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39 sheet music found Sullivan: The Lost Chord for Clarinet & Piano
Sullivan: The Lost Chord for Clarinet & Piano # Clarinet and Piano # INTERMEDIATE/ADVANCED # Sir Arthur Seymour Sullivan # James M # dynamic control # Sullivan: The Lost Chord for C # jmsgu3 # SheetMusicPlus
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructi...(+)
B-Flat Clarinet,Piano - Level 4 - Digital Download SKU: A0.549444 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3494745. Published by jmsgu3 (A0.549444). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  Solos for the Intermediate Clarinetist, Volume 1 for Clarinet & Piano 40026
Solos for the Intermediate Clarinetist, Volume 1 for Clarinet & Piano 40026 # Clarinet and Piano # INTERMEDIATE # Daniel Kelley # Daniel Kelley # Solos for the Intermediate Cla # Last Resort Music Publishing # SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.789211 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructiona...(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.789211 By Daniel Kelley. By Various. Arranged by Daniel Kelley. Baroque,Classical,Instructional,Romantic Period. Score and part. 79 pages. Last Resort Music Publishing #396462. Published by Last Resort Music Publishing (A0.789211). Favorites arranged in progressive order for the developing clarinetist! Includes works by Bach, Bartok, Brahms, Chopin, Ravel, Stravinsky and more! Table of Contents - 40026 March in D Major from the Anna Magdalene Bach Notebook (Bach) Braul & Joc Cu Bata from Rumanian Folk Dances (Bartok) Ode to Joy from Symphony #9 (Beethoven) Waltz from Waltz in Ab Major, Op. 39 #15 (Brahms) Grande Valse Brilliante from Waltz in Eb Major, Op. 18 (Chopin) Nocturne from Op. 9 #2 for piano (Chopin) Trumpet Voluntary (Clarke) Bourree, Menuet & La Rejouissance from The Fireworks Music (Handel) Largo from Xerxes (Handel) Waltz from Waves of the Danube, #1 (Ivanovici) Nocturne from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Ave Verum Corpus (Mozart) Allegro from Eine Kleine Nachtmusic (Mozart) Pavane pour une Infante Defunte (Ravel) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Gavotta from Pulcinella (Stravinsky) Larghetto (Stravinsky) Allegro from Violin Concerto in F Major, Op. 8 #3 - Autumn (Vivaldi) Allegro from Violin Concerto in E Major, Op. 8 #1 - Spring (Vivaldi) Published by Last Resort Music Publishing Inc. www.lastresortmusic.com. Jingle Bells (Bb-Clarinet solo and Piano)
Jingle Bells (Bb-Clarinet solo and Piano) # Clarinet and Piano # EASY # Christmas # Stephen DeCesare # Stephen DeCesare # Jingle Bells # Exultet Music # SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1267219 By Stephen DeCesare. By James Pierpont, Wolfgang Amadeus Mozart. Arranged by Stephen D...(+)
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1267219 By Stephen DeCesare. By James Pierpont, Wolfgang Amadeus Mozart. Arranged by Stephen DeCesare. Christmas,Contest,Festival,Holiday,Standards,Traditional. Score and part. 11 pages. Exultet Music #859860. Published by Exultet Music (A0.1267219). Who would've thought that the famous Christmas song Jingle Bells could be intertwined with the music of Wolfgang Amadeus Mozart? Â Now, it has, in this fun-loving, energetic arrangement and scored for a Bb-Clarinet solo with Piano accompaniment. Â Accessible and appropriate for any concert setting. Â An accompaniment track is also available. Mendelssohn: Wedding March for Clarinet & Piano
Mendelssohn: Wedding March for Clarinet & Piano # Clarinet and Piano # INTERMEDIATE # Classical # Felix Bartholdy Mendelssohn # James M # Mendelssohn: Wedding March for # jmsgu3 # SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic ...(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.549889 Composed by Felix Bartholdy Mendelssohn. Arranged by James M. Guthrie, ASCAP. Romantic Period,Standards,Wedding. Score and part. 23 pages. Jmsgu3 #3602813. Published by jmsgu3 (A0.549889). Score: 12 pages, piano part: 6 pages, clarinet part: 4 pages. duration: ca. 5'. This is the famous wedding march from Op. 61 composed in 1842 and commonly performed as a recessional march at the end of a wedding. The piece was originally composed for orchestra then arranged for organ and performed by Mendelssohn himself.Mendelssohn: Wedding March Mendelssohn’s Wedding March is so popular that it’s difficult to imagine a wedding without it. It seems like it’s been around for eternity. In any case, it was only 150 years or so ago that the Wedding March came about. It was performed in Potsdam for the first time in 1842, as a piece of Mendelssohn’s music for the Shakespeare play A Midsummer Night’s Dream. It was first used for a wedding in 1858 Mendelssohn Background Felix Mendelssohn (1809 –1847) was, by all means, a German mastermind composer, musician and orchestra conductor of the Romantic period. Consequently, Mendelssohn composed in the usual forms of the time - symphonies, concertos, oratorios, piano music, and chamber music. To summarize, his most famous works include his music for A Midsummer Night's Dream, the Italian Symphony, the Scottish Symphony, The Hebrides Overture, his later Concerto for Violin & Orchestra, and his Octet for Strings. His most well-known piano pieces, by and large, are the Songs Without Words. Artistic Standing Musical tastes change from time to time. Moreover, just such a change occurred in the late 19th and early 20th centuries. This plus rampant antisemitism brought a corresponding amount of undue criticism. Fortunately, however, his artistic inventiveness has indeed been critically re-evaluated. As a result, Mendelssohn is once again