Digital sheet music, access after purchasing
Sheetmusic to print
98 sheet music found The Girl with the Flaxen Hair, Prelude 8, Book 1 by Claude Debussy (String Nonet)
The Girl with the Flaxen Hair, Prelude 8, Book 1 by Claude Debussy (String Nonet) # String Orchestra # Classical # Claude Debussy # Richard Byrnes # The Girl with the Flaxen Hair, # Richard Byrnes # SheetMusicPlus
String Orchestra - Digital Download SKU: A0.830709 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 19 pages. Richa...(+)
String Orchestra - Digital Download SKU: A0.830709 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 19 pages. Richard Byrnes #3493431. Published by Richard Byrnes (A0.830709). The Girl with the Flaxen Hair (La fille aux cheveux de lin), the 8th Prelude in Debussy's Preludes, Book 1 is one of the most famous pieces by Claude Debussy. It's tender melodic and harmonic beauty is unrivaled.Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Debussy, we offer works by J.S. Bach, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, Richard Strauss, and Turina. Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren # Chamber Orchestra # INTERMEDIATE/ADVANCED # Classical # Claude Debussy/Robert Orledge # Claude Debussy: Sérénade for # Musik Fabrik Music Publishing # SheetMusicPlus
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score a...(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles KÅ“chlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles KÅ“chlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot. Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only
Claude Debussy/Robert Orledge: Prélude à L'Histoire de Tristan for orchestra, score only # Orchestra # INTERMEDIATE/ADVANCED # Classical # Claude
Debussy/Robert Orledg # Claude Debussy/Robert Orledge: # Musik Fabrik Music Publishing # SheetMusicPlus
Full Orchestra - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge. 20th
Century, Impressionistic.
Score. 19 pages. ...(+)
Full Orchestra - Advanced
Intermediate - Digital
Download
Composed by Claude
Debussy/Robert Orledge. 20th
Century, Impressionistic.
Score. 19 pages. Published by
Musik Fabrik Music Publishing Scored for 21EH22/2200/timp/1perc/hp/strings Parts on rental.
Debussy’s friendship with the versatile poet and playwright Gabriel Mourey began in 1899, and in July 1907, Mourey offered Debussy a libretto based on Le roman de Tristan - Joesph Bédier’s adaptation of a twelfth-century Breton romance by the Anglo-Norman poet known as Tomas - which had recently been published in Paris. Debussy enthusiastically outline the four-act plot to Victor Segalen that October, and the main differences from Wagner’s Tristan und Isolde are that none of the action takes place in Cornwal and that “Isolde of the white hands” is found guilty of cuckolding King Marc with Tristan, who has to rescue her from the leper colony in which she is abandoned in Act 1. She also betrays hi when he goes mad at the end.
The idea of a Tristan that restorced its ‘legendary character’ and had no connections with Wagner, appealed to Debussy, who was extremely moved by the circumstances of Tristan’s death. Even if he thought that Mourey’s poetry was “not very lyrical and many passages do not exactly “invite” music”, he did work on the libretto and the music that summer and sent his pubisher Jacques Durand, ‘one of the 363 themes for the “Roman de Tristan”’ in a letter sent from Pourville on 23 August, 1907. The present prelude grows from this theme, together with the poignant Breton folksong “Le Faucon”. After a short atmospheric introduction, Debussy’s dance-like theme (which is definitely not a leitmotif) gradually gains momentum and after it reaches it ecstatic climas, representing the transient happiness of the lovers, it dissolves into an expressive coda and an elegiac close (all growing from Debussy’s opennning, off-stage trumpet calls), leaving us with the ultimate tragedy of their ill-fated advice.
Unforunately, Mourey’s actual libretto has been lost and the project eventually foundered because Bédier’s cousin, Louis Artus, wanted Debussy to use the scenario he had prepared and copyrights for the stage, and would not allow him to proceed with Mourey’s version. Debussy, it need hardly be said, would never have dreamed of collaborating with the author of the vaudeville hit La culotte (The pants)!
Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only
Fêtes Galantes : 1er Tableau - Les Masques for solo/mixed chorus and orchestra - Score Only # Orchestra # INTERMEDIATE/ADVANCED # Classical # Claude Debussy/Robert Orledge # Fêtes Galantes : 1er Tableau # Musik Fabrik Music Publishing # SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 ...(+)
Full Orchestra - Level 4 - Digital Download SKU: A0.1086971 Composed by Claude Debussy/Robert Orledge. Classical,Contemporary,Opera. Score and parts. 32 pages. Musik Fabrik Music Publishing #691161. Published by Musik Fabrik Music Publishing (A0.1086971). Scored for baritone (or counter-tenor) soloist, mixed chorus and orchestra (2222/2200/timp/2perc/hp/cel/mand/strings). Fêtes galantes was actually planned as a hybrid opera-ballet to a libretto by Debussy’s friend Louis Laloy in November, 1913. For this, Laloy arranged selected poetry by Paul Verlaine into three tableaux, replacing an earlier (unstarted) Debussyan project with Charles Morice of 1912 entitled Crimen amoris. During his last productive summer of 1915, Debussy set a sequence from the start of the first tableau, ‘Les Masques’, involving stanzas 1 and 3 of the opening song for Mezzetin in Verlaine’s comedy Les Uns et les autres (1884). The action is set in a park à la Watteau late one summer afternoon as Mezzetin attempts to entertain a group of nonchalant masqueraders with only the aid of his voice and a mandolin.. This appears to have been prefaced by a slower, elegiac introduction reminiscent of the opening of the comtemporary Cello Sonata and it leads to a danced minuet by the masqued dancers which has clear echoes of the piano piece L’Isle joyeuse (1904). Following Laloy’s scenario, the masqueraders then sing extracts from Verlaine’s ‘A la promenade’ (from Fêtes galantes itself). The minuet returns at greater length before being cut short by a chilly gust of wind, after which the park returns to its orginal state (and music) as though nothing had really happened. Debussy: Berceuse heroique for String Orchestra - Score Only
Debussy: Berceuse heroique for String Orchestra - Score Only # String Orchestra # INTERMEDIATE # Classical # Claude Debussy # James M # Debussy: Berceuse heroique for # jmsgu3 # SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1300358 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Contest,Festival,His...(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1300358 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Historic. 7 pages. Jmsgu3 #890084. Published by jmsgu3 (A0.1300358). Berceuse Heroique is a musical composition by Claude Debussy, composed in 1914 as a homage to King Albert I from Belgium and his soldiers. The piece was written for King Albert's Book, a collection of music sponsored by The Telegraph and put together by Hall Caine to raise funds for Belgian war relief. The work opens very dark and somber, with a sense of mourning and loss. The anthem is quoted in the middle of the piece, surrounded by music of gloom and despair. The quote from the Belgian national anthem that is squeezed into Debussy's Berceuse heroique is the first phrase of La Brabançonne by François van Campenhout.The composition expresses the misery of feeling powerless in events, combined with everyday unhappy shortages of necessities, which was a common experience during World War I. The life of French composer Claude Debussy was full of agony and challenges, from surviving in the 1st World War to his battle with cancer.Berceuse heroique is a significant piece in music history for its reflection of the somber and melancholic mood of the time, its tribute to the soldiers and their suffering, and its representation of Debussy's work during the war. The piece is still performed and recorded today, and is considered a significant work in Debussy's oeuvre. Debussy: Berceuse heroique for String Orchestra
Debussy: Berceuse heroique for String Orchestra # String Orchestra # INTERMEDIATE # Classical # Claude Debussy # James M # Debussy: Berceuse heroique for # jmsgu3 # SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.1300432 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Fil...(+)
