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55 sheet music found Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series) # Orchestra # INTERMEDIATE # Patriotic # Manuel de
Espinosa de los Mo # Keith Terrett # Spanish National Anthem for Sy # Music
for all Occasions # SheetMusicPlus
Full Orchestra - Intermediate
- Digital Download
Composed by Manuel de
Espinosa de los Monteros
(1730-1810). Arranged by
Keith Terrett. Classical
Per...(+)
Full Orchestra - Intermediate
- Digital Download
Composed by Manuel de
Espinosa de los Monteros
(1730-1810). Arranged by
Keith Terrett. Classical
Period, European, Patriotic.
30 pages. Published by Music
for all Occasions The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!
The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.
One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.
There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.
According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.
After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.
The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.
Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.
Interpretation and etiquette:
Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.
The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.
Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.
The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.
The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.
There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.
As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.
As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Full Score # Concert band # INTERMEDIATE # Contemporary # Jeremy Goh, Daniel Cheng # Theme and Variations on a Chin # Jeremy Goh # SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #1212...(+)
Concert Band - Level 3 - Digital Download SKU: A0.1027334 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 23 pages. Jeremy Goh #12123. Published by Jeremy Goh (A0.1027334). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work. Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts
Theme and Variations on a Chinese New Year Theme for Extended Orchestra - Set of all parts # Orchestra # INTERMEDIATE # Contemporary # Jeremy Goh, Daniel Cheng # Theme and Variations on a Chin # Jeremy Goh # SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12...(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.1027336 Composed by Jeremy Goh, Daniel Cheng. Contemporary. Score and parts. 78 pages. Jeremy Goh #12125. Published by Jeremy Goh (A0.1027336). We present a work composed as a tongue-in-cheek expression of a popular street tune heard today, put through a series of 5 variations that explore different styles. It works in both a satirical as well as sophisticated manner vertically and horizontally, and uses multiple cliches that will get the audience perking up in recognition. The theme, 贺新年, is a common tune sung in Chinese New Year celebrations. In the heart of celebrating the New Year, this piece is written playable by musicians of all ages, whether in schools or as community orchestras and bands, to come together by the common celebratory notion in a work for an extended orchestra, including the saxophone and euphonium. Written by Daniel Cheng and Jeremy Goh, we hope that this season this piece can bring both laughter and reverence to the street tune, blown out of proportion in style and size. Starting the work is an atonal entry, built on tone rows and planing, legacies of Shoenberg and his contemporaries, before decomposing into an exceedingly lively statement of the theme. This is then juxtaposed beside a trip to tribal communities with interlocking rhythms and a modal distortion of the melody. From the modal mess and deviation from diatonicism, we then return to the prim and proper style of Mozart and Haydn in a short Classical variation. As if to mock its neat stature, this then is shattered with a juxtaposition beside a variation in the style of Shostakovich, modelled after the controversial Leningrad symphony, which draws on a different dimension of the theme, its banality, and propagating and emulsifying it to terrifying levels as it is distorted. Finally, a schreckenfanfare is directed marking an entry into a tribute to one of the greatest legends in music composition, with Beethoven along with its transcendental qualities of cyclism, and use of learned styles, methods of maintaining tension etc., bringing a grand ending to the 10 minute long work. Flexi-Band Pop Series Multi-Value Pack 2 (Flexible Instrumentation)
