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EUPHONIUM
Sheetmusic to print
9 sheet music found
<
1
Gospel Celebration arranged for Solo Euphonium and Piano
Gospel Celebration - Solo Euphonium and Piano
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Euphonium, Piano (duet)
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ADVANCED
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Peter Boris Koval
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Peter Boris Koval
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Gospel Celebration - Solo Euph
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Peter Boris Koval
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.1312358 Composed by Peter Boris Koval. Arranged by Peter Boris Koval. 20th Century. Score and part. ...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.1312358 Composed by Peter Boris Koval. Arranged by Peter Boris Koval. 20th Century. Score and part. 21 pages. Peter Boris Koval #901212. Published by Peter Boris Koval (A0.1312358). Four Gospel Songs in the public domain have been arranged for solo Euphonium and Piano. The solo part is complex and difficult, requiring an advanced player and providing an exciting, rhythmic piece. Other arrangements are available for Euphonium and Brass Band, Euphonium and Concert Band and Euphonium with Orchestra (with optional saxophones).
$20.00
Two Pieces for Euphonium & Piano
Two Pieces for Euphonium & Piano
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Euphonium, Piano (duet)
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ADVANCED
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Lalo, Edouard
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Sauer, Ralph
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Two Pieces for Euphonium & Pia
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Gordon Cherry
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SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Perio...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792382 Composed by Lalo, Edouard. Arranged by Sauer, Ralph. 20th Century,Contemporary,Romantic Period. Score and part. 16 pages. Gordon Cherry #4820069. Published by Gordon Cherry (A0.792382). Lalo was born in Lille (Nord), in northernmost France. He attended that city's music conservatory in his youth. Then, beginning at age 16, Lalo studied at the Paris Conservatoire under Berlioz's old enemy François Antoine Habeneck. For several years, he worked as a string player and teacher in Paris. In 1848, he joined with friends to found the Armingaud Quartet, playing viola and second violin. Lalo's earliest surviving compositions are songs and chamber works. He dedicated most of his career to the composition of chamber music, which was in vogue, and to writing works for orchestra. These two works beautifully arranged by Mr. Sauder show the core of Lalo's chamber music; personal, subtle at times and filled with a French lyricism. For advanced performers.
$20.00
Suite in D major for Unaccompanied Euphonium
Suite in D major for Unaccompanied Euphonium
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Euphonium
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ADVANCED
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Georg Philipp Telemann
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Ralph Sauer
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Suite in D major for Unaccompa
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Gordon Cherry
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SheetMusicPlus
Euphonium Solo - Level 5 - Digital Download SKU: A0.792588 Composed by Georg Philipp Telemann. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. In...
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Euphonium Solo - Level 5 - Digital Download SKU: A0.792588 Composed by Georg Philipp Telemann. Arranged by Ralph Sauer. Baroque,Classical,Renaissance. Individual part. 4 pages. Gordon Cherry #5010277. Published by Gordon Cherry (A0.792588). A lovely Baroque Suite in four movements for unaccompanied Euphonium has been beautifully transcribed by Ralph Sauer, retired Principal Trombonist with the Los Angeles Philharmonic Orchestra, with detailed but appropriate markings. Prelude, Courante, Recitative & Fugue and Menuet are the four dance movements for moderately advanced players all in bass clef. Range goes to a high C above the staff and a low C# below the staff (octave alternatives are notated).
$10.00
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
Scriabin: Prelude Op. 11 No. 2 for Baritone Horn & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE
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Alexander Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549481 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500065. Published by jmsgu3 (A0.549481). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier àlumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
Scriabin: Prelude Op. 11 No. 2 for Euphonium & Piano
#
Euphonium, Piano (duet)
#
INTERMEDIATE
#
Alexander Scriabin
#
James M
#
Scriabin: Prelude Op. 11 No. 2
#
jmsgu3
#
SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Ro...
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Euphonium,Piano - Level 3 - Digital Download SKU: A0.549480 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3500061. Published by jmsgu3 (A0.549480). Alexander Scriabin Op. 11 No. 2. Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier àlumiéres. It was a keyboard instrument that projected colored light onto a screen.
$19.95
Vier Lieder aus Des Knaben Wunderhorn (Four Songs from the Youth's Magical Horn) Euphonium & Piano
Vier Lieder aus Des Knaben Wunderhorn (Four Songs from the Youth's Magical Horn) Euphonium & Piano
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Euphonium, Piano (duet)
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INTERMEDIATE/ADVANCED
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Classical
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Gustav Mahler
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Ralph Sauer
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Vier Lieder aus Des Knaben Wun
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Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 4 - Digital Download SKU: A0.1034421 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 page...
