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You've selected:
Ted Renaissance
CHORAL - VOCAL - CHOIR
Sheetmusic to print
273 sheet music found
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Two Renaissance Carols for Horn octet or Horn choir, Tuba and optional percussion
Two Renaissance Carols for Horn octet or Horn choir, Tuba and optional percussion
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Christmas
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Stephen J
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Two Renaissance Carols for Hor
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Stephen J Rumbold
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SheetMusicPlus
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.941240 Arranged by Stephen J. Rumbold. Christmas. Score and parts. 56 pages. Stephen J Rumbold #...
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Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.941240 Arranged by Stephen J. Rumbold. Christmas. Score and parts. 56 pages. Stephen J Rumbold #6096835. Published by Stephen J Rumbold (A0.941240). Two Renaissance Carols is a festive arrangement of two Christmas carols (Good King Wenceslas and In Dulci Jubilo) for horn octet or horn choir plus tuba and optional percussion. Each song is presented with variations: three for Good King Wenceslas and four verses/variants of In Dulci Jubilo, with the final variation being adapted from an eight-part motet by Hieronymus Praetorius (1560-1629). The optional percussion parts enhance the drama of the arrangement, but it plays quite well without the percussion. .
$15.00 ≈
£11.77
IL TEDESCO (Viva, viva Bacco ognor) - G.G. Gastoldi - For STB Choir
IL TEDESCO (Viva, viva Bacco ognor) - G.G. Gastoldi - For STB Choir
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Choral 3-part
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Renaissance
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Giovanni Giacomo Gastoldi
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IL TEDESCO
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Renato Tagliabue
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SheetMusicPlus
Choral Choir (3-Part Mixed) - Digital Download SKU: A0.723967 Composed by Giovanni Giacomo Gastoldi. Renaissance. Octavo. 2 pages. Renato Tagliabue #3386...
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Choral Choir (3-Part Mixed) - Digital Download SKU: A0.723967 Composed by Giovanni Giacomo Gastoldi. Renaissance. Octavo. 2 pages. Renato Tagliabue #3386417. Published by Renato Tagliabue (A0.723967).
$7.50 ≈
£5.88
LOVE IS WASTED ON THE YOUNG - from "Roxane of Bergerac" - a full length musica.
LOVE IS WASTED ON THE YOUNG - from "Roxane of Bergerac" - a full length musica.
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Alto voice, Piano
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INTERMEDIATE
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Dave Flippo - music, Marie Yue
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LOVE IS WASTED ON THE YOUNG -
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David William Flippo
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.995980 Composed by Dave Flippo - music, Marie Yuen- lyrics. Baroque,Jazz. 6 pages. David Willi...
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Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.995980 Composed by Dave Flippo - music, Marie Yuen- lyrics. Baroque,Jazz. 6 pages. David William Flippo #4766491. Published by David William Flippo (A0.995980). Sung by: Duenna An argument for love of a more autumnal inclination among those who know what to do with what they've got. Style: Elegant classical aria with dance section. Piano / Vocal Score. From Roxane of Bergerac - A full length musical - A romantic action-comedy date musical about Roxane's refusal to be merely decorative when it comes to living her life, and this while questing for True Love and her Hero of True Romance. The musical language is a blend of Jazz and Renaissance musical styles that parallels the mash-up of today’s slang with the preciosity (refined speech) of some 16th century Parisians.
$3.95 ≈
£3.10
The Passionate Shepherd & The Nymph's Reply for SATB Choir & Piano (optional Renaissance Guitar)
The Passionate Shepherd & The Nymph's Reply for SATB Choir & Piano (optional Renaissance Guitar)
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Choral SATB
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EASY
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M
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The Passionate Shepherd & The
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Vocal Works
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1360780 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renai...
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1360780 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945275. Published by Vocal Works (A0.1360780). Visit http://choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at http://choirworks.com ...Recording by Rocky Mountain Chamber Singers.
$2.49 ≈
£1.95
The Passionate Shepherd & The Nymph's Reply for SB Choir & Piano (optional Renaissance Guitar)
The Passionate Shepherd & The Nymph's Reply for SB Choir & Piano (optional Renaissance Guitar)
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Choral 2-part
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EASY
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M
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The Passionate Shepherd & The
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Vocal Works
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SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1360949 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Ren...
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Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1360949 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945433. Published by Vocal Works (A0.1360949). Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.
