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27 sheet music found Alabama Gal / Come Through in a Hurry (SATB, a cappella)
Alabama Gal / Come Through in a Hurry (SATB, a cappella) # Choral SATB # EASY # American Folk Song # Sarah Martinez # Alabama Gal / Come Through in # Sarah Martinez # SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1379313 Composed by American Folk Song. Arranged by Sarah Martinez. A Cappella,Children,F...(+)
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1379313 Composed by American Folk Song. Arranged by Sarah Martinez. A Cappella,Children,Folk,Instructional,Traditional. 4 pages. Sarah Martinez #963994. Published by Sarah Martinez (A0.1379313). Alabama Gal, also known as Come Through in a Hurry, is a traditional folk dance in the southern United States. This Virgina Reel style dance originated in Scotland, but It was popular in the US in the mid-1800s and was called a play party or social dance.Setup: longways setVerse 1: The lead partners link hands and sashay down the center of the lines and then back up to their original spots.Verse 2: Partners do a right elbow turn, then a left elbow turn and back to their original spots.Verse 3: The lead partners cast off and lead their lines to the bottom of the set. The lead partners make an arch for the rest of the partners to go under.Verse 4: The first set of partners to go under the arch lead the lines back to the top of the set and they get ready to become the new lead partners for the next round.This a cappella choral arrangement is also available in 2-part, 3-part, and SAB. Lord Jesus, Think on Me — SATB voices, organ
Lord Jesus, Think on Me — SATB voices, organ # Choral SATB # INTERMEDIATE # Todd Marchand # Lord Jesus, Think on Me — SA # Con Spirito Music # SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944...(+)
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1359972 Composed by Todd Marchand. Christian,Lent,Sacred. 4 pages. Con Spirito Music #944462. Published by Con Spirito Music (A0.1359972). “Lord Jesus, Think on Me†is a translation and free paraphrase of a 5th-century poem by Synesius of Cyrene (ca. 375-414), Bishop of Ptolemais in north Africa and contemporary of Augustine, Bishop of Hippo (354-430). Synesius was a public servant and statesman, a neo-Platonic philosopher and poet. In 410, he was popularly chosen as Bishop of Ptolemais, a position he reluctantly accepted, as his views on certain beliefs of the church, including the soul's creation, a literal resurrection, and the end of the world (eschatos) were unorthodox. In the last of 10 odes Synesius authored, he describes himself bowing humbly in the presence of Christ. In the 1930s, a literal prose translation of the ode was made by the Anglican cleric Harold Costley-White:Be mindful, Christ Son of Godwho rules on high, of thy servant,sinful of heart, who wrote these words.And grant to me release from passions breeding death,which are inborn in my unclean soul.But give me to behold, Saviour Jesus,thy divine brightness, wherein appearingI shall sing a song,to the healer of souls,to the healer of limbs,with the great Fatherand the Holy Spirit.Amen. The text of this setting for SATB voices and organ selects verses from a free paraphrase of that ode, crafted by the Anglican priest and scholar, Allen William Chatfield (1808-1896) and published in his Songs and Hymns of Earliest Greek Christian Poets (1876):Lord Jesus, think on me and purge away my sin; from earthborn passions set me free, and make me pure within. Lord Jesus, think on me, nor let me go astray; through dark-ness and perplexity point Thou the heav'nly way.Lord Jesus, think on me amid the battle's strife; in all my pain and misery be Thou my Health and Life.Lord Jesus, think on me with many a care oppressed; let me Thy loving servant be and taste Thy promised rest.Lord Jesus, think on me that I may sing above to Fa-ther, Spirit, and to Thee the strains of praise and love.The incipit of each verse, “Lord Jesus, think on [remember] me, recalls the words of the penitent thief to Jesus at their crucifixion, and the petitions for guidance, forgiveness, and succor make this a fitting anthem for the penitential season of Lent. ©Copyright 2024 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. For more sacred, folk, holiday, and patriotic music for instruments and voices, visit www.conspiritomusic.com Pennsylvania Polka
