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PIANO 2 Percussions Et Piano
PIANO
Sheetmusic to print
25 sheet music found
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1
Folk Songs Collection for children's voices and piano (with optional Orff)
Folk Songs Collection for children's voices and piano (with optional Orff)
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Piano, Vocal and Guitar
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EASY
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Traditional
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Julie Gaulke
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Folk Songs Collection for chil
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Julie Gaulke
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.720254 Composed by Traditional. Arranged by Julie Gaulke. Children,Folk. Score. 22 pages. J...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.720254 Composed by Traditional. Arranged by Julie Gaulke. Children,Folk. Score. 22 pages. Julie Gaulke #3532755. Published by Julie Gaulke (A0.720254). Collection of 5 original arrangements by Julie Gaulke for children's (or treble) choir, written in easy to medium level 3 or 4 part harmony with easy to play piano accompaniment. Two songs also have optional Orff percussion. Song list: All The Pretty Little Horses, Early One Morning, John Kanaka, Listen To The Mockingbird, and Nkosi Sikelel' iAfrika. See demo video here: https://youtu.be/dMtbf89-l_A MP3 backing tracks available at Pianomom's Sheet Music: https://www.pianomomsheetmusic.com/collectionsbooks.html
$6.99 ≈
6.46€
Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
Sonata for Two Pianos, I. Allegro con Spirito, K.448 (arr. Owen Meldon)
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2 Pianos, 4 hands
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ADVANCED
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Classical
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Wolfgang Amadeus Mozart
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Owen Meldon
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Sonata for Two Pianos, I. Alle
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Owen Meldon
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SheetMusicPlus
Percussion Quartet Marimba - Level 5 - Digital Download SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages...
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Percussion Quartet Marimba - Level 5 - Digital Download SKU: A0.1214857 Composed by Wolfgang Amadeus Mozart. Arranged by Owen Meldon. Classical. 37 pages. Owen Meldon #811788. Published by Owen Meldon (A0.1214857). I was a freshman in high school and just figured out how to use MuseScore. With a holiday concert on the horizon, I wanted to put together a fun arrangement of a classical piece for four percussionists. I settled on Mozart’s Sonata for Two Pianos in D Major (fun fact: this piece has been studied extensively and has proven epilepsy-combatting power!*) and broke down the four piano hands into four marimba parts. In December 2016, I premiered the first iteration of this arrangement with the help of three of my peers; years later, I revisited this arrangement and gave it some much-needed revisions. I also finished arranging the second half of the original, which I couldn’t do in 2016 as the first arrangement had to be fairly short. This is the arrangement in its new finished version, which definitely looks and sounds a lot better than the first. We all start somewhere… *Lin, Lung-Chang, et al. “The Long-Term Effect of Listening to MOZART K.448 Decreases Epileptiform Discharges in Children with Epilepsy.†Instrumentation:Marimba I (4.3 octave marimba minimum)Marimba II (4.3 octave marimba minimum)Marimba III (5.0 octave marimba)Marimba IV (5.0 octave marimba)Duration: c. 6'
$29.99 ≈
27.71€
CuthberPraise Patriotic Hymns Collection, Volume 2
CuthberPraise Patriotic Hymns Collection, Volume 2
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Piano, Vocal and Guitar
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INTERMEDIATE
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Various
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Randy Adams
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CuthberPraise Patriotic Hymns
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Randy Adams
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.919589 Composed by Various. Arranged by Randy Adams. Christian,Holiday,Patriotic,Sacred. Sc...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.919589 Composed by Various. Arranged by Randy Adams. Christian,Holiday,Patriotic,Sacred. Score. 48 pages. Randy Adams #4638767. Published by Randy Adams (A0.919589). The CuthbertPraise Patriotic Hymns Collection is designed for flexibility and ease of use with many different instruments in many combinations. Each hymn contains an original descant and parts for brass, winds, strings, percussion, piano and even guitar. The arrangements can be used for any size group from solo, duet or trio, brass quartet or quintet, or even full band or orchestra. Substitute parts are clearly marked and may be mixed and matched to suite instrument availability. The Collection is designed to work well with group and congregational singing and will integrate seamlessly with most hymnals. Volume 2 includes America the Beautiful, God of Our Fathers and Great God of Nations.
$25.00 ≈
23.10€
Concerto
Concerto
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Piano and Orchestra
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ADVANCED
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Contemporary
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. D...
