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163 sheet music found O Come, All Ye Faithful for Euphonium or Baritone
O Come, All Ye Faithful for Euphonium or Baritone # Euphonium, Piano (duet) # INTERMEDIATE # Attr # Lawrence H # O Come, All Ye Faithful for Eu # Lawrence H Underwood # SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.967717 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christma...(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.967717 Composed by Attr. to John Francis Wade. Arranged by Lawrence H. Underwood. Christian,Christmas,Contemporary,Sacred. Score and part. 10 pages. Lawrence H Underwood #6189419. Published by Lawrence H Underwood (A0.967717). Arranged by veteran instrumental educator and performer, Lawrence Underwood, as the sixth installment in his A Christmas Portfolio series, this brand new setting of O Come, All Ye Faithful is a showstopper! The arrangement opens lyrically, in a lilting 12/8, before traveling through a driving section in 5, a majestic 3/4, then baroque-flavored turns in 4/4 and again in 3/4. The interplay between the solo and accompaniment evokes the feeling of a small orchestra! Suitable for use in church or as a showpiece in any holiday setting, this piece is one your audience is sure to remember! Fall of a Titan - Euphonium Solo - EUPHONIUM
Fall of a Titan - Euphonium Solo - EUPHONIUM # Euphonium, Piano (duet) # EASY # Adam Lawrence # Fall of a Titan - Euphonium So # Adam Lawrence # SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017037 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 2 pages. ...(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017037 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 2 pages. Adam Lawrence #6016571. Published by Adam Lawrence (A0.1017037). Please note that this is the EUPHONIUM part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic Fall of a Titan - Euphonium Solo - PIANO
Fall of a Titan - Euphonium Solo - PIANO # Euphonium, Piano (duet) # EASY # Adam Lawrence # Fall of a Titan - Euphonium So # Adam Lawrence # SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017039 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 5 pages. ...(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017039 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 5 pages. Adam Lawrence #6016579. Published by Adam Lawrence (A0.1017039). Please note that this is the PIANO part only. Other individual parts are available, as well as a bundle of the score with all individual parts included.One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored.Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance.Any feedback is more than welcome.Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below.Patreon: https://www.patreon.com/FireyshadowsYouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lgSoundcloud: https://soundcloud.com/fireyshadows-music/Twitter: https://twitter.com/FireyMusic O Come, All Ye Faithful (for euphonium duet (bass clef, 3 or 4 valved), suitable for grades 1-5)
O Come, All Ye Faithful (for euphonium duet (bass clef, 3 or 4 valved), suitable for grades 1-5) # 2 Euphoniums (duet) # BEGINNER # John Francis Wade # Edwin Sung # O Come, All Ye Faithful # Edwin Sung # SheetMusicPlus
Euphonium Solo - Level 1 - Digital Download SKU: A0.731088 Composed by John Francis Wade. Arranged by Edwin Sung. Children,Christian,Christmas,Classical,...(+)
Fall of a Titan - Euphonium Solo
Fall of a Titan - Euphonium Solo # Euphonium, Piano (duet) # EASY # Adam Lawrence # Fall of a Titan - Euphonium So # Adam Lawrence # SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017036 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 16 pages....(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1017036 Composed by Adam Lawrence. 20th Century,Concert,Contemporary,Folk. Score and part. 16 pages. Adam Lawrence #6016541. Published by Adam Lawrence (A0.1017036). This is the whole bundle of score and parts, with individual parts to follow. One of my COVID19 summer lock-down projects, primarily inspired by recent events that saw the world come to a standstill. Written in treble clef for Bb instruments, this piece is great for any brass player looking for a solo piece to add to their repertoire. Whilst it is written with a piano accompaniment in mind, the accompaniment is primarily there to provide rhythm and bulk. As such it can be played without it, provided that the block rests are ignored. Original piece of music composed for a Solo Euphonium player of intermediate experience with a piano accompaniment, ideal for secondary school students or beginner players looking to challenge themselves. Can be played by itself as a standalone performance, for example in a talent or variety show, or as part of a larger programme such as a school concert or brass band performance. Any feedback is more than welcome. Composed using Sibelius Ultimate 2020.6 and recorded using sounds from Noteperformer 3. If you have enjoyed my work and would like to play my pieces yourself or discover more, please consider showing support using the links below. Patreon: https://www.patreon.com/Fireyshadows YouTube: https://www.youtube.com/channel/UC-vjf3a0uLYnZ9-fm3cC0lg Soundcloud: https://soundcloud.com/fireyshadows-music/ Twitter: https://twitter.com/FireyMusic Bach: Wachet auf for Euphonium & Piano
Bach: Wachet auf for Euphonium & Piano # Euphonium, Piano (duet) # EASY # Classical # Johann Sebastian Bach # James M #   # Bach: Wachet auf for Euphonium # jmsgu3 # SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549854 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555095. Published by jmsgu3 (A0.549854). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  . Bach: Wachet auf for Baritone Horn & Piano
