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Now What: Piano Accompaniment
CHORAL - VOCAL - CHOIR
Sheetmusic to print
193 sheet music found
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176
Spring Spring (I Love Spring) Children's song solo and piano with sound effects
Spring Spring (I Love Spring) Children's song solo and piano with sound effects
#
Alto voice, Piano
#
BEGINNER
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Children
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Connie Boss
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Spring Spring
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Connie Boss
#
SheetMusicPlus
Alto Voice,Piano - Level 1 - Digital Download SKU: A0.1168673 By Connie Boss. By Connie Boss. Children. Full Performance. Duration 108. Connie Boss #7690...
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Alto Voice,Piano - Level 1 - Digital Download SKU: A0.1168673 By Connie Boss. By Connie Boss. Children. Full Performance. Duration 108. Connie Boss #769013. Published by Connie Boss (A0.1168673). Everyone loves the signs of Spring......This cute song is for kids and has piano accompaniment. You can purchase this on https://www.sheetmusicdirect.com/en-U... and on https://www.sheetmusicplus.com/title/....You can view this song with cute photos and sound effects on the YouTube link attachedQuestions or requests email cdboss@cvalley.net The lyrics are below: Spring, spring what a wonderful thing The grass is now changing from brown into green Spring, spring what a beautiful scene The flowers are blooming – hear the birds sing I love Spring…….I love Spring……..I love Spring Now it’s time To ride a bike To fly a kite To play outside In the sunlight Spring rains make The flowers grow The rivers flow The colors glow In a rainbow.
$1.99 ≈
$2.70
What Child Is This (for Vocal Solo)
What Child Is This (for Vocal Solo)
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Piano, Voice
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EASY
#
Sacred music
#
Traditional
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Stephen DeCesare
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What Child Is This
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Exultet Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.627002 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.627002 Composed by Traditional. Arranged by Stephen DeCesare. Christian,Christmas,Praise & Worship,Sacred. Score. 6 pages. Exultet Music #5871273. Published by Exultet Music (A0.627002). One of the most played Christmas carols that is sung for Christmas and Epiphany has now been freshly arranged for a Vocal Solo with Piano accompaniment. Accessible and appropriate for any church or concert setting. An accompaniment track is also available. .
$4.99 ≈
$6.78
What'll I Do? (Duet for Soprano and Alto solo)
What'll I Do? (Duet for Soprano and Alto solo)
#
Vocal duet, Piano
#
EASY
#
Irving Berlin
#
Stephen DeCesare
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What'll I Do?
#
Exultet Music
#
SheetMusicPlus
Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.631566 Composed by Irving Berlin. Arranged by Stephen DeCesare. Broa...
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Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.631566 Composed by Irving Berlin. Arranged by Stephen DeCesare. Broadway,Film/TV,Musical/Show. 6 pages. Exultet Music #6618029. Published by Exultet Music (A0.631566). The most popular standard by Irving Berlin that has been recorded by multiple artists has now been freshly arranged as a duet for a Soprano and an Alto solo with Piano accompaniment. Accessible and appropriate for any concert setting.
$4.99 ≈
$6.78
What'll I Do? (Duet for Tenor and Bass solo)
What'll I Do? (Duet for Tenor and Bass solo)
#
Vocal duet, Piano
#
EASY
#
Irving Berlin
#
Stephen DeCesare
#
What'll I Do?
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Exultet Music
#
SheetMusicPlus
Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.631575 Composed by Irving Berlin. Arranged by Stephen DeCesare. Broadw...
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Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.631575 Composed by Irving Berlin. Arranged by Stephen DeCesare. Broadway,Film/TV,Musical/Show. 6 pages. Exultet Music #6618085. Published by Exultet Music (A0.631575). The most popular standard by Irving Berlin that has been recorded by multiple artists has now been freshly arranged as a duet for a Tenor and Bass solo with Piano accompaniment. Accessible and appropriate for any concert setting.
$4.99 ≈
$6.78
Do You Hear What I Hear
Do You Hear What I Hear
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Piano, Voice
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EASY
#
Carrie Underwood
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Stephen DeCesare
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Do You Hear What I Hear
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Exultet Music
#
SheetMusicPlus
Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.627175 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Stephen DeCesare. Christ...
