Digital sheet music, access after purchasing
Sheetmusic to print
27 sheet music found Bagatelles Chanteés
Bagatelles Chanteés # Piano, Voice # INTERMEDIATE/ADVANCED # Contemporary # Alexander Liebermann # Bagatelles Chanteés # Abundant Silence # SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173365 Composed by Alexander Liebermann. Classical,Contemporary. Score. 12 pages. Abundant Silenc...(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1173365 Composed by Alexander Liebermann. Classical,Contemporary. Score. 12 pages. Abundant Silence #773511. Published by Abundant Silence (A0.1173365). Bagetelles Chanteés by Alexander Liebermann For Piano and Soprano, Early Advanced, 10 Pages The Bagatelles Chantées is a song cycle based on three poems that I wrote during my two first years in New York City. It is only after my studies at the Juilliard School in 2015 that I decided to set them to music. Each of the songs had to have, like the poems themselves, its distinct style. Accordingly, I came up with the idea of making them - to a certain extent - style studies. In the dedication line under every song title in this edition you will find the name of the composer whose style I gave my best to emulate. The first song, Spleen, is dedicated to Olivier Messiaen. The second song, Silence, is dedicated to Gérard Grisey. The third and last song, La Reine (The Queen), is dedicated to Francis Poulenc.​-Alexander Liebermann. 3 Pieces for the Piano - Opus 1
3 Pieces for the Piano - Opus 1 # Piano solo # Contemporary # Eamon Mukhopadhyay # 3 Pieces for the Piano - Opus # Eamon Mukhopadhyay # SheetMusicPlus
Piano Solo - Digital Download SKU: A0.1087984 Composed by Eamon Mukhopadhyay. Contemporary. Score. 31 pages. Eamon Mukhopadhyay #692177. Published by Eam...(+)
Piano Solo - Digital Download SKU: A0.1087984 Composed by Eamon Mukhopadhyay. Contemporary. Score. 31 pages. Eamon Mukhopadhyay #692177. Published by Eamon Mukhopadhyay (A0.1087984). These three pieces are to mimic studies of voicing and touch through lyrical forms. Each specific BPM marking in the tempo is intentionally preceded with ossia rather than ca.. This is to emphasize complete tempo freedom for the performer. The BPM markings are simply given as an initial baseline, showing the general tempo that the composer would perform these pieces at. Neither of the three pieces finish with a triad. Instead, they end with some form of extended harmony, whether it be through a chord or arpeggio. Neither the specific meaning of the piece nor the method to play the piece is included in the piece descriptions following this sentence, as those choices are specific to the performer. Nocturne in A Major (Op. 1 No. 1) uses both contemporary and traditional harmonic concepts, with add9 chords and extended harmonies integrating further color into the piece. Much material of Winter Landscapes in E-Flat Minor (Op. 1 No. 2) is built upon a simple four-note motif (in regards to scale degrees, the motif follows the pattern of 1-7-2-1). To note - this piece never resolves to the traditional E-Flat minor triad. Lastly, Tribute in D major (Op. 1 No. 3), similar to the other two pieces (of the Op. 1 set), uses multiple forms of extended harmonies through chords and arpeggios, such as add9 and dominant thirteenth harmony. Audacious Binary Forms for Pianist (one or two pianos)
Audacious Binary Forms for Pianist (one or two pianos) # Piano solo # Contemporary # Paul Copeland # Audacious Binary Forms for Pia # Paul Copeland # SheetMusicPlus
Piano Solo - Digital Download SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by ...(+)
Piano Solo - Digital Download SKU: A0.901081 Composed by Paul Copeland. 20th Century,Contemporary. Score. 50 pages. Paul Copeland #5988217. Published by Paul Copeland (A0.901081). Audacious Binary Forms for pianist playing one or two pianos, won Australia’s most prestigious piano composition competition the Jean Bogan Prize for Piano Composition 2016. The world premiere was performed by Michael Kieran Harvey. He is considered by many as being one of Australia’s greatest living concert pianists. Michael specializes in performing world premieres of compositions by Australian composers. He is also a prolific composer of avant-garde music. ABSTRACT FROM THE GENERAL DIRECTIONS Audacious Binary Forms for piano is in a fractured binary form. Two types of structures exist; lettered structures, which are experimental structures, and explore the sonorities of the piano, and numbered structures, which are more traditional structures. A structure may be a single page or more than one page. Each page in a structure is to be played sequentially. For example, with structure C, consisting of three pages, C1, C2, C3, each page is played sequentially in numerical order, C1, C2, C3. EXPERIMENTAL STRUCTURESThe structures A, B, C, D, E, F, G, Percussion, CADENZA, and CODA are experimental. TRADITIONAL STRUCTURESThe structures 1, 2, 3, 4, 5, and 6, are traditional. PREPARING THE SCORE FOR PERFORMANCE There are four different options for a performance. MINIMALIST OPTIONThe 13 cards cut from the CUTOUT page are shuffled. Card 4 Rag (1,2) is removed. The 12 cards are placed face down. One card is revealed representing the structure that is to be performed. A member of the audience can be invited to shuffle the cards. STOCHASTIC OPTION An audience member or members can be invited to shuffle all the pages of the score. The