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VIOLONCELLO - CELLO
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Kyrie (Durante) (String Quartet - 2 Violins, 2 Cellos)
Kyrie (Durante) (String Quartet - 2 Violins, 2 Cellos)
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4 Cellos
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INTERMEDIATE
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Francesco Durante
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Regis Bookshar
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Kyrie
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Regis Bookshar
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SheetMusicPlus
String Quartet Cello,String Quartet,Violin - Level 3 - Digital Download SKU: A0.1092481 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroqu...
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String Quartet Cello,String Quartet,Violin - Level 3 - Digital Download SKU: A0.1092481 Composed by Francesco Durante. Arranged by Regis Bookshar. Baroque,Instructional,Sacred. Score and parts. 8 pages. Regis Bookshar #696572. Published by Regis Bookshar (A0.1092481). Kyrie - by Francesco Durante; String Quartet – Intermediate – Digital Download. “Kyrieâ€, originally written for a four-part vocal ensemble by Francesco Durante, has now been transcribed, edited and arranged by Regis Bookshar, for a String Quartet, consisting of 2 Violins, and 2 Violoncellos. It would be a welcomed addition to any music library. This short composition, which lasts less than two minutes, will provide students with the opportunity to continue to develop good intonation because many of the phrases cadence on a unison note. This selection could be performed for concerts, recitals and church services. It is suitable for high school and college students but professional musicians would also enjoy playing this selection. Included are a score and a complete set of parts (8 pages). This selection is one of the many arrangements from the Regis Bookshar Trumpet Ensemble’s extensive music library which are being made available for the first time. We have performed the Trumpet Quartet version of this composition for many church services, especially funerals, when we were asked to supply something more somber and introspective rather than the louder, more festive music which many people come to expect from a Trumpet Ensemble. Francesco Durante was an Italian composer who was born on March 31, 1684 at Frattamaggiore, in the Kingdom of Naples. At an early age he entered the Conservatorio dei poveri di Gesu Cristo, in Naples, where he received lessons from Gaetano Greco. Later he became a pupil of Alessandro Scarlatti at the Conservatorio di Sant’Onofrio. He is said to have succeeded Scarlatti in 1725 at Sant’Onofrio and to have remained there until 1742, when he succeeded Nicola Porpora as head of the Conservatorio di Santa Maria de Loreto, also in Naples. He held this post for thirteen years, until his death on September 30, 1755. His fame as a teacher was considerable, and, unlike his Neapolitan contemporaries, who attracted international notice with their operas, Francesco Durante achieved recognition through his church music, along with some vocal chamber and instrumental works. His concern was not quantity. A complete collection of Durante’s works, consisting almost exclusively of sacred music, was presented by Gaspare Selveggi, a Neapolitan art collector and music theorist, to the Bibliotheque Nationale in Paris. The imperial library of Vienna also preserves a valuable collection of Durante’s manuscripts. The fact that Durante never composed for the stage brought him an exaggerated reputation as a composer of sacred music. He was considered one of the best church composers of his style and period. In his masses, requiems, litanies and Lamentations, he could provide strong expressive moments, as he does in this “Kyrieâ€. In addition to this arrangement for a String Quartet, Regis Bookshar has also made other arrangements of this selection. There are Quartets readily available for a wide variety of instrumental ensembles. Please take the time to look for other versions of this composition. You may find something else that may also suit your needs. I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I’m certain that this beautiful arrangement of Francesco Durante’s “Kyrie†will continue to entertain both performers and audiences alike for years to come.
$10.00 ≈
9.02€
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Cello Quartet
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Cello
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INTERMEDIATE
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Instructional
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Joshua Hauser
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Donut Etudes vol. 3: Don’t S
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Slide Ride
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SheetMusicPlus
Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Publishe...
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Cello Solo - Level 3 - Digital Download SKU: A0.784341 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288685. Published by Slide Ride (A0.784341). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.51€
Angkor Wat Theme I
Angkor Wat Theme I
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Cello, Piano
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INTERMEDIATE
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Michael Galasso
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Michael Todd Kovell
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Angkor Wat Theme I
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Phinney Music
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1222713 Composed by Michael Galasso. Arranged by Michael Todd Kovell. 20th Century,Chamber,Classical,Con...