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Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.627175 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Stephen DeCesare. Christmas,Sacred. Score. 6 pages. Exultet Music #5969437. Published by Exultet Music (A0.627175). The Christmas song that was made popular by recording artist Bing Crosby has now been freshly arranged for a Vocal solo with Piano accompaniment. Accessible and appropriate to be sung and played in any church or concert setting.
$4.99 ≈
$6.78
What Wondrous Love Is This
What Wondrous Love Is This
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Vocal duet, Piano
#
INTERMEDIATE
#
Sacred music
#
Unknown
#
Sandy McIntire
#
What Wondrous Love Is This
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Sandy McIntire
#
SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.697600 Composed by Unknown. Arranged by Sandy McIntire. Country,Easter,Praise & Worship...
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Piano,Voice Duet Piano,Voice - Level 3 - Digital Download SKU: A0.697600 Composed by Unknown. Arranged by Sandy McIntire. Country,Easter,Praise & Worship,Sacred,Traditional. 9 pages. Sandy McIntire #5999723. Published by Sandy McIntire (A0.697600). What Wondrous Love Is This is arranged here for an Soprano-Alto Duet with a piano accompaniment. This American Christian hymn is taken from William Walker's Southern Harmony (1835), a shape note hymnal. The lyrics of the hymn were first published in 1811 and the melody is older with sources referring to various origins. Four verses are sung in this arrangement building from a quiet presentation of the melody and lyric theme to a victorious ending. Each of the following verses builds on the melody and seeks to replicate musically the meaning of the lyrics which are particularly appropriate for Lent and Easter.
$4.50 ≈
$6.11
My Song Is Love Unknown (Duet for Soprano and Alto Solo)
My Song Is Love Unknown (Duet for Soprano and Alto Solo)
#
Vocal duet, Piano
#
EASY
#
Stephen DeCesare
#
My Song Is Love Unknown
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Exultet Music
#
SheetMusicPlus
Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.625158 By Stephen DeCesare. By Stephen DeCesare. Easter,Spiritual. 7...
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Piano,Voice Duet Alto Voice,Piano,Soprano voice - Level 2 - Digital Download SKU: A0.625158 By Stephen DeCesare. By Stephen DeCesare. Easter,Spiritual. 7 pages. Exultet Music #4892407. Published by Exultet Music (A0.625158). New melody which was composed for the beautiful and powerful words of the My Love Is Song Unknown lyrics that describes the what is happening at Jesus' Passion. Accessible and appropriate for Palm Sunday, Tenebrae, or Good Friday. Â Scored as a duet for a Soprano and an Alto Solo with Piano accompaniment.
$4.99 ≈
$6.78
My Song Is Love Unknown (Duet for Tenor and Bass Solo)
My Song Is Love Unknown (Duet for Tenor and Bass Solo)
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Vocal duet, Piano
#
EASY
#
Christian contemporary
#
Sacred music
#
Stephen DeCesare
#
My Song Is Love Unknown
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Exultet Music
#
SheetMusicPlus
Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.625160 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporar...
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Piano,Voice Duet Bass Voice,Piano,Tenor Voice - Level 2 - Digital Download SKU: A0.625160 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Easter,Praise & Worship,Spiritual. 7 pages. Exultet Music #4892425. Published by Exultet Music (A0.625160). New melody which was composed for the beautiful and powerful words of the My Love Is Song Unknown lyrics that describes the what is happening at Jesus' Passion. Accessible and appropriate for Palm Sunday, Tenebrae, or Good Friday. Â Scored as a duet for a Tenor and Bass Solo with Piano accompaniment.
$4.99 ≈
$6.78
There is a Balm in Gilead (with "What a Friend We Have in Jesus") Vocal Solo, Optional C Instrument
There is a Balm in Gilead (with "What a Friend We Have in Jesus") Vocal Solo, Optional C Instrument
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Medium voice, Piano
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INTERMEDIATE
#
George Scriven, C
#
Cathy Stamegna
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There is a Balm in Gilead
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Cathy Stamegna
#
SheetMusicPlus
Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.781130 Composed by George Scriven, C.C. Converse. Arranged by Cathy Stamegna. Christmas,Cont...
