PIANO
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105,463 sheet music found Numbered Places [11 pieces for piano solo]
Numbered Places [11 pieces for piano solo] # Piano solo # INTERMEDIATE # Contemporary # Juan María
Solare # Numbered Places [11 pieces for # Juan
Maria Solare # SheetMusicPlus
Piano Solo - Intermediate -
Digital Download
Composed by Juan María
Solare. 20th Century,
Contemporary Classical,
Minimalism, Neo-Classical,
R...(+)
Piano Solo - Intermediate -
Digital Download
Composed by Juan María
Solare. 20th Century,
Contemporary Classical,
Minimalism, Neo-Classical,
Repertoire. Score, Solo Part.
35 pages. Published by Juan
Maria Solare Juan María Solare: Numbered Places (eleven piano pieces)
01 - One Way Flight to... (2:50)
02 - Twopenny Loaf [USA] (3:45)
03 - Three Bridges [UK] (2:25)
04 - Four Oaks [USA] (3:00)
05 - Five Pointz [NYC] (3:45)
06 - Six Mile Bottom [UK] (2:40)
07 - Seven Kings [UK] (5:10)
08 - Eight Streets [USA] (5:55)
09 - Nine Elms [UK] (2:50)
10 - Ten Ten Road [NC, USA] (3:25)
11 - Eleven Lands [UK] (3:30)
Totaltime: 39:15
Numbered Places * piano * music by Juan María Solare
The cycle Numbered Places startsfrom a simple idea: the piece nr. 1 would have a title that begins with theword One, the piece nr. 2 a titlethat begins with the word Two and soon up to an arbitrary number (in this case, eleven).
For everything to have more cohesion, English names of different places orregions in either USA or (mainly) UK were used.
In its own way, Numbered Placesis therefore a conceptual album - alreadyfrom the point of view of titles.
Also musically, this world of sound has cohesion: instrumental piano music,neoclassical aesthetics (a somewhat broad concept that encompasses composerssuch as Erik Satie or Ludovico Einaudi), a certain simplicity in its surface.
Let us briefly comment each of the titles:
- One WayFlight to ...: The imaginary journey starts here. Each person will completethe sentence with the destiny of their choice.
- TwopennyLoaf: This is a neighborhood (and geographically a cape) in the city ofGloucester, Essex County, Massachusetts, USA. It is believed to have gotten itsname because it is shaped like a (bread) loaf that at the time cost twopennies.
- ThreeBridges: It is a city somewhere between London and Brighton, and a nodalpoint where trains typically split. Musically, the most minimalistic of all thecycle.
- Four Oaks:There are numerous places so named, both in England and the US, and possibly inother countries. I can imagine that there were actually four oak trees planted near.
- FivePointz: Neighborhood in Queens, New York. A graffiti mecca that wasdemolished in 2014 to build expensive buildings. And yes, it is spelled with zin this case.
- Six MileBottom: Is a hamlet near Cambridge in England. The hamlet derives its namefrom its distance from the start of Newmarket Racecourse and because it lies ina valley bottom. There is no public transport. The old train station, closed in1967 for lack of use, is now a private residence.
- SevenKings: It is a neighborhood in Ilford, East London. The earliest recordeduse of the name is as Sevekyngg or Sevekyngges in 1285, possibly meaning'settlement of the family or followers of a man called Seofoca'
- EightStreets: it is a (very sought-after) neighborhood located in the heart ofthe historic South End of the city of Boston, Massachusetts, USA.
- Nine Elms:a district of South West London. Nine Elms Lane was named around the year 1645,from a row of elm trees bordering the road.
- Ten TenRoad: it is a place -actually the main road- in the town of Apex, NorthCarolina, USA.
- ElevenLands: this place is mentioned in an old legal report from around 1782 asexisting in North London ("a place called Eleven Lands, containing fiveacres of arable, formerly Cosby's, beonging to a farm in the said parish ofBletcheley...", in " Acollection of the Reports of Cases, the Statutes, and Ecclesiastical Laws,relating to Tithes", volume 3). It has certainly changed its name.Musically, this last piece has a certain tango aura.
Why eleven pieces and not more? The truth is that - incredibly as it mayseem - I didn't find any place called "Twelve" something. Yes thereare such names in other languages, but I wanted to keep some consistency. Thereare also pubs or bars called Twelvewhatever, but since they are not sponsoring my music, I had no motivation togive them free advertising at the moment.