Flexi-Band Pop Series Multi-Value Pack 2 (Flexible Instrumentation) # Concert band # EASY # Paul Barker Music # Flexi-Band Pop Series Multi-Va # Paul Barker Music # SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.725230 By Paul Barker Music. By Paul Barker Music. Instructional,Jazz,Pop,Rock,Standards. Score and par...(+)
Concert Band - Level 2 - Digital Download SKU: A0.725230 By Paul Barker Music. By Paul Barker Music. Instructional,Jazz,Pop,Rock,Standards. Score and parts. 187 pages. Paul Barker Music #6261163. Published by Paul Barker Music (A0.725230). The Multi-Bundle Value Pack 2 is a superb collection of 3 best sellers in the Flexi-Band Pop Series for Grade 2+ Bands & Orchestras. Featuring the haunting East Bay Beat, the powerful RockTube, and big band showpiece Stardust. Accompaniment track featuring the rhythm section available from www.paulbarkermusic.comThe Flexi-Band Pop Series Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band instruments, Keyboards & Percussion. Flexi-Band Pop Series Multi-Value Pack 1 (Flexible Instrumentation)
Flexi-Band Pop Series Multi-Value Pack 1 (Flexible Instrumentation) # Concert band # EASY # Paul Barker Music # Flexi-Band Pop Series Multi-Va # Paul Barker Music # SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.725229 By Paul Barker Music. By Paul Barker. Instructional,Jazz,Pop,Rock,Standards. Score and parts. 18...(+)
Concert Band - Level 2 - Digital Download SKU: A0.725229 By Paul Barker Music. By Paul Barker. Instructional,Jazz,Pop,Rock,Standards. Score and parts. 185 pages. Paul Barker Music #6261155. Published by Paul Barker Music (A0.725229). The Multi-Bundle Value Pack 1 is a superb collection of 3 best sellers in the Flexi-Band Pop Series for Grade 2+ Bands & Orchestras. Featuring the moody Night Train, the driving Rock Central, and foot-tapping Funk.Com. Accompaniment track featuring the rhythm section available from www.paulbarkermusic.comThe Flexi-Band Pop Series Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band instruments, Keyboards & Percussion. Amusez-vous (Wind Orchestra - Parts)
Amusez-vous (Wind Orchestra - Parts) # Concert band # Contemporary # Emily Gray # Amusez-vous # Emily Gray # SheetMusicPlus
Concert Band - Digital Download SKU: A0.727875 Composed by Emily Gray. Contemporary. Score and parts. 35 pages. Emily Gray #3229667. Published by Emily G...(+)
Concert Band - Digital Download SKU: A0.727875 Composed by Emily Gray. Contemporary. Score and parts. 35 pages. Emily Gray #3229667. Published by Emily Gray (A0.727875). Amusez-vous is a cheerful, dance-like piece, reminiscent of summertime happiness. It is for intermediate-to-advanced wind orchestra. This is the set of parts. A full score is also available.Parts included: piccolo, flutes 1-2, oboes 1-2, bassoons 1-2, E-flat clarinet, B-flat clarinets 1-2-3, alto clarinet, bass clarinet, alto saxophones 1-2, tenor saxophone, baritone saxophone, horns 1-2-3-4, trumpets 1-2-3, trombones 1-2, bass trombone, euphonium, tuba, bass, piano, timpani, xylophone, triangle, tambourine, cymbals, bass drum. Cues have been provided in some parts so that the piece may still be played if some of the less-common instruments are absent. Amusez-vous (Wind Orchestra - Score)
Amusez-vous (Wind Orchestra - Score) # Concert band # INTERMEDIATE/ADVANCED # Contemporary # Emily Gray # Amusez-vous # Emily Gray # SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.727874 Composed by Emily Gray. Contemporary. Score and parts. 5 pages. Emily Gray #3229665. Published b...(+)
