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55 sheet music found Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)
Spanish National Anthem for Symphony Orchestra (Kt Olympic Anthem Series) # Orchestra # INTERMEDIATE # Patriotic # Manuel de
Espinosa de los Mo # Keith Terrett # Spanish National Anthem for Sy # Music
for all Occasions # SheetMusicPlus
Full Orchestra - Intermediate
- Digital Download
Composed by Manuel de
Espinosa de los Monteros
(1730-1810). Arranged by
Keith Terrett. Classical
Per...(+)
Full Orchestra - Intermediate
- Digital Download
Composed by Manuel de
Espinosa de los Monteros
(1730-1810). Arranged by
Keith Terrett. Classical
Period, European, Patriotic.
30 pages. Published by Music
for all Occasions The Spanish National Anthem arranged for full Symphony Orchestra, there is a short version in my store in case you need it! Just need a sporting event now such as an Olympics!
The Marcha Real (Spanish pronunciation: [ˈmartʃa reˈal], "Royal March") is the national anthem of Spain. It is one of only three national anthems (along with that of Bosnia and Herzegovina and the Republic of Kosovo) in the world to have no official lyrics.
One of the oldest in the world, the anthem was first printed in a document dated 1761 and entitled Libro de la Ordenanza de los Toques de Pífanos y Tambores que se tocan nuevamente en la Ynfant° Española (Book of the Ordenance of Newly Played Military Drum and Fife Calls by The Spanish Infantry ), by Manuel de Espinosa. Here it is entitled La Marcha Granadera ("March of the Grenadiers"). There is written its score on this book. According to this document, Manuel de Espinosa de los Monteros is the composer.
There is a false belief that Marcha Real’s author was Frederick II of Prussia, a great lover of music. This belief started in 1861 when it appears for the first time publied in La España militar (The Militar Spain). In 1864, the colonel Antonio Vallecillo publishes the history in the diary El Espíritu Público (The Public Spirit), making the supposed Prussian origin of Marcha Real popular. According to Vallecillo, the anthem was a gift from Frederick II to the soldier Juan Martín Álvarez de Sotomayor, who was serving in the Prussian Court to learn the military tactics developed by Frederick II’s army, under orders of King Charles III. In 1868 the history is published in Los Sucesos, changing the destinatary of the gift with Pedro Pablo Abarca de Bolea, Count of Aranda. The myth was picked up like this in different publications of 1884 and 1903, until being included in 1908 in the Enciclopedia Espasa.
According to the tradition in 1770, Charles III declared the Marcha de Granaderos as the official Honor March, and with that formalized the habit of playing it in public and solemn acts. It became the official anthem during Isabel II’s reign.
After the 1868 Revolution, General Prim convoked a national contest to create an official anthem, but it was declared deserted, advising the jury that Marcha de Granaderos was considered as such. By Alfonso XIII’s time, it was established by a Royal Circular Order (27 August 1908) that interpreted the harmonization of the march done by Bartolomé Pérez Casas, Major Music of the Royal Corps of Halberdier Guards. During the Second Republic, Himno de Riego was adopted as official anthem, although after the Spanish Civil War, Marcha Real returned to be used as anthem, sometimes sung with the verses written by the poet José María Pemán in 1928.
The actual symphonic version of the Marcha Real that replaces the Pérez Casas one, belongs to maestro Francisco Grau and is the official one after the Royal Decree of 10 October 1997, when the Kingdom of Spain bought the author rights of the Marcha Real, then belonging to Pérez Casas’ Heirs. According to the Royal Decree 1560/1997, the anthem should have a tone of B major and a tempo of 76 bpm (♩=76), with a form of AABB and a duration of 52 seconds.
Under the Trienio Liberal (1820-1823), the First Spanish Republic (1873–74) (when it enjoyed of a co-officiality) and the Second Spanish Republic (1931–1939), El Himno de Riego replaced La Marcha Real as the national anthem of Spain. At the conclusion of the Civil War, however, Francisco Franco restored La Marcha Real as the country’s national anthem, under its old title of La Marcha Granadera.
