Fantaisie Impromptu (Largo et Moderato cantabile)
Fantaisie Impromptu (Largo et Moderato cantabile)
#
String Orchestra
#
INTERMEDIATE
#
Classical
#
Frederic Chopin
#
Marco Müller
#
Fantaisie Impromptu
#
Marco Müller
#
SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1284114 Composed by Frederic Chopin. Arranged by Marco Müller. 19th Century,Advent,Classical,Rom...
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String Orchestra - Level 3 - Digital Download SKU: A0.1284114 Composed by Frederic Chopin. Arranged by Marco Müller. 19th Century,Advent,Classical,Romantic Period,Wedding. Score and Parts. 16 pages. Marco Müller #875350. Published by Marco Müller (A0.1284114). This is the perfect work for every occasion: With its dreamy mood it fits a divine service, a wedding, a birthday, a date and many more. While the piano is playing the original part by F. Chopin himself, an accompaniment for string orchestra was added by pianist and conductor Marco Müller to make the mood even more romantic and aesthetic. Take your chance to grab this masterpiece of world-famous composer Frédéric Chopin today!Instrumentation: Solo Piano Violin I Violin II Viola Cello Double Bass - - - Edition without fingerings and bowings - - -
$24.99 ≈
¥181.21
Sicilienne from Pelleas et Melisande (String Quartet)
Sicilienne from Pelleas et Melisande (String Quartet)
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Chamber Orchestra
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Classical
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Gabriel Faure
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Daniel Kelley
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Sicilienne from Pelleas et Mel
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Last Resort Music Publishing
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.529997 Composed by Gabriel Faure. Arranged by Daniel Kelley. Romantic Period,Standards. Score and parts. 9 p...
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Chamber Orchestra - Digital Download SKU: A0.529997 Composed by Gabriel Faure. Arranged by Daniel Kelley. Romantic Period,Standards. Score and parts. 9 pages. Last Resort Music Publishing #32729. Published by Last Resort Music Publishing (A0.529997). A beautiful arrangement of Faure's Sicilienne from Pelleas et Melisande for String Quartet. Includes Part 1 in C for Violin, Flute or Oboe, Part 2 in C Violin, Flute or Oboe, Part 3 in Alto Clef for Viola and Part 4 for Cello or Bassoon. This is from Music for Four, Volume 1 Baroque, Classical and Romantic Favorites by Last Resort Music Publishing. Perfect for recitals, weddings or any special occasion!
$4.95 ≈
¥35.89
Au Printemps
Au Printemps
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String Orchestra
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INTERMEDIATE
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Classical
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Petre, Torsten
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Nick Lacanski
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Au Printemps
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theupperstaff
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SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.646855 Composed by Petre, Torsten. Arranged by Nick Lacanski. Romantic Period. Score and parts. 18 ...
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String Orchestra - Level 3 - Digital Download SKU: A0.646855 Composed by Petre, Torsten. Arranged by Nick Lacanski. Romantic Period. Score and parts. 18 pages. Theupperstaff #2027063. Published by theupperstaff (A0.646855). From the Romantic solo piano repertoire comes this great arrangement of a salon type piece. Works well on the next concert or as an occasional piece.
$9.95 ≈
¥72.15
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Casio Romantic