resultant random sequence of pages becomes the whole score for the performance. PERFORMER’S OPTIONThe performer prepares the structures according to his musical tastes. All of the experimental structures should be performed. The performer is free to play none, some, or all of the traditional structures. Please note that each structure remains an independent structure and is played sequentially. For example, structure C, consisting of three pages would be played C1, C2, C3 in that order. PERFORMER/COMPOSER OPTIONMonths before the concert the performer can contact me at paulcopeland1@bigpond.com, to discuss the performance, and to work out an ideal performance structure for the work, taking into consideration the venue, expected size of audience, size of auditorium, music program, and if two pianos will be available. IMPORTANT INFORMATION REGARDING SHEET MUSIC SIZE Please note that the score should be printed on separate pages (the notated pages), not back to back. Ideally the score should be printed on A3 pages in colour. However the score can still be printed in grayscale. The sheet music file is approximately 15Mb because the score is in full color. BIOGRAPHICAL INFORMATION Paul Copeland is an award-winning multi-genre composer, graphic artist, programmer, teacher, and author, based in his home city of Melbourne. His compositional styles range from neo-classical, jazz, ragtime, and musical theatre to electronic, avant-garde, post-avant-garde, and experimental music. Born in 1947, Copeland grew up an only child in a musical household. His mother was a talented singer, his father an accomplished amateur pianist, composer of popular music, and internationally renowned travelling telepathist known as Argus The Boy Prophet. Copeland's musical studies commenced at the age of 16 when he began studying piano, and a year later, he enrolled at the Melba Conserv. Berceuse for Pianoforte
Berceuse for Pianoforte # Piano solo # INTERMEDIATE # Johann Friedrich Franz Burgmü # Keith Terrett # Berceuse for Pianoforte # Keith Terrett # SheetMusicPlus
Piano Solo - Level 3 - Digital Download SKU: A0.1442839 Composed by Johann Friedrich Franz Burgmüller. Arranged by Keith Terrett. 19th Century,Classical...(+)
Piano Solo - Level 3 - Digital Download SKU: A0.1442839 Composed by Johann Friedrich Franz Burgmüller. Arranged by Keith Terrett. 19th Century,Classical,Contest,Festival,Instructional,Romantic Period. Score. 4 pages. Keith Terrett #1022775. Published by Keith Terrett (A0.1442839). Johann Friedrich Franz Burgmüller, generally known as Friedrich Burgmuller (4 December 1806 – 13 February 1874) was a German pianist and composer[1] during the Romantic period. He is perhaps best known for his three collections of children's etudes (or teaching pieces) for the piano, particularly his Op. 100 25 Études faciles et progressives (25 Easy and Progressive Studies) for early intermediate students. The other two collections, for more advanced students, were Op. 105 and 109.Life: Friedrich Burgmüller was born in Ratisbon (at that time part of the Principality of Regensburg, Confederation of the Rhine). His father Friedrich August Burgmüller and his younger brother Norbert Burgmüller were also composers. His mother was pianist and singer Therese von Zandt.He moved to Kassel in 1829 to study with Ludwig Spohr and Moritz Hauptmann. There he appeared as a pianist for his first concert, January 14, 1830.Burgmüller moved to Paris in 1832 (at age 26 ), where he stayed until his death. Norbert Burgmüller, his brother, made plans to join him in Paris, in 1835. However, he drowned in a spa in Aachen during an epileptic seizure a year later. In Paris, Burgmüller adopted Parisian music and developed his trademark (light) style of playing. He wrote many pieces of salon music for the piano and published several albums. Burgmüller also went on to compose piano études intended for children. He died in Paris on February 13, 1874.Works:Burgmüller composed piano pieces, waltzes, nocturnes, polonaises and two ballets. His Peasant Pas de Deux was added to Adolphe Adam's ballet Giselle for its 1841 premiere. This music was originally titled Souvenirs de Ratisbonne. Sky Song (Study Recording)
Sky Song (Study Recording) # Melanie Mitrano # Ivy Cottage Press # Sky Song # Ivy Cottage Press # SheetMusicPlus
Clarinet,Piano,Voice - Digital Download SKU: A0.1070153 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Stand...(+)
Clarinet,Piano,Voice - Digital Download SKU: A0.1070153 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standards,World. Accompaniment. Duration 202. Ivy Cottage Press #3622833. Published by Ivy Cottage Press (A0.1070153). This mp3 is a midi recording of SKY SONG, based on the traditional Scottish folksong Skye Boat Song, arranged by Melanie Mitrano for voice, Bb clarinet or oboe, and piano. This study recording includes all three voices, to assist in learning the piece. This piece is part of the Primary Studies in Vocal Chamber Music collection, the goal of which is to provide an entree into the world of collaborative music-making for the solo singer that is accessible to all levels and voice types. The arrangements are suitable for use in either a private vocal studio or group voice class. Die rote Blume
Die rote Blume # Piano, Voice # INTERMEDIATE/ADVANCED # Fredrik Schwenk # Die rote Blume # Fredrik Schwenk # SheetMusicPlus