String Orchestra - Level 3 - Digital Download SKU: A0.1300432 Composed by Claude Debussy. Arranged by James M. Guthrie. 20th Century,Contest,Festival,Film/TV,Multicultural,Standards,World. Score and Parts. 17 pages. Jmsgu3 #890087. Published by jmsgu3 (A0.1300432). Berceuse Heroique is a musical composition by Claude Debussy, composed in 1914 as a homage to King Albert I from Belgium and his soldiers. The piece was written for King Albert's Book, a collection of music sponsored by The Telegraph and put together by Hall Caine to raise funds for Belgian war relief. The work opens very dark and somber, with a sense of mourning and loss. The anthem is quoted in the middle of the piece, surrounded by music of gloom and despair. The quote from the Belgian national anthem that is squeezed into Debussy's Berceuse heroique is the first phrase of La Brabançonne by François van Campenhout. The composition expresses the misery of feeling powerless in events, combined with everyday unhappy shortages of necessities, which was a common experience during World War I. The life of French composer Claude Debussy was full of agony and challenges, from surviving in the 1st World War to his battle with cancer.Berceuse heroique is a significant piece in music history for its reflection of the somber and melancholic mood of the time, its tribute to the soldiers and their suffering, and its representation of Debussy's work during the war. The piece is still performed and recorded today, and is considered a significant work in Debussy's oeuvre. Ballet (Mvt. 4 from Debussy's Petite Suite) for String Orchestra
Ballet (Mvt. 4 from Debussy's Petite Suite) for String Orchestra # String Orchestra # Classical # Claude Debussy # Richard Byrnes # Bass) # Ballet # Richard Byrnes # SheetMusicPlus
String Orchestra - Digital Download SKU: A0.830690 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. 63 pages. Richard Byrnes #341465...(+)
String Orchestra - Digital Download SKU: A0.830690 Composed by Claude Debussy. Arranged by Richard Byrnes. 20th Century. 63 pages. Richard Byrnes #3414651. Published by Richard Byrnes (A0.830690).  Ballet is movement 4 from the Petite Suite by Claude Debussy. This delightful finale displays Debussy's talent in creating dramatic intensity necessary for a finale movement.  This arrangement is for string orchestra (6 Violins, 2 Violas, 2 Celli, & Bass).  Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.  In addition to works by Debussy, we offer works by J.S. Bach, Brahms, Dvorák, Fauré, Glazounov, Glinka, Gottschalk, Granados, Griffes, Lotti, Mendelssohn, Mozart, Ravel, Richard Strauss, Turina, & Vierne.  Claude Debussy – La plus que lent (String Orchestra)
Claude Debussy – La plus que lent (String Orchestra) # String Orchestra # Classical # Richard Byrnes # Richard Byrnes # Claude Debussy – La plus que # Richard Byrnes # SheetMusicPlus
String Orchestra - Digital Download SKU: A0.1111895 By Richard Byrnes. By Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 64 p...(+)
String Orchestra - Digital Download SKU: A0.1111895 By Richard Byrnes. By Claude Debussy. Arranged by Richard Byrnes. 20th Century. Score and parts. 64 pages. Richard Byrnes #714097. Published by Richard Byrnes (A0.1111895). Composed in 1910, “La plus que lent†is originally a waltz for solo piano. The “valse lent†(slow waltz) was the vogue in French society during the time of its composition. This piece was Debussy’s version of that style. As with so many of his works, Debussy has drawn on his ability as a melodist to create another delightfully beautiful piece.In addition to works by Debussy, we offer works by J.S. Bach, Brahms, Fauré, Glinka, Gottschalk, Granados, Griffes, Lotti, Mozart, Ravel, Richard Strauss, and Turina. Suite bergamasque (Chamber Orchestra)
Suite bergamasque (Chamber Orchestra) # Chamber Orchestra # INTERMEDIATE # Classical # Claude Debussy # Tim Laughlin # 2000 # Suite bergamasque # Tim Laughlin # SheetMusicPlus
Chamber Orchestra - Level 3 - Digital Download SKU: A0.877096 Composed by Claude Debussy. Arranged by Tim Laughlin. 20th Century,Classical,Multicultural,...(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.877096 Composed by Claude Debussy. Arranged by Tim Laughlin. 20th Century,Classical,Multicultural,Romantic Period,World. Score and parts. 156 pages. Tim Laughlin #3218325. Published by Tim Laughlin (A0.877096). Debussy's Suite bergamasque, and its famous Clair de Lune, is widely regarded to be one of his most riveting piano works. Arranged here for chamber orchestra, wind solos and string lines weave in and out of relief, highlighting the impressionist colors of the composer's palette. The work consists of four stand-alone movements: the bright Prelude, the playful Menuet, the timeless and vivid Clair de Lune, and the jaunty Passepied.Instrumentation: 2222; 2000; harp; strings (min. 22221)Duration: approx. 16Level: Intermediate to AdvancedContents: Full score and parts