Concert Band - Level 4 - Digital Download SKU: A0.727874 Composed by Emily Gray. Contemporary. Score and parts. 5 pages. Emily Gray #3229665. Published by Emily Gray (A0.727874). Amusez-vous is a cheerful, dance-like piece, reminiscent of summertime happiness. It is for intermediate-to-advanced wind orchestra. This is the full score. A set of parts is also available.Instrumentation: piccolo, flutes 1-2, oboes 1-2, bassoons 1-2, E-flat clarinet, B-flat clarinets 1-2-3, alto clarinet, bass clarinet, alto saxophones 1-2, tenor saxophone, baritone saxophone, horns 1-2-3-4, trumpets 1-2-3, trombones 1-2, bass trombone, euphonium, tuba, bass, piano, timpani, xylophone, triangle, tambourine, cymbals, bass drum. Cues have been provided in some parts so that the piece may still be played if some of the less-common instruments are absent (cues are shown in the set of parts only, not the full score.). Burden Of Lives Full Score: Band & Parts
Burden Of Lives Full Score: Band & Parts # Orchestra # ADVANCED # Suraj Synthesist # Burden Of Lives Full Score: Ba # Suraj Synthesist # SheetMusicPlus
Full Orchestra - Level 5 - Digital Download SKU: A0.1152218 By Suraj Synthesist. By Suraj Synthesist. 20th Century,Contemporary,Multicultural,New Age,Roc...(+)
Full Orchestra - Level 5 - Digital Download SKU: A0.1152218 By Suraj Synthesist. By Suraj Synthesist. 20th Century,Contemporary,Multicultural,New Age,Rock,World. Score and parts. 68 pages. Suraj Synthesist #752423. Published by Suraj Synthesist (A0.1152218). Track number 5, approx 5:35mins in the album Consume this album, A fiction of medieval Feudal times/land. A revenge song. This sheet music consists of Vocal lead and choral harmony, the Harpsichord &Organ Parts , Lead & Rhythm Guitars & Bass Guitar's tabs & Clefs, and Drums . Based on Phrygian Dominant and Phrygian or Hanumatodi, Vakulabharanam, and the Hindustani Raagas of Bhairavi. Double bass drumming in 10/8 with a strong polyrhythm, to groovy common time, Sweep arpeggios and chords of Diminished, Augmented, Flat9 , Major7-Sharp 11. Technical Prog Metal/Rock. 1812 Overture (Flexi-Band)
1812 Overture (Flexi-Band) # Concert band # Classical # Peter Ilyich
Tchaikovsky # Paul Barker # 1812 Overture # Paul
Barker # SheetMusicPlus
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Paul Barker.
Romantic Period, Contemporary
Classical, Modern,
Anniversary, Graduation.
...(+)
Composed by Peter Ilyich
Tchaikovsky (1840-1893).
Arranged by Paul Barker.
Romantic Period, Contemporary
Classical, Modern,
Anniversary, Graduation.
Score, Set of Parts. 60
pages. Published by Paul
Barker The 1812 Overture is a breath-taking finale arrangement in our Classical Concert Series for Grade 2+ flex-bands, orchestras and ensembles of all sizes. Tchaikovsky’s thunderous themes are shared seamlessly between performers to create a powerful concert finale with optional cannon sound effects!
Accompaniment & part-dominant rehearsal tracks are also available for your entire ensemble to rehearse and perform with from www.paulbarkermusic.com
The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band instruments, Keyboards & Percussion.
Level: Early Bands - Grade 2+
Duration: 2:15
Occasion: General Concert - Band Repertoire - Ensemble Examinations
Instrumentation: Flex-Instrumentation for C, Bb, Eb, F, Treble/Viola/Bass Clef Orchestral/Band instruments, Keyboards & Percussion In the Hall of the Mountain King (Flexi-Band Score & Parts)
In the Hall of the Mountain King (Flexi-Band Score & Parts) # Flexible Instrumentation # Classical # Edvard Grieg
# Paul
Barker # In the Hall of the Mountain Ki # Paul Barker # SheetMusicPlus
Composed by Edvard Grieg
(1843-1907). Arranged by Paul
Barker. Romantic Period,
Contemporary Classical,
Repertoire. Score, Set of
Parts. 59 pages. Pub...(+)
Composed by Edvard Grieg
(1843-1907). Arranged by Paul
Barker. Romantic Period,
Contemporary Classical,
Repertoire. Score, Set of
Parts. 59 pages. Published by
Paul Barker In the Hall of the Mountain by Grieg is a fabulous concert opener/finale arrangement in our Classical Concert Series for Grade 2+ flex-bands, orchestras and ensembles of all sizes. With the famous melody and bass lines shared among the performers and the authentic use of powerful dynamics and percussion based on the original classic, it creates an authentic heart-stopping professional sound for your players.
