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6 sheet music found
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1
Come, Thou Fount of Every Blessing - For String Orchestra
Come, Thou Fount of Every Blessing - For String Orchestra
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Contemporary
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John Wyeth, Robert Robinson
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Andrew
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Come, Thou Fount of Every Bles
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Richard Sheldon
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SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1028587 Composed by John Wyeth, Robert Robinson. Arrang...
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String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1028587 Composed by John Wyeth, Robert Robinson. Arranged by Andrew. 20th Century. Score and parts. 8 pages. Richard Sheldon #3585357. Published by Richard Sheldon (A0.1028587). Come, Thou Fount of Every Blessing is a longtime favorite of both religious and secular peoples across the world today. It is a very musical work that has stood the test of time because of how the reverent tone of the song is conveyed in the text, harmony, and melody. In this arrangement, a peaceful 5th is expanded into a majestic series of descending chords until there's a pause before the song begins with a quiet viola/cello soli. The song grows and grows changing, folding, and contorting until the whole group sweeps into the final verse, where the song quiets down and ends with a soft minor plagal cadence. This requires both musicianship and skill to master. The band must play as an ensemble and make music, not just play music.Happy Playing!
$14.99 ≈
£11.68
Come, Thou Fount of Every Blessing - For Concert Band
Come, Thou Fount of Every Blessing - For Concert Band
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Concert band
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INTERMEDIATE
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Contemporary
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John Wyeth, Robert Robinson
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Andrew
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Come, Thou Fount of Every Bles
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Richard Sheldon
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SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1028586 Composed by John Wyeth, Robert Robinson. Arranged by Andrew. 20th Century. Score and parts. 31 ...
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Concert Band - Level 3 - Digital Download SKU: A0.1028586 Composed by John Wyeth, Robert Robinson. Arranged by Andrew. 20th Century. Score and parts. 31 pages. Richard Sheldon #3585341. Published by Richard Sheldon (A0.1028586). Come, Thou Fount of Every Blessing is a longtime favorite of both religious and secular peoples across the world today. It is a very musical work that has stood the test of time because of how the reverent tone of the song is conveyed in the text, harmony, and melody. In this arrangement, a peaceful 5th is expanded into a majestic series of descending chords until there's a pause before the song begins with quite woodwinds. The song grows and grows changing, folding, and contorting until the whole band sweeps into the final verse, where the song quiets down and ends with a soft minor plagal cadence. This requires both musicianship and skill to master. The band must play as an ensemble and make music, not just play music.Happy Playing!
$54.99 ≈
£42.85
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Chamber Orchestra
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own...
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00 ≈
£42.08
Klezmer Dance
Klezmer Dance
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String Orchestra
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EASY
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Klezmer
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Marsha Chusmir Shapiro
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Klezmer Dance
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Marsha Shapiro
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SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.963579 Composed by Marsha Chusmir Shapiro. Jewish. Score and parts. 28 pages. Marsha Shapiro #38649...
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String Orchestra - Level 2 - Digital Download SKU: A0.963579 Composed by Marsha Chusmir Shapiro. Jewish. Score and parts. 28 pages. Marsha Shapiro #3864965. Published by Marsha Shapiro (A0.963579). Grade 2.5 string orchestra: Klezmer music was the tradition of Eastern European Jewish secular musicians who played for weddings and other celebrations in the 16th through 19th centuries, with very expressive melodies which mimicked the human voice (crying and laughing). In the early years authorities prohibited the playing a very loud music, so stringed instruments and accordion formed the basis of the ensemble. Later clarinets and trumpets were added, and today, revival groups add any instrument they wish. The name zemer comes from the Hebrew 'to make music' and this composer's maiden name, Chuzmir, was Chu-zemer, meaning 'one who makes music.'.
$35.00 ≈
£27.27
Like a River Glorious
Like a River Glorious
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Orchestra
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EASY
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Sacred music
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WYE VALLEY
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Robert Myers
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Like a River Glorious
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WheatMyer Music
#
SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.976716 Composed by WYE VALLEY. Arranged by Robert Myers. Christian,Sacred. Score and parts. 35 pages....
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Full Orchestra - Level 2 - Digital Download SKU: A0.976716 Composed by WYE VALLEY. Arranged by Robert Myers. Christian,Sacred. Score and parts. 35 pages. WheatMyer Music #4794181. Published by WheatMyer Music (A0.976716). Opening from and closing into gentle whispers over a snare ostinato and steady quarter note pulse in the low voices, the dynamic swell and ebb of this setting of WYE VALLEY depicts all the majestic, stately, abiding grandeur of a mighty river and, despite its brevity, portrays a sense of perpetuity. And this in itself is a metaphor of the order, peace, and timelessness of God’s eternal kingdom. With a short introduction and conclusion the music takes one turn through the WYE VALLEY melody to create an orchestral prelude from the graceful tune. Like a River Glorious is meant to be ready to play in one setting and so can be added to your program with little fuss. It functions well as a liturgical prelude or postlude or it would be well-fitted to a transitional role, even in a secular setting.Find more music and news at wheatmyermusic.com/ and www.facebook.com/WheatMyerMusic.
$45.00 ≈
£35.07
Reverie
Reverie
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Woodwind Quintet: flute, oboe, bassoon, clarinet, horn
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ADVANCED
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Classical
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Claude Debussy
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Judith Katz
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Reverie
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Judith Katz
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SheetMusicPlus
By Claude Debussy (1862-1918). Arranged by Judith Katz. For Flute, Oboe, Clarinet, Bassoon, Horn. Secular, 20th Century. Advanced. Score. Published by Judith Ka...
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By Claude Debussy (1862-1918). Arranged by Judith Katz. For Flute, Oboe, Clarinet, Bassoon, Horn. Secular, 20th Century. Advanced. Score. Published by Judith Katz
$20.99 ≈
£16.36
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Rev. Secular