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1022048 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 51 pages. Fredrik Schwenk #...(+)
Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1022048 Composed by Fredrik Schwenk. 20th Century,Contemporary. Score. 51 pages. Fredrik Schwenk #6319871. Published by Fredrik Schwenk (A0.1022048). The nine songs after poems by Gustav Mahler (1860-1911) were commissioned by the Dutch mezzo-soprano Christianne Stotijn. Mahler was already planning a late Romantic cantata entitled Das klagende Lied shortly after beginning his studies at the Vienna Conservatory in 1878, for which he conceived a three-part cycle of poems for his own setting. When Mahler completed the score in October 1880, he was already at the beginning of a great conducting career. The quality of the poem could be debated, especially in view of the successful Lieder eines fahrenden Gesellen from 1883 and 1884; and yet the ballad, inspired by a mixture of fairy tales by the Brothers Grimm and the poet Ludwig Bechstein, reflects almost the complete range of voices of Mahler's first great creative period, from the songs from Des Knaben Wunderhorn to the Fourth Symphony. At the special request of mezzo-soprano Chrisianne Stotijn and pianist Joseph Breinl, the complete text of the plaintive song was newly set to music. A particular challenge of the new setting of Gustav Mahler's poems consisted for me above all in compromising the genial imperfection of the poetry with a compositional aesthetic that emphasizes precisely the unrhymed, edgy and clichéd as its own quality and does not seek to conceal it. In doing so, it seemed wise and prudent to me, not only for reasons of historical distance(ization), not to implement an intersubjective subjectability to the songs. The serious and ballad-like basic tone was to be preserved, the way in which the text was implemented stems from the idea of a thoroughly pluralistic and therefore stylistic tightrope walk, which in a kind of music about music reflects the relationship to one's own tradition and its changing values and thus repeats the phenomenon of Mahler per se in the context of the 21st century. The Piper's Angel (Study Recording)
The Piper's Angel (Study Recording) # Melanie Mitrano # Ivy Cottage Press # The Piper's Angel # Ivy Cottage Press # SheetMusicPlus
Flute,Piano,Voice - Digital Download SKU: A0.1070143 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standard...(+)
Flute,Piano,Voice - Digital Download SKU: A0.1070143 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standards,World. Accompaniment. Duration 125. Ivy Cottage Press #3621967. Published by Ivy Cottage Press (A0.1070143). This mp3 is a midi recording of THE PIPER'S ANGEL, based on the Brazilian choro Meu Anjo, arranged by Melanie Mitrano for voice, flute or violin, and piano. This study recording includes all three voices, to assist in learning the piece. This piece is part of the Primary Studies in Vocal Chamber Music collection, the goal of which is to provide an entree into the world of collaborative music-making for the solo singer that is accessible to all levels and voice types. The arrangements are suitable for use in either a private vocal studio or group voice class. Scarborough Fair (Study Recording)
Scarborough Fair (Study Recording) # Melanie Mitrano # Ivy Cottage Press # Scarborough Fair # Ivy Cottage Press # SheetMusicPlus
Flute,Piano,Voice - Digital Download SKU: A0.1070139 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standard...(+)
Flute,Piano,Voice - Digital Download SKU: A0.1070139 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standards,World. Accompaniment. Duration 150. Ivy Cottage Press #3621945. Published by Ivy Cottage Press (A0.1070139). This mp3 is a midi recording of SCARBOROUGH FAIR, based on the traditional English ballad, arranged by Melanie Mitrano for voice, flute or violin, and piano. This study recording includes all three voices, to assist in learning the piece. This piece is part of the Primary Studies in Vocal Chamber Music collection, the goal of which is to provide an entree into the world of collaborative music-making for the solo singer that is accessible to all levels and voice types. The arrangements are suitable for use in either a private vocal studio or group voice class. Once I Had A Sweetheart (Study Recording)
Once I Had A Sweetheart (Study Recording) # Melanie Mitrano # Ivy Cottage Press # Once I Had A Sweetheart # Ivy Cottage Press # SheetMusicPlus
Clarinet,Piano,Voice - Digital Download SKU: A0.1070149 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Stand...(+)
Clarinet,Piano,Voice - Digital Download SKU: A0.1070149 Composed by Melanie Mitrano. Arranged by Ivy Cottage Press. Contemporary,Folk,Instructional,Standards,World. Accompaniment. Duration 201. Ivy Cottage Press #3622807. Published by Ivy Cottage Press (A0.1070149). This mp3 is a midi recording of ONCE I HAD A SWEETHEART, based on the traditional Appalachian folksong, arranged by Melanie Mitrano for voice, Bb clarinet or oboe, and piano. This study recording includes all three voices, to assist in learning the piece. This piece is part of the Primary Studies in Vocal Chamber Music collection, the goal of which is to provide an entree into the world of collaborative music-making for the solo singer that is accessible to all levels and voice types. The arrangements are suitable for use in either a private vocal studio or group voice class.