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Medium Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.781130 Composed by George Scriven, C.C. Converse. Arranged by Cathy Stamegna. Christmas,Contemporary,Easter,Spiritual. 7 pages. Cathy Stamegna #5316819. Published by Cathy Stamegna (A0.781130). There is a Balm in Gilead (with What a Friend We Have in Jesus) (Vocal Solo, Optional C Instrument, Piano Accompaniment). Two well-known hymns of comfort are brought together in this arrangement. Optional C instrument possible for flute, oboe, violin, mallet percussion. Set of Parts (for C Instrument). Arranger’s comments. Accompaniment track available separately.  Arranged during a time of social distance because of the coronavirus pandemic, and part of the Hymns of Comfort collection.
$4.99 ≈
$6.78
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
Arrière! Je réchauffe les bons (Fire Aria) - L'enfant et les sortilèges - Accessible Accompaniments
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Soprano voice, Piano
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ADVANCED
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Opera
#
Classical
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Maurice Ravel
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Nicole Elyse DiPaolo
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Arrière! Je réchauffe les bo
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Nicole Elyse DiPaolo
#
SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pag...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1185473 Composed by Maurice Ravel. Arranged by Nicole Elyse DiPaolo. Classical,Opera. 6 pages. Nicole Elyse DiPaolo #785149. Published by Nicole Elyse DiPaolo (A0.1185473). The first of its kind, this is a genuinely playable and slightly-to-moderately simplified piano/vocal reduction of Arrière! Je réchauffe les bons, the Fire Aria from Ravel's L'enfant et les sortilèges (1925)​. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the often chaotic vocal score, particularly if the murmuring section after the standard audition cut, which is very poorly rendered in the standard reduction, is also being included. Pianists may now enjoy playing this aria comfortably, without risking strain/injury or audition-room chaos.This Accessible Accompaniment is more generous than standard audition cuts, ending just before L'enfant re-enters with j'ai peur. It is 91 measures in total and ideal for recitals as well. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page. 3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. 5. When known, I’ve noted alternate cuts that singers might like to take within certain arias. 6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity. I’ve also replaced some text “cresc.†and “dim.†markings with hairpins, which are easier to see in high-pressure sight-reading situations.About the Arranger:Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
$12.16
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
O Sachs! Mein Freund! (Eva's Aria) from Die Meistersinger - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
#
Richard Wagner
#
Nicole Elyse DiPaolo
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O Sachs! Mein Freund!
#
Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Centur...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1303524 By Richard Wagner. By Richard Wagner. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. 5 pages. Nicole Elyse DiPaolo #893099. Published by Nicole Elyse DiPaolo (A0.1303524). The first of its kind, this is a genuinely playable piano/vocal reduction of O Sachs! Mein Freund!, Eva's aria from Richard Wagner's Die Meistersinger von Nurnberg. Dramatic sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist is unlikely to know this aria and may become rattled by the chaotic piano reductions in the currently available vocal scores. Pianists with limited practice time may now enjoy playing this aria comfortably as well. Because vocal line/orchestral doublings are characteristic of Wagner, those have been preserved in this edition. All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or “fudged†with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a “sink or swim†accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing “߆with “ss†in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.
$8.95 ≈
$12.16
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
Grossmächtige Prinzessin (Zerbinetta, from So war es) from Ariadne auf Naxos - Accessible Accompani
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Soprano voice, Piano
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ADVANCED
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Classical
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Richard Strauss
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Nicole Elyse DiPaolo
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Grossmächtige Prinzessin
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic...
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799615 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 9 pages. Nicole Elyse DiPaolo #5022033. Published by Nicole Elyse DiPaolo (A0.799615). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from So war es mit Pagliazzo and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at Noch glaub' ich is also available. To see previews of that section within the aria and a preview of the complete aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
$12.16
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
Qual fiamma...Stridono lassù (Nedda's Aria) from Pagliacci - Accessible Accompaniments Edition
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Soprano voice, Piano
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ADVANCED
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Classical
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Ruggiero Leoncavallo
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Nicole Elyse DiPaolo
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Qual fiamma...Stridono lassù
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Nicole Elyse DiPaolo
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period....