Interpretation and etiquette:
Military bands of the Spanish Armed Forces and the National Police Corps of Spain and civilian Marching bands and Concert bands play the B flat-major version of the anthem adapted for wind bands (as arranged by Francisco Grau), and playing the A Major version is optional.
The bugle call "To the Colors" in Spain is the version played by Bugle bands in Spanish churches in religious occasions and processions organized by civil groups and the parishes. Various versions adapted for the drum and the bugle are used, even though brass instruments play the anthem as well. But in some bugle bands, the A flat version of the anthem (the old official one, adapted for the bugle) is played. Only a bugle call is sounded when the B flat version is played.
Being the National Anthem, and in honor of the King and Queen of Spain, it’s a common practice for all to stand once it is played. Even though it is also played in church events, respect for the King and Queen (and the Royal Family as well) is required by everyone in attendance. As it happens civilians stand at attention while those in uniform salute when not in formation.
The current official version, as described in Royal Decree 1560/1997, is a sixteen-bar long phrase, divided in two sections, each one is made up of four repeated bars (AABB form). Tempo is set to ♩= 76 and key to B flat.
The long, complete version is the honors music for the King, while a shorter version without the repetitions is performed for the President of the Government of Spain, the Prince of Asturias, or during sporting events.
There are also three official arrangements: one for orchestra, another for military band, and a third for organ, written by Francisco Grau Vegara and requested by the Government of Spain. All in all, there are six different official adaptations, for each arrangement and length. They all were recorded by the Spanish National Orchestra and the Spanish Royal Guard Band as an official recording and released on compact disc for a limited period of time.
As the harmonization of the Marcha Real was written by Bartolomé Pérez Casas in the early 1900s, the copyright has not yet expired. The government bought it from Pérez Casas’ estate in 1997 for 130,000,000 pesetas (~ € 781,316) to avoid future legal problems. Until it expires, the copyright belongs to the Ministry of Culture and collecting societies charge copyright fees, which has led to criticism.
As a result, many different harmonisations have been devised by performers to avoid paying. Nonetheless, the rights to the 1997 Francisco Grau revision were transferred to the government at no charge, although they were not placed in the public domain.
Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com La Tomatina for Symphonic Band
La Tomatina for Symphonic Band # Concert band # INTERMEDIATE # GregoryFritze # La Tomatina for Symphonic Band # Musica Nova USA # SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica No...(+)
Concert Band - Level 3 - Digital Download SKU: A0.917395 Composed by GregoryFritze. 20th Century,Contemporary,Jazz. Score and parts. 195 pages. Musica Nova USA #4805407. Published by Musica Nova USA (A0.917395). La Tomatina was composed in 1996 in Buñol, Spain while I was researching Spanish band music. Buñol is a small town of about 9,000 inhabitants about 19 miles (30 kilometers) from Spain’s 3rd largest city, Valencia. For 364 days of the year, it is a typical small town, but on the last Wednesday of August it becomes an international attraction. On that day the La Tomatina festival is held. Several trucks drop as many as 145,000 kilograms of tomatoes unto the main street and for an hour at 12:00 noon there are up to 100,000 people taking part in throwing tomatoes at each other. At 1:00 everybody goes to the specialpublic showers to wash up. A fire truck comes down the street washing down the buildings and the main street and by about 2:00 all is returned to normal and all references to the tomato fight are gone. Thetradition has been going on since 1945. I was in the streets taking part in throwing tomatoes for three years. After that when I was in Spain during the festival I watched it on TV.Buñol also has a rich tradition of having two very good concert bands – the