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42 sheet music found Symphony No. 1 ... Fallen Angels (1993, rev. 1995)
Symphony No. 1 ... Fallen Angels (1993, rev. 1995) # Orchestra # Thomas Oboe Lee # Symphony No. 1 ... Fallen Ange # Thomas Oboe Lee # SheetMusicPlus
Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and part...(+)
Full Orchestra - Digital Download SKU: A0.869366 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 89 pages. Thomas Oboe Lee #33639. Published by Thomas Oboe Lee (A0.869366). Instrumentation: 2222-2211-timp-perc-hp-pf-strings. Program note. SYMPHONY No.1, subtitled Fallen Angels and commissioned by Bruce Hangen and the Omaha Symphony Orchestra, is in three movements - I. Prince of Darkness II. Waltz!!!III. Lilith's Lament. The first movement begins in a dark, underground world, the world of the Prince of Darkness. Melodies emerge, growing, evolving gradually ... transforming ... finally, explosively ... into a syncopated danse macabre. The movement ends, agitatedly, in a quasi-scherzo fashion, scurrying from the lower depths of the orchestra to a heavenly cadence in C major. The second movement is a dance for the Prince and Lilith. [In talmudic lore, Lilith was regarded as a devilish being, and as Adam's first wife.] Each segment of this movement begins at first cautiously, and then very quickly reaches an ecstatic outburst of shouts and exclamations. A middle trio section offers a contrast of lyric introspection and contemplation. The third and last movement is rather sad and melancholy. Ironically, it is again in C major. The solo flute coupled with two bassoons is the main feature, with a Gil Evans-like wind choir floating in and out ... The work is dedicated to Miles, the original Prince of Darkness.Audio link: https://thomasoboelee.bandcamp.com/album/symphony-no-1-fallen-angels-1993-rev-1995 Dance of the Lunatics
Dance of the Lunatics # Concert band # INTERMEDIATE # Thomas S # Cheryl Woldseth – Bronz # Dance of the Lunatics # Bronze:FX # SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.1261595 Composed by Thomas S. Allen. Arranged by Cheryl Woldseth – Bronze:FX. 20th Century,Comed...(+)
Concert Band - Level 3 - Digital Download SKU: A0.1261595 Composed by Thomas S. Allen. Arranged by Cheryl Woldseth – Bronze:FX. 20th Century,Comedy,Halloween,March,Ragtime. Score and Parts. 94 pages. Bronze:FX #854669. Published by Bronze:FX (A0.1261595). Ragtime tunes are catchy, and this one is no exception.  Originally written for piano in 1912, Thomas S. Allen’s exciting yet relentless syncopation promises to give your feet a tapping life all their own.  An idiotic rave, they called it – and the kids loved it!  This song’s melody sneaks up on you, like a child’s game of hide and seek – but in the dark.  And it has a great bass line to appease those low instruments.  This arrangement is perfect for themed concerts like silent movies or Halloween, as well as just musical fun.Time length: 5 minutes 20 secondsFull scoreC and Db PiccoloFlute 1, 2OboeBassoonBb Clarinet 1, 2, 3Bb Bass ClarinetEb Alto Saxophone 1, 2Bb Tenor SaxophoneEb Baritone SaxophoneBb Cornets Solo, 1, 2, 3Horn in Eb and F 1, 2, 3, 4Trombone 1, 2, 3Bb Baritone Horn (treble clef)Baritone Horn (bass clef)TubaString BassMallet 1 bellsMallet 2 xylophoneTimpani (4) or alternate Timpani (2)DrumsAuxiliary Percussion (crash cymbals, sandpaper blocks). Still Still Still - Christmas song - 7 Parts - Brass Ensemble
Still Still Still - Christmas song - 7 Parts - Brass Ensemble # Brass ensemble # INTERMEDIATE # Christmas # Thomas Graf # Still Still Still - Christmas # Thomas Graf - the-hit-factory.com # SheetMusicPlus
Arranged by Thomas Graf. Baroque Period, Neo-Classical, European, Christmas. Score, Set of Parts. 32 pages. Published by Thomas Graf - the-hit-factory.com (S0.1...(+)
Arranged by Thomas Graf. Baroque Period, Neo-Classical, European, Christmas. Score, Set of Parts. 32 pages. Published by Thomas Graf - the-hit-factory.com (S0.163993). - Score,Set of Parts - Baroque Period,Neo-Classical,European,Christmas - Thomas Graf - the-hit-factory.com Polyphonic arrangement of the famous Austrian Christmas Carol and lullaby. The melody is a folk tune (authorship unknown) from the State of Salzburg. The tune appeared for the first time in 1865 in a folksong collection of Maria Vinzenz Süß (1802-1868), founder of the Salzburg Museum, it has changed slightly over the years but remains attributed to G. Götsch.