Pennsylvania Polka # Choral SATB # INTERMEDIATE/ADVANCED # Lester Lee and Zeke Manners # Ray-Michael Kauffman - a do Ra # & # Pennsylvania Polka # as do Ray meflute studio production # SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874254 Composed by Lester Lee and Zeke Manners. Arranged by Ray-Michael Kauffman - a do Ray me ...(+)
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.874254 Composed by Lester Lee and Zeke Manners. Arranged by Ray-Michael Kauffman - a do Ray me flute studio production. Contemporary. Octavo. 39 pages. As do Ray meflute studio production #4360225. Published by as do Ray meflute studio production (A0.874254). Https://youtu.be/guvb5Jb31rU Written by Lester Lee & Zeke Manners in 1942, and made popular by the Andrew sisters, The Pennsylvania over years has been celebrated as one of the most popular polkas of all times and obviously the most famous State titled polka. A polka is a vivacious couple dance of Bohemian origin in duple time; was a basic pattern of hop-step-close-step; a lively Bohemian dance tune in 2/4 time. The polka was originally a Czech peasant dance, developed in Eastern Bohemia (now part of Czechoslovakia).Growing up in Pennsylvania, nd playing for various local community bands, VFW bands ,Lion's Band , etc we played the Pa Polka for many functions, churches, Seniors, Cake Walks, 4th of July programs, summer and spring concerts, marching bands, parades, and many more events.The Pennsylvania Polka is such a fun, happy song, in a march tempo beat. However, I am so proud of this arrangement as I am of the state I live in. , Another interesting fact is that people not familiar with the song informed me this sounds like a carousel music at an amusement park This arrangement would be great for holidays, church functions, Seniors, July 4th concerts, kid's programs, parades, community concerts, or just any other fun concert. It's a great song for playing and breaking up the typical monotonous flute choir music. A sure flute players favorite as well as your audiences for years to come.Smartly scored for 2 piccolos, 4 c flutes , 2 altos in G , bass flute , and contra bass flute .** however, a 5th c flute made be played for alto flute 1 . Arranged in an intermediate to advanced intermediate style ( considering the top / high instrumentation)Also, please visit my website @ www.doRaymeflute.com Bwana Nipe Pesa (for S/A.T.B voices)
Bwana Nipe Pesa (for S/A.T.B voices) # Choral SATB # Super Mazembe # Evans Obanda Mbinji #   # Bwana Nipe Pesa # Evans Obanda Mbinji # SheetMusicPlus
Choral Choir (Mixed) - Digital Download SKU: A0.1023308 Composed by Super Mazembe. Arranged by Evans Obanda Mbinji. A Cappella,African,Jazz,Pop. Octavo. ...(+)
Choral Choir (Mixed) - Digital Download SKU: A0.1023308 Composed by Super Mazembe. Arranged by Evans Obanda Mbinji. A Cappella,African,Jazz,Pop. Octavo. 7 pages. Evans Obanda Mbinji #5718561. Published by Evans Obanda Mbinji (A0.1023308). Bwana Nipe Pesa About this piece . . . . Kenyan Zilizopendwa - Song - Arranged by Evans O. Mbinji Zilizopendwa (literally, those which were loved') is a term used in Kenya to refer to early Kenyan popular music, synonymous with the term golden oldies as used in the United States. Kiswahili is the national language of Kenyan.All vowel sounds are pure as in Latin. Bwana Nipe Pesa is a Zilizopendwa song that should be performed with enthusiasm, Dance movement, However expressive accents should be given at appropriate points in the musical and textual phrases. Literal Transalation Bwana nipe pesa –Father give me money Watoto wana njaa – The children are hungry Lakini mke wako- But your wife anapenda kutangatanga – Is a loose lady, who moves with everyone Majirani wanachoka kumuona –Neighbours are tired of seeing her Fungueni milango anakuja – Close all the doors she is coming. Watu wote wa Nairobi,Mombasa – People