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Cello,Piano - Level 3 - Digital Download SKU: A0.1222713 Composed by Michael Galasso. Arranged by Michael Todd Kovell. 20th Century,Chamber,Classical,Contemporary,Film/TV. Score and part. 5 pages. Phinney Music #818991. Published by Phinney Music (A0.1222713). Looking for an evocative and ethereal rendition of Michael Galasso's Angkor Wat Theme I from the acclaimed film In the Mood for Love that highlights the interplay between the cello and piano? Look no further than this stunning arrangement.Inspired by the rich cultural heritage of Southeast Asia and the atmospheric cinematography of Wong Kar-wai's masterpiece, this arrangement takes listeners on a journey of musical discovery and emotional depth, weaving together the haunting melodies and delicate harmonies of Galasso's original composition with the evocative timbre and resonant sound of the cello and piano. From the opening notes to the closing chord, this arrangement is a true feast for the senses, inviting listeners to experience the full beauty and power of Galasso's timeless piece.Whether you're a fan of film scores, classical music, or simply crave a new and original take on a beloved piece, this arrangement of Angkor Wat Theme I is sure to delight and inspire.So why wait? Download it today and discover the magic and beauty of Michael Galasso's Angkor Wat Theme I in a whole new way!
$4.99 ≈
4.50€
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Cello Choir
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Cello
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INTERMEDIATE
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #346...
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Cello - Level 3 - Digital Download SKU: A0.549203 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3461839. Published by jmsgu3 (A0.549203). Instrumentation: 8 Cellos arranged in two choirs. Full Score: 28 pg. Study Score: 14 pg. Parts: 2 pg. ea. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
43.27€
None But The Lonely Heart for 'Cello Quartet
None But The Lonely Heart for 'Cello Quartet
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Cello
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EASY
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Classical
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Peter Ilyich Tchaikovsky
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Samantha J Bramley - stringspi
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None But The Lonely Heart for
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Samantha Bramley
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.800218 Composed by Peter Ilyich Tchaikovsky. Arranged by Samantha J Bramley - stringspirational@gmail.com...
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Cello Solo - Level 2 - Digital Download SKU: A0.800218 Composed by Peter Ilyich Tchaikovsky. Arranged by Samantha J Bramley - stringspirational@gmail.com. Romantic Period. Individual part. 8 pages. Samantha Bramley #6010395. Published by Samantha Bramley (A0.800218). ‘None But The Lonely Heart’ by Pyotr Ilyich Tchaikovsky This was one of my favourite classical pieces as a child and inspired me to take up the ‘cello. This arrangement is for 4 ‘cellos and would make a nice encore or be perfect for inclusion in a varied program. All parts are in bass clef and only the second ‘cello part goes above 4th position (Bb), making it ideal for a student ensemble of mixed ability. Keep Calm & Play Cello! Note from the arranger: All my arrangements for ‘cello quartet, quintet and sextet are conceived specifically with the range and technical capabilities of the ‘cello in mind – no simple transpositions or re-orchestrations of string quartet scores. They are therefore both easily playable and enjoyable by any intermediate to advanced ‘cello ensemble. Most parts do not go beyond 4th position, making them equally suitable for student, mixed ability groups or ‘cello choirs. A complete score and set of parts is included. Enjoy and feel free to email comments or request for other works to stringspirational@gmail.com or visit my website www.stringspirational.com to find out more.
$9.99 ≈
9.02€
Double Stop Shifting Challenges for the Cello
Double Stop Shifting Challenges for the Cello
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Cello
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INTERMEDIATE/ADVANCED
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Instructional
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Studies
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Cassia Harvey
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Double Stop Shifting Challenge
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SheetMusicPlus
Cello - Advanced Intermediate - Digital Download Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique ...
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Cello - Advanced Intermediate - Digital Download Composed by Cassia Harvey. Method, Etudes and Exercises, Repertoire, General Instructional, Technique Training. 34 pages. Published by Cassia Harvey
Are you an intermediate or early-advanced cellist who wants to take their technique to the next level?