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Piano and orchestra - difficult - Digital Download For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.16€
Nobody Like U
Nobody Like U
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Piano, Vocal and Guitar
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EASY
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Pop music
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4 TOWN
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Barry McCormick
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Nobody Like U
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040259 By 4 TOWN. By Billie Eilish and Finneas O'Connell. Arranged by Barry McCormick. Fil...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1040259 By 4 TOWN. By Billie Eilish and Finneas O'Connell. Arranged by Barry McCormick. Film/TV,Pop. Score. 9 pages. B. McCormick #645038. Published by B. McCormick (A0.1040259). About this Piano/Vocal/Guitar arrangement of “Nobody like You†Disney's smash hit animation Turning Red was a massive success early in 2022. The sound track was brought to us by none other than Finneas O'connell, Billie Eilish. This arrangement of the main song on the soundtrack, Nobody like U, is for piano, voice and guitar. The key is in Am With this arrangement you will get the piano and vocal part, 7 pages, and the voice part with chords/lyrics separately acting as a lead sheet which is useful for all types of performers who do not necessarily need the whole piano part. This keeps paper usage at minimum and means the whole song can be laid out side by side without the need for page turns. The piano arrangement is very easy, mainly a heavily repeated chordal rhythmic motif. The most difficult part is in the left hand for the change in the bass line. There is also a large section of the song that is purely percussive in the backing. In one instance this is simply marked indicating when the piano drops and the accompanist could clap/beat box in this section if desired or if playing with a drummer just let them have the spot light. The song also finishes with only percussive backing, for this final section to give an idea of this I've changed the rhythm to a simple staccato beat on 2 and 4 so that if this was performed with only a pianist and singer there was some appropriate melodic backing that seemed percussive through the use of the staccato. The vocal part is close to the audio however I have omitted most of the vocal runs that happen between sections. These can be included in the performance should the singer decide to. I have only included the opening vocal run passage. In some areas I have simplified the melody, retaining the rough melodic shape but simplifying the rhythm. These can be sung as written or adjusted to the performers taste. I hope you enjoy this arrangement of Nobody Like U for piano, vocal and guitar and I hope it serves as a versatile arrangement for many purposes. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
$4.99 ≈
4.61€
Viva Las Vegas from VIVA LAS VEGAS
Viva Las Vegas from VIVA LAS VEGAS
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Piano, Vocal and Guitar
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INTERMEDIATE
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Contemporary
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Elvis Presley
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Jan Angermüller
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Viva Las Vegas from VIVA LAS V
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Elbsound.studio
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.856979 By Elvis Presley. By Doc Pomus and Mort Shuman. Arranged by Jan Angermüller. Cont...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.856979 By Elvis Presley. By Doc Pomus and Mort Shuman. Arranged by Jan Angermüller. Contemporary. Score. 47 pages. Elbsound.studio #3484607. Published by Elbsound.studio (A0.856979). Transcription of the original Elvis Presley recording. Yes, it sounds like the original.Except for the original electric guitar part which is a little bit advanced, it's also good to play in a school ensemble.The percussion instrumentation allows a flexible ensemble size.This arrangement was originally written for a professional show band.Duration: 2m25s, 44 pages (plus 3 preview pages)Instrumentation:Piano, drum set, e-guitar, bass guitar (or upright bass), optional percussion instruments (cabasa, tambourine, shaker, bongo, claves, xylophone, tom rim), 2 optional trumpets, 2 optional trombones, vocal, optional backing vocals
$27.99 ≈
25.86€
Wellerman sea shanty arranged for epic Bigband
Wellerman sea shanty - epic Bigband
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Piano, Vocal and Guitar
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INTERMEDIATE
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Traditional
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Sophia Transistor
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Arrangement Contest
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Wellerman sea shanty - epic Bi
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Sophia Transistor
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.851136 Composed by Traditional. Arranged by Sophia Transistor. Jazz,Ragtime,World. Score. 4...