This album was released in early 2020 on Spotify, iTunes and allother online platforms through the label BlissRecordings in London (part of frtyfve).Find your favorite service here: https://frtyfve.lnk.to/NPVol1
There are alsovideos of several pieces of this album. They are in the following playlist:
https://www.youtube.com/playlist?list=PL70vQeCRYmkp3vEdIkdnjJyiU1aZ_u7HA Three Chromicons for piano solo
Three Chromicons for piano solo # Piano solo # INTERMEDIATE/ADVANCED # Contemporary # Joseph Dillon
Ford # Three Chromicons for piano sol # David
Warin Solomons # SheetMusicPlus
Piano Solo - Advanced
Intermediate - Digital
Download
Composed by Joseph Dillon
Ford. 21st Century,
Contemporary Classical,
Impressionistic. Score. 2...(+)
Piano Solo - Advanced
Intermediate - Digital
Download
Composed by Joseph Dillon
Ford. 21st Century,
Contemporary Classical,
Impressionistic. Score. 22
pages. Published by David
Warin Solomons The pdf file contains the original score (in letter format) followed by the somewhat larger copy with dedication by the composer and fingerings by Valentin Bogolubov who premiered the 3 Chromicons.
The sound sample is the live performance.
The Three Chromicons were premiered by pianist Valentin Bogolubov at the Société de concerts de St-Bruno, Saint-Bruno, Quebec, Canada, on 27 January 2007. Bogolubov's adventurous, technically demanding program, which also featured the works of Alexander Scriabin and Jean Chatillon, was accompanied by video animation of numerous works of art, four of which were created by the composer (among them, the Chromicon No. 3).
Ford explains the significance of these unique scores:
"In both my earliest chromicons, which I had begun to create by the 1980s, and in those I continue to make today, color is the element that links what is seen to what is heard. Unlike composer Alexander Scriabin, who may have been a true synaesthete as the result of a rare neurological condition enabling him actually to hear colors, my approach to color music has been by way of analogy. Although the tones in a musical scale and the colors of a prism both result from specific vibratory frequencies, scales can be replicated in various octaves while there is no comparable transposition observable in the case of the spectrum. However, the analogy between pitch and hue is implicit in the term "chromatic scale" (the Greek chrôma signifies "color"), and on that basis it is possible to equate the twelve tones of Western music with the hues on a twelvefold color wheel: red, red-orange, orange, yellow-orange, yellow, yellow-green, green, blue-green, blue, blue-violet, violet, and red-violet."
"By placing the pitch names of the chromatic scale in a separate band around the periphery of a such color wheel, much like the numbers on the face of a clock, and by rotating the central color wheel, it is possible for any given pitch to be aligned and associated with any hue. Such an easily constructed device, which I have dubbed the "chromonomicon," is the key necessary to decipher the musical meaning of my chromicons. The chromicon can be thought of as a calligraphic text in which each discrete area of color is a separate letter."
"Although there are literally millions of possible colors, all of them can be categorized as one of the twelve hues shown on the chromonomicon. Instead of being written from left to right or from right to left, the color-letters in a chromicon are arranged concentrically. The shapes of the individual letters, usually painted in watercolor and "illuminated" with metallic paints, colored pencils, and other media, are the result of each artist's creative meditation. The personal meaning of the chromiconic text as a whole emerges during and after this meditation, and may be expressed by a conventional title or accompanying commentary."
"Now, anyone wishing to realize a chromicon is at liberty to follow any path—straight or curvilinear—from the centermost letter to the periphery, constructing a cantus (melody) by notating the musical pitches associated with each contiguous color-letter encountered along the way. The cantus thereafter serves as the structural basis of a new, freely composed work. The individual pitches in the cantus may be moved to any octave, and may be repeated any number of times before proceeding to the next pitch in the sequence. Customarily, once the final tone of the cantus is reached, the entire melody is heard in reverse (retrograde), resulting in a palindrome. That palindrome is itself subject to varied repetition, so that in formal terms, each realization of a chromicon amounts to a 'mirror' theme with variations."