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Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799606 Composed by Ruggiero Leoncavallo. Arranged by Nicole Elyse DiPaolo. Romantic Period. 6 pages. Nicole Elyse DiPaolo #3420731. Published by Nicole Elyse DiPaolo (A0.799606). The first of its kind, and the seventh entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and slightly simplified piano/vocal reduction of Stridono lassù, Nedda's famous aria from Leoncavallo's Pagliacci. Sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic, poorly notated, and technically demanding vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury by trying to play the harp lines that nobody can hear anyway!All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
$12.16
Knowing What I Know Now
Knowing What I Know Now
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Choral 2-part
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INTERMEDIATE
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Walt Disney
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Benjamin Rice and Julia Michae
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SCMusic
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Knowing What I Know Now
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SCMusic
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 3 - Digital Download SKU: A0.1323671 Composed by Benjamin Rice and Julia Michaels. Arranged by SCMusic. Broadway,Chi...
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Choral Choir,Choral (2-Part) - Level 3 - Digital Download SKU: A0.1323671 Composed by Benjamin Rice and Julia Michaels. Arranged by SCMusic. Broadway,Children,Film/TV,Musical/Show,Pop. 10 pages. SCMusic #911856. Published by SCMusic (A0.1323671). A 2-part, SA, children's or female voice choir arrangement of 'Knowing What I Know Now' from the Disney movie 'Wish', with piano accompaniment, in the original key.
$2.20 ≈
$2.99
What You Don't Know About Women
What You Don't Know About Women
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Vocal duet, Piano
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ADVANCED
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Cy Coleman
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W
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What You Don't Know About Wome
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Diamond S Music
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SheetMusicPlus
Piano,Voice Duet Piano,Voice - Level 5 - Digital Download SKU: A0.790075 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. 10 pages. Dia...
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Piano,Voice Duet Piano,Voice - Level 5 - Digital Download SKU: A0.790075 Composed by Cy Coleman. Arranged by W. Brent Sawyer. Contemporary. 10 pages. Diamond S Music #3561465. Published by Diamond S Music (A0.790075). WHAT YOU DON’T KNOW ABOUT WOMEN from the musical CITY OF ANGELS. MALE VOCAL DUET in the KEY of F with 17 piece Band accompaniment. This is the PIANO/VOCAL PART ONLY. Scored for: Reed 1 (Flute, Bb Clarinet, Alto Sax), Reed 2 (Bb Clarinet, Alto Sax), Reed 3 (Bb Clarinet, Tenor Sax), Reed 4 (Bass Clarinet, Bari Sax), Bb Trumpet 1 & 2, Horn in F, Bass Trombone, Piano, Synth, Violin 1 & 2, Cello, Acoustic Guitar, Double bass, Drum Set, Percussion. This is an exuberant jazzy song from the 1989 Broadway musical City Of Angels with music by the great Cy Coleman and Lyrics by David Zippel. This song, in a very jazzy style, was originally is a fun lament of two women about their men who won’t listen to them. This version is sung by men and causes the meaning to be slightly shifted so that the men say how they don’t understand the women and how they do the things mentioned in the song - Only the pronouns have been flipped from the original. This is in the style of the original Broadway arrangement and in the original Broadway key. This arrangement can also be purchased with just the RHYTHM PACK that contains the Piano/Vocal, Guitar, Bass, Drums Parts or just the PIANO/VOCAL part if you don’t need the full orchestration. This arrangement is also available in the original FEMALE version. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$9.99 ≈
$13.57
What The Lord Has Done For Me (Anthem) - Piano Accompaniment
What The Lord Has Done For Me (Anthem) - Piano Accompaniment
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Choral SATB
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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Christopher R
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What The Lord Has Done For Me
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Christopher Brown
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747215 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pa...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.747215 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Octavo. 11 pages. Christopher Brown #4756805. Published by Christopher Brown (A0.747215). About the song: In Psalm 22:22, David writes, I will praise You to all my brothers; I will stand up before the congregation and testify to the wonderful things You have done. Again, in Psalm 66:16, the psalmist says, Come and listen, all you who fear God, and I will tell you what He did for me. Jesus, after healing a man with a demon, commands the man to go home... and report the great things the Lord has done for you, and how He had mercy on you. The testimony of a life changed by God's love and His great mercy is a powerful tool for both spreading the Good News and resisting temptation. It is good for us to remember and proclaim, both personally and collectively, the great things the Lord has done.Can be performed with piano accompaniment only, OR with additional band members, OR with full orchestra*.Please Note:You can purchase individual copies of the vocal part separately on Sheet Music Plus. Performance of this piece requires the purchase of one vocal score per singer.*Full orchestration and parts also available on Sheet Music Plus.Included in your Purchase:Piano AccompanimentLyrics:Verse 1Let me tell you a story of grace,How the Son of Man died in my place.Raised to life, all my sin was erased.Praise the Name of the Lord.Verse 2Many times I have asked of the Lord,On my knees I have prayed and implored.In the waiting my soul is restored,Praise the Name of the Lord.Chorus 1This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Verse 3When I’m tempted to fear the unknown,I’m reminded I don’t walk alone.Christ is with me and He’ll lead me home,Praise the Name of the Lord.Chorus 2This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.BridgeOpened these blind eyes to see,Softened this heart to believe,Pardoned my sin on a tree,Now I stand redeemed.Key Change (up whole tone)Chorus 3This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.Chorus 4This is what the Lord has done for me,Paid my debt and set this captive free.Mercy flowed down at Calvary,This is what the Lord has done for me.This is what the Lord has done for me.
