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1,711 sheet music found Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra
Donut Etudes vol. 3: Don’t Step in the Holes! – String Orchestra # String Orchestra # INTERMEDIATE # Instructional # Joshua Hauser #   # Donut Etudes vol. 3: Don’t S # Slide Ride # SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. P...(+)
String Orchestra - Level 3 - Digital Download SKU: A0.784349 Composed by Joshua Hauser. Instructional. Score and parts. 146 pages. Slide Ride #5288707. Published by Slide Ride (A0.784349). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!Combine these with the set for Band when used for Full or Chamber Orchestra. Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) for Strings
Les Courantes - Dances 183 and 188 from Terpsichore (Praetorius) for Strings # String Orchestra # EASY # Anonymous # Colin Kirkpatrick # Les Courantes - Dances 183 and # Colin Kirkpatrick Publications # SheetMusicPlus
String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and p...(+)
String Orchestra - Level 2 - Digital Download SKU: A0.522223 Composed by Anonymous. Arranged by Colin Kirkpatrick. Instructional,Renaissance. Score and parts. 20 pages. Colin Kirkpatrick Publications #3915085. Published by Colin Kirkpatrick Publications (A0.522223). Les Courantes are two well-known dances from Terpsichore by Michael Praetorius. They have been arranged for strings, keyboard, optional guitar, recorder or any C-pitched instruments and simple percussion. In this series, Renaissance Hits for Strings, some of the most well-known dances from Terpsichore are included. They are all attractive pieces and are sure to be popular at any concerts or end-of-semester events. They are fairly easy to play too and the flexible instrumentation allows any players to take a solo with the melody part. They can be played by string quartet, string orchestra or ideally string ensemble plus any other C-pitch instruments that happen to be available. This publication consists of a score showing the four-part ensemble, keyboard and percussion parts. There are separate parts for violin 1, violin 2, viola (violin 3), cello/bass, percussion and keyboard. Additional instruments are not essential but they add contrasting tone colour. The keyboard part is intended as a guide and when possible the keyboard player should improvise around the part and chords shown. A piano sounds distinctly out of place in this music and a digital or acoustic harpsichord sounds more authentic. Most electronic keyboards have a harpsichord option.Every instrumental part (except percussion) also shows the melody line. This allows anyone to take a solo and play the melody, while the other players remain tacet. Solos can be decided in advance and the parts marked accordingly. Just cross out what you don’t need! The percussion instruments used are similar to those found in elementary school music rooms and usually include a tambour or hand-held drum, clave or small headless tambourine. Two players are usually required and the parts can be interpreted quite freely. Dance music is intended to be fun, and we hope that this arrangement brings you just that.  Canterbury Tales, An Opera in Four Acts, Instrument Parts 2 of 2 (Strings and Harp)
Canterbury Tales, An Opera in Four Acts, Instrument Parts 2 of 2 (Strings and Harp) # String Orchestra # INTERMEDIATE/ADVANCED # James Nathaniel Holland # Canterbury Tales, An Opera in # James Nathaniel Holland # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.730531 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and par...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.730531 Composed by James Nathaniel Holland. Broadway,Contemporary,Musical/Show,Opera. Score and parts. 212 pages. James Nathaniel Holland #6503325. Published by James Nathaniel Holland (A0.730531). INDIVIDUAL INSTRUMENTS 2 of 2 (Strings and Harp). An original opera of four stories in the spirit of street theater, taken and based on Geoffrey Chaucer's The Canterbury Tales updated with original libretto by American composer James Nathaniel Holland. Act 1: For All The Rocks Off the Coast of Brittany (drama), Act 2: Une Danse Macabre (drama/comedy), Act 3: What All Women Want (drama/comedy), and Act 4: That Pesky Itch (comedy). Can be stand-alone one acts or performed together with overture. Scores: Piano Vocal Score, Full Orchestral Score, and Instrument Parts 1 and 2. 8 Principals who double or triple roles and sing choruses parts in the other acts. No chorus required or may include full chorus cast. Instrumentation: f1/picc, fl2, ob, eh, cl12, bsn 12, hrn 12, tpt12, trmb, tba, timp, perc., hrp, and strings. Minimum required eight singers: Coloratura, Soprano, Dramatic Soprano, Mezzo, 2 Tenors, Baritone, Bass. God Bless The U.S.A.