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Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.851136 Composed by Traditional. Arranged by Sophia Transistor. Jazz,Ragtime,World. Score. 49 pages. Sophia Transistor #6463869. Published by Sophia Transistor (A0.851136). This Bigband Arrangement is part of the NDR Bigband Composition & Arrangement Contest.The Wellerman sea shanty (soon may the wellerman come) is an ear catching tune and the best part: It's public domain! Therefor it went viral in early 2021 on TikTok and YouTube.This Big Band Arrangement features:- full score in landscape modeset of parts in DIN A4:- Alto Sax 1 (with instrument change to flute)- Alto Sax 2- Tenor Sax 1- Tenor Sax 2- Bari Sax- Trumpet 1- Trumpet 2- Trumpet 3- Trumpet 4- Trombone 1- Trombone 2- Trombone 3- Trombone 4- Guitar- Piano Keys- Bass- Drums- Steel Drum (Percussion)Jazz Solos are set for trumpet 2 and trombone 2.The unique instrument Steel Drum was added to achieve a caribbean flair.It can be played by the percussionist or the band leader.If a steel drum is not available, please consider using a xylophone, marimba or any kind of glockenspiel.The genre (stil) is set to funk (no swing) to find some remembrance to the traditional Bigband Arrangement of John Brown's Other Body.In addition a part is added, that introduces some electro swing moves as the one in Louis Primas Sing Sing Sing. The last crossreference can be made to the computer game music of The Course of Monkey Island, because the Pirate atmosphere meets ups with a sea shanty.If you have any comments, please contact me, I would be very happy if this arrangement will be played by any kind of Big Band.YouTube Play Along: https://youtu.be/eSaqtmG2E0k
$42.00 ≈
38.80€
Seeds Along the Way (a musical about the life of David)
Seeds Along the Way (a musical about the life of David)
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Piano, Vocal and Guitar
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EASY
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Paul Addison
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Paul Addison
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Seeds Along the Way
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Paul Addison
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1126233 Composed by Paul Addison. Arranged by Paul Addison. Broadway,Children,Christian,Mus...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1126233 Composed by Paul Addison. Arranged by Paul Addison. Broadway,Children,Christian,Musical/Show. Score. 55 pages. Paul Addison #726936. Published by Paul Addison (A0.1126233). Seeds Along the Way is a musical about the life of the biblical King David, written by Paul Addison. David gets to see the major events of his life with the help of his guardian angel, Gabrielle. This manner of storytelling combines elements of It’s a Wonderful Life, A Christmas Carol, and the old TV show This Is Your Life. Each event in David’s life is told through a song. It was originally written as a VBS (Vacation Bible School) musical. Although everyone in Israel is singing his praises, David questions the purpose of his life. Gabrielle shows him that everyone’s life is important, and that the good things that we do are like seeds planted along the way, which may not sprout and grow until much later. After reviewing his past, David is given a glimpse of the future, and realizes that he is one of many who are preparing for the coming of Jesus Christ. The musical is based on the stories from the Bible, mainly from 1 and 2 Samuel, but also including a Psalm and a geneaology listing from Matthew. David throws in a couple of bad puns as he tries to understand what Gabrielle is trying to tell him. The accompaniment is written for piano, but is appropriate for a praise team or a small dance band. The styles are quite varied, including cha-cha, pop, bossa nova, ballad, dirge, blues, jazz, and waltz. The piano accompaniment could be supplemented by percussion instruments (tambourine, maracas, woodblock, cowbell, etc.), as well as guitar, saxophone, and drums. The songs are at an Easy Intermediate level. The only stage requirements are a small balcony or elevated level with a railing or fence, and a floor area for the chorus. The musical consists of 10 scenes, but the two narrator characters remain on the balcony, and the floor area only needs to be changed in case the chorus members use different costumes and/or props for the different scenes. I hope you enjoy this musical. Address any questions to me at paulhaddison@gmail.com.
$12.99 ≈
12.00€
Come to His Table
Come to His Table
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Christian contemporary
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Thomas D
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Thomas D
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1 Corinthians 11:23-26.
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Come to His Table
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Beyond the Walls Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1108276 By Thomas D. LeFevre. By Thomas D. LeFevre. Arranged by Thomas D. LeFevre. Christia...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1108276 By Thomas D. LeFevre. By Thomas D. LeFevre. Arranged by Thomas D. LeFevre. Christian,Contemporary,Praise & Worship,Religious,Sacred. Score. 2 pages. Beyond the Walls Music (BMI) #710891. Published by Beyond the Walls Music (BMI) (A0.1108276). This evocative, inviting Communion song in 3/4 time, brings the sacrament of the Lord’s Supper to a congregation in a traditional (with organ or piano), or modern worship setting. Scored for three parts in treble clef, it can be readily produced with a small ensemble: guitar, keyboard, bass, and quiet percussion. Ideal for a smaller choir or contemporary worship team to accompany Holy Communion. The chorus can be repeated to lengthen the song. Scripture References: Luke 22: 14-20; 1 Corinthians 11:23-26.