Instrumentation: Part I/II (Tpt. Bb/C), Part III (Tpt. Bb.), Part IV (Fl./Horn), Part V (Hrn./Tbn./Euph.), Part VI (Tbn Bb/C), Part VII (Tuba/Bass in Bb)
Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412 1303131?N...
Any individual arrangement and substitute parts are available on request. Call 49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic The Edmund Fitzgerald - Concerto for Piano and Strings
The Edmund Fitzgerald - Concerto for Piano and Strings # String Orchestra # ADVANCED # Contemporary # Geoffrey Peterson # The Edmund Fitzgerald - Concer # Geoffrey Peterson # SheetMusicPlus
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4...(+)
String Orchestra - Level 5 - Digital Download SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm. Bright Lights Bigger City
Bright Lights Bigger City # Concert band # ADVANCED # Contemporary # Cee Lo Green # Jim Farley www # Bright Lights Bigger City # Jim Farley arrangementsone.com # SheetMusicPlus
Concert Band - Level 5 - Digital Download SKU: A0.765277 By Cee Lo Green. By Ben Allen, Thomas Callaway, and Tony Reyes. Arranged by Jim Farley www.arran...(+)
Concert Band - Level 5 - Digital Download SKU: A0.765277 By Cee Lo Green. By Ben Allen, Thomas Callaway, and Tony Reyes. Arranged by Jim Farley www.arrangementsone.com. Contemporary. Score and parts. 31 pages. Jim Farley arrangementsone.com #5360179. Published by Jim Farley arrangementsone.com (A0.765277). ABOUT THE ARRANGER: Jim Farley has been a professional music arranger, transcriptionist and copyist since the mid 1970’s, and has thousands of works, spanning various genres in his catalog: musical theater, pep band, orchestra, show choir, cruise ship performers as well as arranging for dozens of classic rock horn bands across the U.S. and Europe. He thrives on creating arrangements and transcriptions that are true to the original versions and strives to produce clean, easy to read music. For questions or more information, please contact the arranger at: jfarley@arrangementsone.com and visit his website at www.arrangementsone.com Immer Wieder Geht Die Sonne Auf
Immer Wieder Geht Die Sonne Auf # Orchestra # INTERMEDIATE/ADVANCED # Udo Jurgens # Felix Linsmeier # Immer Wieder Geht Die Sonne Au # Felix Linsmeier # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1463512 By Udo Jurgens. By Udo Jurgens. Arranged by Felix Linsmeier. Broadway,Classical,Film/TV,Music...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1463512 By Udo Jurgens. By Udo Jurgens. Arranged by Felix Linsmeier. Broadway,Classical,Film/TV,Musical/Show,Pop. 50 pages. Felix Linsmeier #1042238. Published by Felix Linsmeier (A0.1463512). Immer wieder geht die Sonne auf ist ein Lied des österreichischen Sängers Udo Jürgens aus dem Jahr 1967 zu einem Text von Thomas Hörbiger.Der Schlager, der häufig gecovert wurde, handelt davon, dass egal, was passiert, das Leben weitergeht (symbolisch „immer wieder die Sonne aufgeht“). Der Liedtitel entwickelte sich zu einem geflügelten Wort.Der Song wurde 1967 als Singleauskopplung seines Albums Was ich dir sagen will veröffentlicht. Das Lied ist 3:04 Minuten lang, in Deutschland platzierte sich das Lied auf Platz 15 und war insgesamt 12 Wochen in den Charts vertreten.Das Arrangement für großes Sinfonieorchester und Gesangssolist ist ein Höhepunkt bei Galakonzerten, mit allen Facetten von sanften Strophen bis zum Monumentalen Sonnenaufgang im Refrain und dem berühmten Trompetensolo!Die Partitur verstärkt das Orchester durch eine Band aus E-Gitarre, Bass und Background-Vocals, wobei diese aber alle optional sind. Lediglich Klavier und Drumset sind unverzichtbar für den echten Jürgens-Sound!Das Produkt sind alle Einzelstimmen (pdf), die partitur kann hier erworben werden:. Immer Wieder Geht Die Sonne Auf - Score Only
