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17 sheet music found C Jam Blues for Clarinet Quintet
C Jam Blues for Clarinet Quintet # Clarinet Quintet: 5 clarinets # INTERMEDIATE # Jazz # Duke Ellington/Barney Bigard # Keith Terrett # Bb Clarinet 4 are optional # C Jam Blues for Clarinet Quint # Keith Terrett # SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke El...(+)
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.1271363 By Duke Ellington/Barney Bigard. By Duke Ellington/Barney Bigard. Arranged by Keith Terrett. Historic,Jazz,Multicultural,Standards,World. 11 pages. Keith Terrett #863759. Published by Keith Terrett (A0.1271363). C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus, arranged here for Clarinet Quintet.The Eb & Bb Clarinet 4 are optional.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts.Ellington's black and white film was produced in 1942. The video depicts a jam session where Ellington begins playing with a double bass before gradually being joined by other members of his band, among them drummer Sonny Greer and trumpeter Rex Stewart. The film title is Jam Session. Western Swing band leader Bob Wills and His Texas Playboys recorded the song sometime between 1945 and 1947 as part of the Tiffany Transcriptions. Bill Doggett recorded a version on his 1958 tribute album Salute to Duke Ellington (King). C Jam Blues was used by the Bonzo Dog Doo-Dah Band as the basis of their song The Intro and the Outro. Mulgrew Miller and Niels-Henning Ørsted Pedersen included the song in their 1999 album The Duets. The Dave Brubeck Quartet performed this live at the 1958 Newport Jazz Festival; the recording appears in their album Newport 1958. King Of The Road
King Of The Road # Clarinet Quintet: 5 clarinets # INTERMEDIATE # Contemporary # Randy Travis # Keith Terrett # King Of The Road # Keith Terrett # SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.747088 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Cont...(+)
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.747088 By Randy Travis. By Roger Miller. Arranged by Keith Terrett. Contemporary. 14 pages. Keith Terrett #6427245. Published by Keith Terrett (A0.747088). C Jam Blues arranged for Clarinet Quintet.C Jam Blues is a jazz standard composed in 1942 by Duke Ellington and performed by countless other musicians, such as Dave Grusin, Django Reinhardt, Oscar Peterson, and Charles Mingus.As the title suggests, the piece follows a twelve-bar blues form in the key of C major. The tune is well known for being extremely easy to play, with the entire melody featuring only two notes: G and C.A performance typically features several improvised solos. The melody likely originated from the clarinetist Barney Bigard in 1941, but its origin is not perfectly clear.It was also known as Duke's Place, with lyrics added by Bill Katts, Bob Thiele and Ruth Roberts. What a wonderful world - Louis Armstrong - Clarinet Quintet
What a wonderful world - Louis Armstrong - Clarinet Quintet # Clarinet Quintet: 5 clarinets # Blues # Jazz # Louis Armstrong # Thomas Graf # What a wonderful world - Louis # Thomas Graf - the-hit-factory.com # SheetMusicPlus
By Louis Armstrong. Arranged by Thomas Graf. Jazz, Blues, Swing, Soul Jazz, Broadway. Score, Set of Parts. 25 pages. Published by Thomas Graf - the-hit-factory....(+)
By Louis Armstrong. Arranged by Thomas Graf. Jazz, Blues, Swing, Soul Jazz, Broadway. Score, Set of Parts. 25 pages. Published by Thomas Graf - the-hit-factory.com (H0.113885-915947). - Score,Set of Parts - Jazz,Blues,Swing,Soul Jazz,Broadway - Thomas Graf - the-hit-factory.com The Jazz Era for Clarinets
The Jazz Era for Clarinets # Clarinet Quintet: 5 clarinets # INTERMEDIATE/ADVANCED # Various # James Haynor # The Jazz Era for Clarinets # James Haynor # SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.782202 Composed by Various. Arranged by James Haynor. 20th Century,Blues...(+)
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 4 - Digital Download SKU: A0.782202 Composed by Various. Arranged by James Haynor. 20th Century,Blues,Jazz,Ragtime. 25 pages. James Haynor #3408069. Published by James Haynor (A0.782202). The Jazz Age was a period in the 1920s, ending with the Great Depression, in which jazz music and dance styles became popular, mainly in the United States, but also in Britain, France and elsewhere. Jazz originated in New Orleans as a fusion of African and European music and played a significant part in wider cultural changes in this period, and its influence on pop culture continued long afterwards. The Jazz Age is often referred to in conjunction with the Roaring Twenties. This medley, scored for clarinet quintet, includes: The Entertainer, Fascinating Rhythm, After You’re Gone, It Don’t mean a Thing, You Made Me Love You, St. Louis Blues and The Charleston Duration 5:35. Clinch at midnight - Charleston/Two Step - Clarinet Quintet