These intensive cello double stop shifting exercises will help improve your intonation and help build your left-hand strength. At the same time, they will raise the intensity level of your practice, making the time you spend on exercises as efficient as possible.
Moving through the first seven cello positions, these exercises use double stop sixths, thirds, and occasionally fifths and fourths to build your cello technique.
Who this book can help: Cellists who can shift between the first seven positions and want to improve their shifting and finger strength.
How to use this book: Work on one exercise each day, after warming up with finger exercises, scales, and shifting exercises.
by Cassia Harvey
29 pages
Level: Late-Intermediate or Early-Advanced. Uses first through seventh positions on the cello.
$8.95 ≈
8.08€
O Come All Ye Faithful for Cello & Piano
O Come All Ye Faithful for Cello & Piano
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Cello, Piano
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BEGINNER
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Wade
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James M
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O Come All Ye Faithful for Cel
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pag...
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Cello,Piano - Level 1 - Digital Download SKU: A0.548509 Composed by Wade. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3388103. Published by jmsgu3 (A0.548509). O Come All Ye Faithful arranged with new harmony for the final verse. Score: 3 pages, part: 1 page. O Come, All Ye Faithful O Come, All Ye Faithful is an English translation of the Latin Christmas carol Adeste Fideles. No one knows exactly who wrote it, but one theory is that it was originally composed by King John IV of Portugal (1604–1656) and revised by John F. Wade and John Reading. Nowadays, we usually attribute it to John Wade. The oldest manuscript from 1751, is owned by Stonyhurst College in Lancashire. Lyrics The English translation O Come, All Ye Faithful was certainly written by Frederick Oakeley, a Catholic priest in 1841. This translation is the most common in English speaking states. To begin with, the hymn had only four verses. Later, the verses grew to eight. Often, various verses are omitted because otherwise, the song is just too long. Some believe the first Latin lyrics were written by St. Bonaventure (13th century) or King John IV of Portugal in the 17th. Though others think it was written by the Cistercian monks. King John IV King John IV of Portugal was called The Musician King. He became king in 1640. In addition to performing the duties of a king, he was also a composer and music journalist. King John built a very large music library. Unfortunately, the library was ruined in 1755 because of the massive earthquake of Lisbon. In addition to his library, the king started a Music School that produced many accomplished musicians. The king also worked diligently to get instrumental music approved by the Vatican for use in his churches. Aside from his authorship of Adeste Fideles, he is famous for another popular choral setting of the Crux Fidelis, a prevalent Lenten hymn. Performance in Context As mentioned above, verses are sometimes left out because all eight verses would take too long to perform. More to the point though, some of the verses may be unsuitable for whatever of the church calendar they are intended. The eighth verse deals with the Epiphany, so it makes sense to sing this on Epiphany Sunday, but not other Sundays. Similarly, other verses are used according to whether the event is Midnight Mass or regular daytime Mass. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.52€
Sultry Nights (Cello)
Sultry Nights (Cello)
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Cello, Piano
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INTERMEDIATE/ADVANCED
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Mike Lyons
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Sultry Nights
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Lyons Music Services
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SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.767305 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and part. 14 pages. Lyons Music Ser...
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Cello,Piano - Level 4 - Digital Download SKU: A0.767305 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and part. 14 pages. Lyons Music Services #3435167. Published by Lyons Music Services (A0.767305). A brand new original piece for Cello with Piano accompaniment. A great piece for a recital or concert or as an exam piece for GCSE. It takes the cello up into its higher register, and covers a wide range of dynamics and expression, and the melody is not quite as straightforward as it sounds. The accompaniment gives the piece a Latin feel, rather like a habanera.There is no doubling between the piano and cello, which makes it ideal as an exam piece, but also means the cello part can be played without the piano if necessary.
$5.99 ≈
5.41€
The Winner Takes It All
The Winner Takes It All
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Cello, Piano
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INTERMEDIATE
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ABBA
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E
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The Winner Takes It All
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Elias Jr
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1148627 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by E.A.Júnior. Broadway,Classical,Dis...