Accompaniment & part-dominant rehearsal tracks available as single or multi-user MP3 downloads for your entire ensemble. Build your own Virtual Band using the GarageBand Recording Template. Add our Part Dominant guide tracks for performers to rehearse and record with to create your own performance - available from Paul Barker Music.
The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band instruments, Keyboards & Percussion.
Level: Early Bands - Grade 2+
Duration: 2:45
Occasion: General Concert - Band Repertoire - Ensemble Examinations
Instrumentation: Flex-Instrumentation for C, Bb, Eb, F, Treble/Viola/Bass Clef Orchestral/Band instruments, Keyboards & Percussion Ode To Joy (Flexi-Band Score & Parts)
Ode To Joy (Flexi-Band Score & Parts) # Flexible Instrumentation # Classical # Ludwig van
Beethoven # Paul Barker # Ode To Joy # Paul Barker # SheetMusicPlus
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Paul Barker.
Classical Period,
Contemporary Classical,
Method, Repertoire,
Graduation. Sco...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Paul Barker.
Classical Period,
Contemporary Classical,
Method, Repertoire,
Graduation. Score, Set of
Parts. 50 pages. Published by
Paul Barker Ode To Joy by Beethoven from the famous 'Choral' Symphony No.9 is a fabulous concert opener/finale arrangement in our Classical Concert Series for Grade 2+ Flexi-Bands, Orchestras and Ensembles of all sizes. With all the original melodic motifs equally shared amongst Brass, String, Woodwind, Keyboard and Percussion parts, it creates an authentic heart-stopping professional 'Classical' sound for your players. Also ideal for ensemble examination purposes.
Perform with our accompaniment MP3’s minus each individual part and rehearse with the individually produced part-dominant MP3 practice tracks available for single users or as a multi-user MP3 bundle suitable for your entire band! Visit www.paulbarkermusic.com for purchase details.
The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band instruments, Keyboards & Percussion.
Level: Early Bands - Grade 2+
Duration: 2:55
Occasion: General Concert - Band Repertoire - Ensemble Examinations
Instrumentation: Flexi - Instrumentation for C, Bb, Eb, F, Treble/Viola/Bass Clef Orchestral/Band instruments, Keyboards & Percussion Jupiter - The Planets (Flexi-Band Score and Parts)
Jupiter - The Planets (Flexi-Band Score and Parts) # Flexible Instrumentation # Contemporary # Gustav Holst
# Paul
Barker # Jupiter - The Planets # Paul Barker # SheetMusicPlus
Composed by Gustav Holst
(1874-1934). Arranged by Paul
Barker. 20th Century,
Contemporary Classical,
Modern, Repertoire,
Graduation. Score, Set of
Parts. ...(+)
Composed by Gustav Holst
(1874-1934). Arranged by Paul
Barker. 20th Century,
Contemporary Classical,
Modern, Repertoire,
Graduation. Score, Set of
Parts. 32 pages. Published by
Paul Barker Holst's stunning Jupiter is a stoic arrangement in our Classical Concert Series for Grade 2 Flexi-Bands, Orchestras and Ensembles of all sizes. Holst's emotional themes and harmonies are dynamically shared between Brass, String, Woodwind, Keyboard and Percussion parts to create a powerful and breath-taking professional 'Classical' sound for your players. This series is a fantastic way to introduce your players and audience to one of the most famous works of all time! Also ideal for ensemble examination purposes.
The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band instruments, Keyboards and Percussion.
