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61 sheet music found "La Réjouissance" from "Music for the Royal Fireworks" for Horn in F and Piano or Organ
"La Réjouissance" from "Music for the Royal Fireworks" for Horn in F and Piano or Organ # French Horn and Piano # Classical # George Frideric Handel # Pavel Bakovsky # "La Réjouissance" from "Music # Pavel and Richelle Bakovsky # SheetMusicPlus
French Horn,Piano - Digital Download SKU: A0.1324822 Composed by George Frideric Handel. Arranged by Pavel Bakovsky. Baroque,Contest,Easter,Festival,Holi...(+)
French Horn,Piano - Digital Download SKU: A0.1324822 Composed by George Frideric Handel. Arranged by Pavel Bakovsky. Baroque,Contest,Easter,Festival,Holiday,Wedding. Score and part. 5 pages. Pavel and Richelle Bakovsky #913032. Published by Pavel and Richelle Bakovsky (A0.1324822). This joyful and festive music, arranged for Horn in F and, preferably, Organ, is suitable for weddingsor holiday church services. The organist is invited to add pedals ad libitum. Heroic Music Suite for French Horn and Organ
Heroic Music Suite for French Horn and Organ # French Horn and Piano # INTERMEDIATE/ADVANCED # David Brown # David Brown # Heroic Music Suite for French # David P. Brown # SheetMusicPlus
French Horn,Piano - Level 4 - Digital Download SKU: A0.1365268 By David Brown. By G.F. Telemann. Arranged by David Brown. Baroque,Chamber,Classical,Histo...(+)
French Horn,Piano - Level 4 - Digital Download SKU: A0.1365268 By David Brown. By G.F. Telemann. Arranged by David Brown. Baroque,Chamber,Classical,Historic,Wedding. Score and part. 23 pages. David P. Brown #949587. Published by David P. Brown (A0.1365268). This arrangement has seven of the most popular selections from the Heroic Music Suite of Telemann, arranged here for French Horn and Organ. Includes La Rejoissance, La Grace, and La Majeste. Perfect for solo recital, religious ceremonies, weddings, etc. Ave Verum for Solo French Horn and Organ
Ave Verum for Solo French Horn and Organ # French Horn and Piano # INTERMEDIATE # Classical # David Brown # David Brown # Ave Verum for Solo French Horn # David P. Brown # SheetMusicPlus
French Horn,Piano - Level 3 - Digital Download SKU: A0.1308407 By David Brown. By Wolfgang Amadeus Mozart. Arranged by David Brown. Chamber,Classical,Eas...(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.1308407 By David Brown. By Wolfgang Amadeus Mozart. Arranged by David Brown. Chamber,Classical,Easter,Wedding. Score and part. 5 pages. David P. Brown #897647. Published by David P. Brown (A0.1308407). This arrangement for Solo French Horn and Organ of the beautiful Ave Verum Corpus, is from a motet by Mozart orginally for choir, strings, and organ. Perfect for any church service, quiet moment, wedding, or any prelude or postlude music. Bach-Gounod: Ave Maria for French Horn & Piano
Bach-Gounod: Ave Maria for French Horn & Piano # French Horn and Piano # EASY # Bach-Gounod # James M # Piano, S0 # Bach-Gounod: Ave Maria for Fre # jmsgu3 # SheetMusicPlus
French Horn,Piano - Level 2 - Digital Download SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter...(+)
French Horn,Piano - Level 2 - Digital Download SKU: A0.549371 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 11 pages. Jmsgu3 #3491319. Published by jmsgu3 (A0.549371). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano, S0.661839 . The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Saint-Saëns: The Swan for French Horn & Piano
Saint-Saëns: The Swan for French Horn & Piano # French Horn and Piano # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for Fre # jmsgu3 # SheetMusicPlus
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contes...(+)
French Horn,Piano - Level 3 - Digital Download SKU: A0.1313124 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Romantic Period,Wedding. Score and part. 9 pages. Jmsgu3 #901955. Published by jmsgu3 (A0.1313124). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind. Canon, Duet for Horn in F & Harp
Canon, Duet for Horn in F & Harp # French Horn and Harp # Classical # Johann Pachelbel # Serena O'Meara # Basso Continuo # Canon, Duet for Horn in F & Ha # O'Meara Music # SheetMusicPlus
Instrumental Duet Harp,Horn,Instrumental Duet - Digital Download SKU: A0.1200766 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christ...(+)
Instrumental Duet Harp,Horn,Instrumental Duet - Digital Download SKU: A0.1200766 Composed by Johann Pachelbel. Arranged by Serena O'Meara. Baroque,Christmas,Classical,Sacred,Wedding. Score and parts. 21 pages. O'Meara Music #799461. Published by O'Meara Music (A0.1200766). Johann Pachelbel, 1653-1706, was a German Organist who mainly composed for Organ and Voice in the Middle Baroque style. His Canon, which became famous in the 1960’s, was initially for three Violins & Basso Continuo. It has become a mainstay Wedding Processional and used with Christmas hymns.  The chord progression has been a basis for many Pop and Advertising songs.You will receive score plus individual parts. Bach: Wachet auf for French Horn & Piano
Bach: Wachet auf for French Horn & Piano # French Horn and Piano # EASY # Classical # Johann Sebastian Bach # James M #   # Bach: Wachet auf for French Ho # jmsgu3 # SheetMusicPlus
French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Eas...(+)