God Bless The U.S.A. # String Orchestra # INTERMEDIATE # Lee Greenwood # Dennis Ruello # God Bless The U.S.A. # Chicory Music # SheetMusicPlus
String Orchestra - Level 3 - Digital Download SKU: A0.734481 By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Country,Historic...(+)
String Orchestra - Level 3 - Digital Download SKU: A0.734481 By Lee Greenwood. By Lee Greenwood. Arranged by Dennis Ruello. 20th Century,Country,Historic,Patriotic,Singer/Songwriter. Score and Parts. 15 pages. Chicory Music #5955811. Published by Chicory Music (A0.734481). God Bless the U.S.A. (also known as Proud to Be an American) is an American patriotic song written and recorded by American country music artist Lee Greenwood, and is considered to be his signature song. The first album it appears on is 1984's You've Got a Good Love Comin'. It reached No. 7 on the Billboard magazine Hot Country Singles chart when originally released in the spring of 1984, and was played at the 1984 Republican National Convention with President Ronald Reagan and First Lady Nancy Reagan in attendance, but the song gained greater prominence during the Gulf War in 1990 and 1991, as a way of boosting morale, and was re-included on his 1992 album American Patriot as a result of its newfound popularity.The popularity of the song rose sharply after the September 11 attacks and during the 2003 invasion of Iraq, and the song was re-released as a single, re-entering the country music charts at No. 16 and peaking at No. 16 on the Billboard Hot 100 pop chart in 2001. The song was also re-recorded in 2003 and released as God Bless the U.S.A. 2003. Greenwood also wrote a Canadian version of this song called God Bless You Canada. The song has sold over a million copies in the United States by July 2015.This version is arranged in D concert for String Orchestra / Quartet plus Optional Drum Set at the Intermediate Level.Performance time: approx. 3 minutes. Coventry Carol -- The Blessing and Peace of Christmas
Coventry Carol -- The Blessing and Peace of Christmas # String Orchestra # INTERMEDIATE/ADVANCED # Traditional # Mary Jane Lang # Coventry Carol -- The Blessing # MaryJaneLang # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.889284 Composed by Traditional. Arranged by Mary Jane Lang. Christian,Christmas,Sacred. Score and p...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.889284 Composed by Traditional. Arranged by Mary Jane Lang. Christian,Christmas,Sacred. Score and parts. 22 pages. MaryJaneLang #1411. Published by MaryJaneLang (A0.889284). This is a reaction on the part of the composer to the brash commercialization of Christmas. Christmas is first Christ, Jesus Christ, His humble Birth in a Manger, the quiet tenderness of his Mother Mary and his Father Joseph, the surroundings of people who were prominent in their day but utterly unknown now. It is a reaction to wanting to go back to the Silent Night, the Shepherds Watching the Sheep by Night, etc. The spirit is quiet reverence for Jesus. This is arranged for solo voice (or womens' choir), flute obligato, strings (string orchestra or string quartet), and harp or piano. In other words, this is intended to minister to the quiet nobility of the true spirit of Christmas, with love and blessings. The Headless Rider from "Suite Fantastique: The Legend of Sleepy Hollow"
The Headless Rider from "Suite Fantastique: The Legend of Sleepy Hollow" # String Orchestra # INTERMEDIATE/ADVANCED # Fidelis Zitterbart # Marc Linwood # The Headless Rider from "Suite # RēsFacta Editions # SheetMusicPlus
String Orchestra - Level 4 - Digital Download SKU: A0.1436597 Composed by Fidelis Zitterbart. Arranged by Marc Linwood. 19th Century,20th Century,Classic...(+)
String Orchestra - Level 4 - Digital Download SKU: A0.1436597 Composed by Fidelis Zitterbart. Arranged by Marc Linwood. 19th Century,20th Century,Classical,Halloween,Thriller. 25 pages. RēsFacta Editions #1016711. Published by RēsFacta Editions (A0.1436597). American composer, Fidelis Zitterbart’s Suite Fantastique in E Minor: The Legend of Sleepy Hollow, inspired by Washington Irving's short story, was originally composed for a chamber ensemble of two violins, viola, flute, and piano. The final movement of the work, The Headless Rider, depicts the spectral figure who roams the night on horseback, searching for something lost and seeking revenge. The music conveys a sense of urgency and intensity, as if the Headless Rider is on a relentless quest through the darkness. This arrangement for string orchestra features a driving ostinato figure by the violas, making it an ideal selection for an orchestra with a strong viola section for a Halloween-themed concert. Score and Parts. Duration: Approx. 4 minutes.