Immer Wieder Geht Die Sonne Auf - Score Only # Orchestra # INTERMEDIATE/ADVANCED # Udo Jurgens # Felix Linsmeier # Immer Wieder Geht Die Sonne Au # Felix Linsmeier # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1463509 By Udo Jurgens. By Udo Jurgens. Arranged by Felix Linsmeier. Classical,Film/TV,Pop,Singer/Son...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1463509 By Udo Jurgens. By Udo Jurgens. Arranged by Felix Linsmeier. Classical,Film/TV,Pop,Singer/Songwriter,Wedding. 14 pages. Felix Linsmeier #1042234. Published by Felix Linsmeier (A0.1463509). Immer wieder geht die Sonne auf ist ein Lied des österreichischen Sängers Udo Jürgens aus dem Jahr 1967 zu einem Text von Thomas Hörbiger.Der Schlager, der häufig gecovert wurde, handelt davon, dass egal, was passiert, das Leben weitergeht (symbolisch „immer wieder die Sonne aufgeht“). Der Liedtitel entwickelte sich zu einem geflügelten Wort.Der Song wurde 1967 als Singleauskopplung seines Albums Was ich dir sagen will veröffentlicht. Das dreiminütige Lied war insgesamt 12 Wochen in den deutschen Charts vertreten.Das Arrangement für großes Sinfonieorchester und Gesangssolist ist ein Höhepunkt bei Galakonzerten, mit allen Facetten von sanften Strophen bis zum Monumentalen Sonnenaufgang im Refrain und dem berühmten Trompetensolo!Die Partitur verstärkt das Orchester durch eine Band aus E-Gitarre, Bass und Background-Vocals, wobei diese aber alle optional sind. Lediglich Klavier und Drumset sind unverzichtbar für den echten Jürgens-Sound!Das Produkt ist lediglich die Partitur (pdf), die Einzelstimmen können hier erworben werden:. Wildcat Blues
Wildcat Blues # Jazz Ensemble # INTERMEDIATE # Various Artists # Thomas Graf # Wildcat Blues # Thomas Graf - the-hit-factory.com # SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.569254 By Various Artists. By Clarence Williams, Thomas Fats Waller, and Thomas Fats Wal...(+)
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.569254 By Various Artists. By Clarence Williams, Thomas Fats Waller, and Thomas Fats Waller. Arranged by Thomas Graf. Jazz,Pop. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #4268283. Published by Thomas Graf - the-hit-factory.com (A0.569254). Fats Waller's most famous composition, big fun to play and surely a crowd-pleaser while featuring a great clarinet solo part. Instrumentation: Clarinet in Bb, Trumpet, Tenor Saxophone, Trombone, Guitar, Bass, Drums, Piano Listen to the recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/BnnzIxdesFs M'appari tutt' amor (“Mostly Martha”)
M'appari tutt' amor (“Mostly Martha”) # Brass ensemble # INTERMEDIATE/ADVANCED # Friedrich von Flotow # F # M'appari tutt' amor # Sweetwater Brass Press # SheetMusicPlus
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period....(+)
Brass Ensemble - Level 4 - Digital Download SKU: A0.1049261 Composed by Friedrich von Flotow. Arranged by F. Leslie Smith. Classical,Pop,Romantic Period. Score and parts. 18 pages. Sweetwater Brass Press #653628. Published by Sweetwater Brass Press (A0.1049261). The first performance of "Martha, or The Market at Richmond," a romantic comic opera by the German composer Friedrich von Flotow, took place in Vienna in 1847. Subsequent presentations were performed in a number of other languages, including Hungarian, Czech, English and Italian. Two of the most memorable arias from Martha are “The Last Rose of Summer” and “Ach! so fromm.” “Last Rose” was, of course, based on the poem by Thomas Moore. “Ach! So fromm,” known more familiarly by its Italian lyric, “M'appari, tutt'amor,” was an original