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237 sheet music found Moment Musical No.3, Op.94 - Viola and Piano (Individual Parts)
Moment Musical No.3, Op.94 - Viola and Piano (Individual Parts) # Viola, Piano # EASY # Classical # Franz Schubert # César Madeira # Moment Musical No.3, Op.94 - V # Sheet Music To Play Editions # SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.1380433 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Baroque,Classical,Early M...(+)
Piano,Viola - Level 2 - Digital Download SKU: A0.1380433 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Baroque,Classical,Early Music,Romantic Period. Score and part. 4 pages. Sheet Music To Play Editions #965208. Published by Sheet Music To Play Editions (A0.1380433). Moment Musical No.3, Op.94 (D 780) by Schubert. Arrangement for Viola and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Franz Peter Schubert (1797 - 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play Moment Musical No.3, Op.94 - Viola and Piano (Full Score and Parts)
Moment Musical No.3, Op.94 - Viola and Piano (Full Score and Parts) # Viola, Piano # INTERMEDIATE # Classical # Franz Schubert # César Madeira # Moment Musical No.3, Op.94 - V # Sheet Music To Play Editions # SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1380430 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Children,Classical,Early ...(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1380430 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Children,Classical,Early Music,Romantic Period. Score and part. 9 pages. Sheet Music To Play Editions #965205. Published by Sheet Music To Play Editions (A0.1380430). Moment Musical No.3, Op.94 (D 780) by Schubert. Arrangement for Viola and Piano. With Full Score and Individual Parts. Enjoy it!Franz Peter Schubert (1797 - 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play Moment Musical No.3, Op.94 - Viola and Piano (Full Score)
Moment Musical No.3, Op.94 - Viola and Piano (Full Score) # Viola, Piano # INTERMEDIATE # Classical # Franz Schubert # César Madeira # Moment Musical No.3, Op.94 - V # Sheet Music To Play Editions # SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1380436 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Children,Classical,Contes...(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1380436 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Children,Classical,Contest,Festival,Romantic Period. Score and part. 3 pages. Sheet Music To Play Editions #965211. Published by Sheet Music To Play Editions (A0.1380436). Moment Musical No.3, Op.94 (D 780) by Schubert. Arrangement for Viola and Piano. With Full Score. Enjoy it!This file DOES NOT contain Individual Parts. Full Score only.Franz Peter Schubert (1797 - 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play Wayfaring Stranger
Wayfaring Stranger # Viola, Piano # INTERMEDIATE # Gospel/Spiritual # Sacred music # Spiritual # Beka Wilson # Wayfaring Stranger # Beka Wilson # SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.786437 Composed by Spiritual. Arranged by Beka Wilson. Christian,Contemporary,Folk,Sacred,Spiritual. Sco...(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.786437 Composed by Spiritual. Arranged by Beka Wilson. Christian,Contemporary,Folk,Sacred,Spiritual. Score and part. 5 pages. Beka Wilson #5989505. Published by Beka Wilson (A0.786437). This poignant African-American spiritual has long been a favorite among both sacred and secular musicians. This instrumental solo would make a great addition for a memorial service, or as an offertory for church.Pages: 5 (includes piano score and a solo viola part)Length: Approximately 3:45 minutes (at 90 bpm)Difficulty: intermediate Also available for: flute, oboe, clarinet, bassoon, alto sax, tenor sax, F horn, trumpet, trombone, violin, or cello.Want this arrangement for a different set of instruments or in a different key? Shoot me an email at bekmars10@gmail.com for a custom version of this arrangement that I can post on Sheet Music Plus for you. Amazing Grace, Concert Solo for Viola and Piano