$2.49 ≈
£1.95
The Passionate Shepherd & The Nymph's Reply for SAB Choir & Piano (optional Renaissance Guitar)
The Passionate Shepherd & The Nymph's Reply for SAB Choir & Piano (optional Renaissance Guitar)
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Choral 3-part
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EASY
#
M
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The Passionate Shepherd & The
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Vocal Works
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SheetMusicPlus
Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1360944 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renais...
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Choral Choir,Choral (SAB) - Level 2 - Digital Download SKU: A0.1360944 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945428. Published by Vocal Works (A0.1360944). Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.
$2.49 ≈
£1.95
The Passionate Shepherd & The Nymph's Reply for 2-part Choir & Piano (optional Renaissance Guitar)
The Passionate Shepherd & The Nymph's Reply for 2-part Choir & Piano (optional Renaissance Guitar)
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Choral 2-part
#
EASY
#
M
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The Passionate Shepherd & The
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Vocal Works
#
SheetMusicPlus
Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1360939 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Ren...
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Choral Choir,Choral (2-Part) - Level 2 - Digital Download SKU: A0.1360939 Composed by M. Ryan Taylor. 21st Century,Contemporary,Contest,Festival,Jazz,Renaissance. 11 pages. Vocal Works #945424. Published by Vocal Works (A0.1360939). Visit choirworks.com for the choral music of M. Ryan Taylor. This cheeky quodlibet (or partner song) was crafted from Christopher Marlowe's famous poem The Passionate Shepherd to His Love and The Nymph's Reply to the Shepherd by Sir Walter Raleigh. The music includes optional chords for Renaissance Guitar, which was tuned the same as a modern GCEA ukulele (an 8-string ukulele would be a passable substitute if no period instrument is available). Versions for SA, SB, SAB and SATB choir are available at choirworks.com ...Recordings are of the SATB version, sung by Rocky Mountain Chamber Singers.
$2.49 ≈
£1.95
Father, We Thank Thee, Who Has Planted (Downloadable Choral Score)
Father, We Thank Thee, Who Has Planted (Downloadable Choral Score)
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Choral SATB
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INTERMEDIATE
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Thanksgiving
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Lynn Trapp
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Father, We Thank Thee, Who Has
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, congregation, organ, brass quartet - Medium - Digital Download SKU: MQ.60-9010-E Composed by Lynn Trapp. Thanksgiving. 10 pages. MorningStar ...
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SATB choir, congregation, organ, brass quartet - Medium - Digital Download SKU: MQ.60-9010-E Composed by Lynn Trapp. Thanksgiving. 10 pages. MorningStar Music Publishers - Digital Sheet Music #60-9010-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-9010-E). Classic hymn text from Didache featuring RENDEZ A DIEU. Brass writing adds flair of Venetian-Gabrieli School (the Renaissance). Post-Communion/Thanksgiving hymn.
$2.65 ≈
£2.08
Contemplate - Choir Version (includes unlimited license to copy)
Contemplate - Choir Version (includes unlimited license to copy)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Everall A
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Contemplate - Choir Version
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Everall Aiken Peele
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.821615 Composed by Everall A. Peele. Christian,Christmas,Renaissance. Octavo. 11 pages. Everall ...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.821615 Composed by Everall A. Peele. Christian,Christmas,Renaissance. Octavo. 11 pages. Everall Aiken Peele #4775587. Published by Everall Aiken Peele (A0.821615). Christmas choral composition in a quasi-madrigal style, recounting the events and wonder of Christ's birth. Fun to sing, fast-paced, good for an experienced small group for special or performance music.Buy one and make as many copies as you need for your group. Contemplate this ancient riddle, laid before us on the hay; God of gods, the Lord of Glory, condescends with man to stay...
$4.99 ≈
£3.91
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. ...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - Digital Download SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462151. Published by jmsgu3 (A0.549205). Minimum instrumentation: 8 double reeds (or multiples) arranged in 2 antiphonal choirs. 4 oboes, 2 English horns, 1 bassoon, 1 contrabassoon (or 2 bassoons). Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
£37.62
Renaissance Tunebook
Renaissance Tunebook
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Voice solo
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BEGINNER
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Renaissance
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John Holenko
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Renaissance Tunebook
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by John Holenko. Solos/Tunebooks. Early Music / Renaissance. Ebook. 56 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30515EB). - e...