Level: Early Bands - Grade 2
Duration: 2:45
Occasion: General Concert - Band Repertoire - Ensemble Examinations
Instrumentation: Flexi- Instrumentation for C, Bb, Eb, F, Treble/Viola/Bass Clef Orchestral/Band instruments, Keyboards and Percussion Für Elise (Flexi-Band Score & Parts)
Für Elise (Flexi-Band Score & Parts) # Flexible Instrumentation # Classical # Ludwig van
Beethoven # Paul Barker # Für Elise # Paul
Barker # SheetMusicPlus
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Paul Barker.
Classical Period,
Contemporary Classical,
Repertoire, Latin, Pop.
Score, Set ...(+)
Composed by Ludwig van
Beethoven (1770-1827).
Arranged by Paul Barker.
Classical Period,
Contemporary Classical,
Repertoire, Latin, Pop.
Score, Set of Parts. 58
pages. Published by Paul
Barker Beethoven’s Für Elise is another great classical arrangement in our popular Rock-Style series for Flexi-Bands. The piece develops Beethoven’s memorable themes through a fusion of irresistible Samba and Rock styles. This is a fantastic way to introduce your band and audience to one of the most famous pieces ever composed! Also ideal for ensemble examination purposes.
MP3 Performance Recording and Backing Track featuring rhythm section also available.
TheFlexi-Band Classical Pop Series allows conductors to mix and matchorchestration to meet available resources. Piano, Drum Kit, Rhythm Guitar andBass Guitar provide strong harmonic and rhythmical support for commoncombinations of C, Bb, Eb, F, Viola/Bass Clef instruments including lead guitarand Nuvo instruments.
Moretitles available from www.paulbarkermusic.com Nimrod from the Enigma Variations (Flexi-Band Score & Parts)
Nimrod from the Enigma Variations (Flexi-Band Score & Parts) # Flexible Instrumentation # EASY # Classical # Edward Elgar
# Paul
Barker # Nimrod from the Enigma Variati # Paul Barker # SheetMusicPlus
Composed by Edward Elgar
(1857-1934). Arranged by Paul
Barker. 20th Century,
Romantic Period, Contemporary
Classical, Repertoire. Score,
Set of Parts....(+)
Composed by Edward Elgar
(1857-1934). Arranged by Paul
Barker. 20th Century,
Romantic Period, Contemporary
Classical, Repertoire. Score,
Set of Parts. 35 pages.
Published by Paul Barker Elgar's Nimrod from the famous Enigma Variations is a versatile arrangement in our Classical Concert Series for Grade 2+ Flexi-Bands, Orchestras and Ensembles of all sizes. Elgar's wonderful themes are shared between Brass, String, Woodwind, Keyboard and Percussion parts to create a powerful, professional 'Classical' sound for your players. This series is a fantastic way to introduce your players and audience to one of the most famous orchestral works of all time! Also ideal for ensemble examination purposes.