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Cello,Piano - Level 3 - Digital Download SKU: A0.1148627 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by E.A.Júnior. Broadway,Classical,Disco,Film/TV,Musical/Show,Pop. Score and part. 13 pages. Elias Jr #748769. Published by Elias Jr (A0.1148627). Complete arrangement of the song The Winner Takes It All for cello and piano, with the cello part transcribed in treble clef to make the upper register easier to read, this arrangement is perfect for beginners and intermediate players on the respective instruments, easy to play arrangement, solo sheet music for both parts included. The, Winner, Takes, All, ABBA, Gold, sheet, music, Cello, Winner Takes All - ABBA Gold (sheet music) Cello #TheWinnerTakesItAll #ABBA #Celloandpiano.
$12.00 ≈
10.83€
Note Reading in Color, for Cello Students
Note Reading in Color, for Cello Students
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Cello
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BEGINNER
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Traditional and Beethoven
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Aaron Sinnett
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Note Reading in Color, for Cel
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Aaron Sinnett
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SheetMusicPlus
Cello Solo - Level 1 - Digital Download SKU: A0.1358007 Composed by Traditional and Beethoven. Arranged by Aaron Sinnett. 19th Century,Children,Classical...
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Cello Solo - Level 1 - Digital Download SKU: A0.1358007 Composed by Traditional and Beethoven. Arranged by Aaron Sinnett. 19th Century,Children,Classical,Instructional,Traditional. Individual part. 8 pages. Aaron Sinnett #942515. Published by Aaron Sinnett (A0.1358007). Note reading in music can be challenging. The little black dots sitting in the midst of 5 horizontal lines can blur together after a time. This method uses colors to help one quickly identify which string you should be playing on. Even if you are still not very quick to name the notes, learning to group the notes according to string can make that naming game a little simpler. In use are four colors. They represent the four strings on the cello: A, D, G, C. This method can be very informative. Rather than struggle week after week with the same slow results, try this color-coded strategy. There are three familiar tunes in this download. Mary Had a Little Lamb (this one tends to be straight forward enough that every student can play it in a matter of half a lesson), Ode to Joy (by: Beethoven), and Are You Sleeping?. They are organized with increasing amounts of string crossings. This creates the need to remember, more fluidly, which string any given note should be played on. The price is low to encourage you to give it a try. Think of it this way, if you were to get private lessons, it would likely take several lessons to get this information and you only have your memory. Now, you are only a click or so away to having the same information in a PDF that you can refer to again and again.
$4.00 ≈
3.61€
I Love You Truly-cello/piano
I Love You Truly-cello/piano
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Cello, Piano
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EASY
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Phil Beaman
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I Love You Truly-cello/piano
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Phil Beaman
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SheetMusicPlus
Cello,Piano - Level 2 - Digital Download SKU: A0.844623 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil ...
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Cello,Piano - Level 2 - Digital Download SKU: A0.844623 Composed by Phil Beaman. 20th Century,Pop,Romantic Period,Wedding. Score and part. 9 pages. Phil Beaman #4413031. Published by Phil Beaman (A0.844623). Vintage pop romance! This accompanied instrumental solo is a Theme and Variations. For the Theme I used an extract from the 1906 hit pop song I Love You Truly by Carrie Jacobs-Bond, a celebrated female composer at the turn of century. With each variation the melody and rhythm evolve further from the original Theme. The tempo also increases slightly as you progress to each new variation. The first variation adds chromatic embellishment, the second variation syncopates the rhythm, and the third variation uses triplet patterns. More life is added to your romance with each variation!Each person who has heard this piece hears something different, but in all of them it conjures up vintage courting; and most say it would fit a soundtrack to an early silent movie. So, at heart, this piece is still a turn of the century love ballad, but livened up and fused with subtle influences from other styles and periods. Perfect for weddings where you are trying to please everyone; a bit pop, a bit classical, and totally romantic!Works equally well in a classroom or lesson studying Theme and Variations. The easy-going melody only has a range of just over an octave. Its beauty and technique suits it for any recital as well.6 minutes with repeats, 3 minutes without; 6 page score; 3 page solo partRecording is of the Cello/Piano version and doesn't take the repeats.