Bach: Wachet auf for Baritone Horn & Piano # Euphonium, Piano (duet) # EASY # Classical # Johann Sebastian Bach # James M #   # Bach: Wachet auf for Baritone # jmsgu3 # SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easte...(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549852 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555081. Published by jmsgu3 (A0.549852). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  . Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano # Euphonium, Piano (duet) # EASY # J S Bach-Gounod # Colin Kirkpatrick # Bach-Gounod: Ave Maria for Bar # Colin Kirkpatrick Publications # SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,W...(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition. Delibes: Duo des Fleurs for Euphonium Duo & Piano
Delibes: Duo des Fleurs for Euphonium Duo & Piano # 2 Euphoniums (duet) # INTERMEDIATE # Leo Delibes # James M # Delibes: Duo des Fleurs for Eu # jmsgu3 # SheetMusicPlus
Instrumental Duet Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.552413 Composed by Leo Delibes (1836-1891. Arranged by James M. Guthri...(+)
Instrumental Duet Euphonium,Instrumental Duet - Level 3 - Digital Download SKU: A0.552413 Composed by Leo Delibes (1836-1891. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards,Wedding. Score and parts. 7 pages. Jmsgu3 #6342753. Published by jmsgu3 (A0.552413). Duo of the flowers from Lakme, Act I. A popular wedding selection.Leo Delibes (1836-1891) was a French composer of the Romantic period best known for his ballets and operas. He was a child prodigy and began composing music at the age of seven. He studied at the Paris Conservatoire, where he developed a mastery of the symphonic form and wrote several pieces for the orchestra. His works for the stage are among the most popular and beloved of the Romantic era, including the ballets Coppélia and Sylvia, and the opera Lakmé.Delibes was a pioneer in the use of orchestral color and instrumental effects to enhance the dramatic narrative of his works. His works are often praised for their lyricism, graceful melodies, and colorful orchestrations. His music is considered to be a bridge between the grandiose and romantic works of the French composers before him, such as Gounod and Berlioz, and the more intimate and melodic style of composers like Debussy and Ravel.Delibes’ influence can be heard in the works of later composers such as Stravinsky and Prokofiev, and his music continues to be performed and enjoyed today. His contributions to music history are significant, and his works remain beloved masterpieces of the Romantic era.Léo Delibes' opera Lakmé is an opera in three acts. It was first performed in 1883 at the Théâtre Lyrique in Paris. The libretto was written by Edmond Gondinet and Philippe Gille. The story is set in British-occupied India and tells the story of a young Indian girl, Lakmé, who is in love with a British officer, Gerald. The story follows the couple's romantic journey, as well as the obstacles they face from Lakmé's father and the British military. The opera is best known for its beautiful score, which includes the famous aria The Flower Duet as well as the duet Lakmé! The Bell Song. The opera has been performed in opera houses all over the world and is considered one of Delibes' most popular works.The Duo des Fleurs, composed by French composer Léo Delibes, is a ballet pas de deux from the ballet Lakme, Act I. It is a beloved masterpiece of the Romantic period and is often performed as a standalone piece in many ballet performances. The piece is typically danced by two female ballet dancers and is known for its playful and lighthearted nature. The music consists of a melody that alternates between the two dancers and is often accompanied by a lighthearted waltz. The music has a strong sense of unity and connection between the two dancers, which is enhanced by the use of the same melody. The piece also features a beautiful soaring coda that gives it a sense of grandeur and beauty. The Duo des Fleurs is an exquisite piece of music and an enduring classic of the ballet repertoire. Bach: Bist du bei mir BWV 508 for Euphonium & Piano
Bach: Bist du bei mir BWV 508 for Euphonium & Piano # Euphonium, Piano (duet) # EASY # Classical # Johann Sebastian Bach # James M # Bach: Bist du bei mir BWV 508 # jmsgu3 # SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Stand...(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.549222 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468180. Published by jmsgu3 (A0.549222). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano # Euphonium, Piano (duet) # INTERMEDIATE # Alexander Scriabin # James M # Scriabin: Prelude Op. 11 No. 2 # jmsgu3 # SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen. Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano # Euphonium, Piano (duet) # INTERMEDIATE # Alexander Scriabin # James M # Scriabin: Prelude Op. 11 No. 2 # jmsgu3 # SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen. Nessun Dorma for Baritone, Euphonium, Trombone (BC) & Piano
Nessun Dorma for Baritone, Euphonium, Trombone (BC) & Piano # Euphonium, Piano (duet) # Giacomo Puccini # Keith Terrett # Nessun Dorma for Baritone, Eup # Keith Terrett # SheetMusicPlus
Euphonium,Piano - Digital Download SKU: A0.746809 Composed by Giacomo Puccini. Arranged by Keith Terrett. 20th Century,Opera,Patriotic,World. Score and p...(+)
Euphonium,Piano - Digital Download SKU: A0.746809 Composed by Giacomo Puccini. Arranged by Keith Terrett. 20th Century,Opera,Patriotic,World. Score and part. 5 pages. Keith Terrett #3578563. Published by Keith Terrett (A0.746809). A great arrangement for low brass players, wanting to explore Italian opera arias on their instrument for their next performance. Nessun dorma (English: None shall sleep) is an aria from the final act of Giacomo Puccini's opera Turandot, and is one of the best-known tenor arias in all opera. It is sung by Calaf, il principe ignoto (the unknown prince), who falls in love at first sight with the beautiful but cold Princess Turandot. However, any man who wishes to wed Turandot must first answer her three riddles; if he fails, he will be beheaded.