Litros and the Feos. Most of the 9,000 inhabitants formally belong to one of the two social clubs. There are several band competitionsheld in Spain and both of these bands take part. The band competition is fierce as bragging rights are won by the winning society. It is thought that this fierce competition is what helps develop excellentmusicians in that many young people become professional musicians and play in many orchestras and bands throughout the country.La Tomatina was premiered by the U. S. Army Band Pershing’s Own on the U. S. Capital steps in June 1996, the composer conducting. La Tomatina is the second movement of SinfonÃa de Valencia, a three- movement composition that was premiered in Buñol by the band of Centro Instructivo Musical El Litro Buñol, conducted by Francisco Tamarit in August 1997. SinfonÃa de Valencia is recorded by the band of Centro Instructivo Musical El Litro Buñol, conducted by Fernando Bonete Piqueras on Mark Records (CD3816). La Tomatina is also on Youtube with video of the festival at: https://www.youtube.com/watch?v=bbpZU7vK3PQ.La Tomatina was a winning composition in 1996, awarded a grant by the Massachusetts Cultural Council. It also won the IBLA Grand Prize in Sicily, Italy in 1998 and was a Semi Finalist as part of the American Prize Composition Competition – Band Division in 1996.This arrangement of La Tomatina was prepared especially for conductor Natalia Montañés in 2004. In thisarrangement there are four percussionists instead of the original five.La Tomatina has been very popular among bands around the world, performed over one hundred times. Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series'' # Chamber Orchestra # INTERMEDIATE # Joseph Eastburn Winner # Keith Terrett # Four Early Jazz Favourites fro # Keith Terrett # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jaz...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,World. 48 pages. Keith Terrett #1934279. Published by Keith Terrett (A0.747302). An arrangement of four popular jazz classics namely ''Little Brown Jug'', '' Frankie and Johnny'', ''Tin Roof Blues'' & the ''Battle Hymn of the Republic'' (Mine Eyes Have Seen the Glory). A great selection for your orchestra's next performance and not too difficult, the audience and players should enjoy the jazzy tunes presented in this arrangement. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Joseph Eastburn Winner (1837-1918), Trad, Composed by Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo/Richard M. Jones?Composed by Julia Ward Howe (1819 – 1910). Heroes of Telemark (The) March for Brass Band ''Keith Terrett Classic March Collection''
Heroes of Telemark (The) March for Brass Band ''Keith Terrett Classic March Collection'' # Concert band # INTERMEDIATE # Trad/Ludvig Mathias Lindeman # Keith Terrett # Heroes of Telemark # Keith Terrett # SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.746509 Composed by Trad/Ludvig Mathias Lindeman (1812-1887). Arranged by Keith Terrett. 20th Century,Fi...(+)
Concert Band - Level 3 - Digital Download SKU: A0.746509 Composed by Trad/Ludvig Mathias Lindeman (1812-1887). Arranged by Keith Terrett. 20th Century,Film/TV,Patriotic,World. 30 pages. Keith Terrett #1988951. Published by Keith Terrett (A0.746509). A march dedicated to the Heroes of Telemark entitled ''Heltane frå Telemark (Sabateurs March). The melodies come from vest telemark where I worked from 2001-2006 as Band Director to Kviteseid Hornmusik. The melodies used in this new march entitled 'The Heroes of Telemark' are songs from Norway, Kviteseidsangen and Fjaasesundsangen are from Vest Telemark in Southern Norway, while Mellom bakker og berg is an old melody by Ludvig Mathias Lindeman (1812-1887). Keith Terrett has re-harmonised and orchestrated these fine melodies into an exciting march, in honour of the gallant 'Heroes of Telemark'. A great addition to your march repertoire from the ''Keith Terrett Classic March Collection''. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com. Piece For Jazz Bassoon And Orchestra
Piece For Jazz Bassoon And Orchestra # Concert band # INTERMEDIATE/ADVANCED # Henry Mancini # John Ivor Holland # Piece For Jazz Bassoon And Orc # John Ivor Holland # SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1287477 Composed by Henry Mancini. Arranged by John Ivor Holland. 20th Century,Blues,Contemporary,Conte...(+)