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Euphonium,Piano - Level 4 - Digital Download SKU: A0.1034421 Composed by Gustav Mahler. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #639768. Published by Gordon Cherry (A0.1034421). The songs of Des Knaben Wunderhorn (The Youth's Magic Horn) by Gustav Mahler are set for voice and piano and voice and orchestra taken from German folk poems assembled and published by editors Arnim and Brentano around 1805-08. The Vier Lieder, beautifully edited for Euphonium and Piano by Ralph Sauer are taken from Mahler's fourth set of these poems published in 1899. The four songs are: I. Wer hat dies Liedlein erdacht? (Who has created this song?) II. Lob des hohen Verstandes (In praise of lofty intellect) III. Verlor’ne Müh’ (Labor lost) IV. Lied des Verfolgten im Turm (Song of the persecuted in the tower) Mr. Sauer also includes German lyrics with English translations. Altogether the songs are about 12 minutes in length. The range is suitable for moderately advanced performers.
$27.50
Sospiri (Sighs) for Euphonium and Piano
Sospiri (Sighs) for Euphonium and Piano
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Euphonium, Piano (duet)
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ADVANCED
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Classical
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Edward Elgar
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Ralph Sauer
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Sospiri
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Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and pa...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.811242 Composed by Edward Elgar. Arranged by Ralph Sauer. 20th Century,Romantic Period. Score and part. 5 pages. Gordon Cherry #6425321. Published by Gordon Cherry (A0.811242). Originally titled Sospiri d'Amour, this instrumental miniature, Sospiri (Sighs), Opus 70 was originally intended as a companion to Salut d'Amour. Elgar composed this heartfelt work in 1914 for string orchestra, harp, and organ, just before the outbreak of WWI. It is a bleak adagio of thoughtful intensity that he dedicated as a tribute to W.H. Reed, a dear friend, and the Concertmaster of the London Symphony. The work has been described most beautifully by Michael Kennedy who wrote, It is, though short, a major work of grave beauty, an epitome of Elgar’s ability to express nostalgic regret.Ralph Sauer has arranged this beautiful work for Euphonium and Piano (part is in bass clef) as an homage to the great English master. The work is about 5 minutes in length and appropriate for advanced performers.
$15.00
Three Pieces for Euphonium & Piano
Three Pieces for Euphonium & Piano
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Euphonium, Piano (duet)
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ADVANCED
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Classical
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Edward Elgar
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Sauer, Ralph
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Three Pieces for Euphonium & P
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Gordon Cherry
#
SheetMusicPlus
Euphonium,Piano - Level 5 - Digital Download SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages...
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Euphonium,Piano - Level 5 - Digital Download SKU: A0.792165 Composed by Edward Elgar. Arranged by Sauer, Ralph. Romantic Period. Score and part. 16 pages. Gordon Cherry #3820413. Published by Gordon Cherry (A0.792165). Elgar wrote two lovely contrasting works, opus 15, for Violin around the 1890’s, the Chanson de Nuit and Chanson de Matin. They were titled in French as his publisher suggested the British public would find them more appealing to purchase. The Chanson de Nuit and Chanson de Matin became his best selling works to that point and added much needed funds for the family finances.The Romance, opus 62 was originally written for the Bassoon as a lyrical work with orchestra, as Elgar tried to get away from the usually comical writing for the instrument.Mr. Sauer has combined the three delightful works into a three movement suite for Euphonium of about 12 minutes in length for advanced performers.
$15.00
Slavonic Dance, Op. 72, No. 8 for Euphonium-Tuba Quartet
Slavonic Dance, Op. 72, No. 8 for Euphonium-Tuba Quartet
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2 Euphoniums and 2 Tubas
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INTERMEDIATE/ADVANCED
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Classical
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Antonin Dvorak
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Robert Coulter
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Slavonic Dance, Op. 72, No. 8
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.811146 Composed by Antonin Dvorak. Arranged by Robert Coulter. Classical,Romantic Period. Sc...
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Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.811146 Composed by Antonin Dvorak. Arranged by Robert Coulter. Classical,Romantic Period. Score and parts. 17 pages. Gordon Cherry #5721543. Published by Gordon Cherry (A0.811146). Dvorak's Slavonic Dances are among his most popular and accessible compositions, performed by every level of orchestra worldwide and universally adored by music lovers. Robert Coulter has arranged the energetic Slavonic Dance, Op. 72, No. 8 for Euphonium-Tuba Quartet. It can be performed by moderately advanced musicians.
$22.50
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Orchestra. advanced