$2.50 ≈
2.31€
Under The Christmas Lights
Under The Christmas Lights
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Piano, Vocal and Guitar
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EASY
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Christmas
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Gwen Stefani
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J
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Under The Christmas Lights
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J.B. Taylor
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.902351 By Gwen Stefani. By Gwen Stefani, Justin Tranter, and Michael Ford Busbee. Arranged ...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.902351 By Gwen Stefani. By Gwen Stefani, Justin Tranter, and Michael Ford Busbee. Arranged by J.B. Taylor. Contemporary. Score. 13 pages. J.B. Taylor #6199201. Published by J.B. Taylor (A0.902351). Under the Christmas Lights was recorded by singer/songwriter Gwen Stefani for her fourth studio album You Make It Feel Like Christmas (2017). It was written by Stefani, Justin Tranter, and busbee, who co-produced the song with Eric Valentine. It is a pop and Christmas song with a doo-wop melody. Rolling Stone wrote that it sounds like a 1960s holiday song and Stefani said that the entire album was inspired by Cher, Phil Spector, and the Osmonds.This arrangement is for piano/vocal/guitar with optional percussion. The accompaniment is accessible and includes elements of the original production. A sample recording is included for reference. Duration: approx 2:50. .
$4.99 ≈
4.61€
Dear Future Husband
Dear Future Husband
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Piano, Vocal and Guitar
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EASY
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Meghan Trainor
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Tabitha Beaven
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Dear Future Husband
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Tabitha Beaven
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1470289 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Tabitha Beaven. ...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1470289 By Meghan Trainor. By Kevin Kadish and Meghan Trainor. Arranged by Tabitha Beaven. A Cappella,Children,Instructional,Pop. Score. 5 pages. Tabitha Beaven #1048042. Published by Tabitha Beaven (A0.1470289). Part of a 'Pop Song Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #PopSongLayerUp is designed to be experimented with, taking elements of a song and layering them to see what new harmonies and rhythms can be created. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and Version 2 is a single part flow with three entry points and an optional finish section ('long-form round'). We know that rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. A 'Key Chart' with chords / note range is provided in four different keys to help decide which is the most suitable for your vocal group and see if you need to drop an octave for lower voices. Although a starter structure is provided, group leaders are encouraged to mess around with it, try different layers together and have fun creating something new from something familiar. Huge scope for adding fun body percussion beats to keep time. Most important is to have fun with a #PopSongLayerUp! And if you share your group on social media, please add the hashtags #PopSongLayerUp #PopRound and tag @tunefultabitha - would love to hear what you come up with!#Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp.
$4.99 ≈
4.61€
Cheap Thrills (Feat. Sean Paul)
Cheap Thrills (Feat. Sean Paul)
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Piano, Vocal and Guitar
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EASY
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Sia feat
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Tabitha Beaven
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Cheap Thrills
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Tabitha Beaven
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1470387 By Sia feat. Sean Paul. By Greg Kurstin, Sean Paul Henriques, and Sia. Arranged by ...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1470387 By Sia feat. Sean Paul. By Greg Kurstin, Sean Paul Henriques, and Sia. Arranged by Tabitha Beaven. A Cappella,Children,Instructional,Pop. Score. 6 pages. Tabitha Beaven #1048106. Published by Tabitha Beaven (A0.1470387). Part of a 'Pop Song Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #PopSongLayerUp is designed to be experimented with, taking elements of a song and layering them to see what new harmonies and rhythms can be created. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and Version 2 is a single part flow with five entry points and an optional finish section ('long-form round'). We know that rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. A 'Key Chart' with chords / note range is provided in four different keys to help decide which is the most suitable for your vocal group and see if you need to drop an octave for lower voices. Although a starter structure is provided, group leaders are encouraged to mess around with it, try different layers together and have fun creating something new from something familiar. Huge scope for adding fun body percussion beats to keep time. Most important is to have fun with a #PopSongLayerUp! And if you share your group on social media, please add the hashtags #PopSongLayerUp #PopRound and tag @tunefultabitha - would love to hear what you come up with! #PopSongLayerUp #PopRound #Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp.