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Composed by John Holenko. Solos/Tunebooks. Early Music / Renaissance. Ebook. 56 pages. Published by Mel Bay Publications - Digital Sheet Music (M0.30515EB). - ebook - Early Music / Renaissance - Mel Bay Publications - Digital Sheet Music
ISBN 9781619115507. 8.75 x 11.75 inches. This collection includes over 70 compositions from the Renaissance presented as melodies with accompanying chord changes. This simple format makes the material suitable for any C melody instrument and/or any instrument that can play chord changes. The music includes some well known Renaissance melodies such as "Greensleeves" and "La Folias", along with rarer dance pieces and song melodies. Some of these melodies come from as early as the 1400s and others as late as the 1600s. The music in this book is excellent for instrumentalists looking to expand their repertoire, build an early music ensemble, or for instructional purposes. The book also comes with a few "Grounds" (jamming chord progressions), rhythmic accompaniment ideas and performance notes.
$17.99 ≈
£14.11
Prophitiae Sibyllarum
Prophitiae Sibyllarum
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Choral SATB
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INTERMEDIATE
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Orlande De Lassus
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Jasper Swank
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Prophitiae Sibyllarum
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Jasper Swank
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1264673 Composed by Orlande De Lassus. Arranged by Jasper Swank. A Cappella,Historic,Religious,R...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1264673 Composed by Orlande De Lassus. Arranged by Jasper Swank. A Cappella,Historic,Religious,Renaissance. Octavo. 28 pages. Jasper Swank #857504. Published by Jasper Swank (A0.1264673). About the composer Orlando Lasso, Orlande de Lassus, Orlando di Lasso or Orlandus Lassus was born in Bergen (Dutch) or Mons (French) in Henegouwen, Belgium – which was a place in the Habsburg Netherlands at the time – in 1532, and was highly regarded as the best composer of his time. Temopraries appointed him titles like ‘ruler of music’ and ‘master of motets’. The roman-catholic composer was also one of the most productive composers of all times. Among his works are 53 masses for four to eight voices, and 1250 works for two to twelve voices in the form of motets, requiems, madrigals, chansons and songs for choir. Later in life, he wrote German drinking songs, as well as Dutch songs. From the latter category, none have been preserved. One of his drinking songs ‘Un jour vis un foulon qui fouloit’ was translated to English by William Shakespeare, after which it was used in his theatre play ‘Henry IV part 2’. About this work Prophetiae Sibyllarum is a motet in Latin for four voices. Posthumously published in 1600, it sets 12 prophecies attributed to the Sibyls (priestesses of Apollo later adopted by Christians) with a prologue.The movements are catalogued in order under separate opus numbers LV 1048 to 1060. About this edition This edition was notated from the composer’s manuscript (published around 1600), Das Chorwerk (Wolfenbüttel, 1937) and an anonymous reading score. The note values were halved for easier sightreading by modern singers. Recordings by De Labyrintho were studied for interpretation. On the base of these recordings, small checkmarks are added at places where collective breathing moments are suggested. These are not part of the manuscript.Great care has been put in the correct notation of the original work, as well as in solving apparent inconsistencies in the source materials. However, this edition was made purely to acommodate singers to study the melodic lines and should not be used for historic purposes.
$3.09 ≈
£2.42
A Christmas Song Selection from PIAE CANTIONES
A Christmas Song Selection from PIAE CANTIONES
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Choral SATB
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EASY
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Christmas
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Anon
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Marilena Zlatanou
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A Christmas Song Selection fro
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Marilena Zlatanou
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1372415 Composed by Anon. Arranged by Marilena Zlatanou. Christmas. 30 pages. Marilena Zl...
