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1,427 sheet music found Sonatina for Viola and Piano
Sonatina for Viola and Piano # Viola, Piano # INTERMEDIATE/ADVANCED # Classical # Richard E Brown # Sonatina for Viola and Piano # Dacker
Music # SheetMusicPlus
Piano Accompaniment, Viola -
Advanced Intermediate -
Digital Download
Composed by Richard E Brown.
Contemporary Classical,
Repertoire. Score, Solo Part...(+)
Piano Accompaniment, Viola -
Advanced Intermediate -
Digital Download
Composed by Richard E Brown.
Contemporary Classical,
Repertoire. Score, Solo Part.
33 pages. Published by Dacker
Music As the title indicates, Sonatina for Viola and Piano closely follows sonata form
a somewhat smaller scale. Tonality and tonal relationships are basic to sonata form,
and in this sonatina, the tonal relationships within and between the movements are
all based on seconds. The movements are:
1. Allegro moderato, a fairly strict sonata-allegro in B minor.
2. Andante, a theme and variations in B-flat major, an enharmonic minor second
relationship to the outer movements.
3. Vivace, an abridged sonata-rondo in the home key of B minor
Grade 4+ Duration: 7:4 New Heart Hymns: 10 Familiar Hymns for Solo Viola and Intermediate Piano
New Heart Hymns: 10 Familiar Hymns for Solo Viola and Intermediate Piano # Viola, Piano # EASY # Sacred music # Contemporary # Jennie Rhodes # Jennie
Rhodes # Worship, Sacred # New Heart Hymns: 10 Familiar H # Jennie Rhodes
Music # SheetMusicPlus
By Jennie Rhodes. By Jennie
Rhodes. Arranged by Jennie
Rhodes. Classical,
Contemporary, Instructional,
Praise & Worship, Sacred.
Score and part. 5...(+)
By Jennie Rhodes. By Jennie
Rhodes. Arranged by Jennie
Rhodes. Classical,
Contemporary, Instructional,
Praise & Worship, Sacred.
Score and part. 50 pages.
Jennie Rhodes Music #164835.
Published by Jennie Rhodes
Music "My students were tired of playing out of the hymn book. This collection makes them to feel like artists when they perform in their worship services!" This volume of 10 beloved, multi-denominational hymns are arranged with the aim of being easy enough for young players to master, yet beautiful enough for advanced musicians to enjoy. Perfect as short featured solos, or use the optional attaccas and links connecting the entire set for prelude/postlude settings. Also available for solo violin, cello, flute, oboe, clarinet, and piano. Listen to a playlist of the entire collection (as arranged for violin) on YouTube. DETAILS: Total length = 24 minutes. Solo instrument part = 15 pages. Piano score =29 pages . All texts included. SONG LIST: Abide With Me; Come, Come Ye Saints (All is Well); Come, Follow Me; Come, Thou Fount of Every Blessing; Count Your Blessings; How Firm a Foundation; I Know that My Redeemer Lives; I Stand All Amazed; Lead, Kindly Light; Nearer, My God, to Thee. www.jennierhodesmusic.com. Saint-Saens: The Swan for Viola and Piano
Saint-Saens: The Swan for Viola and Piano # Viola, Piano # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saens: The Swan for Viol # jmsgu3 # SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Conte...(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.1254033 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 9 pages. Jmsgu3 #847646. Published by jmsgu3 (A0.1254033). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind. Pie Jesus, from Fauré's Requiem, for Viola and Piano
Pie Jesus, from Fauré's Requiem, for Viola and Piano # Viola, Piano # INTERMEDIATE # Classical # Gabriel Faure # David McKeown # Pie Jesus, from Fauré's Requi # David McKeown # SheetMusicPlus
Piano,Viola - Level 3 - Digital Download SKU: A0.587711 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacr...(+)
Piano,Viola - Level 3 - Digital Download SKU: A0.587711 Composed by Gabriel Faure. Arranged by David McKeown. Christian,Contemporary,Romantic Period,Sacred,Standards. Score and part. 5 pages. David McKeown #4810611. Published by David McKeown (A0.587711). Pie Jesus is the fifth and central movement of Gabriel Fauré’s Requiem. The piece was premiered in Paris in 1888, and underwent several revisions in subsequent years. The Requiem was performed at Fauré’s own funeral in 1924, but it’s only in recent years that this gentle version of the Mass for the Dead has received the international recognition it deserves. Contemporary performances in Parisian churches required the Pie Jesus to be sung by a boy treble, but in the concert hall, Fauré always preferred a soprano voice for the part.This arrangement transcribes the orchestral score as a Solo for Viola with Piano accompaniment. Both the piano score and the solo part are included in the pdf file. The linked youtube performance is the clarinet version of this arrangement.Soloists at an intermediate level and above will find this ideal for formal and informal performances. The rhythms are straightforward, and there is plenty of scope for expressive, lyrical playing. The slow tempo though will require good bow and tone control. The piano part is suitable for an intermediate player. The overall performance time is around three and a half minutes.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203 Sonata in a Simple Scale for Viola and Piano
Sonata in a Simple Scale for Viola and Piano # Viola, Piano # INTERMEDIATE/ADVANCED # Contemporary # Daniell Mattern # Sonata in a Simple Scale for V # Daniell Mattern # SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. P...(+)