$4.99 ≈
4.61€
Just The Way You Are
Just The Way You Are
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Piano, Vocal and Guitar
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EASY
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Bruno Mars
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Tabitha Beaven
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Just The Way You Are
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Tabitha Beaven
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1470292 By Bruno Mars. By Ari Levine, Bruno Mars, Khalil Walton, Khari Cain, and Philip Law...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1470292 By Bruno Mars. By Ari Levine, Bruno Mars, Khalil Walton, Khari Cain, and Philip Lawrence. Arranged by Tabitha Beaven. A Cappella,Children,Instructional,Pop. Score. 6 pages. Tabitha Beaven #1048055. Published by Tabitha Beaven (A0.1470292). Part of a 'Pop Song Layer-Up' series - these arrangements are designed to be fun, warm-up songs for choirs, singing or vocal groups or a quick, easy-win fun filler song. A #PopSongLayerUp is designed to be experimented with, taking elements of a song and layering them to see what new harmonies and rhythms can be created. There are multiple ways it can be explored to build confidence, listening skills and focus. Vocal group leaders can experiment with dynamics, tempo, key changes, different genres/styles of singing using a familiar song as a foundation. Two versions have been provided, Version 1 shows each part stacked to play around with layering and Version 2 is a single part flow with four entry points and an optional finish section ('long-form round'). We know that rounds and partner songs provide great brain training and stretch for singers to concentrate on their part, understand where it fits into the whole and not be swayed by the multiple notes and rhythms moving around their line. A 'Key Chart' with chords / note range is provided in four different keys to help decide which is the most suitable for your vocal group and see if you need to drop an octave for lower voices. Although a starter structure is provided, group leaders are encouraged to mess around with it, try different layers together and have fun creating something new from something familiar. Huge scope for adding fun body percussion beats to keep time, or simple finger clicks. Most important is to have fun with a #PopSongLayerUp! And if you share your group on social media, please add the hashtags #PopSongLayerUp #PopRound and tag @tunefultabitha - would love to hear what you come up with! #PopSongLayerUp #PopRound #Round #PartnerSong #ListeningSkills #Concentration #BrainTraining #Synergy #Dynamics #VocalSkills #WarmUp #ChoirWarmUp.
$4.99 ≈
4.61€
Talking To The Moon
Talking To The Moon
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Melody line, (Lyrics) and Chords
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EASY
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Soul/R&B
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Bruno Mars
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Marco Polo C
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Hooligans
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Talking To The Moon
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MARCO POLO IGNACIO
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SheetMusicPlus
Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.881034 By Bruno Mars. By Albert Winkler, Ari Levine, Bruno Mars, Jeff Bhasker, ...
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Instrumental Duet,Piano C Instrument - Level 2 - Digital Download SKU: A0.881034 By Bruno Mars. By Albert Winkler, Ari Levine, Bruno Mars, Jeff Bhasker, and Philip Lawrence. Arranged by Marco Polo C. Ignacio. Hip-Hop,Pop,R & B. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6564399. Published by MARCO POLO IGNACIO (A0.881034). Talking to the Moon is a song by American singer-songwriter Bruno Mars from his debut studio album, Doo-Wops & Hooligans (2010). The song was first unveiled on Mars's debut extended play, It's Better If You Don't Understand (2010), as its last track. It was written by Mars, Philip Lawrence, Ari Levine, Albert Winkler, and Jeff Bhasker, while production was handled by the Smeezingtons in collaboration with Bhasker. Talking to the Moon is a pop and R&B power ballad about a failed relationship, solitude, and sadness. Instrumentally, the track relies on drum percussion and piano.
$4.99 ≈
4.61€
Blue Star
Blue Star
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Piano, Vocal and Guitar
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EASY
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Cathy Harrison
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N/A
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Blue Star
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Cathy Harrison's Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.486724 By Cathy Harrison. By Cathy Harrison. Arranged by N/A. Broadway,Children,Contest,Fes...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.486724 By Cathy Harrison. By Cathy Harrison. Arranged by N/A. Broadway,Children,Contest,Festival,Film/TV,Instructional,Musical/Show. Score. 2 pages. Cathy Harrison's Music #104827. Published by Cathy Harrison's Music (A0.486724). Blue Star, written by music teacher and composer Cathy Harrison (ASCAP), based in beautiful coastal city Corpus Christi, Texas, is a song about a magical blue star that shines VERY BRIGHTLY and generates warmth that can be felt millions of miles away! Blue Star has a gorgeous melody and is very relaxing. The songs lyrics and tempo lend itself well to adding movement as well as Orff percussion instruments to the singing! Your music class will LOVE Blue Skies! Order your copy TODAY! Don't forget to share Blue Skies with your colleagues, family, and friends! Enjoy!
