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FRENCH HORN
Brass Quartet
Sheetmusic to print
4 sheet music found
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1
From Heaven Above to Earth I Come
From Heaven Above to Earth I Come
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Brass Quartet
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BEGINNER
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Geistliche Lieder
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J
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From Heaven Above to Earth I C
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J. Randolph Hall
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1299908 By Geistliche Lieder. By Martin Luther. Arranged by J. Randolph Hall. This ed...
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Horn,Trombone,Trumpet,Tuba - Level 1 - Interactive Download SKU: A0.1299908 By Geistliche Lieder. By Martin Luther. Arranged by J. Randolph Hall. This edition: Interactive Download. Christmas,Classical,Praise & Worship,Standards,World. 8 pages. Duration 59. J. Randolph Hall #4Tzm3o4yAiGdBZbSXGYZi2. Published by J. Randolph Hall (A0.1299908). Key: Bb major.Luther was known for spearheading the Protestant Reformation as well as being a theologian and hymnist. His Vom Himmel hoch would be published in the Geistliche Lieder four years later in Leipzig, Germany. The text is based on the scene of the angelic host announcing the birth of Jesus Christ. Section A exposits the hymn. A modulation to a new key occurst at the end of section A with the aid of an Italian augmented sixth chord. Section B adds a descant by yours truly.
$4.00 ≈
¥29.10
Listen to the Mocking Bird
Listen to the Mocking Bird
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Brass Quartet
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INTERMEDIATE
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Music by Richard Milburn
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F
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Listen to the Mocking Bird
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Sweetwater Brass Press
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,H...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1148567 Composed by Music by Richard Milburn. Arranged by F. Leslie Smith. Country,Folk,Historic,Traditional. 27 pages. Sweetwater Brass Press #748729. Published by Sweetwater Brass Press (A0.1148567). Listen to the Mocking Bird was first published in 1855. The melody originated with Richard Milburn, a Philadelphia African-American who has been described variously as a panhandling busker and as a musically inclined barber. A songwriter and publisher by the name of Septimus Winner heard Milburn's tune, arranged it, added words, put it into print and claimed credit for its creation under the pseudonym Alice Hawthorne. Supposedly, Winner sold the rights to the song for five dollars. Listen to the Mocking Bird grew to be one of the most popular songs of the mid-19th century, a real hit. Its sheet music, by one estimate, sold more than 20 million copies. It was sung and performed particularly often during the Civil War, and troops used its melody as a marching tune. It remains somewhat of a standard and has been recorded numerous times, especially as a favorite of bluegrass musicians. In the lyrics, the singer is remembering his loved one. She has passed away but he recalls their good life together. They particularly enjoyed the call of the mocking bird, which even now is singing o'er her grave. This arrangement opens in E-flat major with Trumpet 1 introducing the sweetly sad melody, I'm dreaming now of Hally. After the introduction, the tempo picks up to allegro and whirls along. It does slow down several times, and there are four one-measure deviations from the 4/4 time signature: one 6/4, two 2/4s and one 1/4. At measure 65, the key changes to B-flat major for the finale. Trumpets 1 and 2 each play one A-above-their-staff eighth note as their highest pitch; the rest of the music stays well within the normal playing range of the five instruments. Completed in 2022, performance time runs about 3 minutes, 23 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
¥57.83
I Don’t Want to Play in Your Yard: Trumpet Feature
I Don’t Want to Play in Your Yard: Trumpet Feature
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Brass Quartet
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INTERMEDIATE/ADVANCED
#
H
#
F
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I Don’t Want to Play in Your
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Sweetwater Brass Press
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comed...
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Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).      Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.      The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.      This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.      Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.      Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
$7.95 ≈
¥57.83
The Blue Bird
The Blue Bird
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Brass Quartet
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INTERMEDIATE
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Charles Villiers Stanford
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Peet du Toit
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The Blue Bird
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Peet du Toit
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1373909 Composed by Charles Villiers Stanford. Arranged by Peet du Toit. A Cappella. 9 pa...
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Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1373909 Composed by Charles Villiers Stanford. Arranged by Peet du Toit. A Cappella. 9 pages. Peet du Toit #958391. Published by Peet du Toit (A0.1373909). The Blue Bird is a partsong (Op. 119 No. 3) composed by Charles Villiers Stanford in 1910. It is set to the words of L'Oiseau Bleu, a poem by Mary Elizabeth Coleridge, which depicts a bluebird in flight over a lake. The Blue Bird is the third of Stanford's Eight Part Songs which are all settings of texts by Coleridge. It is one of Stanford's most renowned partsongs and has been recorded by ensembles including The Cambridge Singers, Oxford Camerata, and Tenebrae.The lake lay blue below the hill.O'er it, as I looked, there flewAcross the waters, cold and still,A bird whose wings were palest blue.When played delicately on brass instruments, it sounds really great too.The sky above was blue at last,The sky beneath me blue in blue.A moment, ere the bird had passed,It caught his image as he flew.
$17.00 ≈
¥123.67
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