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You've selected:
Chick Voice solo
CHORAL - VOCAL - CHOIR
Sheetmusic to print
8 sheet music found
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1
How To Date a Tall Chick (Comedy Vocal Solo, optional ensemble)
How To Date a Tall Chick (Comedy Vocal Solo, optional ensemble)
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Amanda Dills
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How To Date a Tall Chick
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Amanda Dills
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SheetMusicPlus
Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.829729 Composed by Amanda Dills. Broadway,Contemporary,Musical/Show,Rock. Score. 7 pages. A...
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Choral Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.829729 Composed by Amanda Dills. Broadway,Contemporary,Musical/Show,Rock. Score. 7 pages. Amanda Dills #3108209. Published by Amanda Dills (A0.829729). For a tall musical theatre soloist (or a small ensemble of awesome tall chicks), this comedy piece will bring down the house!
$1.99 ≈
¥14.43
Shady Grove Chickalileelo
Shady Grove Chickalileelo
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Choral Unison
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BEGINNER
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Melissa J Hall
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Shady Grove Chickalileelo
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Melissa J Hall
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SheetMusicPlus
Choral Double Bass,Violin,Voice (Unison) - Level 1 - Interactive Download SKU: A0.486180 Composed by Melissa J Hall. This edition: Interactive Download. ...
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Choral Double Bass,Violin,Voice (Unison) - Level 1 - Interactive Download SKU: A0.486180 Composed by Melissa J Hall. This edition: Interactive Download. Children,Country,Folk,Wedding. Octavo. Duration 107. Melissa J Hall #BqMrKucRRRcG3ATMlMkrR. Published by Melissa J Hall (A0.486180). Key: G major.This setting of two folksongs evokes an image of an old country dance. A youth, soloist singing Shady Grove, approaches a dance, symbolized by La La Chickalileelo. The youth joins in the dance, then walks home, singing, as the sound of the dance fades in the background.
$3.50 ≈
¥25.38
As Women Serve in Zion, a sacred song for vocal solo or unison choir
As Women Serve in Zion, a sacred song for vocal solo or unison choir
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Choral Unison
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INTERMEDIATE
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Kevin G
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As Women Serve in Zion, a sacr
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Kevin G. Pace
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1092018 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1092018 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Praise & Worship,Sacred,Spiritual. Score. 3 pages. Kevin G. Pace #696150. Published by Kevin G. Pace (A0.1092018). A sacred song for vocal solo or unison choir. Music by Kevin G. Pace and text by Mark R. Fotheringham. Text: As a hen gathereth her chickens To shelter them from storm, So too, the strength of women Shall shield the the world from harm. CHORUS With acts of faith and kindness, We march into the fray. As women serve in Zion We show the Savior’s way. With a hand fortified by virtue, Each sister points the way. With bold and fearless action, We’ll change the world each day. CHORUS.
$3.99 ≈
¥28.93
Chick Corea: Windows (solo only) - voice & other instruments (real book)
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Melody line, (Lyrics) and Chords
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INTERMEDIATE
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Jazz
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Chick Corea
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Virtualsheetmusic
Instantly printable sheet music by Chick Corea for voice & other instruments (real book) of MEDIUM skill level. / jazz,standards
Instantly printable sheet music by Chick Corea for voice & other instruments (real book) of MEDIUM skill level. / jazz,standards
$4.97 ≈
¥36.04
Chick Corea: Spain (solo only) - voice & other instruments (real book)
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Melody line, (Lyrics) and Chords
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INTERMEDIATE
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Jazz
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Chick Corea
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Virtualsheetmusic
Instantly printable sheet music by Chick Corea for voice & other instruments (real book) of MEDIUM skill level. / jazz,latin
Instantly printable sheet music by Chick Corea for voice & other instruments (real book) of MEDIUM skill level. / jazz,latin
$4.97 ≈
¥36.04
Landslide
Landslide
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Choral SATB
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INTERMEDIATE
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Fleetwood Mac
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David Headings
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Landslide
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HeadingsStuff
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1094776 By Fleetwood Mac. By Stevie Nicks. Arranged by David Headings. A Cappella,Contemporary,P...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1094776 By Fleetwood Mac. By Stevie Nicks. Arranged by David Headings. A Cappella,Contemporary,Pop,Singer/Songwriter. Octavo. 9 pages. HeadingsStuff #698844. Published by HeadingsStuff (A0.1094776). Vocal a cappella arrangement of the Fleetwood Mac classic with a nod to the Dixie Chicks cover! SATB with soloist throughout and added solo voices on second verse and chorus. The chorus sings an accompaniment based on the Lindsay Buckingham acoustic guitar of the original. Their challenge is to keep the groove consistent and know where it changes! Beautiful and effective. Solo can be sung as written or an octave lower with a tenor or contralto. Harmony solos should be sung as written. Enjoy!
$3.00 ≈
¥21.75
California Dreamin'
California Dreamin'
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Choral SATB
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EASY
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The Mamas And The Papas
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Eric Weber
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California Dreamin'
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Eric Weber
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1378871 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by E...
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1378871 By The Mamas And The Papas. By John Phillips and Michelle Phillips. Arranged by Eric Weber. 20th Century,A Cappella,Folk,Pop,Rock. 4 pages. Eric Weber #963582. Published by Eric Weber (A0.1378871). California Dreamin' is a number one hit from John and Michelle Phillips (who were members of the folk group the New Journeymen, which later evolved into the Mamas and the Papas). Originally written in C#-minor this version transposed to C-minor to make it easier for you to follow (for example on the piano). You can accompany it with the piano using the chords given above or let your choir sing A-capella. The special part about this arrangement is the constant change of melody between the different voices. The iconic flute solo is not included in this arrangement but can be simply added between the second chorus and the Dal Segno. So take this simple arrangement, which is easy to sing but interesting to hear with you and send your audience to sunny California...California Dreamin' ist ein Nummer-Eins-Hit von John und Michelle Phillips (die Mitglieder der Folkgruppe The New Journeymen waren, aus der später The Mamas and The Papas hervorgingen). Ursprünglich in cis-Moll geschrieben, wurde diese Version nach c-Moll transponiert, um Stimmen oder Finger etwas zu entlasten. Sie können es mit dem Klavier begleiten, indem Sie die in den Noten angegebenen Akkorde verwenden, oder Ihren Chor A-capella singen lassen. Das Besondere an diesem Arrangement ist der ständige Wechsel der Melodie zwischen den verschiedenen Stimmen. Das ikonische Flötensolo ist in diesem Arrangement nicht enthalten, kann aber einfach zwischen dem zweiten Refrain und dem Dal Segno hinzugefügt werden. Nehmen Sie also dieses einfache Arrangement, das leicht zu singen, aber interessant zu hören ist, mit und schicken Sie Ihr Publikum ins sonnige Kalifornien...
$1.99 ≈
¥14.43
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
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