$4.99 ≈
$6.78
On That Cross (Piano part ONLY)
On That Cross (Piano part ONLY)
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Sacred music
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Stuart Richard Brown
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Stuart Richard Brown
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On That Cross
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Stuart Brown Music
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SheetMusicPlus
Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Chri...
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Choral Choir,Choral - Level 2 - Digital Download SKU: A0.1182872 By Stuart Richard Brown. By Stuart Richard Brown. Arranged by Stuart Richard Brown. Christian,Easter,Praise & Worship,Religious,Sacred. 1 pages. Stuart Brown Music #782621. Published by Stuart Brown Music (A0.1182872). The accompanying score and a choral bundle are also available from this website.The composer writes: 'On That Cross' is a powerful reflection on the crucifixion of Jesus Christ. I came up with the lyrics at around 3am in the morning of 3rd December 2014 sitting at a desk in room 703 of the De Syloia Hotel in Hanoi, Vietnam. Often I find that my periods of working abroad give me the space to think of things in new ways. This song is a good example of that.One look at the first page of the score of 'On That Cross' is all you need to realize that this is not a case of a choir singing with a piano accompaniment. I put the piano part above the choir in order to dispel that misconception. So if it's not that, what is it? I wanted to demonstrate that it is possible to approach a subject from two completely different points of view, without either point of view being compromised by the other, and yet the result can nevertheless be a beautiful synergy. That is what the pianist and the choir are doing here. Each is meditating upon the cross of Christ, but from two totally unrelated points of view and yet somehow combining in a way that is almost hypnotically beautifully. There is little obvious relationship between the choir's and the piano's music; and yet each is reconciled to the other ... and there's a very good reason why I wanted the music to speak of such reconciliation.In late 2014 people in Iraq were being beheaded, crucified and generally killed in the most brutal and sadistic manner possible. Their only ‘crime’ was to dare to call themselves Christians. You can say what you like but in my book nobody has the right to tell anybody else what they should believe, much less murder them on religious grounds. The thing that incensed me almost to the point of incandescence was that the perpetrators of this unspeakable evil dared to justify their actions by claiming that they were acting on behalf of their god. So in such frame of mind I started to write the lyrics to 'On That Cross'.The first words that came into my mind were “Oh men who dare to call on gods to justify your hatred – of this be sure …†and I wanted to follow that with threats of eternal damnation, torture in hellfire and so on. Except that the words that flowed out of my fingers onto my computer screen were not like that at all. “Of this be sure – I love you still, my cross your salvation from all the sin of man.â€It doesn’t get much more powerful than that. I may be incapable of loving the people of ISIS, ISIL, DAESH or whatever one calls them, but my God isn’t. He created them, he sent his Son to die for them … and he is even now ready to save them, as he is you and me. That’s grace.A small group of us sang this at a Good Friday united service in 2016. We sang it unannounced, at the end of the service, when one would have expected people to start getting up from their seats and leaving the church. Nobody did. Not one single person moved while we sang..
$1.99 ≈
$2.70
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Now What: Piano Accompaniment