$7.00 ≈
6.47€
Praise Is Fitting For The Upright (Psalm 33.1 WEB)
Praise Is Fitting For The Upright (Psalm 33.1 WEB)
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Piano, Vocal and Guitar
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EASY
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Sacred music
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Chris Monteiro
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Praise Is Fitting For The Upri
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Christopher M. Monteiro
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.950764 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score. 3 pages. Chris...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.950764 Composed by Chris Monteiro. Christian,Praise & Worship,Sacred. Score. 3 pages. Christopher M. Monteiro #3373357. Published by Christopher M. Monteiro (A0.950764). Rejoice in Yahweh, you righteous! Praise is fitting for the upright. This simple praise song with a syncopated bass line in G Major for Piano and Voice with optional Guitar and Bass has been fashioned to help you internalize God’s Word. The range of the melody is from G above Middle C to the 2nd D above Middle C. The Guitar can duplicate the right-hand piano or follow the chord symbols. The bass should play the left-hand piano part. Adding percussion is recommended.
$2.99 ≈
2.76€
Cast Off
Cast Off
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Piano, Vocal and Guitar
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EASY
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Bruce Hornsby
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Jeff Tincher
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Cast Off
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Jeff Tincher
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1090902 By Bruce Hornsby. By Bruce Hornsby, Gene Mc Fadden, Gene McFadden, John Whitehead, ...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1090902 By Bruce Hornsby. By Bruce Hornsby, Gene Mc Fadden, Gene McFadden, John Whitehead, Justin Deyarmond Edison Vernon, Justin Vernon, and Leon Huff. Arranged by Jeff Tincher. Contemporary,Rock. Score. 14 pages. Jeff Tincher #695043. Published by Jeff Tincher (A0.1090902). Here is an interesting and rhythmic song. The piano part is very simplistic but fits well with the percussion and the vocals. In the original key from Bruce Hornsby's Absolute Zero project. This arrangement includes the rhythm part. Duration = 4:54. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$5.99 ≈
5.53€
Savior, Like A Shepherd Lead Us
Savior, Like A Shepherd Lead Us
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Piano, Vocal and Guitar
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EASY
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Sacred music
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William Bradbury, Dorothy Thru
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David Luna
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Savior, Like A Shepherd Lead U
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DNL Music Publishers
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1125465 Composed by William Bradbury, Dorothy Thrupp. Arranged by David Luna. Christian,Pra...
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Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1125465 Composed by William Bradbury, Dorothy Thrupp. Arranged by David Luna. Christian,Praise & Worship,Religious. Score. 4 pages. DNL Music Publishers #726227. Published by DNL Music Publishers (A0.1125465). This traditional hymn on the tune of BRADBURY has been created with the small church ensemble in mind. It can be presented in a variety of combinations for voices, piano and optiona praise band (synth pad, guitar, bass and percussion with brushes). It can also be adapted for soloist or small vocal ensemble and is suitable for congregational use. A lead/rhythm sheet for soloist or band is included.
$1.99 ≈
1.84€
Another Hundred People
Another Hundred People
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Piano, Vocal and Guitar
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INTERMEDIATE/ADVANCED
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Contemporary
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Daniel Bernard Roumain and Ste
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W
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Another Hundred People
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Diamond S Music
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790034 Composed by Daniel Bernard Roumain and Stephen Sondheim. Arranged by W. Brent Sawyer...
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Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.790034 Composed by Daniel Bernard Roumain and Stephen Sondheim. Arranged by W. Brent Sawyer. Contemporary. Score. 70 pages. Diamond S Music #3553689. Published by Diamond S Music (A0.790034). ANOTHER HUNDRED PEOPLE from the musical COMPANY. VOCAL SOLO in the KEY of C with 9 piece Band Accompaniment. FULL SCORE & PARTS. This arrangement of the popular song from the ground-breaking 1970’s musical Company by Stephen Sondheim is very true to the original version of the song as heard on the original Broadway Soundtrack. Here, it has been scored for: REED 1 (Flute), REED 2 (Bb Clarinet)., Bb Trumpet, Trombone, Violin, Piano, Bass, Drums, Percussion (Vibes, Bells, Timpani). Unlike most book musicals, which follow a clearly delineated plot, Company is a concept musical composed of short vignettes, presented in no particular chronological order, linked by a celebration for Bobby's 35th birthday. Company was among the first musicals to deal with adult themes and relationships. This arrangement is available in the KEY of C (original key) and the Key of A. Other similar arrangements from DIAMOND S MUSIC available at: https://www.sheetmusicplus.com/publishers/diamond-s-music/6940
$42.99 ≈
39.72€
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PIANO 2 Percussions Et Piano