"Chromicon No. 3 travels even further back in collective human memory to the eighteenth century. For all its contemporary melodic and harmonic inflections, the style is pervasively contrapuntal, summoning to mind the polyphonic keyboard textures of Bach and Handel. It eschews the worldly strife and diversions mirrored in the first two chromicons, maintaining a dignified, highly stylized manner throughout, but with its unexpected final cadence on D, there seems to be a fleeting intimation of transcendence."
Video of Chromicon III
https://www.youtube.com/watch?v=VHMw-vzZlGE Germaine Tailleferre: Trois Études for two pianos
Germaine Tailleferre: Trois Études for two pianos # 2 Pianos, 4 hands # ADVANCED # achieving the physical decline # Germaine Tailleferre # Germaine Tailleferre: Trois É # Musik Fabrik Music Publishing # SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. S...(+)
Instrumental Duet Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.534483 Composed by Germaine Tailleferre. 20th Century,Concert,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3534799. Published by Musik Fabrik Music Publishing (A0.534483). This work was written in the first months of 1942 while Tailleferre was living in Grasse, in the socolled« Free Zone » of occupied France during the Second World War and was completed just asTailleferre was forced to flee France with her daughter. As the wife of Jean Lageat, who had been thesecretary of the French socialist Léon Blum during the « Front Populaire » period just before the Warand who was at that time in the US working against the Vichy Government, and as someone who wasnot unvocal about her political views, this could not have been a comfortable situation. Tailleferre left arecord of what she experienced during this period in an article written for the American music journal «Modern Music » which she wrote shortly after arriving in America in the Spring of 1942 :« Notwithstanding their staunch spirit of resistence, the people under German rule today areincreasingly bowed down under their burdens. By achieving the physical decline of the French, theNazis hope that spiritual collapse will ensue. However, after two years of quasi-famine, France remainspround and great, although the necessity of liberation grows daily more urgent.....For an artist to workunder these conditions is almost impossible. The mere effort of subsisting wastes time and absorbsenergy ; The means to work are also lacking.....Musical composition is made practically impossiblethrough lack of music paper. For more than a year, I sought in vain to find paper in Lyon, Marseillesand Nice on which to copy an orchestral score...Two years of experience under German rule havetaught me that all expressions of pride, dignity, spirit , aspiration of the human will can be made onlyclaudestinely. It is a historical truth that the human mind makes its greatest progress under freedom ».Under such circumstances, it is a miracle that this work exists at all. The three movement work wasdedicated to the famous Marguerite Long, for whom Tailleferre had already written several short worksfor piano solo, and François Lang, a pianist who was closely linked with the Group des Six and whohad performed in the première of the 1934 Concerto Grosso for Two Pianos, 8 Solo Voices, SaxophoneQuartet and Orchestra and for whom Tailleferre wrote two cadenzas for concerti by Mozart and Haydn.The work opens with sunny, optimistism in a mood similar to the opening movement of the ConcertoGrosso, but quickly the mood changes to more dramatic themes. The second movement seems tosubjectively express a rupture with the past and a tragic melancholy. The final third movement isextremely dramatic and almost frightening with it’s force.When Tailleferre left France in the Spring of 1942, having been warned by a neighbor that she wasgoing to be arrested if she didn’t leave immediately, she left the score in a two-piano version, probablydue to the fact that there was no music paper to be had to copy the score. When she returned to Francein 1946, she learned that François Lang had been deported to Auschwitz where he died. Musical life inFrance had been completely changed by the War years. Tailleferre put the work aside and forgot aboutit, perhaps wanting to forget the hardships that she had lived through and the loss of many of her friendsassociated with these years.Tailleferre's version for two pianos is published by Musik Fabrik and the work may be performed inthat version. It is clear however, that the work was intended to be orchestrated and the editors hope thatthe present orchestration will allow the work to finally be presented as Tailleferre conceived duringsome of the darkest years of the Twentieth century. Open Arms, piano cover
Open Arms, piano cover # Piano solo # INTERMEDIATE/ADVANCED # Pop music # Steve Perry/Jonathan Cain # Christine Brown # Open Arms, piano cover # Christine Brown # SheetMusicPlus
Piano Solo - Advanced
Intermediate - Digital
Download
By Steve Perry/Jonathan Cain.
Arranged by Christine Brown.
Sheet Music Single. 6 pages.
Publish...(+)
Piano Solo - Advanced
Intermediate - Digital
Download
By Steve Perry/Jonathan Cain.
