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77 sheet music found Three Gymnopedies by Satie - Cello and Piano (Individual Parts)
Three Gymnopedies by Satie - Cello and Piano (Individual Parts) # Cello, Piano # BEGINNER # Classical # Contemporary # Erik Satie # César Madeira # Three Gymnopedies by Satie - C # Sheet Music To Play Editions # SheetMusicPlus
Cello,Piano - Level 1 - Digital Download SKU: A0.1222650 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Instruc...(+)
Cello,Piano - Level 1 - Digital Download SKU: A0.1222650 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Instructional,Romantic Period. Score and part. 7 pages. Sheet Music To Play Editions #818928. Published by Sheet Music To Play Editions (A0.1222650). Three Gymnopédies by Satie. Arrangement for Violoncello and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.These short and easy, atmospheric pieces, with each sharing a common theme and structure.I. Lent et douloureux (D major / D minor)II. Lent et triste (C major)III. Lent et grave (A minor)Erik Satie (1866 - 1925) was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd, while his 1917 coinage furniture music would presage the development of background and ambient music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play Three Gymnopedies by Satie - Cello and Piano (Full Score)
Three Gymnopedies by Satie - Cello and Piano (Full Score) # Cello, Piano # BEGINNER # Classical # Contemporary # Erik Satie # César Madeira # Three Gymnopedies by Satie - C # Sheet Music To Play Editions # SheetMusicPlus
Cello,Piano - Level 1 - Digital Download SKU: A0.1222652 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Film/TV...(+)
Cello,Piano - Level 1 - Digital Download SKU: A0.1222652 Composed by Erik Satie. Arranged by César Madeira. 19th Century,20th Century,Children,Film/TV,Romantic Period. Score and part. 7 pages. Sheet Music To Play Editions #818930. Published by Sheet Music To Play Editions (A0.1222652). Three Gymnopédies by Satie. Arrangement for Violoncello and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.These short and easy, atmospheric pieces, with each sharing a common theme and structure.I. Lent et douloureux (D major / D minor)II. Lent et triste (C major)III. Lent et grave (A minor)Erik Satie (1866 - 1925) was a French composer and pianist. Satie was an influential artist in the late 19th- and early 20th-century Parisian avant-garde. His work was a precursor to later artistic movements such as minimalism, repetitive music, and the Theatre of the Absurd, while his 1917 coinage furniture music would presage the development of background and ambient music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play Kommos (Lamentation) / "When the World Moved On" - Violoncello
Kommos (Lamentation) / "When the World Moved On" - Violoncello # Cello # INTERMEDIATE/ADVANCED # Contemporary # Benjamin Harry Sajo # Kommos # Benjamin Sajo # SheetMusicPlus
Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sa...(+)
Cello Solo - Level 4 - Digital Download SKU: A0.1018958 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6078715. Published by Benjamin Sajo (A0.1018958). Programme Notes: This composition was written to be considered for pairing alongside Ludwig van Beethoven’s Symphony #3, the Eroica, but can stand on its own virtues as an intense and slow meditation on heroism. The music is like a boiling pot on the stove that’s just began to overflow its bubbles. The first part of the title, kommos, is a Classical Greek term from Attic dramaturgy, literally meaning striking but specifically referring to beating oneself up during lamentation--ripping at the hair, gouging out the eyes--like Oedipus--slapping the forehead, and other acts amid moments of extreme emotional turmoil. For example, from Aeschylus's play Agamemnon, a character bewails: Apollo, Apollo! God of the Ways, my destroyer! For you have destroyed me-and utterly [...]What is this fresh woe [...]what monstrous, monstrous horror, beyond love's enduring, beyond all remedy? And help stands far away! We can easily imagine physical accompaniment to the script; rather than bottling up the pain, the hero lets it all explosively come out.  The second part of the title, When the world moved on, is an epigraph taken from American author Stephen King’s The Dark Tower epic. The primary setting of the novel, a world similar in many ways to our own, is experiencing a dark age where the glorious past is all but a distant memory and all good things are referred to wistfully as occurring, When the world moved on. Yet, the main protagonist, Roland, the last gunslinger, emphasizes that it is not just a figure of speech, but the literal distances between destinations have increased, the positions of the stars have changed, as well as the occurrence of other unnatural phenomena. The world has become a gulf of isolation from all corners. Taken together, this piece is a lamentation for when the world moved on. Truly completed on Yom Kippur during the Covid-19 Pandemic, being unable to fast or go to synagogue, this is my atonement.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers. Sonata for Cello and Piano
