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8 sheet music found Goin' Home - From the New World Op. 95
Goin' Home - From the New World Op. 95 # Harp, Flute (duet) # INTERMEDIATE # Classical # Antonin Dvorak # Goin' Home - From the New Worl # HarpSong, Jennifer Grady and Karen Almquist # SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.502638 Composed by Antonin Dvorak. Arranged by Arranged by Karen Almq...(+)
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - Digital Download SKU: A0.502638 Composed by Antonin Dvorak. Arranged by Arranged by Karen Almquist, Edited by Jennifer Grady. Classical,Romantic Period. Score and parts. 4 pages. HarpSong, Jennifer Grady and Karen Almquist #114989. Published by HarpSong, Jennifer Grady and Karen Almquist (A0.502638). “Goin Home†is a peaceful and moving flute and harp arrangement of Antonin Dvorak’s magnificent Symphony No. 9 “From the New World†2nd Movement. The arrangement in Eb begins and ends quietly in the lower register of the instruments. The flute introduces the melody over quiet eighth note arpeggios on the harp. The harp plays the melody in the second verse. “Goin Home†builds to a glorious ending with an uplifting harp glissando, full rolled chords and flute soaring in its high register. The music is full of emotion and hope. William Arms Fisher a student of Dvorak penned the moving lyrics “Goin Home†to the music. Goin' home. Goin' home. I'm a-goin' home. Quiet-like some still day, I'm just goin' home. It's not far, just close by, through an open door. Work all done, cares laid by, goin' to roam no more; Mother's there 'xpecting me, father's waiting, too, Lots of folks gathered there, all the friends I knew. Morning star lights the way, restless dream all done. Shadows gone, break of day, real life just begun. There's no break, there's no end, just a-living on; Wide awake, with a smile, going on and on. Going home. Going home, I'm just going home. It's not far, just close by, through an open door. Roses From The South, Op 388 (Second Waltz), Conductor Score
Roses From The South, Op 388 (Second Waltz), Conductor Score # Harp # INTERMEDIATE # Serena O'Meara # Roses From The South, Op 388 # O'Meara Music # SheetMusicPlus
Folk Harp,Lever Harp - Level 3 - Digital Download SKU: A0.803958 Arranged by Serena O'Meara. Classical,Multicultural,Opera,Romantic Period,Standards,Worl...(+)
Folk Harp,Lever Harp - Level 3 - Digital Download SKU: A0.803958 Arranged by Serena O'Meara. Classical,Multicultural,Opera,Romantic Period,Standards,World. 11 pages. O'Meara Music #5791415. Published by O'Meara Music (A0.803958). In 1880 Johann Stauss, Jr. used themes from his operetta, Das Spitzentuch der Königin, for this orchestra piece. Waltz II is the most famous melody. Eduard Strauss, Johann’s harpist brother, conducted the premier. The music has been used in many movies and TV shows.  This reflective piece moves from the key of Bb to F and back again. The dynamics and pedal/lever changes are clearly marked. Roses From The South, Op 388 (Second Waltz), Lever Harp I
Roses From The South, Op 388 (Second Waltz), Lever Harp I # 2 Harps (duet) # INTERMEDIATE # Serena O'Meara # Roses From The South, Op 388 # O'Meara Music # SheetMusicPlus
Folk Harp,Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803961 Arranged by Serena O'Meara. Classical,Multicultural,Opera,Romantic Per...(+)
Folk Harp,Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803961 Arranged by Serena O'Meara. Classical,Multicultural,Opera,Romantic Period,Standards,World. 5 pages. O'Meara Music #5791423. Published by O'Meara Music (A0.803961). In 1880 Johann Stauss, Jr. used themes from his operetta, Das Spitzentuch der Königin, for this orchestra piece. Waltz II is the most famous melody. Eduard Strauss, Johann’s harpist brother, conducted the premier. The music has been used in many movies and TV shows. This reflective piece moves from the key of Bb to F and back again. The dynamics and Lever changes are clearly marked.  A Thousand and One Nights, Op 346 - Lever Harp I
A Thousand and One Nights, Op 346 - Lever Harp I # 2 Harps (duet) # INTERMEDIATE/ADVANCED # Classical # Johann Strauss Jr # Serena O’Meara # A Thousand and One Nights, Op # O'Meara Music # SheetMusicPlus
Folk Harp,Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803898 Composed by Johann Strauss Jr. Arranged by Serena O’Meara. Clas...(+)
Folk Harp,Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803898 Composed by Johann Strauss Jr. Arranged by Serena O’Meara. Classical,Multicultural,Opera,Romantic Period,Standards,World. 15 pages. O'Meara Music #5361593. Published by O'Meara Music (A0.803898). Johann Strauss, Jr. used themes from his operetta, Indigo and the Forty Thieves, to create this wonderful orchestra piece. The mysterious Arabian introduction is followed by three Waltzes. Waltz II is the most famous melody. The pedal and lever harp duet versions are not the same although they can perform in an ensemble together. They differ in the pedal/lever markings, harmony notes and which harp is playing the melody note. The dynamics and Waltz sections are clearly marked. Johann’s youngest brother, Eduard, was a harpist. He conducted his own orchestra from his harp. A Thousand and One Nights, Op 346 - Lever Score & Parts