Amazing Grace, Concert Solo for Viola and Piano # Viola, Piano # INTERMEDIATE # Sacred music # John Newton # David McKeown # Amazing Grace, Concert Solo fo # David McKeown # SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Sco...(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.587645 Composed by John Newton. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred. Score and part. 6 pages. David McKeown #4611387. Published by David McKeown (A0.587645). Amazing Grace is perhaps the best-known and best-loved hymn in the world. The writer, John Newton, led a dissolute life as a sailor in the slave trade for many years before marriage, along with a close encounter with death at sea, dramatically changed his perspective. He lived out his later years as a devout and charismatic clergyman in the English countryside, renowned for his direct and personal style. The words he wrote in Amazing Grace are an intimate retelling of his spiritual journey. The hymn was written in 1773, and was sung to many different melodies initially, but since the mid nineteenth century it has become most closely associated with the famous folk tune melody presented here, New Britain.This version is arranged as a solo for Viola with Piano accompaniment. The melody is played four times, each verse in a different style. The thirty second sample recording is from the Alto Saxophone version; if you would like to hear and see the whole arrangement then click the youtube link https://youtu.be/T4h91k9M8mcMusicians at an intermediate level and above will find this ideal for formal and informal performances, on both sacred and secular occasions. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Pachelbel: Canon for Viola & Piano
Pachelbel: Canon for Viola & Piano # Viola, Piano # INTERMEDIATE # Classical # Johann Pachelbel # James M # Pachelbel: Canon for Viola & P # jmsgu3 # SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.548460 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standard...(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.548460 Composed by Johann Pachelbel. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and part. 8 pages. Jmsgu3 #3385399. Published by jmsgu3 (A0.548460). The famous Pachelbel Canon arranged for viola & piano. Great for weddings & receptions. Pachelbel's Canon Pachelbel's Canon is, in fact, the traditional title for a composition by the German composer Johann Pachelbel. Other names for the work include namely: Canon and Gigue for 3 violins and basso continuo, Canon and Gigue in D, and of course Canon in D. We do not know when or why in particular it was written. The oldest copy is surprisingly from the 19th century. It is important to realize that it was a common routine for organists to practice improvisation on the chord progression underlying the canon. Pachelbel originally scored the Canon notably for three violins and continuo. He also in fact paired the Canon with a gigue. The movements are homotonal, to clarify, both are in the key of D major. History In due time, Pachelbel's Canon went out of style and remained in virtual oblivion for centuries. The Jean-François Paillard chamber orchestra, however, recorded an arrangement of it in 1968. As a result, it gained approval.  Many ensembles began likewise to record the piece in the 1970s and by the 1980s became ubiquitous as background music. From the 1970s to the early 2000s, pop songs correspondingly used elements of the piece. The chord progression, in particular, was used this way. Also, since the 1980s, it has been not only wildly popular for weddings, but also for funeral ceremonies in the USA and Europe. Pachelbel Background Johann Pachelbel (1653 –1706) was a German composer, as well as an organist. He was furthermore instrumental in bringing the south German organ school to its apex. He wrote a large body of music, both sacred and, equally important, secular. In particular, he uniquely helped develop the chorale prelude and fugue. For this, he has, in fact, earned a rightful place in the company of the most significant composers of the mid-Baroque period. Works Pachelbel's music was certainly popular. With this in mind, he also consequently had many pupils. His music expressly developed into a model for the south German composers. Nowadays, Pachelbel is most famous particularly for the Canon in D, as well as the F minor Chaconne, the Toccata in E minor, and of course the Hexachordum Apollinis, a set of variations for the keyboard. Influences Johann Jakob Froberger and Johann Caspar Kerll were south German composers who significantly influenced Pachelbel. Furthermore, he was especially influenced by Italians such as Frescobaldi and Poglietti. He frequently preferred an articulate, simple contrapuntal style that highlighted clarity. His music is markedly less extravagant and harmonically adventurous than that of Dieterich Buxtehude. However, as a point often overlooked, like Buxtehude, Pachelbel experimented with different instrumental combinations in his chamber music. Legacy All in all, Pachelbel was most famous as a composer for the keyboard. He composed over two hundred pieces specifically for the instrument. Pachelbel was also surprisingly a prolific composer of vocal music. All in all, about a hundred vocal works survive, including 40 or so large-scale works. Luther: Out of the Depths for Viola & Piano
Luther: Out of the Depths for Viola & Piano # Viola, Piano # BEGINNER # Martin Luther # James M # Luther: Out of the Depths for # jmsgu3 # SheetMusicPlus