composition by Flotow, a piece he had composed for an earlier opera and inserted into Act 3 of Martha as Lyonel’s tenor solo. In 1955, The Crew Cuts, a Canadian pop singing group, recorded a song titled “Mostly Martha.” Written by Dorcas Cochran (words) and Ralph Sterling (music), it charted in early 1956. As so many pop song writers have done, Sterling borrowed the melody from a piece of classical music: “M’appari.” While “M’appari” and “Mostly Martha” share the same melody, the words and sentiment are quite different. Lyonel laments that Martha has left him, while The Crew Cuts jauntily proclaim, “Mostly Martha, Mostly Martha. What has she got? She's got the most.” This brass quintet arrangement takes a middle ground. It follows closely the basic structure of Flotow’s operatic aria but does so in a sort-of up-tempo manner and with a great deal of variation in the accompaniment. It’s not really The-Crew-Cut-style “She’s got the most,” but it’s certainly more positive than Lyonel’s song of longing. The piece starts with a suggested tempo of 90 bpm, changes to 80 at section C, and speeds up to 92 at the end. All instruments get a turn playing the melody, and there are no really tricky rhythmic patterns. There are, however, grace notes, rallentandos, an “a piacere” and a number of fermatas. All notes are, for the most part, within normal playing range of each of the five instruments, with two exceptions: near the end Trumpet 1 has an A above its staff, followed two measures later by a high B-flat. Completed in 2022, performance time runs about 2 minutes, 45 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt to him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Farewell - Sad Ballad - String Orchestra
Farewell - Sad Ballad - String Orchestra # Contemporary # Thomas Graf # Thomas Graf # Farewell - Sad Ballad - String # Thomas Graf - the-hit-factory.com # SheetMusicPlus
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.568311 Composed by Thomas Graf. Arranged by Thomas Graf...(+)
String Quartet Cello,Double Bass,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.568311 Composed by Thomas Graf. Arranged by Thomas Graf. Classical,Contemporary,Jazz,Sacred,Spiritual. Score and parts. 7 pages. Thomas Graf - the-hit-factory.com #2915741. Published by Thomas Graf - the-hit-factory.com (A0.568311). Farewell - theme for a faun who has gone. That's all to say about, the rest of the story are telling the notes. Instrumentation: Violin 1/2, Viola, Cello, Contra Bass Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalog includedVideo: https://www.youtu.be/-2ofTHO5Xsk Michelle
Michelle # Jazz Ensemble # INTERMEDIATE # Rock # The Beatles # Thomas Graf #   # Michelle # Thomas Graf - the-hit-factory.com # SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.569595 By The Beatles. By John Lennon and Paul McCartney. Arranged by Thomas Graf. Rock....(+)
Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.569595 By The Beatles. By John Lennon and Paul McCartney. Arranged by Thomas Graf. Rock. Score and parts. 38 pages. Thomas Graf - the-hit-factory.com #6495629. Published by Thomas Graf - the-hit-factory.com (A0.569595). One of the greatest Beatles compositions. This jazzy, Basie-style arrangement needs a lot of section understanding, not difficult to read and play. My band could easily sight-read the music. In the choruses the band’s sound will explode by the song’s empathy and desire. Enjoy! Instrumentation: Instrumentation: 5 Saxes, 4 Trumpets, 4 Trombones (incl. Bass Trombone), Guitar, Piano, Bass, Drums, opt. parts included: Flute 1/2 (oboe), Horn in F, Baritone in Bb 1/2 Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! .