French Horn,Piano - Level 2 - Digital Download SKU: A0.549855 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555101. Published by jmsgu3 (A0.549855). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n. Pachelbel's Canon in D - French Horn and Piano - Simple Version (Full Score)
Pachelbel's Canon in D - French Horn and Piano - Simple Version (Full Score) # French Horn and Piano # EASY # Classical # Johann Pachelbel # César Madeira # Pachelbel's Canon in D - Frenc # Sheet Music To Play Editions # SheetMusicPlus
French Horn,Piano - Level 2 - Digital Download SKU: A0.1222286 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Children,Contest,Early...(+)
French Horn,Piano - Level 2 - Digital Download SKU: A0.1222286 Composed by Johann Pachelbel. Arranged by César Madeira. Baroque,Children,Contest,Early Music,Festival,Wedding. Score and part. 3 pages. Sheet Music To Play Editions #818552. Published by Sheet Music To Play Editions (A0.1222286). Pachelbel's Canon in D. Arrangement for French Horn and Piano in a simple version for beginners. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Johann Pachelbel (1653 – 1706) was a German composer, organist, and teacher who brought the south German organ schools to their peak. He composed a large body of sacred and secular music, and his contributions to the development of the chorale prelude and fugue have earned him a place among the most important composers of the middle Baroque era.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano
Bach-Gounod: Ave Maria, Schwencke version for French Horn & Piano # French Horn and Piano # EASY # J # James M # Bach-Gounod: Ave Maria, Schwen # jmsgu3 # SheetMusicPlus
French Horn,Piano - Level 2 - Digital Download SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Stan...(+)
French Horn,Piano - Level 2 - Digital Download SKU: A0.550928 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888367. Published by jmsgu3 (A0.550928). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. JESU, JOY OF MAN'S DESIRING by Bach - easy version for Horn in F and piano with chords
JESU, JOY OF MAN'S DESIRING by Bach - easy version for Horn in F and piano with chords # French Horn and Piano # BEGINNER # Sacred music # Leyandder Trustworthy # JESU, JOY OF MAN'S DESIRING by # Leyandder Trustworthy # SheetMusicPlus
Small Ensemble Horn,Piano,Voice - Level 1 - Digital Download SKU: A0.964488 Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Sco...(+)
Small Ensemble Horn,Piano,Voice - Level 1 - Digital Download SKU: A0.964488 Arranged by Leyandder Trustworthy. Baroque,Christian,Easter,Sacred,World. Score and parts. 3 pages. Leyandder Trustworthy #6330777. Published by Leyandder Trustworthy (A0.964488). Jesu, Joy of Man's Desiring is a popular piece of choral music. It was composed by Johann Sebastian Bach. It is the 10th movement of the cantata Herz und Mund und Tat und Leben. It was written during Bach's first year in Leipzig, Germany. Bach did not compose the melody. That was written by Johann Schop. Bach only harmonized and orchestrated Schop's melody. A transcription of Jesu was done by English pianist Myra Hess (1890-1965), and was published in 1926 for solo piano.In 1934, Hess' version was adapted for piano duet. British organist Peter Hurford made a transcription of Jesu for organ. Today, Bach's piece is often performed at weddings and funerals. Bach wrote the piece for voices with trumpet, oboes, strings and continuo. Jesu, Joy of Man's Desiring is one of Bach's most enduring pieces of music.The present version is a facilitated reduction of the theme where it is soloed by Horn in F, along with piano accompaniment with chords that can be performed by the teacher and the ends. Ideal for young music students in the area, if you don't have a teacher to play along, search for item number: S0.1006121, here is an audio playback so you can play and study with ease and fluidity. Bruckner: Praludium, Chorale, and Postlude Arranged for Horn Quartet
Bruckner: Praludium, Chorale, and Postlude Arranged for Horn Quartet # Brass Quartet: 4 horns # INTERMEDIATE/ADVANCED # Anton Bruckner # L # Bruckner: Praludium, Chorale, # LCH Music # SheetMusicPlus
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.919032 Composed by Anton Bruckner. Arranged by L.C. Harnsberger. Contemporary,Multicultural,Roma...(+)
Brass Ensemble Horn - Level 4 - Digital Download SKU: A0.919032 Composed by Anton Bruckner. Arranged by L.C. Harnsberger. Contemporary,Multicultural,Romantic Period,Wedding,World. Score and parts. 31 pages. LCH Music #3516355. Published by LCH Music (A0.919032). This piece for horn quartet was adapted from three rarely heard pieces by Anton Bruckner. The Praludium and Postlude were originally written for keyboard. Bruckner was probably the finest organ improvisor of his time, but he wrote very few pieces for that instrument. The Chorale is adapted from an early quartet for men's voices c. 1848. Fortunately these three pieces work perfectly together for four horns. Bruckner's unmistakable harmonies, counterpoint, and drama are all present in this work. All attempts were made to create an edition that accurately reflects Bruckner's music as if he had originally written it for horn quartet. Enharmonic spellings were retained, and the articulations and dynamics were adjusted to both reflect Bruckner's intentions while making the music appropriate for live performances. Praludium, Chorale, and Postlude for Four Horns is a perfect piece for recitals, festivals, weddings, and any other ceremony.