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63 sheet music found Elgar: Salut D'Amour (Liebesgruss) for Violoncello and Piano
Elgar: Salut D'Amour (Liebesgruss) for Violoncello and Piano # Cello, Piano # INTERMEDIATE/ADVANCED # Edward Elgar # Flavio Regis Cunha # Elgar: Salut D'Amour # Flavio Regis Cunha # SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.1162315 By Edward Elgar. By Edward Elgar. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,...(+)
Cello,Piano - Level 4 - Digital Download SKU: A0.1162315 By Edward Elgar. By Edward Elgar. Arranged by Flavio Regis Cunha. 20th Century,Contest,Festival,Instructional,Romantic Period,Wedding. Score and part. 9 pages. Flavio Regis Cunha #762675. Published by Flavio Regis Cunha (A0.1162315). Salut D'Amour (Liebesgruss) for Violoncello and Piano - as played by YO YO MA and Kathryn Stott.Edward Elgar’s Salut d’amour is one of those pieces by the British composer that has a particularly haunting melody. Composed in 1888 for his future wife Caroline Alice Roberts, the work became an enormous success early on. There are numerous arrangements – but the only versions for which the autograph manuscripts survive are those for Violin and Piano, Piano solo and Violoncello and Piano. Up to now there has only been an arrangement of the cello part made by the original publisher, presumably with Elgar’s approval. This score was written based on the beautiful record 'Songs of the Arc of Life' by YO YO MA (cello) and Kathryn Stott (piano). Enjoy!Advanced Intermeiate level.Format: Concert, 9 x 12 inches.9 pages. Ode to Joy by Beethoven for Cello and Piano
Ode to Joy by Beethoven for Cello and Piano # Cello, Piano # BEGINNER # Classical # Classical # Ludwig van Beethoven # Ander # Ode to Joy by Beethoven for Ce # Woods Only, Arrangements # SheetMusicPlus
Cello,Piano - Level 1 - Digital Download SKU: A0.1241140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Scor...(+)
Cello,Piano - Level 1 - Digital Download SKU: A0.1241140 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,March,Opera,Romantic Period. Score and part. 5 pages. Woods Only, Arrangements #836536. Published by Woods Only, Arrangements (A0.1241140). This arrangement adapted for violoncello and piano was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy. Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano # Cello, Piano # INTERMEDIATE # Aleksandr Scriabin # James M # Scriabin: Prelude Op. 11 No. 2 # jmsgu3 # SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romanti...(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen. With Some Cherry Twigs -cello&piano
With Some Cherry Twigs -cello&piano # Cello, Piano # EASY # Tommy Johansson, Hjo # Tommy Johansson, Hjo # With Some Cherry Twigs -cello& # Tommy Johansson, Hjo # SheetMusicPlus
Cello,Piano - Level 2 - Digital Download SKU: A0.1316384 Composed by Tommy Johansson, Hjo. Arranged by Tommy Johansson, Hjo. 21st Century,Chamber,Romanti...(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.1316384 Composed by Tommy Johansson, Hjo. Arranged by Tommy Johansson, Hjo. 21st Century,Chamber,Romantic Period. Score and part. 7 pages. Tommy Johansson, Hjo #905128. Published by Tommy Johansson, Hjo (A0.1316384). With Some Cherry Twigs -cello&pianoA thought-provoking composition for cello and pianoinspired by a Japanese haiku poemcomposed by Tommy Johansson, Hjo, SwedenAlso available for vocal and piano (and other instruments as well)About the composerTommy Johansson, Hjo (Sweden)Music instructor, arranger, and composer. After a Master degree in Fine Arts of Music at the Gothenburg Academy of Music, advanced training in arrangement and composition. Frequently hired arranger and music instructor.Many more compositions, arrangements and transcriptions by this arranger can be found at Hal Leonard's: Sheetmusicplus.com,  Sheetmusicdirect.com. Wedding March by Mendelssohn, for Solo Cello and Piano
