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139 sheet music found A Renaissance Dance Suite for Organ
A Renaissance Dance Suite for Organ # Organ # INTERMEDIATE/ADVANCED # Martin Ellis # Martin Ellis # A Renaissance Dance Suite for # Martin Ellis Music # SheetMusicPlus
Instrumental Solo,Pipe Organ - Level 4 - Digital Download SKU: A0.1381992 By Martin Ellis. By Martin Ellis. Arranged by Martin Ellis. 21st Century,Classi...(+)
Instrumental Solo,Pipe Organ - Level 4 - Digital Download SKU: A0.1381992 By Martin Ellis. By Martin Ellis. Arranged by Martin Ellis. 21st Century,Classical,Film/TV,Religious,Renaissance. Individual part. 21 pages. Martin Ellis Music #966616. Published by Martin Ellis Music (A0.1381992). This is a modern suite for concert organ based on the classic dance suites of the Renaissance and Baroque Periods. Although this new work is based on the rhythms and meters of the earlier period music, it draws from the composers experience in classical, film, and musical theatre genres, and is a diverse work that showcases the versatility of the modern pipe organ. Played as a whole, the four movements are twelve-and-ahalf minutes in length and are perfect as a recital set, although each movement can be played alone for service or recital use as well. SICUT CERVUS - Palestrina - Arr. for Organ
SICUT CERVUS - Palestrina - Arr. for Organ # Organ # Sacred music # Giovanni Pierluigi da Palestri # R # SICUT CERVUS - Palestrina - Ar # Renato Tagliabue # SheetMusicPlus
Composed by Giovanni Pierluigi da Palestrina (1525-1594). Arranged by R. Tagliabue. Renaissance, Christian, Spiritual, Sacred, General Worship. Lead Sheet, Scor...(+)
Composed by Giovanni Pierluigi da Palestrina (1525-1594). Arranged by R. Tagliabue. Renaissance, Christian, Spiritual, Sacred, General Worship. Lead Sheet, Score. 4 pages. Published by Renato Tagliabue (S0.277423). - Lead Sheet,Score - Renaissance,Christian,Spiritual,Sacred,General Worship - Renato Tagliabue 2020 Suite for Trombone and Organ (complete), by Phil Lehenbauer
2020 Suite for Trombone and Organ (complete), by Phil Lehenbauer # Organ # INTERMEDIATE # Phil Lehenbauer # 2020 Suite for Trombone and Or # Phil Lehenbauer # SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.744716 Composed by Phil Lehenbauer. Classical,Contemporary,Renaissance,Sacred,Traditional. Score. 19 pages. Ph...(+)
Organ - Level 3 - Digital Download SKU: A0.744716 Composed by Phil Lehenbauer. Classical,Contemporary,Renaissance,Sacred,Traditional. Score. 19 pages. Phil Lehenbauer #6080713. Published by Phil Lehenbauer (A0.744716). This is the complete suite for trombone and organ, with movements- 1. Fanfare, 2. Aria on Amazing Grace, and 3. Renaissance Gladness. This is written for the younger, less-experienced player, as all three movements feature limited range, repeated rhythmic motives, and easy key signatures. For example, movement 2. Aria only uses the first three positions! Now you have an accessible work to feature that young musician, whether for church services, special events, or recitals. Complete videos of all three movements are on the YouTube channel of OrganGuyPhil (the composer). Each movement is also available separately here on SMP. Fantasy on "O Come, O Come Emmanuel"
Fantasy on "O Come, O Come Emmanuel" # Organ # INTERMEDIATE # 15th century plainsong melody # Matthew F # Fantasy on "O Come, O Come Emm # Matthew F. Walicke # SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.923860 Composed by 15th century plainsong melody and Unknown. Arranged by Matthew F. Walicke. Baroque,Christma...(+)
Organ - Level 3 - Digital Download SKU: A0.923860 Composed by 15th century plainsong melody and Unknown. Arranged by Matthew F. Walicke. Baroque,Christmas,Classical,Renaissance,World. Score. 7 pages. Matthew F. Walicke #5743219. Published by Matthew F. Walicke (A0.923860). A bold and surprising advent prelude, Fantasy on 'O Come, O Come Emmanuel' based on the 15th century chant, features opportunities to show off your organ's solo stops and chimes and welcome in the season of Advent. Starting with a plaintive solo section (with optional chimes), the song bursts into a fast and fun Renaissance inspired dance with alternating meters, and finally ends with a Baroque styled waltz and fanfare. A versatile work, this piece is great as a diverse prelude that starts meditative and ends with celebration, and it's big finish makes for an excellent closer as well. Great for the first or last weeks of Advent or even Christmas! Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo) # Organ # INTERMEDIATE # Matthew Alan Edwards # Matthew Alan Edwards # Op. 7 Canzona alla terza "Verb # Matthew Alan Edwards # SheetMusicPlus
Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissan...(+)
Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon! Ti Appartengo
Ti Appartengo # Organ # INTERMEDIATE/ADVANCED # Felicity Mazur-Park # Ti Appartengo # Felicity Mazur-Park # SheetMusicPlus
Organ - Level 4 - Digital Download SKU: A0.1449568 Composed by Felicity Mazur-Park. 21st Century,Contemporary,Early Music,Religious,Renaissance. Score. 1...(+)
Organ - Level 4 - Digital Download SKU: A0.1449568 Composed by Felicity Mazur-Park. 21st Century,Contemporary,Early Music,Religious,Renaissance. Score. 12 pages. Felicity Mazur-Park #1029321. Published by Felicity Mazur-Park (A0.1449568). Composed by Felicity Mazur-Park for performance by David Aaron Preston in fulfillment of the 2024 American Guild of Organists Student Commissioning Project.Ti Appartengo is based on Carlo Gesualdo's madrigal Io Parto e Non Più Dissi, which was written before, but published after Gesualdo's famous murder of his adulterous wife and her lover. In the madrigal, Gesualdo pronounces that he is leaving, but later decides not to leave when he sees that his wife (referenced as the mythological Chloris) is sad and depressed at the prospect of his absence. She is dependent on his love for her personal happiness. In essence, she belongs to him, as my work's title suggests. Compositionally, I segment portions of the madrigal and its text. I add quartal and quintal harmonies and develop selected motivic fragments through retrograde, inversion, and sequencing to paint the drama.