from Nairobi & Mombasa Wakuona kila siku – They keep seeing you every day. Tafadhali bwana rudi – please father come back. Percussion Notes -Improvisation is encouraged. Percussion must never dominate the texture, but rather remain supportive -The piece my be performed a cappella However the effect of the piece will be greatly enhanced by using a variety of improvised percussion instruments like (conga,shakers,claves and rattles) The accompanying ensemble should take care to allow the the choir to be heard. About the Arranger Evans Obanda Mbinji is a composer,clinician,adjudicator, conductor,music educator and the founding Artistic Director of Jobel Chorale ,Zetech University. He has directed many choirs both in Kenya and international. And is a long-standing member of Kenyan Choral Directors Trust and ACDA. I hope you Enjoy! - Evans O.Mbinji . Suite popular venezolana
Suite popular venezolana # Choral SATB # INTERMEDIATE/ADVANCED # Cesar Alejandro Carrillo # Suite popular venezolana # Cesar Alejandro Carrillo # SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.881118 Composed by Cesar Alejandro Carrillo. 20th Century,A Cappella,World. Octavo. 20 pa...(+)
Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.881118 Composed by Cesar Alejandro Carrillo. 20th Century,A Cappella,World. Octavo. 20 pages. Cesar Alejandro Carrillo #3210699. Published by Cesar Alejandro Carrillo (A0.881118). This Suite consists of five movements based on popular Venezuelan genres. The first of them, Danza (Dance), is inspired by a genre typical of Venezuela’s Western part, known as the zuliana dance. The second movement, Galope (Gallop), in the genre of pasaje, a waltz of a moderate tempo, typical of the Venezuelan plains. The third one, Frailejón, is a slow waltz where the stillness of the Venezuelan Andes is reflected. The fourth movement, 5/8, is in the merengue rhythm, a genre typical of Venezuela’s central part. And the last one, Joropo porfiao, is in the joropo rhythm, a name designating different musical expressions of a quick ternary tempo, from different parts of our country. The name porfiao (stubborn) derives from the constant repetition of an alike melodic cell in the form of an obstinato. I Won't Dance
I Won't Dance # Choral SATB # INTERMEDIATE/ADVANCED # Dorothy Fields, Jerome Kern, J # Alexander L'Estrange # I Won't Dance # Alexander L'Estrange # SheetMusicPlus
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.877462 Composed by Dorothy Fields, Jerome Kern, Jimmy McHugh, Oscar Hammerstein, and Otto Harba...(+)
Choral Choir (Mixed) - Level 4 - Digital Download SKU: A0.877462 Composed by Dorothy Fields, Jerome Kern, Jimmy McHugh, Oscar Hammerstein, and Otto Harbach. Arranged by Alexander L'Estrange. A Cappella. Octavo. 18 pages. Alexander L'Estrange #6745463. Published by Alexander L'Estrange (A0.877462). Alexander L’Estrange is a great and innovative arranger, surely one of the best we have around. - Music Teacher Magazine Alexander L’Estrange’s delicious arrangements go naughtily off-piste and the King’s Singers Great American Songbook CD is superb. - The Times Alexander L’Estrange and Joanna Forbes L’Estrange are prolific composers and arrangers of choral music, both individually and as a partnership. Receiving commissions from choral societies, schools, chamber choirs, church choirs and a cappella groups, their music is sung and enjoyed throughout the world. Alexander is regularly commissioned to write arrangements for world-class vocal groups including Voces8, The Queen’s Six, Amarcord and The King’s Singers, for whom he wrote and produced the Great American Songbook album. Joanna began writing music and lyrics during her tenure as soprano and Musical Director of the five-time Grammy® Award-winning vocal group The Swingles. All of Alexander and Joanna’s compositions and arrangements come with excellent learning resources for choirs including part-learning tracks and backing tracks, professionally recorded by the couple in their home studio #OldStableStudios. They also offer expert coaching for choirs, both in person and online. Their popular workshop You can sing…but can