Sonata for Cello and Piano # Cello, Piano # INTERMEDIATE/ADVANCED # Contemporary # Brian Joyce # Sonata for Cello and Piano # Brian Joyce # SheetMusicPlus
Cello,Piano - Level 4 - Digital Download SKU: A0.836706 Composed by Brian Joyce. 20th Century,Contemporary. Score and part. 19 pages. Brian Joyce #300936...(+)
Cello,Piano - Level 4 - Digital Download SKU: A0.836706 Composed by Brian Joyce. 20th Century,Contemporary. Score and part. 19 pages. Brian Joyce #3009363. Published by Brian Joyce (A0.836706). A couple of lifetimes ago (or so it seems now) I wrote a quartet of sonatas: one apiece for flute, viola, oboe, and the present work for cello. I thought of them as representing Spring, Summer, Fall and Winter respectively. This one, dating from 1972, expands the concept of a rondo to dimensions covering an entire multi-movement sonata. There are the traditional three movements one would expect to find, but they are tied together through unmetered sections for solo cello set between them. In this way, the true movements almost function as episodes in a giant rondo. Additionally, the solo interpolations form an entity in themselves, each picking up where the previous one left off. And if that weren’t enough, thematic material in the real movements is often first presented in the Interpolations, so it is difficult to tell where an idea really belongs. Given my philosophical leanings at the time (it was the 70s, remember!), this ambiguity was precisely the point.Performance time is approximately 12 minutes. Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Violoncello
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Violoncello # Cello # ADVANCED # Contemporary # Benjamin Harry Sajo # Icarus Also Flew: A Pairing wi # Benjamin Sajo # SheetMusicPlus
Cello Solo - Level 5 - Digital Download SKU: A0.1018897 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sa...(+)
Cello Solo - Level 5 - Digital Download SKU: A0.1018897 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 4 pages. Benjamin Sajo #6056131. Published by Benjamin Sajo (A0.1018897). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers. Sketches of Christ 3 "I Was Blind; Now I See" - Tone Poem for Instrumental Solo and Piano by Stephen
Sketches of Christ 3 "I Was Blind; Now I See" - Tone Poem for Instrumental Solo and Piano by Stephen # Cello, Piano # Contemporary # Stephen R Dalrymple # Sketches of Christ 3 "I Was Bl # Stephen R Dalrymple # SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - Digital Download SKU: A0.818293 Composed by Stephen R Dalrymple (Dalrymple Designs). ...(+)
Small Ensemble Cello,Clarinet,Flute,Piano,Trombone,Trumpet,Violin - Digital Download SKU: A0.818293 Composed by Stephen R Dalrymple (Dalrymple Designs). Contemporary. Score and parts. 109 pages. Stephen R Dalrymple #4991045. Published by Stephen R Dalrymple (A0.818293). Sketches of Christ Movement 3 Though I Was Blind; Now I SeeTone Poem for Cello and Piano and Piano by Stephen R Dalrymplebased on John 9, the account of the interactions of the man born blind, Jewish authorities, and Jesus Christtranscribed for solo flute, clarinet, trumpet, euphonium/trombone, and violin Sketches of Christ is a 3 movement work by Stephen R Dalrymple intended for the concert stage (contrasted with preludes and offertories at church). It was originally titled Sonata for Cello and Piano. As I composed similar works, I realized that, although I have used the concepts of sonata form in various movements, because these pieces reflect the drama of selected passages of the Bible, Tone Poem was a more fitting genre title. I have begun the process of transcribing these Tone Poems for additional instruments. I consider these Tone Poems as contemporary classical music. I have used modal harmonies; polychords and polytonality; free dissonance; atonality, mixed meters, etc. to convey the drama of the Bible. Sketches of Christ is based on 3 episodes from Christ’s Life: The calming of the Sea of Galilee, Mary and Martha, and the healing of the man born blind. This score is movement 3 of a 3 movement tone poem, originally scored and premiered as a sonata for Cello and Violin. It is presented here for 5 additional solo instruments: Flute, Clarinet, Trumpet, Euphonium (or Trombone) and Violin.  