among the most prevalent composers of the Romantic era. Early Family Life Mendelssohn was, in fact, born into a prominent Jewish family. His grandfather was, notably, the philosopher Moses Mendelssohn. Felix was, in fact, raised without religion. At the age of seven, he was all of a sudden baptized as a Reformed Christian. He was, moreover, a child musical prodigy. Nevertheless, his parents did not attempt to exploit his talent. Early Adulthood Mendelssohn was, in general, successful in Germany. He conducted, in particular, a revival of the music of Johann Sebastian Bach, specifically with his presentation of the St Matthew Passion in 1829. Felix was truly in demand throughout Europe as a composer, conductor, and soloist. For example, he visited Britain ten times. There, he premiered, namely, many of his major works. His taste in music was. To be sure, inventive and well-crafted yet markedly conservative. This conservatism separated him by all means from more audacious musical colleagues like Liszt, Wagner, and Berlioz. Mendelssohn founded the Leipzig Conservatoire which, to clarify, became a defender of this conservative viewpoint. Mature Adulthood Schumann notably wrote that Mendelssohn was the Mozart of the nineteenth century, the most brilliant musician, the one who most clearly sees through the contradictions of the age and for the first time reconciles them. This observation points to a couple of features in particular that illustrate Mendelssohn's works and his artistic procedure. Musical Features In the first place, his musical style was fixed in his methodical mastery of the style of preceding masters. This being said, he certainly recognized and even developed early romanticism from the music of Beethoven and Weber. Secondly, it indicates that Mendelssohn sought to strengthen his inherited musical legacy rather than to exchange it with new forms and styles or replace it with exotic orchestration. Consequently, he diverged his contemporaries in the romantic period, such as Wagner, Berlioz, and Liszt. Mendelssohn revered Liszt's virtuos. Ave Verum for Solo Clarinet and Organ
Ave Verum for Solo Clarinet and Organ # Clarinet and Piano # EASY # Classical # David Brown # David Brown # Ave Verum for Solo Clarinet an # David P. Brown # SheetMusicPlus
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1308410 By David Brown. By Wolfgang Amadeus Mozart. Arranged by David Brown. Chamber,Classical...(+)
B-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.1308410 By David Brown. By Wolfgang Amadeus Mozart. Arranged by David Brown. Chamber,Classical,Easter,Wedding. Score and part. 5 pages. David P. Brown #897650. Published by David P. Brown (A0.1308410). This arrangement for Solo Clarinet and Organ of the beautiful Ave Verum Corpus, is from a motet by Mozart orginally for choir, strings, and organ. Perfect for any church service, quiet moment, wedding, or any prelude or postlude music. 20 Classical Themes for Clarinet Solo with Piano Accompaniment
20 Classical Themes for Clarinet Solo with Piano Accompaniment # Clarinet and Piano # INTERMEDIATE # Classical # Various # B # 20 Classical Themes for Clarin # Ben Dockery # SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1285653 Composed by Various. Arranged by B. C. Dockery. 19th Century,Baroque,Chamber,Classical...(+)
B-Flat Clarinet,Piano - Level 3 - Digital Download SKU: A0.1285653 Composed by Various. Arranged by B. C. Dockery. 19th Century,Baroque,Chamber,Classical,Romantic Period. Score and part. 114 pages. Ben Dockery #876760. Published by Ben Dockery (A0.1285653). Some of the most popular and beloved compositions by Bach, Beethoven, Mozart, Brahms, Chopin and more are included in this collection of twenty classical themes: arranged for B-flat clarinet solo with piano accompaniment. Great for lessons, recitals, and performances of all kinds. A range of early to late intermediate levels. Â Includes scores and individual parts.Air on the G String, Ave Maria, Brahm's Lullaby, Canon in D, Dido's Lament, Eine Kleine Nachtmusik, Funeral March, Fur Elise, Hallelujah Chorus, In the Hall of the Mountain King, Jupiter, Largo, Ode to Joy, Pavane, Pomp and Circumstance, Sleeping Beauty, Spring, Blue Danube, The Sorcerer's Apprentice, Trumpet Voluntary. Prelude in E minor-Clarinet Solo
Prelude in E minor-Clarinet Solo # Clarinet and Piano # INTERMEDIATE # Classical # Chopin's request, this piece w # Frederic Chopin # John May # Prelude in E minor-Clarinet So # Lost Key Music # SheetMusicPlus
B-Flat Clarinet,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1150765 Composed by Frederic Chopin. Arranged by John May. Chamber,Classical,Con...(+)
B-Flat Clarinet,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1150765 Composed by Frederic Chopin. Arranged by John May. Chamber,Classical,Contest,Festival,Romantic Period. Full Performance. Duration 137. Lost Key Music #750947. Published by Lost Key Music (A0.1150765). Prelude in E minor, Op. 28, No. 4, by Frederic Chopin is one of his 24 Preludes. By Chopin's request, this piece was played at his own funeral, along with Mozart's Requiem. It is arranged here for clarinet solo with piano accompaniment. Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano
Bach-Gounod: Ave Maria, Schwencke version for Alto Clarinet & Piano # Clarinet and Piano # EASY # J # James M # Bach-Gounod: Ave Maria, Schwen # jmsgu3 # SheetMusicPlus
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,...(+)
E-Flat Clarinet,Piano - Level 2 - Digital Download SKU: A0.550918 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888287. Published by jmsgu3 (A0.550918). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.