$5.99 ≈
5.41€
Quando Me'n Vo for Cello & Piano
Quando Me'n Vo for Cello & Piano
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Cello, Piano
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INTERMEDIATE
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Opera
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Classical
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Keith Terrett
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Keith Terrett
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Quando Me'n Vo for Cello & Pia
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Keith Terrett
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.1046448 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period...
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Cello,Piano - Level 3 - Digital Download SKU: A0.1046448 By Keith Terrett. By Giacomo Puccini. Arranged by Keith Terrett. Classical,Opera,Romantic Period. Score and part. 5 pages. Keith Terrett #650969. Published by Keith Terrett (A0.1046448). Arranged for Cello & Piano, Quando me'n vo', also known as Musetta's Waltz, is a soprano aria, a waltz in act two of Puccini's 1896 opera La bohème. It is sung by Musetta, in the presence of her bohemian friends, hoping to reclaim the attention of her occasional boyfriend Marcello. This scene takes place at the Café Momus [fr]. Shortly after Mimì, Rodolfo, and their friends have taken seats for a drink, Marcello's former girlfriend, Musetta, shows up with her current patron, the elderly Alcindoro. They quarrel for a bit, then the episode begins as Musetta initiates her move on Marcello. She grabs the spotlight, musically speaking, for a short self-promoting aria (Quando me'n vo'). It is a song directed at the people in the café as much as at the audience in the theater.
$4.99 ≈
4.50€
Lost Horizon: Cello
Lost Horizon: Cello
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Cello (band part)
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Instructional
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Thom Sharp
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Festival.
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Lost Horizon: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - Digital Download SKU: AX.00-PC-0017367_VC1 Cello. Composed by Thom Sharp. Instructional. Part. 2 pages. Alfred Music - Digital ...
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String Orchestra - Digital Download SKU: AX.00-PC-0017367_VC1 Cello. Composed by Thom Sharp. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017367_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017367_VC1). UPC: 038081518527.This original work by Thom Sharp is an energetic adventure-themed rondo in which every section takes the lead heading off into the horizon looking for adventure. The rhythm of the A theme is used for new melodies in the contrasting sections, either in its original form or starting on a different beat to create a new, yet familiar, rhythm. The last iteration of the A melody employs augmentation. All of these devices provide ample opportunity for instructing students in form and structure and provide for efficient rehearsal time! (3:00)Concert/Contest; Festival.
$5.99 ≈
5.41€
TAKE THE NAME OF JESUS WITH YOU (for Cello and Piano with Score/Part)
TAKE THE NAME OF JESUS WITH YOU (for Cello and Piano with Score/Part)
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Cello, Piano
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INTERMEDIATE
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Sacred music
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Gospel/Spiritual
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William H
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Gary Lanier
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TAKE THE NAME OF JESUS WITH YO
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The Lanier Company
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SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.617655 Composed by William H. Doane. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. ...
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Cello,Piano - Level 3 - Digital Download SKU: A0.617655 Composed by William H. Doane. Arranged by Gary Lanier. Christian,Gospel,Praise & Worship,Sacred. Score and part. 12 pages. The Lanier Company #5989709. Published by The Lanier Company (A0.617655). TAKE THE NAME OF JESUS WITH YOU is an arrangement by Gary Lanier for Cello and Piano of one of our most cherished Hymns. The theme is about the joy, comfort and power found in the Name of Jesus. This arrangement is perfect for Church or any gathering where there is a longing for instrumental hymns about Jesus. The score, including cover and instrumental part is 12 pages long.
$5.99 ≈
5.41€
Falling Like The Stars
Falling Like The Stars
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Cello
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INTERMEDIATE/ADVANCED
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Anders Hojer, James Arthur, an
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Sarah Cellobat Chaffee
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Falling Like The Stars
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Sarah Cellobat Chaffee
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SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.745261 Composed by Anders Hojer, James Arthur, and Jamie Graham. Arranged by Sarah Cellobat Chaffee. Cont...
