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9 sheet music found
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1
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.65€
Tauben vergiften im Park
Tauben vergiften im Park
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Choral TTBB
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INTERMEDIATE
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Georg Kreisler
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Bernhard Hofmann
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Tauben vergiften im Park
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Schott Music - Digital
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SheetMusicPlus
TTBB chorus and piano - intermediate - Digital Download SKU: S9.Q46985 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged ...
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TTBB chorus and piano - intermediate - Digital Download SKU: S9.Q46985 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Bernhard Hofmann. This edition: choral score. Humor - schwarzer Humor. Georg Kreisler für Chor. Downloadable, Choral score. Duration 2' 40. Schott Music - Digital #Q46985. Published by Schott Music - Digital (S9.Q46985). German.Georg Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishes the corresponding music edition for men's choir TTBB with piano accompaniment (Georg Kreisler - Lieder und Chansons, ED 22735). In addition, all songs from the sheet music album are available in separate editions:Tauben vergiften im Park puts the relationship between dove and man in a nutshell and suggests a funnily described, yet ethically not correct method of taking action against the pigeon terror. This pleasant arrangement with Kreisler's humorous text most certainly creates an exuberant atmosphere in the concert.
$4.99 ≈
4.57€
Tauben vergiften im Park
Tauben vergiften im Park
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Choral SATB
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INTERMEDIATE
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Georg Kreisler
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Bernhard Hofmann
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Tauben vergiften im Park
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Schott Music - Digital
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SheetMusicPlus
Mixed choir (SATB) and piano - intermediate - Digital Download SKU: S9.Q48005 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Ar...
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Mixed choir (SATB) and piano - intermediate - Digital Download SKU: S9.Q48005 Georg Kreisler - Lieder und Chansons. Composed by Georg Kreisler. Arranged by Bernhard Hofmann. This edition: choral score. Humor - love - black humor. Georg Kreisler für Chor. Downloadable, Choral score. Duration 2' 40. Schott Music - Digital #Q48005. Published by Schott Music - Digital (S9.Q48005). German.Georg Kreisler equals scathing, dark black humour on the piano! The Singphoniker have arranged Georg Kreisler's best known songs for all-male ensemble and recorded them on CD. Schott now publishes the corresponding music edition for mixed choir SATB with piano accompaniment (Georg Kreisler - Lieder und Chansons, ED 22737). In addition, all songs from the sheet music album are available in separate editions: Tauben vergiften im Park puts the relationship between dove and man in a nutshell and suggests a funnily described, yet ethically not correct method of taking action against the pigeon terror. This pleasant arrangement with Kreisler's humorous text most certainly creates an exuberant atmosphere in the concert.
$4.99 ≈
4.57€
Playing for Singers
Playing for Singers
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Voice solo
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Instructional
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Mike Greensill
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Playing for Singers
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Sher Music Company
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SheetMusicPlus
Composed by Mike Greensill. Jazz. Method Book. 124 pages. Sher Music Company #189. Published by Sher Music Company ...
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Composed by Mike Greensill. Jazz. Method Book. 124 pages. Sher Music Company #189. Published by Sher Music Company
$25.00 ≈
22.87€
I've Got You Under My Skin
I've Got You Under My Skin
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Piano, Voice
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INTERMEDIATE
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Cole Porter
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Dave Gingras, John E
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I've Got You Under My Skin
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DAVID LEE GINGRAS
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1035089 Composed by Cole Porter. Arranged by Dave Gingras, John E. Dosher. Broadway,Jazz. Score. 4...
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Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1035089 Composed by Cole Porter. Arranged by Dave Gingras, John E. Dosher. Broadway,Jazz. Score. 4 pages. DAVID LEE GINGRAS #5286979. Published by DAVID LEE GINGRAS (A0.1035089). I've Got You Under My Skin is a song written by Cole Porter in 1936. It was introduced that year in the Eleanor Powell musical film Born to Dance in which it was performed by Virginia Bruce. It became a signature song for Frank Sinatra, and, in 1966, became a top 10 hit for the Four Seasons. This is a contemporary arrangement making extensive use of a root-based chord-blocking method John and I have used in many of our arrangements. We hope you like it!