you swing?! gives choirs the tools to perform pop and jazz arrangements with greater style and confidence. CONTACT Website www.lestrangemusic.com Enquiries info@lestrangemusic.com To be the first to hear news from L’Estrange Music, follow them on facebook, twitter and instagram This arrangement features classy jazz a cappella writing that will suit experienced chamber choirs, school and high school groups, with a 6-part SSATBarB scoring. The song is a classic jazz standard by Jerome Kern and was commissioned by The King's Singers, who recorded it on their album of Alexander L'Estrange's close-harmony arrangements Great American Songbook https://www.kingssingers.com/products/great-american-songbook/. N.B. This is a higher-key adaptation of Alexander L'Estrange's original arrangement for the King's Singers, with mixed-voice SSATBarB choirs and a cappella groups in mind. Dance
Dance # Choral SATB # INTERMEDIATE # Contemporary # Matteo Saggese, Mino Verngnagh # Anita Cracauer # Dance # Custom Arrangements, LLC # SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.892634 Composed by Matteo Saggese, Mino Verngnaghi, and Pamela Sheyne. Arranged by Anita Cracaue...(+)
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.892634 Composed by Matteo Saggese, Mino Verngnaghi, and Pamela Sheyne. Arranged by Anita Cracauer. Contemporary. Octavo. 13 pages. Custom Arrangements, LLC #6515229. Published by Custom Arrangements, LLC (A0.892634). This song, recorded by the popular Greek tenor Mario Frangoulis, takes the famous quote by William Purkey and weaves it into a beautiful ballad, appropriate for any show, concert, or event. It features a melodic violin part and a soprano soloist during the first verse. Appropriate for any high school, community, or church choir. Performance time is approximately 3:35.Parts for rhythm section (Piano/Synth/Acoustic Guitar/Bass/Percussion/Violin/3 Trumpets/2 Trombones/Alto, Tenor, Bari Sax) are available as a separate package and includes a full score.Email music@showchoirstock.com for the performance track of this arrangement.Anita's show choir music catalog can be found at www.ShowChoirStock.com, including her own original music and the music of Scott Alan, Kerrigan/Lowdermilk, Ben Wexler, and more! Uma for SATB and string quartet, with optional charango and sikus
Uma for SATB and string quartet, with optional charango and sikus # Choral SATB # EASY # Adrienne Inglis # Uma for SATB and string quarte # Adrienne Inglis # SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1311809 Composed by Adrienne Inglis (ASCAP). 21st Century,Folk,Latin,Multicultural,World....(+)
Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1311809 Composed by Adrienne Inglis (ASCAP). 21st Century,Folk,Latin,Multicultural,World. 38 pages. Adrienne Inglis (ASCAP) #900744. Published by Adrienne Inglis (ASCAP) (A0.1311809). Sing in the ancient Andean language of Aymara! Pronunciation guide included!Uma (2023)SATB and string quartet with optional charango and sikus, composed in the style of a Bolivian huayñoText — excerpts from the Aymara poem Uma (2002) by Pedro Humire Loredo (1935-2020) — used with permissionDuration — about 2’Difficulty 2 (High school)World premiere:21 Oct 2023 at 7 PMJester King — Brewery, Kitchen, Farm & Event Hall — 13187 Fitzhugh Rd, Austin, TX 78736Panoramic Voices presents “Folk Yeah†with Invoke that includes two world premieres, Wari and Uma, both Andean folk settings in Aymara.Commissioned by Panoramic Voices for its “Folk Yeah!†concert October, 21, 2023, Uma for SATB and string quartet with optional charango and sikus is written as a dance in the style of a Bolivian huayño. The text in the indigenous language of Aymara comes from the poem “Uma†written by Chilean poet Pedro Humire Loredo. In the high Andean plateau called the altiplano or puna, the scarcity of water calls on the local people to share the precious and essential resource. Humire’s poetry reassures us that there is enough uma (water) for all. The popular indigenous huayño dance predates the Spanish conquest. This choral setting celebrates cooperation and sharing of water with embellished instrumental sections and optional panpipes (sikus or zampoñas) played in hocket (trenzado) and charango. Occasional shouts (gritos) may add to the excitement. Deck the Hall (secular Christmas air)