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Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1372415 Composed by Anon. Arranged by Marilena Zlatanou. Christmas. 30 pages. Marilena Zlatanou #956714. Published by Marilena Zlatanou (A0.1372415). A Selection of Christmas Songs from PIAE CANTIONES for SATB choirPIAE CANTIONES is a Swedish-Finnish manuscript, the earliest collection of songs from Scandinavia (1580). In this selection of 14 Christmas-songs from this manuscript, the arrangements are presented as found in the original, with very few and simple additions, in an effort to preserve the authenticity of the period-sound. The order of the songs, the choice of number of verses, the voice-part distribution, the noted tempi and dynamics are my own suggestions - choices intent to hopefully be in accordance to what is known on musical practices during the Medieval and Renaissance periods in Scandinavia, and indeed all-over Northern Europe. The original manuscript contained only the vocal parts and may therefore be performed a cappella, or separately, but I dare suggest that all the songs will benefit greatly and work beautifully accompanied by an early music instrumental ensemble, (ex.: lute and fidle), or an organ, to double the voice parts and improvise bridges between the songs. Marked in the score are the places for instrumental improvisations suggested, the length of which is open for the players and the conductor to decide on. Duration ca 30’The mp3 file provided is exported from the sibelius file.For more information on the arranger, (member of TONO, the Norwegian copyright org.), please visit website www.zlatanou.net
$50.00 ≈
£39.22
Lorem Ipsum [mixed choir]
Lorem Ipsum [mixed choir]
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Choral SATB
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INTERMEDIATE
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Juan MarÃa Solare
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Lorem Ipsum [mixed choir]
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Juan Maria Solare
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multi...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.596519 Composed by Juan MarÃa Solare. 20th Century,A Cappella,Contemporary,Latin,Multicultural,World. 14 pages. Juan Maria Solare #3485699. Published by Juan Maria Solare (A0.596519). Juan MarÃa Solare Lorem ipsum for choir a cappella SATB Audio: https://soundcloud.com/juan-maria-solare/lorem-ipsum-choir-northern-spirit-solare Video: https://www.youtube.com/watch?v=4uyp8F6qTqw Lorem ipsum dolor sit amet, consectetur adipiscing elit, incididunt ut labore et dolore magna umbra. Nulla sed leo. Nullam sed purus. Nulla vitae diam sapien. Nulla gravida pretium magna. Tellus, ventus et ignis. Verbum sapientes defendit.   The Lorem ipsum is a text in pseudo-Latin, loosely inspired in a writing of Cicero[1] and that since the XVI century is used in publishing as filler text. Today it is used with a similar function, in electronic documents or web design. There are several versions of this text (of variable length), all them used to begin in the same way (Lorem ipsum … elit) but goon in different fashions. Therefore, I also invented part of the text, taking care of the metric, structural parallelisms and some hidden allusion to popular music (Tellus, ventus et ignis is Earth, Wind and Fire). The last sentence has even some sense: Verbum sapientes defendit means that the word defends to those who know. In the coda, since it is vocally much more practical to finish in m than in t, I changed the last word: dolor sit ipsum, what carries the existentialist message that pain is oneself.  Musically, the form is a rondo, with an obsessive refrain (based on the sentence we are commenting) which reappears without modifications.  This piece was composed in Bremen (Germany) on 18, 19 and 20 May 2015 (as if from a handbook: one day the text, the following day the music and on the third one big adjustements and the definitive precisions). Lorem ipsum is dedicated to Gonzalo MartÃn SaldÃvar. Premiere by the chamber choir Northern Spirit, conducted by Jaret Choolun, tenth year anniversary concert1 (19th November 2016) at the kleiner Saal of Die Glocke, Bremen, Germany. (https://www.northernspirit.de/kammerchor-bremen/jubilaeumskonzert-in-der-glocke/)First performance in Latin America: Coro Estable Municipal de Tandil, conducted by Annele Moroder, during the opening concert of the Third Argentine Choral Congress and the First Latin American Choral Congress (Choral Art and Identity) on May 24, 2018 (at 8:15 PM) at the Tandil Museum of Fine Arts, Argentina (https://www.youtube.com/watch?v=4uyp8F6qTqw). Juan MarÃa Solare [1] de Finnibus Bonorum et Malorum (On the Ends of Good and Evil), sections 1.10.32 and 1.10.33, written in the year 45 before Christ. This book -a treatise on ethic theory- was very popular during the Renaissance.
$5.00 ≈
£3.92
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, Latin)
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verb
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Con...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!
$2.19 ≈
£1.72
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
Op. 7 Canzona alla terza "Verbum supernum prodiens" (SSA/TTB, English)
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Choral TTBB
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INTERMEDIATE/ADVANCED
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Matthew Alan Edwards
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Matthew Alan Edwards
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Op. 7 Canzona alla terza "Verb
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Matthew Alan Edwards
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Con...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898554 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 7 pages. Matthew Alan Edwards #4266219. Published by Matthew Alan Edwards (A0.898554). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses printed below: solo chant, even verses: choir). The first four verses form a complete anthem and the last two verses are suitable as a Communion anthem, or all six may be sung. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA English version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in Latin. SATB Latin/English versions coming soon!
$2.19 ≈
£1.72
Lullay, as I lay
Lullay, as I lay
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Choral SATB
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Christmas
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Melody: anon
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Andrew Morton
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Lullay, as I lay
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Andrew Morton
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SheetMusicPlus
Composed by Melody: anon. Arranged by Andrew Morton. Renaissance, Early Music, Christian, Christmas. Score. 4 pages. Published by Andrew Morton ...
