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21 sheet music found Flea Waltz (Der Flohwalzer) - Easy Piano (Full Score)
Flea Waltz (Der Flohwalzer) - Easy Piano (Full Score) # Easy Piano # BEGINNER # Traditional # César Madeira # Flea Waltz # Sheet Music To Play Editions # SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1189708 Composed by Traditional. Arranged by César Madeira. Children,Early Music,Folk,Instructional,Tr...(+)
Easy Piano - Level 1 - Digital Download SKU: A0.1189708 Composed by Traditional. Arranged by César Madeira. Children,Early Music,Folk,Instructional,Traditional. Score. 3 pages. Sheet Music To Play Editions #789329. Published by Sheet Music To Play Editions (A0.1189708). Flea Waltz (Der Flohwalzer) for Beginner Piano in G major. With Full Score. Enjoy it!Despite its name, the piece is not a waltz in triple meter, as it has a time signature in duple meter. The composer is unknown. A parody of musicology writing by Eric Baumann attributes the piece to Ferdinand Loh, but this is obviously a joke (F. Loh = Floh, flea in German). The piece is notated in the key of G-flat major, because most of its notes are played on black keys in those keys, makes the fingering easier.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play Flea Waltz (Der Flohwalzer) for Piano Solo - Original Version (Full Score)
Flea Waltz (Der Flohwalzer) for Piano Solo - Original Version (Full Score) # Piano solo # EASY # Traditional # César Madeira # Flea Waltz # Sheet Music To Play Editions # SheetMusicPlus
Piano Solo - Level 2 - Digital Download SKU: A0.1189703 Composed by Traditional. Arranged by César Madeira. Children,Early Music,Folk,Instructional,Tr...(+)
Piano Solo - Level 2 - Digital Download SKU: A0.1189703 Composed by Traditional. Arranged by César Madeira. Children,Early Music,Folk,Instructional,Traditional. Score. 2 pages. Sheet Music To Play Editions #789324. Published by Sheet Music To Play Editions (A0.1189703). Flea Waltz (Der Flohwalzer) for Piano Solo in Gb major (Original Key). The Original Version. With Full Score. Enjoy it!Despite its name, the piece is not a waltz in triple meter, as it has a time signature in duple meter. The composer is unknown. A parody of musicology writing by Eric Baumann attributes the piece to Ferdinand Loh, but this is obviously a joke (F. Loh = Floh, flea in German). The piece is notated in the key of G-flat major, because most of its notes are played on black keys in those keys, makes the fingering easier.For Tutorials, Play Alongs or request New Arrangements, visit my YouTube Channel: Sheet Music To Play Flea Waltz (Der Flohwalzer) - Easy Piano (W/Chords)
Flea Waltz (Der Flohwalzer) - Easy Piano (W/Chords) # Easy Piano # BEGINNER # Traditional # César Madeira # Flea Waltz # Sheet Music To Play Editions # SheetMusicPlus
Easy Piano - Level 1 - Digital Download SKU: A0.1178115 Composed by Traditional. Arranged by César Madeira. Children,Film/TV,Folk,Instructional,Tradit...(+)
Easy Piano - Level 1 - Digital Download SKU: A0.1178115 Composed by Traditional. Arranged by César Madeira. Children,Film/TV,Folk,Instructional,Traditional. Score. 3 pages. Sheet Music To Play Editions #778079. Published by Sheet Music To Play Editions (A0.1178115). Flea Waltz (Der Flohwalzer) for Beginner Piano in G major. Full Score with Fingering and Chords. Enjoy it!Despite its name, the piece is not a waltz in triple meter, as it has a time signature in duple meter. The composer is unknown. A parody of musicology writing by Eric Baumann attributes the piece to Ferdinand Loh, but this is obviously a joke (F. Loh = Floh, flea in German). The piece is notated in the key of G-flat major, because most of its notes are played on black keys in those keys, makes the fingering easier.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos
Concerto for Cembalo [Fortepiano] and Orchestra — Reduction for Two Pianos # 2 Pianos, 4 hands # INTERMEDIATE/ADVANCED # Johann Simon Mayr # Fabrizio Capitanio # Concerto for Cembalo [Fortepia # Artistic Score Engraving di Galvagno Michele # SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Clas...(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - Digital Download SKU: A0.1369322 Composed by Johann Simon Mayr. Arranged by Fabrizio Capitanio. 19th Century,Classical,Instructional,Opera,Romantic Period. Score. 92 pages. Artistic Score Engraving di Galvagno Michele #953678. Published by Artistic Score Engraving di Galvagno Michele (A0.1369322). Johann Simon Mayr (1763—1845) is a composer rarely performed today. His music, reflecting the transition from the Classical to the Romantic musical era, inspired Rossini and was crucial in the development of Donizetti’s style. He became a central figure in the musical life of the Italian city of Bergamo where, in 1805, he founded the Conservatory, at the time known as “Lezioni Caritatevoli di Musicaâ€. One of the first pupils of the “Lezioni†was Gaetano Donizetti, whose production and fame soon arose above everyone else’s. The first concerto, in C major, is one of the three surviving keyboard concertos from Mayr’s manuscripts kept in the Biblioteca Musicale Gaetano Donizetti and in the Museo Donizettiano. It is pedagogical in nature, its light orchestration (only 2 oboes and 2 horns joining the strings) allowing it to be performed with minimal forces. In three movements, spanning about 18 minutes in total, it looks back at a late Classical style that was quickly fading out of fashion at the time of its creation (1825-6).This edition comes with the unique contribution of M° Fabrizio Capitanio, in the form of a thorough musicological research delving deep into the historical context, and all of the critical aspects that made this work possible. M° Capitanio also realised the reduction for two pianos for this title (ASE 0051).The full score is available under Catalogue N° ASE 0047, while orchestral parts can be found as a bundle under Catalogue N° ASE 0053.This edition is also the first one in the new series dedicated to the City of Bergamo: La Bergamasque! Sonata Hymnica No. 1