Deck the Hall (secular Christmas air) # Choral SATB # INTERMEDIATE/ADVANCED # Christmas # traditional 16th century Welsh # Scott S # Deck the Hall # Scott S. Stewart # SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1135788 Composed by traditional 16th century Welsh tune Nos Galan. Arranged by Scott S. Stewart....(+)
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1135788 Composed by traditional 16th century Welsh tune Nos Galan. Arranged by Scott S. Stewart. Celtic,Christmas,Holiday,Irish,Standards,Traditional. Octavo. 8 pages. Scott S. Stewart #735836. Published by Scott S. Stewart (A0.1135788). “Deck the Hallâ€, the popular, traditional secular Christmas carol, has a Welsh melody dating back to the 16th century, and English lyrics by the Scottish musician Thomas Oliphant, first published in 1862. The style of this adaptation harkens back to the original spirit of this carol – that of a dance. This arrangement is scored for 4-part SATB ensemble, to be performed a cappella. Performance time: 2:35. Let the Church Say "Amen" with Amen
Let the Church Say "Amen" with Amen # Choral SATB # Andra, Crouch # Andrae Crouch # Joel Raney # Let the Church Say "Amen" with # Hope Publishing - Digital # SheetMusicPlus
Choral SATB choir - Digital Download SKU: H1.C6038DP Composed by Andrae Crouch. Arranged by Joel Raney. Piano Accompaniment with Optional Orchestra. Gene...(+)
Choral SATB choir - Digital Download SKU: H1.C6038DP Composed by Andrae Crouch. Arranged by Joel Raney. Piano Accompaniment with Optional Orchestra. General Worship, Guidance. Octavo. 12 pages. Hope Publishing - Digital #C6038DP. Published by Hope Publishing - Digital (H1.C6038DP). By Andra, Crouch. Nehemiah 8:6.Medley of a traditional spiritual and a song by Andrae Crouch This setting pairs a popular Andrae Crouch song with the Traditional Spiritual Amen in an effective gospel treatment by Joel Raney. As the church responds to the word of God, the church collectively says Amen. Useful for any worship setting affirming God's guidance, direction and leadership of the church. Orchestrations: Conductor's Score, Horn 1 & 2 (or Alto Sax or Clarinet), Percussion, Piano, Synth, Electric Bass, Violin 1 & 2, Drums, Viola (or Clarinet) and Cello/Bassoon (or Bass Clarinet). He's Always Been Faithful
He's Always Been Faithful # Choral SATB # Sacred music # Sara Groves and William Runyan # Thomas Fettke # He's Always Been Faithful # Hope Publishing - Digital # SheetMusicPlus
Choral SATB choir, orchestra - Digital Download SKU: H1.C5462DP Composed by Sara Groves and William Runyan. Arranged by Thomas Fettke. Piano Accompanimen...(+)
Choral SATB choir, orchestra - Digital Download SKU: H1.C5462DP Composed by Sara Groves and William Runyan. Arranged by Thomas Fettke. Piano Accompaniment with Optional Orchestra. Vocal Solo Sheet Music Series. Contemporary, Hymntune, General Worship, Assurance, Christ's Presence, Comfort, Confidence, Encouragement, Faith & Faithfulness, Guidance, Promise. Octavo. 12 pages. Hope Publishing - Digital #C5462DP. Published by Hope Publishing - Digital (H1.C5462DP). Thomas O. Chisholm & William M. Runyan; New Words & Music by Sara Groves. Genesis 8:22 - Lamentations 3:22 - Lamentations 3:23 - Lamentations 3:24 - 1 Samuel 15:29 - Hebrews 7:21 - Isaiah 49:7 - James 1:17 - Jeremiah 29:11 - Malachi 3:6 - Psalms 33:4 - Psalms 110:4 - Psalms 111:7 - Psalms 145:13 - Psalms 1.Original melody with Great Is Thy Faithfulness This popular new song from Sara Groves combines the hymn Great Is Thy Faithfulness with original contemporary words and music in a seamless blend of old and new that refreshes this beloved classic, and brings new relevance and significance to the timeless message. Orchestration consists of parts for: Flute 1 & 2, Oboe, Clarinet 1 & 2, Trumpet 1, 2 & 3, Horn 1 & 2, Tromtone 1 & 2, Trombone 3/Tuba, Timpani, Percussion 1 & 2, Harp, Rhythm (Piano), Violin 1 & 2, Viola, Cello/Bassoon, and String Bass.