Arranged by Christine Brown.
Sheet Music Single. 6 pages.
Published by Christine Brown A classical arrangement of the popular Journey ballad, "Open Arms", blended with classical phrases of a Debussy favorite, "Reverie". This classical pop cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended seamlessly with classical nuances, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners. Shallow, piano cover
Shallow, piano cover # Piano solo # INTERMEDIATE # Pop music # Lady Gaga # Christine Brown # Shallow, piano cover # Christine Brown # SheetMusicPlus
Piano Solo - Intermediate -
Digital Download
By Lady Gaga. Arranged by
Christine Brown. Sheet Music
Single. 6 pages. Published by
Christine Brown...(+)
Piano Solo - Intermediate -
Digital Download
By Lady Gaga. Arranged by
Christine Brown. Sheet Music
Single. 6 pages. Published by
Christine Brown This classical pop cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended seamlessly with classical nuances, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.
Christine has released 13 CDs, including her original works, "a mixture of passion, exceptional playing chops and an abundance of grace consistently puts her music in a category of its own. . . the pieces express a wide range of emotions and experiences with depth, sincerity and an elegant touch." MainlyPiano.com. Her original music on “Souvenirs" (2014) won Best Solo Piano Album of the Year by Whisperings Solo Piano Radio. Christine’s unique arrangements of holiday, pop/rock and children’s music have earned numerous awards. “A Classic Christmas II” was awarded Best Holiday Album of 2018 by SoloPiano.com. “Seamless” (2016), a creative mashup collection, was awarded SoloPiano.com's Pop/Rock Piano Album of the Year 2016 a unique fusion of popular cover songs and classical and new age pieces, a sophisticated and seamless musical tapestry with clever medleys of timeless melodies. Original albums, ”Ascend” (2017), “The Wishing Well" (2011) and "Promise" ( 2009), were also nominated for Piano Album of the Year. Reviewers have noted Christine’s music as “so stunning and full flowing, with wonderfully crafted compositions and magical and emotive performances. Her care and attention to detail while creating such incredibly powerful and moving pieces will not go unnoticed."
Christine’s style of playing has a unique classical influence with a new age sensitivity that evokes strong emotions. Inspired by her life experiences and emotions, Christine creates captivating music that tells a story, with depth and sincerity. Fans write, "Her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her emotions come through her music ... and through her music she is able to reach out and touch the hearts of millions of appreciative piano music fans." Christine currently resides in San Diego, California. Bohemian Rhapsody, piano cover
Bohemian Rhapsody, piano cover # Piano solo # INTERMEDIATE/ADVANCED # Rock # Queen # Christine Brown # Bohemian Rhapsody, piano cover # Christine Brown # SheetMusicPlus
Piano Solo - Advanced
Intermediate - Digital
Download
By Queen. Arranged by
Christine Brown. Sheet Music
Single. 5 pages. Published by
Christine Brow...(+)
Piano Solo - Advanced
Intermediate - Digital
Download
By Queen. Arranged by
Christine Brown. Sheet Music
Single. 5 pages. Published by
Christine Brown This "Classical Pop" cover, arranged by Kawai Artist Christine Brown, is an (adv./intermediate) solo piano arrangement of the iconic "Bohemian Rhapsody", a chill, classical/new age version of the song. From the popular piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended "seamlessly" with other pop or classical songs, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.
Christine has released 13 CDs, including her original works, "a mixture of passion, exceptional playing chops and an abundance of grace consistently puts her music in a category of its own. . . the pieces express a wide range of emotions and experiences with depth, sincerity and an elegant touch." MainlyPiano.com. Her original music on “Souvenirs" (2014) won Best Solo Piano Album of the Year by Whisperings Solo Piano Radio. Christine’s unique arrangements of holiday, pop/rock and children’s music have earned numerous awards. “A Classic Christmas II” was awarded Best Holiday Album of 2018 by SoloPiano.com. “Seamless” (2016), a creative mashup collection, was awarded SoloPiano.com's Pop/Rock Piano Album of the Year 2016 a unique fusion of popular cover songs and classical and new age pieces, a sophisticated and seamless musical tapestry with clever medleys of timeless melodies. Original albums, ”Ascend” (2017), “The Wishing Well" (2011) and "Promise" ( 2009), were also nominated for Piano Album of the Year. Reviewers have noted Christine’s music as “so stunning and full flowing, with wonderfully crafted compositions and magical and emotive performances. Her care and attention to detail while creating such incredibly powerful and moving pieces will not go unnoticed."
