VIOLA
Not classified 209,547 Piano & keyboards Piano Quartet: piano, violin, viola, cello 559 Piano Quintet: piano, 2 violins, viola, cello 537 Piano Quintet: piano, violin, viola, cello, double bass 6 Guitars
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5,967 sheet music found Isn't She Lovely
Isn't She Lovely # 2 Violins (duet) # INTERMEDIATE # Stevie Wonder # Ygor Nunes # Isn't She Lovely # Ygor Nunes # SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1486947 By Stevie Wonder. By Stevie Wonder. Arranged by Ygor Nunes. Film/TV,Pop,Rock,Soul,Wedding...(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1486947 By Stevie Wonder. By Stevie Wonder. Arranged by Ygor Nunes. Film/TV,Pop,Rock,Soul,Wedding. 10 pages. Ygor Nunes #1064021. Published by Ygor Nunes (A0.1486947). Have you heard Stevie Wonder's Isn't She Lovely? This 1976 classic, celebrating the birth of Stevie's daughter, radiates pure joy and love.Now, imagine this iconic melody arranged for a violin duet. Each note, each harmony, comes alive in a fresh, vibrant way. Rediscover the beauty of this timeless song through this arrangement.Don't miss out on this unforgettable musical experience. Let the magic of Isn't She Lovely touch your heart once again. Isn't She Lovely
Isn't She Lovely # 2 Violins (duet) # INTERMEDIATE # Stevie Wonder # Ygor Nunes # Isn't She Lovely # Ygor Nunes # SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1486924 By Stevie Wonder. By Stevie Wonder. Arranged by Ygor Nunes. Film/TV,Pop,Rock,Soul,Wedding...(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1486924 By Stevie Wonder. By Stevie Wonder. Arranged by Ygor Nunes. Film/TV,Pop,Rock,Soul,Wedding. 8 pages. Ygor Nunes #1063994. Published by Ygor Nunes (A0.1486924). Experience the Magic of Isn't She Lovely by Stevie WonderHave you heard Stevie Wonder's Isn't She Lovely? This 1976 classic, celebrating the birth of Stevie's daughter, radiates pure joy and love.Now, imagine this iconic melody arranged for a violin duet. Each note, each harmony, comes alive in a fresh, vibrant way. Rediscover the beauty of this timeless song through this arrangement.Don't miss out on this unforgettable musical experience. Let the magic of Isn't She Lovely touch your heart once again. Minor Swing
Minor Swing # 2 Violins (duet) # INTERMEDIATE/ADVANCED # Django Reinhardt # C # Minor Swing # C C Fairchild # SheetMusicPlus
Violin Duet Violin - Level 4 - Digital Download SKU: A0.1486680 By Django Reinhardt. By Django Reinhardt and Stephane Grappelli. Arranged by C. Fairchild...(+)
Violin Duet Violin - Level 4 - Digital Download SKU: A0.1486680 By Django Reinhardt. By Django Reinhardt and Stephane Grappelli. Arranged by C. Fairchild. 20th Century,Folk,Jazz,Multicultural,World. 6 pages. C C Fairchild #1063744. Published by C C Fairchild (A0.1486680). Minor Swing, made famous by the great solos of Django Reinhardt and Stephane Grappello, re-imagined as a duet between two violins. The music is a transcription/arrangement of each of their solos from the famous recording with each violin taking a turn at a solo. When not soloing, I have provided basic chords for the violin to follow, though they do not have to be strictly adhered to.I've also included some suggested fingerings and bowings, but these can be personal, so I encourage players to adapt them as needed to fit their style and sound. Six Violin Duets, Op. 1
Six Violin Duets, Op. 1 # 2 Violins (duet) # INTERMEDIATE # William Shield # Robert Hoskins # Six Violin Duets, Op. 1 # Artaria Editions # SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Edit...(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488279 Composed by William Shield. Arranged by Robert Hoskins. Classical. 89 pages. Artaria Editions #1065167. Published by Artaria Editions (A0.1488279). Artaria Editions AE387The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins. Six Violin Duets, Op. 2
Six Violin Duets, Op. 2 # 2 Violins (duet) # INTERMEDIATE # William Shield # Robert Hoskins # Six Violin Duets, Op. 2 # Artaria Editions # SheetMusicPlus
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Edit...(+)
Violin Duet Violin - Level 3 - Digital Download SKU: A0.1488280 Composed by William Shield. Arranged by Robert Hoskins. Classical. 59 pages. Artaria Editions #1065168. Published by Artaria Editions (A0.1488280). Artaria Editions AE388The London premires of Opp.1 and 2 probably took place at William Napier's morning concerts held at the Thatched House Tavern in St. James's Street. The performers at this venue were gentlemen amateurs backed with some professional assistance (possibly including Shield) and the audience consisted largely of nobility (but not ladies) on their way to court. Napier's concerts were more than a vehicle for airing newly published works or composers, and when it was proposed to revive the series in 1792, the Morning Chronicle of 28 January recalled that they had served to improve the taste and science of the amateur as well as introducing professional merit to the highest patronage. Shield's duets, expressly written with talented amateurs in mind (according to the title-page of Op.2), exactly suited the repertoire of the morning concerts.Both sets of duets are neatly engineered with a violinist's grasp of technique and articultion, and with each part sharing in the musical interest. The prevailing spirit of Op. 1 is Italianate and there are many attractive details to be heard. The amoroso movement of No.1, for example, with its ardent episodes and the hunting rondo of No.2 which begins with the representation of distant horn calls and later depicts a chromatically wounded prey. If the opening of No. 3 gives the impression of an exotic dance, including the audible thrum of a guitar or harp, then the rondo of No.4 can be imagined as a spring song animated with birds and breezes. The opening of No.5 is as propulsive as a theatre overture whilst No.6, written for either violins or flutes, assumes a suitably fluty tone. Op.2 is an altogether more compact set which sharpens the focus on elements already noticed in Op.1. Shield employs a variety of forms including minuet, variations, rondo and canon; and he also adopts vocal styles including lyric song (for the affettuoso movement of No.1) and arioso (for the opening adagio of No.2). The first movement of No. 3 sounds like a mini stage overture whilst the adagio of No. 5 can be heard as a melting duet. Both movements of No. 4 adhere to folk style, incorporating hurdygurdy like figurations and simulated versions of the northern pipe-tunes which Shield himself so avidly collected. This edition presents as faithfully as possible the intentions of Napier's source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.