Clinch at midnight - Charleston/Two Step - Clarinet Quintet # Clarinet Quintet: 5 clarinets # INTERMEDIATE # Jazz # Thomas Graf # Thomas Graf # Clarinet in Eb (opt # Clinch at midnight - Charlesto # Thomas Graf - the-hit-factory.com # SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.569421 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz. 27 pa...(+)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.569421 Composed by Thomas Graf. Arranged by Thomas Graf. Jazz. 27 pages. Thomas Graf - the-hit-factory.com #6348639. Published by Thomas Graf - the-hit-factory.com (A0.569421). A top arrangement for your ensemble, simple key (D minor), funny melody (a pinch Muppet Show, a spoon Charleston, an associated shot ragtime, a little blues scale, its simple form (AABA) - a simple recipe your audience will love! Ein Top-Arrangement für Ihr Ensemble, einfache Tonart (D-minor), lustige Melodie (eine Prise Muppetshow, ein Löffel Charleston, ein gehöriger Schuss Ragtime, ein wenig Blues-Scale, seine einfache Form (A-A-B-A) - ein einfaches Rezept, das Ihre Zuhörer begeistern wird! Instrumentation: Clarinet in Eb (opt.), Clarinet 1 in Bb, Clarinet 2 in Bb, Clarinet 3 in Bb/Eb (Alto), Clarinet 4 in Bb/Eb (Alto), Bass Clarinet in Bb , Drums (opt.) Format: Score and part are in letter format. Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic . Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart (Elvis Presley) - Clarinet Quintet
Muss i denn, muss i denn, zum Städele hinaus - Wooden Heart (Elvis Presley) - Clarinet Quintet # Clarinet Quintet: 5 clarinets # INTERMEDIATE # Blues # Traditional # Thomas Graf # Muss i denn, muss i denn, zum # Thomas Graf - the-hit-factory.com # SheetMusicPlus
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.568471 Composed by Traditional. Arranged by Thomas Graf. Folk,Multic...(+)
Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - Digital Download SKU: A0.568471 Composed by Traditional. Arranged by Thomas Graf. Folk,Multicultural,Pop,World. 18 pages. Thomas Graf - the-hit-factory.com #2961055. Published by Thomas Graf - the-hit-factory.com (A0.568471). Muss i' denn zum Städtele hinaus - is a German folk song by Friedrich Silcher, originating from the Rems Valley in Württemberg, southwest Germany. A famous cover version called Wooden Heart is a song best known for its use in the 1960 Elvis Presley film G.I. Blues. Here you have a richly contrapuntal and rewarding arrangement to play which features all players. Not technically difficult, confident players of grade 3 standard should be able to get much from this music. Your audience will love it, too! Instrumentation: Clarinet 1/2/3 in Bb, Basset Horn/Clarinet 4 in Bb, Bass Clarinet in Bb Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic New catalogue includedVideo: https://www.youtu.be/NsHg6upe5Cs It Ain't Necessarily So
It Ain't Necessarily So # Clarinet Quintet: 5 clarinets # INTERMEDIATE # Dorothy Heyward, Du Bose Heywa # John Benoit # It Ain't Necessarily So # John Benoit Music # SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.485133 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, an...(+)
Woodwind Ensemble,Woodwind Quintet Clarinet - Level 3 - Digital Download SKU: A0.485133 Composed by Dorothy Heyward, Du Bose Heyward, George Gershwin, and Ira Gershwin. Arranged by John Benoit. Blues,Broadway,Jazz,Musical/Show,Opera,Standards. 21 pages. John Benoit Music #104139. Published by John Benoit Music (A0.485133). “It Ain’t Necessarily So†is a show-stopper when sung by the character Sportin’ Life in George Gershwin’s opera PORGY AND BESS (1935). This arrangement for clarinet quintet captures all of the swagger of the original song in a swinging setting that builds from a simple tenor melody to a grand shout section. Alternative transpositions of the fourth part are provided for Bb, alto, and bass clarinets. Instrumentation: 4 Bb clarinets (alternate alto/bass 4th part), bass clarinet. Duration: c. 2:30â€. Grade 3. Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset # Clarinet Quintet: 5 clarinets # INTERMEDIATE # Jazz # Herbie Hancock # Keith Terrett # Watermelon Man for Clarinet Qu # Music for all Occasions # SheetMusicPlus
By Herbie Hancock. Arranged by
Keith Terrett. Score, Set of
Parts. 22 pages. Published by
Music for all Occasions ...(+)
By Herbie Hancock. Arranged by
Keith Terrett. Score, Set of
Parts. 22 pages. Published by
Music for all Occasions Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamaría released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamaría released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamaría's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamaría, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamaría's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamaría at friend Donald Byrd's urging. Santamaría started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamaría later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamaría recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamaría included the track on his album Watermelon Man (1962). Santamaría's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzélé Pygmies (1966), by Simha Arom and Geneviève Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.