Christine’s style of playing has a unique classical influence with a new age sensitivity that evokes strong emotions. Inspired by her life experiences and emotions, Christine creates captivating music that tells a story, with depth and sincerity. Fans write, "Her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her emotions come through her music ... and through her music she is able to reach out and touch the hearts of millions of appreciative piano music fans." Christine currently resides in San Diego, California. Time After Time, piano cover
Time After Time, piano cover # Piano solo # INTERMEDIATE # Rock # Cyndi Lauper # Christine Brown # Time After Time, piano cover # Christine Brown # SheetMusicPlus
Piano Solo - Intermediate -
Digital Download
By Cyndi Lauper. Arranged by
Christine Brown. Sheet Music
Single. 7 pages. Published by
Christine Brown...(+)
Piano Solo - Intermediate -
Digital Download
By Cyndi Lauper. Arranged by
Christine Brown. Sheet Music
Single. 7 pages. Published by
Christine Brown This classical pop cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular song, blended with classical excerpts of Bach's Minuet in G, from the piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended seamlessly with classical nuances, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.
Christine has released 13 CDs, including her original works, "a mixture of passion, exceptional playing chops and an abundance of grace consistently puts her music in a category of its own. . . the pieces express a wide range of emotions and experiences with depth, sincerity and an elegant touch." MainlyPiano.com. Her original music on “Souvenirs" (2014) won Best Solo Piano Album of the Year by Whisperings Solo Piano Radio. Christine’s unique arrangements of holiday, pop/rock and children’s music have earned numerous awards. “A Classic Christmas II” was awarded Best Holiday Album of 2018 by SoloPiano.com. “Seamless” (2016), a creative mashup collection, was awarded SoloPiano.com's Pop/Rock Piano Album of the Year 2016 a unique fusion of popular cover songs and classical and new age pieces, a sophisticated and seamless musical tapestry with clever medleys of timeless melodies. Original albums, ”Ascend” (2017), “The Wishing Well" (2011) and "Promise" ( 2009), were also nominated for Piano Album of the Year. Reviewers have noted Christine’s music as “so stunning and full flowing, with wonderfully crafted compositions and magical and emotive performances. Her care and attention to detail while creating such incredibly powerful and moving pieces will not go unnoticed."
Christine’s style of playing has a unique classical influence with a new age sensitivity that evokes strong emotions. Inspired by her life experiences and emotions, Christine creates captivating music that tells a story, with depth and sincerity. Fans write, "Her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her emotions come through her music ... and through her music she is able to reach out and touch the hearts of millions of appreciative piano music fans." Christine currently resides in San Diego, California. Nights In White Satin, piano cover (with Clair de Lune)
Nights In White Satin, piano cover (with Clair de Lune) # Piano solo # INTERMEDIATE/ADVANCED # Contemporary # The Moody Blues # Nights In White Satin, piano c # Christine Brown # SheetMusicPlus
Piano Solo - Advanced
Intermediate - Digital
Download
By The Moody Blues. Arranged
by Christine Brown. Sheet
Music Single. 7 pages.
Published by Chri...(+)
Piano Solo - Advanced
Intermediate - Digital
Download
By The Moody Blues. Arranged
by Christine Brown. Sheet
Music Single. 7 pages.
Published by Christine Brown A gorgeous arrangement of the Moody Blues classic, "Nights in White Satin", blended with nuances of Debussy's classical masterpiece, "Clair de Lune". This "Classical Pop" cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended "seamlessly" with classical songs, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.
Christine has released 13 CDs, including her original works, "a mixture of passion, exceptional playing chops and an abundance of grace consistently puts her music in a category of its own. . . the pieces express a wide range of emotions and experiences with depth, sincerity and an elegant touch." MainlyPiano.com. Her original music on “Souvenirs" (2014) won Best Solo Piano Album of the Year by Whisperings Solo Piano Radio. Christine’s unique arrangements of holiday, pop/rock and children’s music have earned numerous awards. “A Classic Christmas II” was awarded Best Holiday Album of 2018 by SoloPiano.com. “Seamless” (2016), a creative mashup collection, was awarded SoloPiano.com's Pop/Rock Piano Album of the Year 2016 a unique fusion of popular cover songs and classical and new age pieces, a sophisticated and seamless musical tapestry with clever medleys of timeless melodies. Original albums, ”Ascend” (2017), “The Wishing Well" (2011) and "Promise" ( 2009), were also nominated for Piano Album of the Year. Reviewers have noted Christine’s music as “so stunning and full flowing, with wonderfully crafted compositions and magical and emotive performances. Her care and attention to detail while creating such incredibly powerful and moving pieces will not go unnoticed."