Piano,Viola - Level 4 - Digital Download SKU: A0.1032818 Composed by Daniell Mattern. Contemporary. Score and part. 58 pages. Daniell Mattern #5721229. Published by Daniell Mattern (A0.1032818). Sonata in a Simple Scale for Viola and PianoThe Simple Scale of the title is a series of alternating whole steps and half steps. There are three versions; any particular note will belong to two of the three. Thus, the two scales that include C go up either a whole step from C (C D Eb F F#…) or a half step (C C# D# E F#…); the third scale excludes C entirely (B C# D E F…). These scales allow for a variety of melodies, which often take on a modal character, and familiar chords, including major, minor, and diminished.Although the scale is simple, the Sonata is not for elementary players. The viola range goes to the C two octaves above middle C and there are occasional double and triple stops and stopped harmonics, and frequent meter changes. Also, the unusual scale does not fit the standard fingering patterns for either instrument. That said, the sonata is intended to be enjoyable for proficient, rather than virtuosic, players.In the introduction to the Sonata-Allegro movement, the viola explores motives and intervals, with subtle embellishment from the piano. These phrases build to a three-octave descending presentation of the simple scale; a trill then leads into the main theme. The piano sets up a jaunty accompaniment pattern, over which the viola plays the theme in measure-long segments. The second theme is a long, legato line in the viola that spans two octaves. The viola then sets up a two-measure ostinato, joined by a lumbering piano bass, before the piano treble floats on top with a melancholy closing theme. The development section plays mostly with the main theme, shifting meters as the two instruments engage in dialog. A bridging trill takes us into the recapitulation, but now the viola plays the jaunty accompaniment pattern, and the piano has the main theme. After the return of the second theme, varied in its accompaniment, the piano presents the ostinato of the closing theme, and the viola takes the melody, leading to a quiet and playful finish.In the second movement (Song), the piano begins a slow, rather dark theme, joined by the viola, and ending in a rising question that leads into the second section. Presented simply by the viola, this lilting 7/8 theme has a folk-song quality. It is repeated and embellished several times before the first theme returns, ending in a loud and angry exclamation.The Scherzo is a 6/8 whirlwind. The viola presents rapid repeated notes punctuated with three rising or falling notes; the piano enters gradually until both are giving a forceful statement. In the middle section, the viola sets up a whirling pattern with a drone, while the piano plays a dark version of the closing theme from the first movement. The first theme returns and the movement gallops to a rapid finish.The Rondo begins with an introduction that explores octaves and trills, leading into the main theme, with slightly dissonant 4/4 viola measures alternating with 7/8 answers in the piano. Bridging measures in 5/8 take us into a relaxed, waltz-like interlude of solo viola. A fast section with a touch of fugato follows, with the main theme presented in diminution by the viola at the end. This leads into a second interlude, this one exploring octaves, trills, and clusters in unmetered fragments that the instrumentalists play at their own tempos. The viola then emerges with a confident new theme, joined after a while by the piano. The main theme then returns in a rollicking 3/4 version that brings the piece to a close. Canopy for viola & piano
Canopy for viola & piano # Viola, Piano # INTERMEDIATE/ADVANCED # Greg Bartholomew # Canopy for viola & piano # Burke & Bagley # SheetMusicPlus
Piano,Viola - Level 4 - Digital Download SKU: A0.787337 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pag...(+)
Piano,Viola - Level 4 - Digital Download SKU: A0.787337 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and part. 10 pages. Burke & Bagley #2586675. Published by Burke & Bagley (A0.787337). Originally composed for alto flute & piano in 2015 for Lish Lindsey and Markus Kaitila for their March 8, 2015, performance on the Composer's Voice concert series in New York, Canopy references the light and colors of a canopy formed by trees, fruits hanging from the trees, birds making their home within the canopy, sun-dappled shadows on the ground below and the sky above seen through the canopy. It is also available for trumpet & piano, viola & piano, and cello & piano. Duration: ca. 3'30Download free piano accompaniment track: http://www.gregbartholomew.com/piano/BB325P.mp3 Twinkle, Twinkle, Little Star, for two violas and piano
Twinkle, Twinkle, Little Star, for two violas and piano # Viola, Piano # BEGINNER # Christopher A # Twinkle, Twinkle, Little Star, # Christopher A. Sforza # SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.909560 Arranged by Christopher A. Sforza. Children,Contemporar...(+)
Instrumental Duet,Piano Instrumental Duet,Piano,Viola - Level 1 - Digital Download SKU: A0.909560 Arranged by Christopher A. Sforza. Children,Contemporary,Folk,Standards. Score and parts. 5 pages. Christopher A. Sforza #3640545. Published by Christopher A. Sforza (A0.909560). This arrangement of Twinkle, Twinkle, Little Star is a twist on a old favorite. While the first viola sticks to the original, the second viola and piano are filled with unique, interesting, and unexpected harmonies. The arrangement allows the performers to play three different ways; as a solo with piano, two violas and piano, or as a viola duet without piano.Included is a set of piano scores and duet parts in both D Major and G Major as well as fingering suggestions.