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. S...(+)
Piano,Viola - Level 1 - Digital Download SKU: A0.548726 Composed by Martin Luther. Arranged by James M. Guthrie, ASCAP. Easter,Instructional,Standards. Score and part. 4 pages. Jmsgu3 #3411767. Published by jmsgu3 (A0.548726). Out of the Depths I Cry to You by Martin Luther. The first verses feature modified counterpoint and harmony proceeding at quarter = 82. The final verse is reharmonized for maximum dramatic effect at a more contemplative tempo such as quarter = 64. Very powerful selection for Lent or Easter. Duration (3 verses) 3:05, 36 ms. Score: 3 pg. Solo part: 1 pg. The piano reads from the score. Out of the Depths Aus tiefer Not schrei ich zu dir (From deep affliction I cry out to you), is, of course, a hymn composed by Martin Luther. Moreover, Luther also wrote the lyrics which are essentially a paraphrase of Psalm 130. First published in 1524, it is also one of eight songs in the original Lutheran hymnal. It appears likewise in many hymnals and in different translations. The lyrics furthermore stimulated compositions from the Renaissance to the contemporary. Consequently, composers such as Johann Sebastian Bach built an entire chorale cantata on it. Other composers similarly contributed compositions, such as Felix Mendelssohn and Max Reger. Luther Background Martin Luther, (1483 –1546) was a German professor of theology, composer, priest, and moreover, an influential character in the Protestant Reformation. Luther had a momentous impact on church and society due to his contributions to the musical arts. He wanted to disseminate the gospel among mankind and with this intention thought that the best way to do that was through music. Influence It is important to realize that other musicians, and their descendants, were encouraged by Luther’s songs and wrote their own hymns. Luther, to be sure, had a thorough musical education. For example, he knew secular and sacred songs from an early age. He, in particular, played the lute well and sang in the monastery when he was a monk. That is to say, music was an essential part of his life. He in fact first began writing songs in 1523, sometimes writing the melody as well as the lyrics. Luther was certainly able to evaluate the composers of his time. He thought especially highly of Josquin des and Ludwig Senfl. He was also acquainted, with this in mind, with other composers and their works. Legacy The Lutheran musical ethos soon covered all of Germany and later significantly fashioned Protestant musical culture. Heinrich Schütz and Johann Sebastian Bach are the most compelling evidence of this Protestant musical culture. Additionally, as a point often overlooked, the pedal organ, first refined in northern Germany, became universally prevalent. As a matter of fact, Dieterich Buxtehude established a regular evening organ concert series in Lübeck. Another key point is that this concert series, in turn, spread North German Musical ideas worldwide. Luther was especially convinced that music is a beautiful and exclusive offering of the divine. Jingle Bells for Viola & Piano
Jingle Bells for Viola & Piano # Viola, Piano # EASY # Christmas # James Pierpont # James M # Jingle Bells for Viola & Piano # jmsgu3 # SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pag...(+)
Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com Carson Cooman: Planctus (2005) for solo viola
Carson Cooman: Planctus (2005) for solo viola # Viola # INTERMEDIATE/ADVANCED # Musik Fabrik Music Publishing # Carson Cooman: Planctus # Musik Fabrik Music Publishing # SheetMusicPlus
Viola Solo - Level 4 - Digital Download SKU: A0.533668 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Individual part. 3 page...(+)
Viola Solo - Level 4 - Digital Download SKU: A0.533668 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Individual part. 3 pages. Musik Fabrik Music Publishing #3037089. Published by Musik Fabrik Music Publishing (A0.533668). Planctus (2005) for solo viola is dedicated to Alexandra Green, on her birthday. Planctus (noun, Latin) – Medieval style of song and poetry of a lamenting character. They were sung both in Latin and in the vernacular (common language), treated both religious and secular subjects, and were popular throughout Europe. The work is cast in song form. Like later examples of the “planctusâ€, the work becomes not truly a “lamentâ€, but a more general song. The same rubato and musicality that is used in playing the unaccompanied cello suites of J. S. Bach should be applied to this piece. Always singing, always lyrical, always flexible, always keeping in mind the different voices and harmonies (implied and stated) occurring in the music.