The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band instruments, Keyboards and Percussion. Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY
Aires Nacionales Mexicanos, Op. 558 (Potpourri) - 8-1/2"x11" ORCHESTRAL PARTS ONLY # Orchestra # INTERMEDIATE/ADVANCED # Mexican law and custom # Miguel Rios Toledano # Joel Jacklich (ASCAP) # Aires Nacionales Mexicanos, Op # Joel Jacklich # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Perio...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.723069 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 230 pages. Joel Jacklich #2075457. Published by Joel Jacklich (A0.723069). ORCHESTRAL PARTS ONLY. (Large format score published separately) Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The parts are in standard letter page format (8-1/2x11) The score (found published separatetely at SheetMusicPlus) is formatted for 11x17 paper. Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY
Aires Nacionales Mexicanos, Op. 558 (Potpourri) 11"x17" SCORE ONLY # Orchestra # INTERMEDIATE/ADVANCED # Mexican law and custom # Miguel Rios Toledano # Joel Jacklich (ASCAP) # Aires Nacionales Mexicanos, Op # Joel Jacklich # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Perio...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.723122 Composed by Miguel Rios Toledano. Arranged by Joel Jacklich (ASCAP). Folk,Latin,Romantic Period,World. Score and parts. 48 pages. Joel Jacklich #2075453. Published by Joel Jacklich (A0.723122). NOTE: Full Score is formatted for 11x17. Aires Nacionales Mexicanos, Op. 558, is a potpourri by the nineteenth-century Mexican bandmaster and composer Miguel Rios Toledano. It was written sometime during the presidency of Porfirio Diaz (r. 1876-1911) to whom the work was dedicated. The introduction to the twenty-five minute work (which features more than forty traditional regional songs and dances from Mexico) begins with the Himno Nacional in an instrumental version (Chorus, Stanza, Chorus). By Mexican law and custom (although this law is not applicable in the rest of the world where the Himno Nacional is considered in the public domain), in order to perform the Himno Nacional (even in this case as part of a larger orchestral work), permission must be obtained. In the second chapter of the Mexican Law on the National Arms, Flag, and Anthem (Ley sobre el Escudo, la Bandera y los Himnos Nacionales), it states that if the anthem is played outside of Mexico, Article 48 requires that the Secretary of External Relations (SecretarÃa de Relaciones Exteriores), through proper channels, must grant permission for the national anthem to be played and will also ensure that the anthem is performed with dignity and is not sung for commercial purposes. In the spirit of this law, and for good international relations, it is recommended that when performing the entire work, it would be good form to contact the nearest Mexican Consulate to see about obtaining permission. Should permission not be received, a cut has been indicated in the music from the first beat of measure 2 to the second beat of measure 42 to eliminate the Himno Nacional portion from the performance. At the time the work was written, the Himno Nacional was not quite so closely monitored, hence its inclusion in this work and its common accepted performance a century ago. This arrangement for full orchestra was made from an original piano version by Miguel Rios Toldano. The orchestration was made for a concert in celebration of Cinco de Mayo by the Imperial Valley Symphony on May 5, 2012. The score is formatted for 11x17 paper. The parts (found separately) are in standard letter page format (8-1/2x11). Classical Concert Series – Multi-Bundle Value Pack 4 (Flexible Instrumentation)
Classical Concert Series – Multi-Bundle Value Pack 4 (Flexible Instrumentation) # Concert band # EASY # Paul Barker Music # Paul Barker # Classical Concert Series – M # Paul Barker Music # SheetMusicPlus
Concert Band - Level 2 - Digital Download SKU: A0.725218 By Paul Barker Music. By Barker, Edward Elgar, and Gioachino Rossini. Arranged by Paul Barker. 2...(+)
Concert Band - Level 2 - Digital Download SKU: A0.725218 By Paul Barker Music. By Barker, Edward Elgar, and Gioachino Rossini. Arranged by Paul Barker. 20th Century,Classical,Contemporary,Contest,Festival,Romantic Period. Score and parts. 162 pages. Paul Barker Music #6203263. Published by Paul Barker Music (A0.725218). The Multi-Bundle Value Pack 4 is a superb collection of 3 best sellers in the Flexi-Band Classical Concert Series for Grade 2+ Bands & Orchestras. Featuring the ceremonial Pomp and Circumstance No.4 (Elgar), the galloping William Tell Overture (Rossini) and stately Fanfare & Ceremony (Barker). Accompaniment & Part-Dominant rehearsal tracks are available as multi-user MP3 downloads for your entire ensemble to rehearse and perform with from www.paulbarkermusic.com The Flexi-Band Classical Concert Series allows conductors to mix and match orchestration to meet available resources. Suitable for all common combinations of C, Bb, Eb, F, Treble, Viola, Bass Clef Orchestral/Band instruments, Keyboards and Percussion. ​Duration: Various Level: Early Level Bands (Grade 2+) Occasion: General Concert - Band Repertoire - Ensemble Examinations Orchestration: Flexi-Band (Mix & Match Orchestration)