Sketches of Christ is written in 20th Century Classical Music composition techniques. Various movements employ a mix of bitonality, modal harmony, deliberate dissonance, and mixed meter. Each movement dramatizes an event form the Life of Christ. This movement expresses the interactions of the man born blind, Jewish authorities, and Jesus Christ from John 9.  The score shows the parts for cello and piano, but individual parts are provided for the other solo instruments.  Includes 14 scores: Full Score for cello and piano letter size; Cello, Flute, Clarinet, Trumpet, Euphonium (or trombone), and Violin solo parts; Full Score for cello and small page format for performing from a 10 inch tablet and the same solo parts for 10 inch tablet. tablet (Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)  The 3 movements of the tone poem are published separately. This tone poem is actually a more like a solo instrument and piano duet rather than a solo with a piano accompaniment. outside
outside # Cello, Piano # INTERMEDIATE/ADVANCED # Contemporary # R # outside # R. Currier III # SheetMusicPlus
Small Ensemble Cello,Flute,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.1016590 Composed by R. Currier III. 20th Century,Concert,Contemporary. ...(+)
Small Ensemble Cello,Flute,Oboe,Piano,Violin - Level 4 - Digital Download SKU: A0.1016590 Composed by R. Currier III. 20th Century,Concert,Contemporary. Score and parts. 26 pages. R. Currier III #6183835. Published by R. Currier III (A0.1016590). A perfect piece to inject a note of solemnity into a contemporary program, this work was composed as part of a multi-arts initiative at the New Britain Museum of American Art designed to bring attention to the issue of homelessness. All five instruments - flute, oboe, violin, cello and piano - feature equally in this work, and all are integral to its success. The piece features frequent shifts in meter, rubato sections where the feel of pulse and barline disappear, and percussive finger tapping on instrument bodies.Thanks for stopping by to check out outside. For more original music in a variety of genres, please visit my website, www.raysoctopus.com, which includes some of my art photography, information about me, and a link to my SoundCloud account. Or, you can just jump on over to SoundCloud via this link: https://soundcloud.com/ray-currier. Erik Satie - Gnossienne Nº1. Arrangement for Violoncello and Classical Guitar. Score and Parts
Erik Satie - Gnossienne Nº1. Arrangement for Violoncello and Classical Guitar. Score and Parts # Cello, Guitar (duet) # INTERMEDIATE # Classical # Contemporary # Erik Satie # Guilherme Facchetti # Cie # Erik Satie - Gnossienne Nº1. # Guilherme Facchetti # SheetMusicPlus
Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1436126 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Chamber...(+)
Cello,Guitar,Instrumental Duet - Level 3 - Digital Download SKU: A0.1436126 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Chamber,Classical,Romantic Period,Standards. 7 pages. Guilherme Facchetti #1016279. Published by Guilherme Facchetti (A0.1436126). This arrangement of the “Gnossienne Nº1” for Violoncello and Classical Guitar is a free artistic recreation, based on the information contained in the piano score published in 1913, by “ Rouart, Lerolle & Cie.” Paris, France. This sheet music contain score and separated parts. Erik Satie - Gnossienne Nº2. Arrangement for Violoncello and Classical Guitar. Score and Parts.
Erik Satie - Gnossienne Nº2. Arrangement for Violoncello and Classical Guitar. Score and Parts. # Cello, Guitar (duet) # EASY # Classical # Contemporary # Erik Satie # Guilherme Facchetti # Cie # Erik Satie - Gnossienne Nº2. # Guilherme Facchetti # SheetMusicPlus
Cello,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1446608 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Chamber...(+)
Cello,Guitar,Instrumental Duet - Level 2 - Digital Download SKU: A0.1446608 Composed by Erik Satie. Arranged by Guilherme Facchetti. 19th Century,Chamber,Classical,Romantic Period,Standards. 5 pages. Guilherme Facchetti #1026370. Published by Guilherme Facchetti (A0.1446608). This arrangement of the “Gnossienne Nº2” for Violoncello and Classical Guitar is a free artistic recreation, based on the information contained in the piano score published in 1913, by “ Rouart, Lerolle & Cie.” Paris, France. This sheet music contain score and separated parts. Moon Song - for cello and piano
Moon Song - for cello and piano # Cello, Piano # INTERMEDIATE # Contemporary # Robert Jeffery # Moon Song - for cello and pian # Robert Jeffery Music # SheetMusicPlus
Cello,Piano - Level 3 - Digital Download SKU: A0.926828 Composed by Robert Jeffery. Contemporary. Score and part. 3 pages. Robert Jeffery Music #3566557....(+)