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Composed by Melody: anon. Arranged by Andrew Morton. Renaissance, Early Music, Christian, Christmas. Score. 4 pages. Published by Andrew Morton
Beautiful medieval carol: arranged for unaccompanied SATB choir. Easily learnt by a competent choir. Haunting melody and sensitive arrangement.
About SMP Press
This product was created by a member of SMP Press, our global community of independent composers, arrangers, and songwriters. Our independent musicians have created unique compositions and arrangements for the Sheet Music Plus community, many of which are not available anywhere else.
$1.99 ≈
£1.56
How heavy lies the heart
How heavy lies the heart
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Choral SATB
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INTERMEDIATE
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David Rain
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David Rain
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How heavy lies the heart
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David Rain, Choral Composer
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Conte...
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Choral Choir,Choral (SATB divisi) - Level 3 - Digital Download SKU: A0.1094371 Composed by David Rain. Arranged by David Rain. A Cappella,Classical,Contemporary,Renaissance. 6 pages. David Rain, Choral Composer #698441. Published by David Rain, Choral Composer (A0.1094371). “How heavy lies the heart†has drawn inspiration from the traditional French Christmas carol, “Quelle est cette odeur agréableâ€, which John Gay also set as a boisterous drinking song in the Beggar’s Opera, “Fill every glass, for wine inspires us!†The song also draws inspiration from Josquin’s Missa Pange Lingua. I dedicate this piece to my friends in the composer/singer collective, the Ad hoc Chorale, who tested out this piece in one of our informal workshops and offered valuable comments. Optional endings. Note that choirs have been given the option to choose which of the 3 endings they would like to sing, depending on how they feel the “story line†in the song should best reach its conclusion: (1) The “happy†ending appears to indicate that the narrator has been reunited with the friend or lover who departed. (2) The “less happy†ending plants a seed of doubt that no such reunion has happened; it may be in the narrator’s head. (3) The “even less happy†ending leaves listeners in even more doubt. NB: One day I woke up to the realization that I had independently written four choral works, each of which had evoked a different season, and so it seemed natural to group them together into a choral suite that I have called The Ottawa Four Seasons Suite. “How heavy lies the heart†seemed to work perfectly as the musical representative of an autumnal spirit.
$2.00 ≈
£1.57
Adoramus te, Christe (SATB)
Adoramus te, Christe (SATB)
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Choral SATB
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INTERMEDIATE
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Classical
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Claudio Monteverdi
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Thomas R
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Adoramus te, Christe
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Thomas R. Vozzella
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.778383 Composed by Claudio Monteverdi. Arranged by Thomas R. Vozzella. Baroque,Renaissanc...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.778383 Composed by Claudio Monteverdi. Arranged by Thomas R. Vozzella. Baroque,Renaissance,Sacred,Standards. 8 pages. Thomas R. Vozzella #6234743. Published by Thomas R. Vozzella (A0.778383). Claudio Monteverdi (1567-1643) composed Adoramus te, Christe the year the Pilgrims landed at Plymouth Rock (1620). He was an Italian composer, string player and choirmaster. A composer of both secular and sacred music, and a pioneer in the development of opera, he is considered a crucial transitional figure between the Renaissance and the Baroque periods of music history.After the loss of his wife and subsequent years of depression, Monteverdi found his own renaissance in the Basilica of Venice as their music director. He invented opera and poured himself into church music, eventually becoming a member of a monastic order after surviving the plague. His exquisite small pieces were a great part of his complete works. As he aged, they reflected his journey through the stages of faith.
$1.99 ≈
£1.56
Gaudete!
Gaudete!
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Choral SATB
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EASY
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Christmas
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Traditional
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Mark D
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Gaudete!
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Mark Templeton Choral Music
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download Composed by Traditional. Arranged by Mark D. Templeton. Christmas, Classical, Contemporary, Renaissance, Sacred...
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Choral Choir (SATB) - Level 2 - Digital Download Composed by Traditional. Arranged by Mark D. Templeton. Christmas, Classical, Contemporary, Renaissance, Sacred. Octavo. 16 pages. Mark Templeton Choral Music #19265. Published by Mark Templeton Choral Music
This arrangement incorporates the same rhythmic vitality of the original Gaudete. The harmonies are similar to the original, and the driving pulse of the piano along with the distinct and spirited flute part makes this arrangement fun for any choir.
$2.99 ≈
£2.35
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