Concert Band - Level 4 - Digital Download SKU: A0.1287477 Composed by Henry Mancini. Arranged by John Ivor Holland. 20th Century,Blues,Contemporary,Contest,Festival,Jazz. Score and Parts. 140 pages. John Ivor Holland #878499. Published by John Ivor Holland (A0.1287477). Henry Mancini wrote this unusual ‘jazz bassoon concerto’ in 1980 for Hollywood session musician Ray Pizzi (the so-called ‘godfather’ of modern jazz bassoon); he can be heard on the original ‘Star Wars’ (1977) soundtrack, also on ‘Predator 2’ (as the voice of the beast). This whirlwind piece takes us through the whole range of the instrument, starting with skittish jumping octaves, a free improvisation (book-ended by ‘shouts’ from the band), a very sultry slow section (featuring Mancini’s trademark chromatic harmony) a magnificent and dramatic final chorus, closing with an extended cadenza to further show off the instrument in this unusual disguise. This arrangement calls for a small beat quartet of keys, Fender bass and drums to accompany the solo bassoon; a suggested solo has been provided for the first section, but the final cadenza has been left blank for complete artistic creation. For further information about this, please contact the arranger, who can make suggestions, as necessary (johnivorholland@gmail.com). Created in memory of Ray Pizzi (1943-2021). The Lily of the Valley--flex band/orchestra
The Lily of the Valley--flex band/orchestra # Concert band # INTERMEDIATE # Classical # Antonio Vivaldi, William S # Beka Wilson # The Lily of the Valley--flex b # Beka Wilson # SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.786848 Composed by Antonio Vivaldi, William S. Hays. Arranged by Beka Wilson. Baroque,Christian,Sacred....(+)
Concert Band - Level 3 - Digital Download SKU: A0.786848 Composed by Antonio Vivaldi, William S. Hays. Arranged by Beka Wilson. Baroque,Christian,Sacred. Score and parts. 44 pages. Beka Wilson #6624827. Published by Beka Wilson (A0.786848). A cheerful, uplifting arrangement of an old favorite in the setting of Vivaldi's Spring from The Seasons. This flex piece is perfect for a smaller ensemble or orchestra, or one with an untraditional assortment of instruments. It could be played as written in cut time or in 4/4 for a slightly slower pace.Time: Approximately 3 minutes (at 80 bpm cut time)Level: 3.5 Includes score and parts (flute, oboe, clarinet, bassoon, alto/tenor saxophone, trumpet, horn, trombone, mallet percussion, violin, and cello). If there is an instrument you’d like parts for that isn’t included, feel free to contact me at bekmars10@gmail.com so I can get a custom arrangement put up on Sheet Music Plus for you. Ah! Sweet Victory New Celebration Coronation Anthem for Orchestra
Ah! Sweet Victory New Celebration Coronation Anthem for Orchestra # Orchestra # INTERMEDIATE # James Nathaniel Holland # Ah! Sweet Victory New Celebrat # James Nathaniel Holland # SheetMusicPlus
Full Orchestra - Level 3 - Digital Download SKU: A0.730367 Composed by James Nathaniel Holland. Contemporary,Graduation,Holiday,Patriotic. Score and part...(+)
Full Orchestra - Level 3 - Digital Download SKU: A0.730367 Composed by James Nathaniel Holland. Contemporary,Graduation,Holiday,Patriotic. Score and parts. 67 pages. James Nathaniel Holland #2990941. Published by James Nathaniel Holland (A0.730367). 'Ah! Sweet Victory! Shine like the sun; the bright and glorious champion!' Following the tradition of the coronation anthem such as Handel 'Zadok the priest' this is a new, majestic piece arranged for ample orchestra but can be used with any arrangement (addition of chorus or complete band). Full score in concert pitch. Individual parts included. Perfect for soccer victory music, football victory music, fireworks orchestral music, sports victory music, or outdoor summer concerts.YouTube video presentation at: https://youtu.be/9fyv3Tt3JxoInstrumentation: Pic, f12, ob12, cl123, bcl, bsn 12, hrn 1234, trmp 123, trmb 12, bass trm, euph12, tba, timp, perc. (snare, bd, hand cym, ) glk, hrp, strings.Duration: 6'Choir vocal score sold separately.James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. Danny Boy
