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7 sheet music found Be Thou My Vision - Jazz Inspired Solo for Intermediate Violin
Be Thou My Vision - Jazz Inspired Solo for Intermediate Violin # Violin # EASY # Celtic/Irish # Traditional Irish Melody # Edna J # Be Thou My Vision - Jazz Inspi # Bloom Musicnotes # SheetMusicPlus
Violin Solo - Level 2 - Digital Download SKU: A0.836182 Composed by Traditional Irish Melody. Arranged by Edna J. Bloom & Evelyn E. Bloom. Celtic,Christi...(+)
Violin Solo - Level 2 - Digital Download SKU: A0.836182 Composed by Traditional Irish Melody. Arranged by Edna J. Bloom & Evelyn E. Bloom. Celtic,Christian,Instructional,Jazz,Sacred. 2 pages. Bloom Musicnotes #4337687. Published by Bloom Musicnotes (A0.836182). Clocking in at just under one minute, this jazz-inspired Be Thou My Vision for the early intermediate violinist swings through the melody twice: once in lower realms and again with higher notes. Each encounter with the melody employs its unique bend. This is a stand-alone arrangement, allowing for plenty of interpretative freedom and versatility; it is especially useful for outdoor settings. SKILLS: 3rd position, harmonics, bowing triplets, syncopation, swing style Deluxe Anthology of Jazz Violin Styles
Deluxe Anthology of Jazz Violin Styles # Violin # INTERMEDIATE # Jazz # David Reiner # Deluxe Anthology of Jazz Violi # Mel Bay
Publications - Digital Sheet
Music # SheetMusicPlus
Violin - Intermediate -
Digital Download
Composed by David Reiner.
Solos. Style. E-book and
online audio. 136 pages. Mel
Bay Publications - Digital
S...(+)
Violin - Intermediate -
Digital Download
Composed by David Reiner.
Solos. Style. E-book and
online audio. 136 pages. Mel
Bay Publications - Digital
Sheet Music #93818MEB.
Published by Mel Bay
Publications - Digital Sheet
Music ISBN 9781619118867.
For more than a century, violinists have played jazz, swing, blues and similar improvisational styles. With its rich tone, considerable range, and bowed rhythms and phrasing, the violin offers a unique opportunity for a creative and personal statement as a musician. This book presents a broad sampling of the styles of major jazz violinists, from blues to bebop, from jug band to jazzgrass, from big-band swing to Texas swing. Tunes represent the styles of Stephane Grappelli, Joe Venuti, Stuff Smith, Eddie South, Mark O'Connor, Benny Thomasson, Jean-Luc Ponty, and Darol Anger. Helpful jazz theory sections with exercises alternate with tunes that show how the theory works in practice. This book has two objectives; first, to present a broad, roughly chronological sampling of major jazz violinists and the styles associated with them, and secondly, to introduce the basics of jazz theory as applied to the violin. Whether consciously or intuitively, through critical listening or by practicing jazz patterns and exercises, the more knowledge of jazz you acquire, the better you will be able to think about the content of your playing without being bound by technical and theoretical aspects. This anthology was written to help provide that foundation. Interspersed with pragmatic jazz theory lessons, youall find 28 original tunes in the style of various jazz violin luminaries. The book ends with an extensive discography of recommended jazz recordings with a violin focus. Mandolinists as well as other instrumentalists will find a wealth of useful information in this outstanding collection. Delightful broadcast-quality recordings of the repertoire are available online. Includes access to online audio. Wirtten for intermediate to advanced violinists. 20 Etudes brillantes et caracteristiques
20 Etudes brillantes et caracteristiques # Violin # INTERMEDIATE # Studies # Charles Dancla
# 20 Etudes brillantes et caract # Schott
Music - Digital # SheetMusicPlus
Violin - intermediate -
Digital Download
Composed by Charles Dancla
(1817-1907). This edition:
Sheet music. Essential
Exercises. Downloadable. Op.
73...(+)
Violin - intermediate -
Digital Download
Composed by Charles Dancla
(1817-1907). This edition:
Sheet music. Essential
Exercises. Downloadable. Op.
73. Schott Music - Digital
#Q43463. Published by Schott
Music - Digital The studies by Charles Dancla (1817-1907) are more than mere technical exercises. They demand a special sense of tone, an elegant, softly flowing and swinging way of playing. They challenge the violinist in all associated disciplines, such as staccato on an up- and downbow, arpeggios, double stop passages and rapid passages. Apart from that, Dancla again and again seeks the soft, singing sound areas and the refined sound.
It is fun for both teacher and pupil to develop the violin playing technique in such a way. Furthermore, the delight in music-making is increased as every piece has its own characteristic, appearing not like a study but rather like a performance capriccio which could be played as an encore, for example.
The present edition is based on the (presumed) first edition of the Parisian publisher S. Richault (plate number 12974.B.) from c. 1856. Added fingerings have been marked accordingly. Information on technical characteristics, playing suggestions, etc. are contained in the notes at the end of the volume.