VIOLONCELLO - CELLO
Bach Not classified 5,459 Piano & keyboards
Voice
Strings String Quartet: 2 violins, viola, cello 1,076 Cello, Piano 371 Violin, Cello (duet) 325 Cello 246 String Trio: violin, viola, cello 241 Cello (band part) 240 2 Cellos (duet) 188 Viola, Cello (duet) 100 String Quintet: 2 violins, viola, cello, bass 57 4 Cellos 55 String Trio: 3 cellos 39 Cello, Guitar (duet) 23 Cello, String Bass (duet) 20 Cello and Marimba 15 2 Cellos, Piano 11 Cello Ensemble 10 Cello, Organ 4 Cello, Orchestra 3 Harp, Cello (duet) 3 Violoncello, Basso continuo 1
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International Artists : • Schickele, Peter (P.D.Q Bach)
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371 sheet music found Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano # Cello, Piano # EASY # J # James M # Bach-Gounod: Ave Maria, Schwen # jmsgu3 # SheetMusicPlus
Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,East...(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Bach: Wachet auf for Cello & Piano
Bach: Wachet auf for Cello & Piano # Cello, Piano # EASY # Classical # Johann Sebastian Bach # James M #   # Bach: Wachet auf for Cello & P # jmsgu3 # SheetMusicPlus
Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n. Minuet in G major by Bach for Cello and Piano
Minuet in G major by Bach for Cello and Piano # Cello, Piano # BEGINNER # Christian Petzold and Johann S # Ander # Minuet in G major by Bach for # Woods Only, Arrangements # SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.1122119 Composed by Christian Petzold and Johann Sebastian Bac...(+)
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.1122119 Composed by Christian Petzold and Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 4 pages. Woods Only, Arrangements #723270. Published by Woods Only, Arrangements (A0.1122119). This easy arrangement for violoncello and piano has been adapted to be simple to perform and understand the period minuet form of the original work for various levels of musical knowledge. It can be freely played by beginning students due to the ease built into the piece in relation to the author's suggested interpretation. Recommended for performance in academic recitals, and public festivals, it also serves as a study of Baroque repertoire. This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Jesu, joy of man's desiring by Bach for Cello and Piano
Jesu, joy of man's desiring by Bach for Cello and Piano # Cello, Piano # BEGINNER # Classical # Johann Sebastian Bach # Ander # Jesu, joy of man's desiring by # Woods Only, Arrangements # SheetMusicPlus
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.1121437 Composed by Johann Sebastian Bach. Arranged by Ander. ...(+)
Instrumental Duet,Piano Cello,Instrumental Duet,Piano - Level 1 - Digital Download SKU: A0.1121437 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 6 pages. Woods Only, Arrangements #722614. Published by Woods Only, Arrangements (A0.1121437). This easy arrangement for cello and piano has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. JS Bach • Jesu, Joy of Man's Desiring | Cantata BWV 147 | cello sheet music w/ piano accompaniment
JS Bach • Jesu, Joy of Man's Desiring | Cantata BWV 147 | cello sheet music w/ piano accompaniment # Cello, Piano # INTERMEDIATE # Classical # purchasing our edition, You'll # Johann Sebastian Bach # Benzaiten Editions # JS Bach • Jesu, Joy of Man's # Benzaiten Editions # SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1438443 Composed by Johann Sebastian Bach. Arranged by Benzaiten Editions. Baroque,Classical,Wedding. Sc...(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1438443 Composed by Johann Sebastian Bach. Arranged by Benzaiten Editions. Baroque,Classical,Wedding. Score and part. 6 pages. Benzaiten Editions #1018461. Published by Benzaiten Editions (A0.1438443). Hey there, music enthusiast! Ready to immerse yourself in the exquisite melodies of Johann Sebastian Bach's timeless Jesu, Joy of Man's Desiring? Let the magic unfold with our sheet music edition! 🎵JS Bach • Jesu, Joy of Man's Desiring | Cantata BWV 147 | cello sheet music w/ piano accompaniment Our edition | Benzaiten Editions By purchasing our edition, You'll be able to download:• Full score with all instruments of the arrangement• Violoncello part About 'Jesu Joy of Man's Desiring' Jesu, Joy of Man's Desiring by J.S. Bach is a divine masterpiece from his Cantata, Herz und Mund und Tat und Leben, BWV 147. Its transcendent beauty and uplifting melody have made it a cherished favorite, embodying the spiritual essence of Baroque music. Often chosen for wedding ceremonies and sacred occasions, its celestial harmonies evoke feelings of serenity and reverence, touching hearts with its profound message of joy and hope. Bach - Arioso from Cantata BWV 156 for Violoncello and Piano
Bach - Arioso from Cantata BWV 156 for Violoncello and Piano # Cello, Piano # EASY # Classical # Johann Sebastian Bach # Harry Walker # Bach - Arioso from Cantata BWV # SCORE EDITIONS # SheetMusicPlus
Cello,Piano - Level 2 - Digital Download SKU: A0.1349694 Composed by Johann Sebastian Bach. Arranged by Harry Walker. Baroque,Classical,Religious,Wedding...(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.1349694 Composed by Johann Sebastian Bach. Arranged by Harry Walker. Baroque,Classical,Religious,Wedding. Score and part. 6 pages. SCORE EDITIONS #934464. Published by SCORE EDITIONS (A0.1349694). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach’s favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111, and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a chorale cantata, employing a chorale melody in several movements. In this version, the composition was arranged for Violoncello and Piano by Harry Walker. ARIOSO, by J. S. Bach (sinfonia) - for Violoncello and accompaniment
ARIOSO, by J. S. Bach (sinfonia) - for Violoncello and accompaniment # Cello, Piano # BEGINNER # Classical # Johann Sebastian Bach # Leyandder Trustworthy # ARIOSO, by J. S. Bach # Leyandder Trustworthy # SheetMusicPlus
Cello,Piano - Level 1 - Digital Download SKU: A0.964410 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacre...(+)
Cello,Piano - Level 1 - Digital Download SKU: A0.964410 Composed by Johann Sebastian Bach. Arranged by Leyandder Trustworthy. Baroque,Instructional,Sacred,Standards,World. Score and part. 2 pages. Leyandder Trustworthy #6323029. Published by Leyandder Trustworthy (A0.964410). Cantata 156 was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. of the four cantatas written by Bach for the feast (72, 73, 111 and 156), it was the last, and the only one scored for solo voice. Like Cantatas 73 and 111, it is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different melodies and choral texts in the second and sixth (final) movements, respectively; the second uses Machs mit mir, Gott, nach deiner Güt (Schein, 1628), which Herr, wie du willt, so schicks mit mir (Binemann, 1582) is reserved for the finale. This version of the piece was adapted for Violoncello along with a piano accompaniment that comes with the product. Air on the G String by Bach for Cello and Piano
Air on the G String by Bach for Cello and Piano # Cello, Piano # BEGINNER # Classical # Johann Sebastian Bach # Ander # Air on the G String by Bach fo # Woods Only, Arrangements # SheetMusicPlus
Cello,Piano - Level 1 - Digital Download SKU: A0.1119145 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. S...(+)
Cello,Piano - Level 1 - Digital Download SKU: A0.1119145 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. Score and part. 4 pages. Woods Only, Arrangements #720561. Published by Woods Only, Arrangements (A0.1119145). This easy arrangement for violoncello and piano was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.