Danny Boy # String Orchestra # INTERMEDIATE # Trad # Kevin Riley # Danny Boy # Kevin Riley # SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1488869 Composed by Trad. Arranged by Kevin Riley. Traditional. 12 pages. Kevin Riley #1065724. Pub...(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1488869 Composed by Trad. Arranged by Kevin Riley. Traditional. 12 pages. Kevin Riley #1065724. Published by Kevin Riley (A0.1488869). In 1910, in Bath, Somerset, the English lawyer and lyricist Frederic Weatherly initially wrote the words to Danny Boy to a tune other than Londonderry Air. One story is that his sister-in-law Margaret Enright Weatherly (AKA Jess) sent him a copy of Londonderry Air in 1913 and Weatherly modified the lyrics of Danny Boy to fit its rhyme and meter. A different story has Jess singing the air to Weatherly in 1912 with different lyrics. Yet another story is that Frederic did not set the poem to any tune, but that, in 1913, Margaret, who, with her husband Edward Weatherly, was living at the Neosho mine near Ouray, Colorado in the US, set it to the Londonderry Air which she had heard as a child in California played by her father and other Irish railway workers.Weatherly gave the song to the vocalist Elsie Griffin, who made it one of the most popular songs of the new century. Ernestine Schumann-Heink produced the first recording of Danny Boy in 1915.Jane Ross of Limavady is credited with collecting the melody of Londonderry Air in the mid-19th century from a musician she encounteredIf you would like any similar music scoring for String Orcestra get in touch at klscj(at)me(dot)com. The Londonderry Air (Danny Boy) tune from County Derry arranged for Flexible Ensemble
The Londonderry Air (Danny Boy) tune from County Derry - Flexible Ensemble # Concert band # INTERMEDIATE # Irish Trad # David Catherwood # The Londonderry Air # Opus 3 Music # SheetMusicPlus
Concert Band - Level 3 - Digital Download SKU: A0.739535 Composed by Irish Trad. Arranged by David Catherwood. Celtic,Holiday,Irish,Multicultural,World. ...(+)
Concert Band - Level 3 - Digital Download SKU: A0.739535 Composed by Irish Trad. Arranged by David Catherwood. Celtic,Holiday,Irish,Multicultural,World. Score and parts. 22 pages. Opus 3 Music #6234531. Published by Opus 3 Music (A0.739535). The world famous Irish tune in an arrangement for Flexible band/orchestra/ensemble with optional percussion.This arrangement is suitable for school orchestras and ensembles but will work equally well with experienced performers. The arrangement allows for a great deal of flexibility in presentation and will sound complete with as few as four players yet the scoring allows for expansion up to a full symphonic orchestra, concert band or brass bandA full set contains a score and a set of parts (with permission to copy to suit your own requirements) for the following instruments:Part 1 in C (Flute, Oboe, Violin 1)Part 1 in Bb (Clarinet 1 in Bb, Trumpet 1 in Bb)Part 2 in C (Violin 2)Part 2 in Bb (Clarinet 2 in Bb, Trumpet 2 in Bb)Part 2 in F (Horn in F)Part 2 in Eb (Alto Saxophone, Eb Horn 1)Part 3 in C (Bassoon 1, Trombone)Part 3 in Eb (Alto Saxophone, Eb Horn 2)Part 3 in F (Horn in F)Part 3 in alto clef (Viola)Part 3 in Bb (Tenor Saxophone, Bb Trombone (treble clef)Part 4 in C (Cello, Double Bass, Bassoon 2, Bass Trombone)Part 4 in Eb (Baritone Saxophone, Eb Bass Tuba (treble clef)Part 4 in Bb (Euphonium, Bb Bass Tuba (treble clef)Percussion (Optional) Overture and Minuet in C major, based on Beethoven's sketches, op. 83
Overture and Minuet in C major, based on Beethoven's sketches, op. 83 # Chamber Orchestra # INTERMEDIATE/ADVANCED # Classical # Ludwig van Beethoven # Adrian Gagiu # Overture and Minuet in C major # Adrian Gagiu # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian G...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN. Coleção OGI: Orquestra Grupo Instrumental
Coleção OGI: Orquestra Grupo Instrumental # Orchestra # EASY # Marcelo Torca # Marcelo Torca #   # Coleção OGI: Orquestra Grupo # Marcelo Torca # SheetMusicPlus
Full Orchestra - Level 2 - Digital Download SKU: A0.896909 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Instructional,Jazz,Pop,Rock...(+)
