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You've selected:
Don Flute and percussion
PERCUSSION
Sheetmusic to print
7 sheet music found
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1
Danzas Cubanas: 1st Percussion
Danzas Cubanas: 1st Percussion
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Percussion (band part)
#
Instructional
#
Robert Sheldon
#
Concert/Contest
#
Danzas Cubanas: 1st Percussion
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014484_PC1 1st Percussion. Composed by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music...
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Full Orchestra - Digital Download SKU: AX.00-PC-0014484_PC1 1st Percussion. Composed by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014484_PC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014484_PC1). UPC: 038081378688.Celebrate the joy and energy of Afro-Cuban music! Feel the beat, beginning with the opening conga, followed by a gentle and alluring son-salsa, and closing with a fast-paced mambo. An intense experience for players and audience featuring solos for piano, trombone, flute, and trumpet!Closer; Concert/Contest; Festival.
$3.00 ≈
$4.09
Danzas Cubanas: 2nd Percussion
Danzas Cubanas: 2nd Percussion
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Percussion (band part)
#
Instructional
#
Robert Sheldon
#
Concert/Contest
#
Danzas Cubanas: 2nd Percussion
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Full Orchestra - Digital Download SKU: AX.00-PC-0014484_PC2 2nd Percussion. Composed by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music...
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Full Orchestra - Digital Download SKU: AX.00-PC-0014484_PC2 2nd Percussion. Composed by Robert Sheldon. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014484_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014484_PC2). UPC: 038081378688.Celebrate the joy and energy of Afro-Cuban music! Feel the beat, beginning with the opening conga, followed by a gentle and alluring son-salsa, and closing with a fast-paced mambo. An intense experience for players and audience featuring solos for piano, trombone, flute, and trumpet!Closer; Concert/Contest; Festival.
$3.00 ≈
$4.09
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Keyboard Percussion (Mallet) Quartet
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Percussion Ensemble
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INTERMEDIATE
#
Instructional
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don’t S
#
Slide Ride
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SheetMusicPlus
Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673....
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Percussion Ensemble - Level 3 - Digital Download SKU: A0.784338 Composed by Joshua Hauser. Instructional. Score and parts. 38 pages. Slide Ride #5288673. Published by Slide Ride (A0.784338). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
$6.82
Horn of Puente: 2nd Percussion
Horn of Puente: 2nd Percussion
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Percussion (band part)
#
Instructional
#
Gordon Goodwin
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Horn of Puente: 2nd Percussion
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - Digital Download SKU: AX.00-PC-0002460_PC2 2nd Percussion. Composed by Gordon Goodwin. Instructional. Part. 3 pages. Alfred Music ...
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Jazz Ensemble - Digital Download SKU: AX.00-PC-0002460_PC2 2nd Percussion. Composed by Gordon Goodwin. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0002460_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0002460_PC2). UPC: 654979054368.A cha cha you won't forget! Trumpet is featured in this fabulous chart by today's hottest contemporary writer, Gordon Goodwin. The trumpet soloist has plenty of space to solo - both improvised and written and there are hot unison lines throughout this high-energy composition to keep everyone thinking. The piano has an authentic Latin ostinato, 1st alto sax has a soprano and flute doubles (optional alto sax part included), and a percussion part is provided. Dedicated to the legendary Latin percussionist Tito Puente. Ideal for festival and concert - this chart is outstanding! As recorded by Gordon Goodwin's Big Phat Band on the new CD Off the Beaten Path. This title is available in SmartMusic.
$3.00 ≈
$4.09
Four Forces (First movement) I. Strong Forces
Four Forces (First movement) I. Strong Forces
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Percussion Ensemble
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ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
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Percussion Ensemble - Level 5 - Digital Download SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00 ≈
$409.01
Four Forces (Second movement) II. Weak Forces
Four Forces (Second movement) II. Weak Forces
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Percussion Ensemble
#
ADVANCED
#
Salvador Rojo Gamón
#
Four Forces
#
Salvador Rojo-Gamon
#
SheetMusicPlus
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score a...
(+)
Percussion Ensemble - Level 5 - Digital Download SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00 ≈
$204.50
Happy Together
Happy Together
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Percussion Ensemble
#
EASY
#
The Turtles
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Tsuyoshi Yoroiguma
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Happy Together
#
Tsuyoshi Yoroiguma
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SheetMusicPlus
Percussion Ensemble - Level 2 - Digital Download SKU: A0.711110 By The Turtles. By Alan Gordon and Garry Bonner. Arranged by Tsuyoshi Yoroiguma. Oldies. ...
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Percussion Ensemble - Level 2 - Digital Download SKU: A0.711110 By The Turtles. By Alan Gordon and Garry Bonner. Arranged by Tsuyoshi Yoroiguma. Oldies. Score and parts. 60 pages. Tsuyoshi Yoroiguma #3480495. Published by Tsuyoshi Yoroiguma (A0.711110). Playing this music,students will become happy.This item is good for educational use(e.g. school band/orchestra or music class etc.).This sheet music is EZ Trio Set including 6 scores and parts. Score-A for 3 Flutes or any Keyboard Instruments Score-B for 3 Clarinets Score-C for 3 Saxophones(AAT) Score-D for Low Brass Trio(2 Euphoniums or Trombones and Tuba) Score-E for 3 Violins Score-F for 3 Cellos (or Bassoons)Teachers choose a score from these 6 kinds of instrumentation.MP3 sound sample of this page is Score-A (for 3 Flutes).Following youtube sample score is Score-E (for 3 Violins).https://youtu.be/h46Wdr0Z6qwPDF file includes 24 pages(4 pages×6) of score and 36 pages of parts.Playing time is 2min 05sec.Please visit arranger's blog to listen full sound of 6 scores.http://yoroiguma.seesaa.net/page of 2018/03/22
$38.00 ≈
$51.81
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