$4.99 ≈
4.57€
Let Us Move (score - vocal choir and violin solo)
Let Us Move (score - vocal choir and violin solo)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Mark O'Connor
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Let Us Move
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Mark O'Connor Musik International
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Conno...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861905 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 38 pages. Mark O'Connor Musik International #6206201. Published by Mark O'Connor Musik International (A0.861905). Let Us Move (score - vocal choir and violin solo) MO144AVocal Choir (Soprano, Alto, Tenor, Baritone, Bass with violin obligato). Violin part availableMusic by Mark O’Connor34 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144ACopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00 ≈
27.45€
Let Us Move (violin part - vocal choir and violin solo)
Let Us Move (violin part - vocal choir and violin solo)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Mark O'Connor
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Let Us Move
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Mark O'Connor Musik International
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Conno...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.861906 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Octavo. 10 pages. Mark O'Connor Musik International #6206203. Published by Mark O'Connor Musik International (A0.861906). Let Us Move (violin part - vocal choir and violin solo) MO144BViolin Obligato Part (vocal choir score available)Music by Mark O’Connor6 pages - 15:00 minutes in length Let Us Move (for vocal chorus and violin solo) composed by Mark O'Connor was written in early 2000. This choral work was commissioned by the superb Gloriea Dei Cantores choir from Cape Cod, Massachusetts. After finding the text from an old hymn, Hail The Day That Sees Him Rise, O'Connor finished the choral piece to include unusual singing techniques with no other accompaniment except a violin obbligato weaving in and out of the choral textures for a unique combination of sound. The performance length is sixteen minutes.In the recording's liner notes, Mr. O'Connor writes: on a cold February morning I walked into their church, their house of worship and community. I experienced an inspirational devotion to music I'd never known. Under the leadership of Mother Betty, Gloria Dei Cantores voices sounded like angels descending from Heaven, delivering and rendering my music in a way that seemed to shake the rafters and elevate the spirit. It was a magnificent sound borne of discipline and motivation, faithful love for craft and result. A glorious celebration... a joyous melding of mission and gift. For this experience I am truly grateful. Praise God and Let Us Move!. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2000 Composed by Mark O’ConnorText is Public Domain (Hail The Day That Sees Him Rise)Commissioned by Gloriae Dei Cantores Can be heard on Folk Mass by Gloriae Dei Cantores and Mark O’Connor, OMAC Recordshttps://omacrecords.com/omac-10-folk-mass Catalogue Number MO144BCopyright © 2000 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$6.00 ≈
5.49€
Si Je Peut T'Aimer
Si Je Peut T'Aimer
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Choral SATB
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INTERMEDIATE
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Colby A
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Si Je Peut T'Aimer
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Colby Aguilar
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1028776 Composed by Colby A. Aguilar. 20th Century. 58 pages. Colby Aguilar #3927015. Pub...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1028776 Composed by Colby A. Aguilar. 20th Century. 58 pages. Colby Aguilar #3927015. Published by Colby Aguilar (A0.1028776). Si Je Peut T'Aimer details the emotion of love through various seasons from the fruits of Spring to the requiems of Winter, and the roller-coaster rides throughout. Near the end, desperation starts to show, but as acceptance starts to settle in, the music slows and ends with a cadence signifying that it's time to move on.It can be performed by anyone who'd like to use, I have no set audience in mind. It can be performed by schools if they so wish and can be used to show the various displays of emotion that music can display using different methods of composition. However, I would refrain from any sorts of religious service as this is best served as entertainment. In regards to the choir, stagger breathing is highly recommended for the difficult parts, or whenever feels necessary- which could be after ever dotted half note/ measure, or after every phrase. The dynamics are left to the director or the people who shall perform it. This leaves it to be personalised for each group, and unique to each one's own story; I just gave the template. To note: one can replace the choir with another 2 cellos and 2 violins, if desired. It is also important to note that when playing, the choir is the accompaniment to the piano and strings, and serves to reinforce the story that is being told, not explicitly telling the story itself. .
$5.99 ≈
5.48€
Magnificat
Magnificat
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Choral 3-part
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Contemporary
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Naji Hakim
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Magnificat
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Schott Music - Digital
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SheetMusicPlus
Female choir or 3 solo parts (SSA) and organ - Digital Download Composed by Naji Hakim (1955-). This edition: choral score. Downloadable. Schott Musi...
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Female choir or 3 solo parts (SSA) and organ - Digital Download Composed by Naji Hakim (1955-). This edition: choral score. Downloadable. Schott Music - Digital #Q19234. Published by Schott Music - Digital
The best way to learn any instrument is to have lessons from a good, experienced teacher. Although, happily, the number of such teachers is constantly growing, the recorder is still frequently taught by enthusiastic but inexperienced teachers and many players start by teaching themselves. This series of books sets out to help learners of all ages in all three situations. Experienced teachers, who may choose to disregard much of the text as personal demonstration is always clearer than the written word, will find exercises and fine tunes a-plenty to support their own method at each stage. The less experienced will benefit from many valuable teaching hints culled from long experience and may rely on the books to lead to a sound playing technique and a mastery of simple notation. Those learning by themselves - and I started in this way - are urged to work carefully and systematically through the books, taking plenty of time to assimilate each point before moving on. For them, without the personal model provided by a live teacher, it is vitally important to listen as often as possible to fine players, in person or on record, so that they have in their mind's ear a clear notion of the kind of sound they would like to produce. But however they start, I can only wish that all who use these books will derive as much pleasure and musical satisfaction and gain as many lasting and valued friendships as I have through this most subtle, delightful and sociable of instruments. (Brian Bonsor) "...this work is likely to become a standard work very quickly and is to be recommended to all schools where recorder studies are undertaken" (Oliver James, Contact Magazine) Descant Tutors provide a sound-playing technique, a mastery of simple notation and contain 570 tunes including concert pieces by Bonsor, carols, attractive rounds, and melodies by 'early music' composers. Clear line drawings greatly assist the pupil, making them especially suitable for self-instruction.
$11.99 ≈
10.97€
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