Full Orchestra - Level 2 - Digital Download SKU: A0.896909 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Instructional,Jazz,Pop,Rock. Score and parts. 508 pages. Marcelo Torca #2548811. Published by Marcelo Torca (A0.896909). Este livro dá as noções iniciais para formar uma orquestra de câmara de um grupo instrumental, de instrumentos musicais diferentes dos normalmente utilizados nas orquestras tradicionais. Os instrumentos musicais trabalhados serão: Flauta-doce Sopranino; Flauta-doce Soprano; Flauta-doce Contralto; Escaleta; Bandolim; Cavaco; Violão; Guitarra; Viola Caipira; Baixo elétrico; Acordeão; Teclado; Piano; Metalofone; Bateria; Percussão, Pandeiro, Surdo, Tamborim, Agogô, Reco-reco, Tantã ou Timba, Berimbau, Cajón, Rebolo. Os arranjos para estes instrumentos, a forma como organizar as ideias musicais e como interpretar, seguem nas páginas seguintes. As Grades fornecidas, são ideias de formação de conjuntos e como organizar. Há arranjos para ritmos para percussão e para os demais instrumentos musicais abordados neste livro, exemplos de como pode se organizar as ideias rÃtmicas. Nos exercÃcios de Harmonizando, com inÃcio na página trinta, coloca-se na prática as ideias, lembrando que nem sempre a ideia funciona bem, a confirmação é através do som. Depois de ter feito os arranjos, basta transferir para a grade, este livro tem a preocupação de ensinar uma forma de arranjo, organizando as ideias, pois num conjunto grande, é fácil se perder, principalmente quando não tem algo fixo a ser seguido. O solo pode ser distribuÃdo em vários instrumentos, assim como tocar todos os instrumentos de uma vez fica bom em trechos da música, mas não sempre a totalidade da música, assim vai dar as caracterÃsticas mais de orquestra e não somente de um conjunto. Este livro também fala sobre a grade dos instrumentos de percussão utilizados na OGI – Orquestra Grupo Instrumental, e o arranjo para várias levadas, assim como, várias levadas para a bateria. Percussão e Bateria, onde se podem tocar juntos, ou separados. As levadas são apenas uma noção do que se pode fazer, é apenas um guia, o arranjo de cada música é único e sempre tem que ser criativo. Na última página encontra-se a legenda da notação musical para cada instrumento de percussão, respeitando sua caracterÃstica sonora. Há várias opções de organização e possibilidades. The Most Wonderful Time Of The Year
The Most Wonderful Time Of The Year # Orchestra # INTERMEDIATE/ADVANCED # Christmas # Eddie Pola and George Wyle # Bryan Kidd # The Most Wonderful Time Of The # BryanKiddMusic.com # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1298071 Composed by Eddie Pola and George Wyle. Arranged by Bryan Kidd. Christmas,Holiday,Standards. ...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1298071 Composed by Eddie Pola and George Wyle. Arranged by Bryan Kidd. Christmas,Holiday,Standards. 112 pages. BryanKiddMusic.com #888023. Published by BryanKiddMusic.com (A0.1298071). A dazzling and most wonderful Holiday Season opener for full orchestra in Viennese-styled three-quarter time.The Most Wonderful Time of the Year was first introduced in 1963 by singer Andy Williams as the opening song for his second Christmas TV special. It was composed by the shows vocal director, George Wyle, along with Edward Pola. Apropos to Williams show, the song describes joyous family and friends seasonal activities that include scary ghost stories (a Victorian Christmas tradition think 'Dickens'). Â Among the artists who have covered the song are Pentatonix, Johnny Mathis, Garth Brooks, Amy Grant, Pattie LaBelle, and Harry Connick, Jr. A letter-size (8.5x11) score and complete set of instrumental parts are included with the set; a more easily read Tabloid (11x17) score is available separately (RECOMMENDED). For the Tabloid-size (11x17) score, click here. Please visit BryanKiddMusic.com With 26 years of service, Bryan Kidd retired as the Chief Composer and Arranger for The United States Navy Band, Washington, D.C. Â Bryan's writing, conducting, and teaching experience range from elementary through collegiate and professional levels. Currently, he is the Composer/Arranger-in-Residence for The American Festival Pops Orchestra founded by Conductor Emeritus, Anthony Maiello, a professional ensemble affiliated with George Mason University, Fairfax, Virginia.