Cello,Piano - Level 3 - Digital Download SKU: A0.926828 Composed by Robert Jeffery. Contemporary. Score and part. 3 pages. Robert Jeffery Music #3566557. Published by Robert Jeffery Music (A0.926828). Duration: approx 3 mins.Difficulty: IntermediateA short piece for cello and piano, well suited to school level performers who are looking for an evocative, dramatic yet tuneful addition to their repertoire. The Moon Song has also worked very well as accompaniment for one or more contemporary dancers.The piece is written in a flamenco rhythm called siguiriyas. It may look complicated on the page, but is counted more simply in 5 beats, with three short and two long beats: [1] and [2] and [3] and uh [4] and uh [5] and In this case, the 1, 2, and 5 are the short beats and the 3 and 4 are long beats. This pattern repeats regularly throughout the piece, though there are a couple of extra bars interspersed to allow for breathing space at the end of certain phrases.The piece was inspired by the early 20th century Spanish poet Federico Garcia Lorca's poem of the same name, hence the use of the flamenco rhythm. The poem's dark, moody nature fits the cello's character very well. Gymnopedie No. 1
Gymnopedie No. 1 # Cello, Piano # EASY # Classical # Contemporary # Erik Satie # Samuel Sequeira # Gymnopedie No. 1 # Samuel Sequeira # SheetMusicPlus
Cello,Piano - Level 2 - Digital Download SKU: A0.1245353 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 p...(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.1245353 Composed by Erik Satie. Arranged by Samuel Sequeira. 19th Century,Classical. Score and part. 6 pages. Samuel Sequeira #840230. Published by Samuel Sequeira (A0.1245353). Gymnopedie No. 1 - Erik Satie - Cello/PianoPlay it at home, with friends, on class, for your teacher or studentPlay it on a public presentation.I present to you a captivating arrangement for Violoncello and piano of Gymnopédie No. 1 by Erik Satie, with a Youtube PlayAlong VideoIn this arrangement, the cello takes on the haunting melodies of Satie's iconic composition, while the piano provides a delicate and supportive accompaniment. The combination of these two instruments creates a unique and enchanting musical experience.The arrangement begins with the gentle and sparse opening chords on the piano, creating a serene atmosphere. As the cello enters, it carries the iconic melody, infusing it with its rich and soulful tones. The cello's warm and expressive qualities add an extra layer of depth and emotion to the music, enhancing its introspective and contemplative nature.Throughout the arrangement, the cello and piano engage in a musical dialogue, blending their sounds in perfect harmony. The piano provides a nuanced and sensitive backdrop, supporting the cello's melodic lines and adding depth to the arrangement. The cello, in turn, soars above the piano, capturing the listener's imagination and conveying the emotional depth of Satie's composition.The arrangement maintains the simplicity and elegance of Satie's original work while allowing for subtle interpretations and expressive phrasing from both the cello and piano. Together, they create a captivating rendition that invites the listener on a reflective and introspective journey.Gymnopédie No. 1 is a timeless piece that has touched the hearts of many. This arrangement for cello and piano allows the beauty of Satie's music to shine through in a new and captivating way, showcasing the expressive capabilities of both instruments.You can find me on:Instagram: @SamuelseqYouTube: @SamuelSeqMore arrangements on: Sam'S arrangementsThanks for listening, and happy playing! Adoration
Adoration # Cello, Piano # EASY # Contemporary # Florence Beatrice Price # Steven Nunes # Adoration # Nagamon Publications # SheetMusicPlus
Cello,Piano - Level 2 - Digital Download SKU: A0.1343128 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 20th Century,Classical. Score and...(+)
Cello,Piano - Level 2 - Digital Download SKU: A0.1343128 Composed by Florence Beatrice Price. Arranged by Steven Nunes. 20th Century,Classical. Score and part. 5 pages. Nagamon Publications #928648. Published by Nagamon Publications (A0.1343128). Florence Beatrice Price (April 9, 1887 June 3, 1953) was an American classical composer, pianist, organist and music teacher. Born in Little Rock, Arkansas, Price was educated at the New England Conservatory of Music, and was active in Chicago from 1927 until her death in 1953. Price is noted as the first African-American woman to be recognized as a symphonic composer, and the first to have a composition played by a major orchestra.This short and tuneful piece is perfect in any performance. Â This transcription is for cello and piano, and the PDF contains the full set of parts.