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10 sheet music found Appalachia Waltz (cello part - vln, cel, bs)
Appalachia Waltz (cello part - vln, cel, bs) # String Trio: 3 cellos # INTERMEDIATE/ADVANCED # Mark O’Connor
# Mark O'Connor # Appalachia Waltz # Mark O'Connor Musik International # SheetMusicPlus
String Ensemble,String Trio Cello - Level 4 - Digital Download SKU: A0.861761 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts....(+)
String Ensemble,String Trio Cello - Level 4 - Digital Download SKU: A0.861761 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6200543. Published by Mark O'Connor Musik International (A0.861761). Appalachia Waltz MO102AAppalachia Waltz for Violin, Cello and Double Bass by Mark O’ConnorCello Part (Score for vln, vla, cel is available for reference MO101A)Music by Mark O’Connor2 pages - 5:40 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. O’Connor adapted for the instrumentation f violin, viola and cello as well. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony ClassicalCatalogue Number MO102ACopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com Appalachia Waltz (cello part - vln, vla, cel)
Appalachia Waltz (cello part - vln, vla, cel) # String Trio: 3 cellos # INTERMEDIATE/ADVANCED # Mark O’Connor
# Mark O'Connor # Appalachia Waltz # Mark O'Connor Musik International # SheetMusicPlus
String Ensemble,String Trio Cello - Level 4 - Digital Download SKU: A0.861759 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts....(+)
String Ensemble,String Trio Cello - Level 4 - Digital Download SKU: A0.861759 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6200491. Published by Mark O'Connor Musik International (A0.861759). Appalachia Waltz MO101DAppalachia Waltz adapted for Violin, Viola and Cello by Mark O’ConnorCello Part (score and parts available)Music by Mark O’Connor2 pages - 7:20 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. As it currently appears in this manuscript, O’Connor adapts the instrumentation for violin, viola and cello for improved playability. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalCan be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesOther versions can be heard on Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO101DCopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com Saint-Saëns: The Swan for Cello & Piano
Saint-Saëns: The Swan for Cello & Piano # Cello, Piano # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for Cel # jmsgu3 # SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,His...(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1314243 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Contest,Festival,Historic,Romantic Period,Wedding. Score and part. 11 pages. Jmsgu3 #902984. Published by jmsgu3 (A0.1314243). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing. The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes. Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list. ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well. YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing. LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind. Hark! The Herald Angels Sing! for Cello Quartet
Hark! The Herald Angels Sing! for Cello Quartet # 4 Cellos # EASY # Classical # Felix Bartholdy Mendelssohn, S # Michele Galvagno # Hark! The Herald Angels Sing! # Artistic Score Engraving di Galvagno Michele # SheetMusicPlus
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged...(+)
Choral Choir (SATB) - Level 2 - Digital Download SKU: A0.841364 Composed by Felix Bartholdy Mendelssohn, Samuel Arnold, and William H. Cummings. Arranged by Michele Galvagno. Christian,Christmas,Praise & Worship,Sacred. Octavo. 18 pages. Artistic Score Engraving di Galvagno Michele #6098157. Published by Artistic Score Engraving di Galvagno Michele (A0.841364). This year's Christmas publication choice fell on a song very dear to me: Hark! The herald angels sing. The text, inspired by Luke’s Gospel (2:14), appears for the first time in a collection of Christmas carols called Hymns and Sacred Poems in 1739, jointly written by Charles Wesley (1707-1788 ) and George Whitefield (1714-1770), two of the founding members of the Methodist movement.The version we know today is the one adapted by William H. Cummings (1831-1915) from the section Vaterland, in deinen Gauen of the Festgesang zum Gutenbergfest, WoO 9, by Felix Mendelssohn-Bartholdy (1809-1847). The story, however, is more complex and articulated than that.The original version of the text, written by Wesley, bearing the title Hymn for Christmas-Day, had received only slow and solemn music for its verses, music now almost completely discarded. Also, his original opening lines were Hark! How all the welkin rings / Glory to the King of Kings .The version that has been passed to us is the result of alterations made by different hands, especially those of Whitefield, who changed the initial couplet into the one we know today.In 1840-one hundred years after the publication of Hymns and sacred Poems-Mendelssohn composed a cantata commemorating Johann Gutenberg’s invention of movable-type printing. The English musician William H. Cummings finally adapted Mendelssohn’s music around 1855 in order to fit the music to the verses and give it its present look.In this edition we propose the version that every listener expects to hear when reading the title on the programme and, immediately after, one of the few original versions that have reached us in their entirety, that is the one set to music by Samuel Arnold (1740-1802) and available today in The British Minstrel, and Musical and Literary Miscellany, vol. 3, published in 1843.The proposed instrumentations are those of the classical string quartet and the cello quartet. Both variants are very simple to perform and are certainly suitable for small string ensembles formed in musical schools. In the cello quartet version, the only relatively complex part is that of the first cello, which should be left to the teacher or to a student able to play up to the 7th position without excessive troubles.I hope this music can bring you the serenity that made me prepare it.