Sonata Hymnica No. 1 # Piano solo # INTERMEDIATE/ADVANCED # James Siddons # James Siddons Music and Writin #   # Sonata Hymnica No. 1 # James Siddons Music and Writings # SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk...(+)
Piano Solo - Level 4 - Digital Download SKU: A0.972645 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 19 pages. James Siddons Music and Writings #4350561. Published by James Siddons Music and Writings (A0.972645). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu.DurationsSonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP. Sonata Hymnica No. 2
Sonata Hymnica No. 2 # Piano solo # INTERMEDIATE/ADVANCED # James Siddons # James Siddons Music and Writin #   # Sonata Hymnica No. 2 # James Siddons Music and Writings # SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk...(+)
Piano Solo - Level 4 - Digital Download SKU: A0.972646 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Concert,Folk,Gospel,Jazz. Score. 17 pages. James Siddons Music and Writings #4350577. Published by James Siddons Music and Writings (A0.972646). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. All three pedals on an American piano (damper, sostenuto, and sustain) are needed. The orchestral and cinematic structure of this music requires extensive use of three staffs, which may consist of two treble and one bass staff, or one treble and two bass staffs. In basic grand-staff passages, the two staffs may both be treble or both bass. The musical influences in these sonatas include religious song in rural America, the chromaticism and Expressionism of Arnold Schoenberg and his followers, and the tone colors of the music of Japanese composer Toru Takemitsu. Durations Sonata Hymnica No. 1 --- 15 minutes.Sonata Hymnica No. 2 --- 11 minutes. Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP. Sonata Hymnica No. 3
Sonata Hymnica No. 3 # Piano solo # INTERMEDIATE/ADVANCED # James Siddons # James Siddons Music and Writin #   # Sonata Hymnica No. 3 # James Siddons Music and Writings # SheetMusicPlus
Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concer...(+)
Piano Solo - Level 4 - Digital Download SKU: A0.972647 Composed by James Siddons. Arranged by James Siddons Music and Writings. 20th Century,Blues,Concert,Jazz,Spiritual. Score. 12 pages. James Siddons Music and Writings #4350581. Published by James Siddons Music and Writings (A0.972647). About the Sonata Hymnica Series Program Note Composer James Siddons draws on the ethos of American rural hymns and spirituals to create evocations of the deeper, larger meaning of familiar church melodies. These sonatas for piano solo explore these deeper meanings in a variety of contemporary musical influences, while keeping in mind the acoustics of small rural churches of the late nineteenth century, with wooden floors and walls, high ceilings, and dimensions determined by local builders who knew how to shape a room for excellent acoustics in an age of no electricity and no microphones. These sonatas are but partly about the specific melodies and words, and mostly about their meaning in spiritual contemplation . . . and the piano, resonating, reverberant, sometimes whispering---as a sacred harp. Although these sonatas have no specific titles, the first sonata may be thought of as the Prayer Sonata, the second as the Travel Sonata, as in a spiritual journey, and the third sonata is about our greatest fear, that of being alone and without God. Sonata Hymnica No. 3 draws on two melodies from the African-American experience. One, Were You There (When They Crucified My Lord)? was first published in 1899 in W. E. Barton’s Old Plantation Hymns but existed earlier as a folk hymn. It became the first spiritual to be included in a major hymnal, The Hymnal 1940 of the Episcopal Church in the U.S.A. Sometimes I Feel Like a Motherless Child was sung by the Jubilee Singers of Fisk University from 1870 on, and was published in the Rev. Dr. Barton’s Old Plantation Hymns in 1899. Performance Note The pianist must keep in mind that these sonatas are about playing the piano as much as playing a composition. Musical effects characteristic of the piano and descriptive of the memory in American culture are the substances of these piano solos. Touch is important: in many places, several dynamics are called for on the same beat. Duration --- . Sonata Hymnica No. 3 --- 9 minutes. About the Composer Composer, musicologist, and pianist James Siddons studied composition with Dika Newlin, a protégé of Arnold Schoenberg, and electronic music with Merrill Ellis, founder of the electronic music program at the University of North Texas, where he also earned a PhD in musicology. After a year at the University of London, where he studied musical analysis at King’s College and electronic music at Goldsmiths’ College, Siddons spent two years in Japan as a research scholar at Tokyo University of Arts, participating in the Ethnomusicology Seminar of Fumio Koizumi. Siddons has also studied theology and liturgy at the Duke University Divinity School. In addition to books and articles on contemporary music and music in Japan, Siddons was written compositions in many genres. Recordings of his piano performances are available at online streaming services. His website is www.JamesSiddons.com His performing rights organization is ASCAP.