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Cello Solo - Level 4 - Digital Download SKU: A0.745261 Composed by Anders Hojer, James Arthur, and Jamie Graham. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #353270. Published by Sarah Cellobat Chaffee (A0.745261). Falling Like The Stars was released in 2019 as the third single from James Arthur's third album You. He described the song as perfectly representing what I do best, and his fans agree -- the video has since been viewed over 25 million times! On its way to becoming a wedding classic, this love song describes falling hard for someone at the beginning of a relationship, but also looking forward to a future together as a family with children. This version for solo cello was originally written for a wedding ceremony, but it will also be perfect for receptions, proposals, cocktail hour, pop concerts, solo & ensemble concerts, and any other occasion where you need to pull at your audience's heartstrings! Rated advanced-intermediate only for some tricky rhythms that you might want to take a look at beforehand -- otherwise this chart will be playable for students and easily sightreadable for professionals. Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$7.99 ≈
7.21€
Twelve Different Pieces for two cellos, Op. 58
Twelve Different Pieces for two cellos, Op. 58
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2 Cellos (duet)
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EASY
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Johann Justus Friedrich Dotzau
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Artistic Score Engraving by Mi
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Twelve Different Pieces for tw
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Artistic Score Engraving di Galvagno Michele
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SheetMusicPlus
Cellos - Level 2 - Digital Download SKU: A0.841373 Composed by Johann Justus Friedrich Dotzauer. Arranged by Artistic Score Engraving by Michele Galvagno...
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Cellos - Level 2 - Digital Download SKU: A0.841373 Composed by Johann Justus Friedrich Dotzauer. Arranged by Artistic Score Engraving by Michele Galvagno. Instructional,Romantic Period. Educational Exercises. 72 pages. Artistic Score Engraving di Galvagno Michele #6719777. Published by Artistic Score Engraving di Galvagno Michele (A0.841373). The Twelve Different Pieces for Two Cellos, dedicated to beginners, op. 58, by Johann Justus Friedrich Dotzauer, are a beautiful collection of short duets, perfectly suited to be used both in the classroom and in the concert hall. While the first cello is clearly written to play the role of the protagonist, the second cello is not relegated to a mere accompaniment seat. As usual with Dotzauer, something that may have contributed to these gems remaining unearthed until now, these pieces do not follow a growing order of difficulty. They are more or less equivalent in requiring up to the fourth position and not too many double stops, with some interesting bowing patterns here and there. Many forms are covered (there is even a fugue!), and none of them is in a slow tempo. This edition is made up of a 72-page book, in both PDF and EPUB form, enriched with interactive elements that make navigation a breeze. Additional PDF files for the score and the two cello parts are also included. It is an Urtext edition, in that it fully respects the composer's original text. Any correction to clear mistakes and/or editorial addition will be enclosed in square brackets. I hope you will enjoy every note of it!
$19.50 ≈
17.60€
Schubert's Erlkonig for four or five cellos (cello quartet / quintet)
Schubert's Erlkonig for four or five cellos (cello quartet / quintet)
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Cello Ensemble
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ADVANCED
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Classical
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Franz Schubert
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Yellow Cello Music
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Schubert's Erlkonig for four o
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Yellow Cello Music
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SheetMusicPlus
Cello - Advanced - Digital Download Composed by Franz Schubert (1797-1828). Arranged by Yellow Cello Music. Romantic Period, Classical Period. Score,...
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Cello - Advanced - Digital Download Composed by Franz Schubert (1797-1828). Arranged by Yellow Cello Music. Romantic Period, Classical Period. Score, Set of Parts. 23 pages. Published by Yellow Cello Music
A fun, challenging arrangement for four cellos, preferably five if you can find a fifth cellist. Originally for voice and piano, this version also has elements of Berlioz' and Liszt's orchestral adaptations.
Cellos 1-4 each take one of the vocal "parts"
Cello 1: the narrator
Cello 2: the son
Cello 3: the Erlkonig
Cello 4: the father
The accompanying parts are passed around among the players, so nobody is playing endless triplets. Parts 1-4 all get the melody and the opening "horse" theme.
All parts go into treble clef. All parts are difficult, but parts 4 and 5 are easier than the others.
$4.99 ≈
4.50€
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Take the Cello
