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9 sheet music found Stomp It Out!
Stomp It Out! # 2 Cellos (duet) # INTERMEDIATE # Lawrence H # Stomp It Out! # Lawrence H Underwood # SheetMusicPlus
Cello Duet Cello - Level 3 - Digital Download SKU: A0.968041 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score. 6 pa...(+)
Cello Duet Cello - Level 3 - Digital Download SKU: A0.968041 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score. 6 pages. Lawrence H Underwood #6254563. Published by Lawrence H Underwood (A0.968041). All the pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals.Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone - treble clef), trombone, euphonium/baritone - bass clef, tuba, mallet percussion, violin, viola, cello, and bass. A Fungus Amungus
A Fungus Amungus # 2 Cellos (duet) # INTERMEDIATE # Lawrence H # A Fungus Amungus # Lawrence H Underwood # SheetMusicPlus
Cello Duet Cello - Level 3 - Digital Download SKU: A0.967752 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score. 6 pa...(+)
Cello Duet Cello - Level 3 - Digital Download SKU: A0.967752 Composed by Lawrence H. Underwood. Concert,Contemporary,Instructional,Standards. Score. 6 pages. Lawrence H Underwood #6247999. Published by Lawrence H Underwood (A0.967752). All pieces in the Mix & Match Ensemble Series were written so that not only like instruments may perform together, but virtually any combination of dissimilar instruments can join together successfully in chamber groups. All of these original compositions are of sufficient length to meet the requirements of solo & ensemble contests and festivals. Each piece in the series has been arranged for and can be performed by any combination of flute, oboe, bassoon, clarinet, bass clarinet, alto saxophone, tenor saxophone, baritone saxophone, French horn, trumpet (baritone – treble clef), trombone, euphonium/baritone – bass clef, tuba, mallet percussion, violin, viola, cello, and bass. I Saw Three Ships for Solo Cello
I Saw Three Ships for Solo Cello # Cello, Piano # INTERMEDIATE # Christmas # Traditional # Lawrence H # I Saw Three Ships for Solo Cel # Lawrence H Underwood # SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.967554 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacr...(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.967554 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 8 pages. Lawrence H Underwood #6142533. Published by Lawrence H Underwood (A0.967554). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the fourth installment in his A Christmas Portfolio series, this brand new setting of I Saw Three Ships is as much fun to play as it is to hear! The arrangement opens with a jaunty, nautical 6/8 feel before entering a lyrical section. The piece then shifts gears momentarily, heading into a 4/4 march feel before evoking a feel of the highlands as we return to 6/8, building in intensity until its dramatic conclusion. Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite! God Rest Ye Merry, Gentlemen for Solo Cello
God Rest Ye Merry, Gentlemen for Solo Cello # Cello, Piano # INTERMEDIATE/ADVANCED # Traditional # Lawrence H # God Rest Ye Merry, Gentlemen f # Lawrence H Underwood # SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.967553 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacr...(+)
Cello,Piano - Level 4 - Digital Download SKU: A0.967553 Composed by Traditional. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6141269. Published by Lawrence H Underwood (A0.967553). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the third installment in his A Christmas Portfolio series, this modern setting of God Rest Ye Merry, Gentlemen is virtual journey through musical styles! Opening with a haunting statement of the theme, the piece soon takes off in 7/8 before moving through a fugue section and into a driving 3/4 that builds into a final statement of the melody as a 6/8 jig! Suitable for use in church or as a showpiece in any holiday setting, this piece is sure to be an audience and performer favorite! It Came Upon the Midnight Clear (Violoncello Duet)
It Came Upon the Midnight Clear (Violoncello Duet) # 2 Cellos (duet) # INTERMEDIATE # Edmund H # Cathy Stamegna # It Came Upon the Midnight Clea # Cathy Stamegna # SheetMusicPlus
Cello Duet Cello - Level 3 - Digital Download SKU: A0.1135575 Composed by Edmund H. Sears and Felix Bartholdy Mendelssohn. Arranged by Cathy Stamegna. Ch...(+)
Cello Duet Cello - Level 3 - Digital Download SKU: A0.1135575 Composed by Edmund H. Sears and Felix Bartholdy Mendelssohn. Arranged by Cathy Stamegna. Christian,Christmas,Holiday,Praise & Worship,Traditional. Score. 12 pages. Cathy Stamegna #735631. Published by Cathy Stamegna (A0.1135575). This tranquil Christmas hymn is arranged as an unaccompanied instrumental duet. A short transition invites a meter change (from 6/8 to 4/4) where Part 1 states phrases of “Hark! The Herald Angels Sing†while Part 2 continues with “It Came Upon the Midnight Clear†(in 4/4). The first section returns to 6/8, a whole step higher, with some embellishments. Appropriate for any Christmas prelude, worship, concert, recital, or holiday setting. Score and set of Parts included. Performance Time: 3:29. Bach: Wachet auf for Cello & Piano
Bach: Wachet auf for Cello & Piano # Cello, Piano # EASY # Classical # Johann Sebastian Bach # James M #   # Bach: Wachet auf for Cello & P # jmsgu3 # SheetMusicPlus
Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sa...(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.549838 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3554481. Published by jmsgu3 (A0.549838). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.