A Thousand and One Nights, Op 346 - Lever Score & Parts # 2 Harps (duet) # INTERMEDIATE/ADVANCED # Classical # Johann Strauss Jr # Serena O’Meara # A Thousand and One Nights, Op # O'Meara Music # SheetMusicPlus
Folk Harp,Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803896 Composed by Johann Strauss Jr. Arranged by Serena O’Meara. Clas...(+)
Folk Harp,Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803896 Composed by Johann Strauss Jr. Arranged by Serena O’Meara. Classical,Multicultural,Opera,Romantic Period,Standards,World. 54 pages. O'Meara Music #5361583. Published by O'Meara Music (A0.803896). Johann Strauss, Jr. used themes from his operetta, Indigo and the Forty Thieves, to create this wonderful orchestra piece. The mysterious Arabian introduction is followed by three Waltzes. Waltz II is the most famous melody. The pedal and lever harp duet versions are not the same, although they can perform in an ensemble together. They differ in the pedal/lever markings, harmony notes and which harp is playing the melody note. The dynamics and Waltz sections are clearly marked. The score includes a page of performance information. The Harp Ensemble would perform for 2 hours each evening as guests arrived at the UW-Eau Claire’s annual Viennese Ball in the student center (1998-2016). The invitation was extended because Eduard Strauss, the youngest Strauss, was a harpist. He conducted his own orchestra from his harp and toured the United States. A Thousand and One Nights, Op 346 - Lever Harp II
A Thousand and One Nights, Op 346 - Lever Harp II # 2 Harps (duet) # INTERMEDIATE/ADVANCED # Classical # Johann Strauss Jr # Serena O’Meara # A Thousand and One Nights, Op # O'Meara Music # SheetMusicPlus
Folk Harp,Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803899 Composed by Johann Strauss Jr. Arranged by Serena O’Meara. Clas...(+)
Folk Harp,Instrumental Duet,Lever Harp - Level 4 - Digital Download SKU: A0.803899 Composed by Johann Strauss Jr. Arranged by Serena O’Meara. Classical,Multicultural,Opera,Romantic Period,Standards,World. 15 pages. O'Meara Music #5361595. Published by O'Meara Music (A0.803899). Johann Strauss, Jr. used themes from his operetta, Indigo and the Forty Thieves, to create this wonderful orchestra piece. The mysterious Arabian introduction is followed by three Waltzes. Waltz II is the most famous melody. The pedal and lever harp duet versions are not the same although they can perform in an ensemble together. They differ in the pedal/lever markings, harmony notes and which harp is playing the melody note. The dynamics and Waltz sections are clearly marked.  Johann’s youngest brother, Eduard, was a harpist. He conducted his own orchestra from his harp. Alla Turca Jazz
Alla Turca Jazz # Harp # Jazz # Contemporary # Fazil Say # Ekaterina
Afanasieva # Alla Turca Jazz # Schott Music -
Digital # SheetMusicPlus
Harp - Digital Download
Fantasia on the Rondo from
the Piano Sonata in A major
K. 331 by Wolfgang Amadeus
Mozart, arranged for harp by
Ekaterina Afanasieva ...(+)
Harp - Digital Download
Fantasia on the Rondo from
the Piano Sonata in A major
K. 331 by Wolfgang Amadeus
Mozart, arranged for harp by
Ekaterina Afanasieva (2015).
Composed by Fazil Say.
Arranged by Ekaterina
Afanasieva. This edition:
single sheet.
Eingangsmelodie, Handy-
Klingelton, Mozart.
Downloadable. Op. 5b.
Duration 4 minutes. Schott
Music - Digital #Q46259.
Published by Schott Music -
Digital The final movement of the Sonata in A major KV 331 by Wolfgang Amadeus Mozart, the Rondo Alla Turca, is one of the most famous piano pieces of all time. Once only familiar to musical experts, later a universal piece for all piano pupils, its opening melody is now even omnipresent as an alienated sinus tone-like mobile phone ring tone.
Fazil Say\'s arrangement, originally created as an effective encore, follows on from this popularity. After the first eight bars have been presented in original form, typical elements of jazz superimposed on the still recognisable classical foundations can be discovered, such as syncopation of the top notes and ornamentation through chromatic blue notes, embedded in the at times frenzied chains of semiquavers. In the spirit of the work\'s improvisatory character, Say likes to perfom his Alla Turca Jazz in different combinations, for example accompanied by jazz singers of with orchestra.
It may appear strange that Fazil Say, who was born in Turkey and - when not on tour - is still resident in that country, does not bring back Mozart\'s interpretation of genuine Turkish music closer to its own roots, particularly as many of his compositions such as Black Earth or the Violin Sonata are characterised by a subtle amalgamation of the Classical-Romantic tradition, Turkish folk music and elements of jazz. In a further Mozart arrangement, the ballet music Patara premiered in Vienna in 2006, composed on the basis of the Rococo-like theme from the first movement of the same A-major Sonata (wich enjoys almost as great popularity as the Alla Turca theme), Say utilised the connection which was absent in Alla Turca, albeit in the opposite direction. In the ballet music, the piano symbolises Western culture and the Ney flute Oriental culture, communcated atmosperically by austere percussion instrumentation and soprano vocalisation.
The very popular piece was now arranged for harp by Ekaterina Afanasieva.