Christine’s style of playing has a unique classical influence with a new age sensitivity that evokes strong emotions. Inspired by her life experiences and emotions, Christine creates captivating music that tells a story, with depth and sincerity. Fans write, "Her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her emotions come through her music ... and through her music she is able to reach out and touch the hearts of millions of appreciative piano music fans." Christine currently resides in San Diego, California. Counting Stars, piano cover
Counting Stars, piano cover # Piano solo # INTERMEDIATE # Contemporary # OneRepublic # Christine Brown # Counting Stars, piano cover # Christine Brown # SheetMusicPlus
Piano Solo - Intermediate -
Digital Download
By OneRepublic. Arranged by
Christine Brown. Sheet Music
Single. 5 pages. Published by
Christine Brown...(+)
Piano Solo - Intermediate -
Digital Download
By OneRepublic. Arranged by
Christine Brown. Sheet Music
Single. 5 pages. Published by
Christine Brown This classical pop cover, arranged by Kawai Artist Christine Brown, is a solo piano arrangement from the popular piano cover album"Timeless", part 2 of a collection of classic rock/pop hits that are blended seamlessly with classical nuances, appealing to generations young and old, being introduced to the iconic classics in a new way. Christine is a distinguished Kawai Piano Artist and award-winning composer of contemporary classical solo piano. Christine’s music is a unique blend of new age, contemporary and classical sounds. With her graceful, elegant touch, Christine paints a colorful landscape with thoughtful musical interpretations of life's emotions and experiences. Since the young age of three, she has been fascinated by the piano. Christine's childhood classical training is evident in her melodic and thematic compositions, while rich harmonies reflect her background in accompanying various choral groups. From Chopin to Joplin, her influences were varied and many, and she also enjoyed creating her own arrangements of popular songs. While attending the University of Colorado, Christine was inspired by George Winston's new age genre of solo piano, yet for many years the piano remained only a hobby. Christine rediscovered her passion for the piano, immersing herself in her music after the loss of her mother in 1990. She began composing, using the piano to voice her emotions, releasing heartfelt compositions that captured listeners.
Christine has released 13 CDs, including her original works, "a mixture of passion, exceptional playing chops and an abundance of grace consistently puts her music in a category of its own. . . the pieces express a wide range of emotions and experiences with depth, sincerity and an elegant touch." MainlyPiano.com. Her original music on “Souvenirs" (2014) won Best Solo Piano Album of the Year by Whisperings Solo Piano Radio. Christine’s unique arrangements of holiday, pop/rock and children’s music have earned numerous awards. “A Classic Christmas II” was awarded Best Holiday Album of 2018 by SoloPiano.com. “Seamless” (2016), a creative mashup collection, was awarded SoloPiano.com's Pop/Rock Piano Album of the Year 2016 a unique fusion of popular cover songs and classical and new age pieces, a sophisticated and seamless musical tapestry with clever medleys of timeless melodies. Original albums, ”Ascend” (2017), “The Wishing Well" (2011) and "Promise" ( 2009), were also nominated for Piano Album of the Year. Reviewers have noted Christine’s music as “so stunning and full flowing, with wonderfully crafted compositions and magical and emotive performances. Her care and attention to detail while creating such incredibly powerful and moving pieces will not go unnoticed."
Christine’s style of playing has a unique classical influence with a new age sensitivity that evokes strong emotions. Inspired by her life experiences and emotions, Christine creates captivating music that tells a story, with depth and sincerity. Fans write, "Her music is vibrant, colorful and full of life. Skilled at the art of blending chords and note progressions into beautiful aural tapestries, her emotions come through her music ... and through her music she is able to reach out and touch the hearts of millions of appreciative piano music fans." Christine currently resides in San Diego, California.