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62 sheet music found Pachelbel: Canon in D for Piano Trio
Pachelbel: Canon in D for Piano Trio # String Trio: 3 cellos # INTERMEDIATE # Classical # Johann Pachelbel # James M # Pachelbel: Canon in D for Pian # jmsgu3 # SheetMusicPlus
String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.552065 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instruc...(+)
String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.552065 Composed by Johann Pachelbel. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. Score and parts. 16 pages. Jmsgu3 #6105689. Published by jmsgu3 (A0.552065). Score: 9 pagesDuration: 2:40. The famous Pachelbel Canon arranged for Piano Trio. A great choice for weddings & receptions! Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval. Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for south German composers. Nowadays, Pachelbel is most famous, particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. Saint-Saëns: The Swan for Cello & Piano
Saint-Saëns: The Swan for Cello & Piano # Cello, Piano # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for Cel # jmsgu3 # SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,His...(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind. Siciliano - Cello Duet
Siciliano - Cello Duet # 2 Cellos (duet) # BEGINNER # John Alcock, Jr # Phil Beaman # Siciliano - Cello Duet # Phil Beaman # SheetMusicPlus
Cello Duet Cello - Level 1 - Digital Download SKU: A0.844456 Composed by John Alcock, Jr. Arranged by Phil Beaman. Classical,Instructional,Standards. Sco...(+)
Cello Duet Cello - Level 1 - Digital Download SKU: A0.844456 Composed by John Alcock, Jr. Arranged by Phil Beaman. Classical,Instructional,Standards. Score. 3 pages. Phil Beaman #3365213. Published by Phil Beaman (A0.844456). A Siciliano is based on a graceful rustic dance of Sicily, and is considered a type of Pastorale. The Siciliano style always has dotted rhythms. It is normally in compound time, but I have changed it here to make it more accessible for beginners. This arrangement is based on the opening theme from Voluntary II for Organ by John Alcock, Jr. Mr. Alcock was an organist from the Classical Period and this piece is a great example of the Classical characteristics with a lyrical melody of light elegance.The two parts, which each stay within the range of 1 octave, are equally balanced, playing in parallel thirds much of the time, and the rest of the time playing off of each other in tight ensemble work. This makes a great recital piece to develop your melodic tone and showcase the melodies of the Classical Period. (1 page score, 1 page @ part, with repeats - 2 1/2 minutes)recording of piano playing the two parts to give you an idea Jesu, Joy of Man's Desiring (Cello and Keyboard)
Jesu, Joy of Man's Desiring (Cello and Keyboard) # Cello (band part) # INTERMEDIATE # Classical # Jubal's Lyre Music # Martin Dicke # Jesu, Joy of Man's Desiring # Jubal's Lyre Music Publishers # SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.918880 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Classical,Conte...(+)
Cello Solo - Level 3 - Digital Download SKU: A0.918880 By Jubal's Lyre Music. By Johann Sebastian Bach. Arranged by Martin Dicke. Baroque,Classical,Contest,Festival,Sacred,Wedding. Individual part. 13 pages. Jubal's Lyre Music Publishers #6331205. Published by Jubal's Lyre Music Publishers (A0.918880). This beloved work by J. S. Bach is arranged here for Cello with a keyboard part that is accessible to intermediate players and can be played on piano, organ, or harpsichord. It is perfect for weddings, concerts, or solo/ensemble repertoire. For worship, it can be performed almost any time since it exudes peace and joy, but it is particularly suited for Advent and Christmas since it comes from Cantata 147, Herz und Mund und Tat und Leben (Heart and Mouth and Deeds and Life), a cantata about Mary, the mother of Jesus, visiting her cousin Elizabeth and singing the Magnificat (see Luke 1:26-56). Arrangements for other instruments and ensembles are also available. For more music and information, visit www.jubalslyre.com/music. AMAZING GRACE - cello trio
AMAZING GRACE - cello trio # String Trio: 3 cellos # INTERMEDIATE # Anthony Giamanco # AMAZING GRACE - cello trio # Whole Tone Press # SheetMusicPlus
String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.773974 Arranged by Anthony Giamanco. Christian,Concert,Contemporary,Folk,Sacred. S...(+)
String Ensemble,String Trio Cello - Level 3 - Digital Download SKU: A0.773974 Arranged by Anthony Giamanco. Christian,Concert,Contemporary,Folk,Sacred. Score and parts. 10 pages. Whole Tone Press #6233325. Published by Whole Tone Press (A0.773974). A dignified Gospel-style arrangement for cello trio of this classic hymn. In 9/8 time with a strong Gospel swing. A great addition to any worship service, concert or recital (live or virtual). Intermediate.Anthony Giamanco is a member of ASCAP. His many piano, organ, choir, and chamber works are in the catalogs of numerous publishers including GIA, Shawnee Press, Alfred, Augsburg Fortress, Lorenz, and others. His pieces also can be purchased through sheetmusicplus.com, Sheet Music Marketplace, and JW Pepper.Anthony's music can be heard on his website, anthonygiamanco.com,https://www.anthonygiamanco.com,on SoundCloudhttps://soundcloud.com/tony-giamanco,and on his YouTube channelhttps://www.youtube.com/channel/UC09EezLz7GUoMhNrc5Y8jBg Traditional - Away in A Manger (Trio Piano, Clarinet and Violoncello) with chords
Traditional - Away in A Manger (Trio Piano, Clarinet and Violoncello) with chords # Clarinet, Cello, Piano (trio) # BEGINNER # Christmas # Traditional # André Laitano # Traditional - Away in A Manger # ANDR� DOS SANTOS # SheetMusicPlus
Small Ensemble Cello,Clarinet,Harpsichord,Organ,Piano,Voice - Level 1 - Digital Download SKU: A0.706901 Composed by Traditional. Arranged by André Lai...(+)
Small Ensemble Cello,Clarinet,Harpsichord,Organ,Piano,Voice - Level 1 - Digital Download SKU: A0.706901 Composed by Traditional. Arranged by André Laitano. Christian,Christmas,Instructional,Sacred,Standards. Score and parts. 9 pages. ANDR� DOS SANTOS #6664029. Published by ANDR� DOS SANTOS (A0.706901). Traditional - Away in A Manger (Trio Piano, Clarinet and Violoncello) with chordsSee other scores on this link: https://www.sheetmusicplus.com/publishers/andr-laitano-sheet-music/3015572 Traditional - Away in a Manger - (Trio Piano, Trombone and Violoncello) with chords
Traditional - Away in a Manger - (Trio Piano, Trombone and Violoncello) with chordsTrombone, cello (duet)
Beginner level # Christmas # Traditional # André Laitano # Traditional - Away in a Manger # ANDR� DOS SANTOS # SheetMusicPlus
Small Ensemble Cello,Harpsichord,Organ,Piano,Trombone,Voice - Level 1 - Digital Download SKU: A0.706962 Composed by Traditional. Arranged by André Lai...(+)
Small Ensemble Cello,Harpsichord,Organ,Piano,Trombone,Voice - Level 1 - Digital Download SKU: A0.706962 Composed by Traditional. Arranged by André Laitano. Christian,Christmas,Instructional,Sacred,Standards. Score and parts. 9 pages. ANDR� DOS SANTOS #6664819. Published by ANDR� DOS SANTOS (A0.706962). Traditional - Away in a Manger - (Trio Piano, Trombone and Violoncello) with chordsSee other scores on this link: https://www.sheetmusicplus.com/publishers/andr-laitano-sheet-music/3015572