Digital sheet music, access after purchasing
Sheetmusic to print
248 sheet music found The Song of Moses and of Miriam at the Red Sea-Viola
The Song of Moses and of Miriam at the Red Sea-Viola # Viola # EASY # Zachary Damm # The Song of Moses and of Miria # Digital Print Publishing # SheetMusicPlus
Viola Solo - Level 2 - Digital Download SKU: A0.969564 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publ...(+)
Viola Solo - Level 2 - Digital Download SKU: A0.969564 Composed by Zachary Damm. Christian,Sacred,Spiritual. Individual part. 3 pages. Digital Print Publishing #3015667. Published by Digital Print Publishing (A0.969564). The music of this piece attempts to capture the mood behind the songs of the Israelites at the Red Sea. This choir piece is part of a larger work that utilizes an orchestra composed of piccolo, flute, oboe, B flat clarinet, bassoon, horn, B flat trumpet, trombone, tuba, violin, viola, cello, double bass, timpani, and tambourine, including piano and organ accompaniment. The vocal parts are an SATB choir which sings the Scriptural words. This is a great sacred piece for choirs and orchestras as well as church services. This is a copy of the viola part: see also all the individual instrumental parts under the same title. Jingle Bells for Viola & Piano
Jingle Bells for Viola & Piano # Viola, Piano # EASY # Christmas # James Pierpont # James M # Jingle Bells for Viola & Piano # jmsgu3 # SheetMusicPlus
Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pag...(+)
Piano,Viola - Level 2 - Digital Download SKU: A0.548654 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 9 pages. Jmsgu3 #3408171. Published by jmsgu3 (A0.548654). Jingle Bells arranged for viola & piano featuring a fancy 3rd verse. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com Fauré: Élégie Op. 24 for Viola & Piano
Fauré: Élégie Op. 24 for Viola & Piano # Viola, Piano # INTERMEDIATE/ADVANCED # Classical # Gabriel Faure # James M # Fauré: Élégie Op. 24 for Vi # jmsgu3 # SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romant...(+)
Piano,Viola - Level 4 - Digital Download SKU: A0.549724 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531351. Published by jmsgu3 (A0.549724). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works. Down by the Riverside, Gospel Hymn for Clarinet and Viola Duet
Down by the Riverside, Gospel Hymn for Clarinet and Viola Duet # Clarinet and Viola # INTERMEDIATE # Sacred music # Gospel/Spiritual # Traditional # David McKeown # Down by the Riverside, Gospel # David McKeown # SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.590505 Composed by Traditional. Arranged by David McKeown. Christ...(+)
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.590505 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6133253. Published by David McKeown (A0.590505). Down by the Riverside is an Afro-American Spiritual Hymn and Song. This version is arranged as a duet for one Clarinet and one Viola. Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.Down by the Riverside is simply arranged in a key and range best suited to the instruments. Three choruses and two verses are played, with variations, in a gospel swing style. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Down by the Riverside is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Down by the Riverside is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Down by the Riverside, Gospel Hymn for Flute and Viola Duet
Down by the Riverside, Gospel Hymn for Flute and Viola Duet # Flute, Viola (duet) # INTERMEDIATE # Sacred music # Gospel/Spiritual # Traditional # David McKeown # Down by the Riverside, Gospel # David McKeown # SheetMusicPlus
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.589914 Composed by Traditional. Arranged by David McKeown. Christian...(+)
Instrumental Duet Flute,Instrumental Duet,Viola - Level 3 - Digital Download SKU: A0.589914 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score and parts. 4 pages. David McKeown #6133277. Published by David McKeown (A0.589914). Down by the Riverside is an Afro-American Spiritual Hymn and Song. This version is arranged as a duet for one Flute and one Viola. Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.Down by the Riverside is simply arranged in a key and range best suited to the instruments. Three choruses and two verses are played, with variations, in a gospel swing style. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Down by the Riverside is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Down by the Riverside is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Down by the Riverside, Gospel Hymn for Viola Duet
Down by the Riverside, Gospel Hymn for Viola Duet # 2 Violas (duet) # INTERMEDIATE # Sacred music # Gospel/Spiritual # Traditional # David McKeown # Down by the Riverside, Gospel # David McKeown # SheetMusicPlus
Viola Duet Viola - Level 3 - Digital Download SKU: A0.589935 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred...(+)
Viola Duet Viola - Level 3 - Digital Download SKU: A0.589935 Composed by Traditional. Arranged by David McKeown. Christian,Gospel,Praise & Worship,Sacred,Spiritual. Score. 4 pages. David McKeown #6133327. Published by David McKeown (A0.589935). Down by the Riverside is an Afro-American Spiritual Hymn and Song. This version is arranged as a duet for two Violas. Down by the Riverside was sung in African-American communities before the American Civil War but did not appear in print until included in a 1918 collection of spirituals. Several versions were recorded by gospel choirs in the ‘20s and ‘30s, and Down by the Riverside, with its lyric, I ain’t goin’ to study war no more, was adopted as an anti-war song by the ‘60s counterculture.Down by the Riverside is simply arranged in a key and range best suited to the instruments. Three choruses and two verses are played, with variations, in a gospel swing style. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.Down by the Riverside is suitable for players at an intermediate level and above. With a performance time of around three minutes, this version of Down by the Riverside is perfect for worship and concert performances, both formal and informal.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203