Wedding March by Mendelssohn, for Solo Cello and Piano # Cello, Piano # INTERMEDIATE # Classical # Felix Bartholdy Mendelssohn # David McKeown # Wedding March by Mendelssohn, # David McKeown # SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.587613 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Pe...(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.587613 Composed by Felix Bartholdy Mendelssohn. Arranged by David McKeown. Classical,Concert,Romantic Period,Standards,Wedding. Score and part. 9 pages. David McKeown #4403670. Published by David McKeown (A0.587613). Felix Mendelssohn’s Wedding March was originally written in 1842 as incidental music to Shakespeare’s famousplay, Midsummer Night’s Dream. When Queen Victoria’s daughter used the music for her marriage in 1858, it became instantly popular and has remained a wedding favourite ever since.This version is arranged for Solo Cello and Piano and the performance time is around three and a half minutes. Of course, performers, especially at weddings, may wish to abridge and shorten the arrangement. This is easily done as the different sections are self-contained and interchangeable. Repeats may also be ignored. Both the full length youtube performance and the short audio sample are from the Clarinet version off this arrangement.The solo part is intermediate level, while the piano accompaniment suits an advanced intermediate player.Both will find this ideal for formal and informal performances, with both parts enjoying melodic interest.Teachers will enjoy using this arrangement as a fun way to help with building dynamic range and stamina.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 5 More Beautiful Cello Solos for Fun - with FREE BACKING TRACKS & piano accompaniment
5 More Beautiful Cello Solos for Fun - with FREE BACKING TRACKS & piano accompaniment # Cello, Piano # INTERMEDIATE/ADVANCED # Debussy, Satie, Beethoven, Han # Austin Ralphson # 5 More Beautiful Cello Solos f # Austin Ralphson # SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.1178896 Composed by Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Ce...(+)
Cello,Piano - Level 4 - Digital Download SKU: A0.1178896 Composed by Debussy, Satie, Beethoven, Handel. Arranged by Austin Ralphson. 19th Century,20th Century,Classical,Romantic Period,Wedding. Score and part. 45 pages. Austin Ralphson #778866. Published by Austin Ralphson (A0.1178896). This is a second book of 5 solo arrangements with piano accompaniment (or backing tracks). It contains 5 more of the most beautiful and lyrical slow melodies ever composed. They range from Intermediate to Advanced level in difficulty; a solo part and a piano accompaniment are provided for each piece, as is a backing track on YouTube. This is the full list:1. The Girl With The Flaxen Hair (Debussy)2. Gnossienne No. 1 (Satie)3. Sonata No.8 Pathetique, 2nd movement (Beethoven)4. Clair De Lune (Debussy)5. Largo from 'Xerxes' (Handel)Free backing tracks are provided for each piece; these can be heard by visiting https://www.youtube.com/channel/UCPhyKv6OeJfWvkmNIkzAjhA and this link is also printed in the front of the book for future use.You can also get both books in this series - 10 solos in total - for only $14.99 at this link. Rieding: Violin Concerto in B minor, No.2, Op.35 for Cello and Piano
Rieding: Violin Concerto in B minor, No.2, Op.35 for Cello and Piano # Cello, Piano # INTERMEDIATE # Classical # Oskar Rieding # Clara Obsidian # Rieding: Violin Concerto in B # Clara Obsidian # SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1043994 Composed by Oskar Rieding. Arranged by Clara Obsidian. Classical,Romantic Period. Score and part...(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.1043994 Composed by Oskar Rieding. Arranged by Clara Obsidian. Classical,Romantic Period. Score and part. 22 pages. Clara Obsidian #648703. Published by Clara Obsidian (A0.1043994). Oskar Rieding's Violin Concerto in B minor No.2, Op.35 arranged for Cello and Piano The beautiful, soulful melodies in 3 movements, is arranged for intermediate - advanced cellist (up to 6th position/ High B, no thumb position required). It is in the original key of B minor, thus can be played in conjunction with a violinist and the original piano parts. I. Allegro moderato II. Andante III. Allegro moderato Perfect for concerts, gigs, class use, or just for fun! Also available in a easier key (intermediate level) --------------------.