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10 sheet music found Angels We Have Heard on High (Trio for Oboe, Clarinet and Piano)
Angels We Have Heard on High (Trio for Oboe, Clarinet and Piano) # Oboe, Piano (duet) # INTERMEDIATE # Christmas # Traditional French Carol, Edva # John A # Angels We Have Heard on High # John A. Dempsey # SheetMusicPlus
Clarinet,Oboe,Piano - Level 3 - Digital Download SKU: A0.1333806 Composed by Traditional French Carol, Edvard Grieg. Arranged by John A. Dempsey. Christi...(+)
Clarinet,Oboe,Piano - Level 3 - Digital Download SKU: A0.1333806 Composed by Traditional French Carol, Edvard Grieg. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 20 pages. John A. Dempsey #920084. Published by John A. Dempsey (A0.1333806). Arranged as a lively trio for oboe, Bb clarinet and piano, this exultant arrangement of a traditional French Christmas carol contains variation in all three parts as well as dynamic shading, embellishments and incidental music by Grieg, all adding to the atmosphere of festive praise and joyful thanksgiving. Â Gloria in excelsis Deo is Latin for Glory to God in the Highest. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Â Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture, special music and more. Â Concert Key: Bb major. Â 16 pages of music (that includes the score and separate two-page parts for oboe and clarinet). Angels We Have Heard on High (Trio for Flute, Oboe and Piano)
Angels We Have Heard on High (Trio for Flute, Oboe and Piano) # Oboe, Piano (duet) # INTERMEDIATE # Christmas # Traditional French Carol, Edva # John A # Angels We Have Heard on High # John A. Dempsey # SheetMusicPlus
Flute,Oboe,Piano - Level 3 - Digital Download SKU: A0.1206067 Composed by Traditional French Carol, Edvard Grieg. Arranged by John A. Dempsey. Christian,...(+)
Flute,Oboe,Piano - Level 3 - Digital Download SKU: A0.1206067 Composed by Traditional French Carol, Edvard Grieg. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. 20 pages. John A. Dempsey #804262. Published by John A. Dempsey (A0.1206067). Arranged as a lively trio for flute, oboe and piano, this exultant arrangement of a traditional French Christmas carol contains variation in all three parts as well as dynamic shading, embellishments and incidental music by Grieg, all adding to the joyful atmosphere of praise and thanksgiving. Â Gloria in excelsis Deo is Latin for Glory to God in the Highest. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Â Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture and special music. Â Key: Bb major. Â 16 pages of music (that includes separate two-page parts for flute and oboe). Angels We Have Heard on High (Oboe and Piano)
Angels We Have Heard on High (Oboe and Piano) # Oboe, Piano (duet) # INTERMEDIATE # Christmas # Traditional French Christmas C # John A # Angels We Have Heard on High # John A. Dempsey # SheetMusicPlus
Oboe,Piano - Level 3 - Digital Download SKU: A0.525053 Composed by Traditional French Christmas Carol. Arranged by John A. Dempsey. Christian,Christmas,H...(+)
Oboe,Piano - Level 3 - Digital Download SKU: A0.525053 Composed by Traditional French Christmas Carol. Arranged by John A. Dempsey. Christian,Christmas,Holiday,Sacred,Traditional. Score and part. 14 pages. John A. Dempsey #6626737. Published by John A. Dempsey (A0.525053). Arranged as a lively duet for oboe and piano, this exultant arrangement of a traditional French Christmas carol contains variation in both the oboe and piano parts as well as dynamic shading, embellishments and incidental music by Grieg, all adding to the joyful atmosphere of praise and thanksgiving. Â Gloria in excelsis Deo is Latin for Glory to God in the Highest. Â Recommended for Christmas plays, pageants and programs, holiday recitals and Christmas concerts as well as traditional Christmas church services and other seasonal worship events. Â Suggested worship uses: prelude, postlude, offertory, interlude, Christmas play overture and special music. Â Key: Bb major. Â 10 pages of music (that includes a separate two-page oboe part). Turkish March by Beethoven for Oboe
Turkish March by Beethoven for Oboe # Oboe, Piano (duet) # EASY # Classical # Classical # Ludwig van Beethoven # Ander # Turkish March by Beethoven for # Woods Only, Arrangements # SheetMusicPlus
Oboe,Piano - Level 2 - Digital Download SKU: A0.1155638 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. ...(+)
Oboe,Piano - Level 2 - Digital Download SKU: A0.1155638 Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Folk,March,Opera,Romantic Period. Score and part. 4 pages. Woods Only, Arrangements #755942. Published by Woods Only, Arrangements (A0.1155638). This arrangement adapted for oboe and piano was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard. Christmas Adventures for Oboe and Piano
Christmas Adventures for Oboe and Piano # Oboe, Piano (duet) # INTERMEDIATE # Christmas # Colin
Kirkpatrick # Christmas Adventures for Oboe # Colin
Kirkpatrick Publications # SheetMusicPlus
Composed by Colin
Kirkpatrick. Christian,
Contemporary Christian,
Christmas. 22 pages.
Published by Colin
Kirkpatrick Publications...(+)
Composed by Colin
Kirkpatrick. Christian,
Contemporary Christian,
Christmas. 22 pages.
Published by Colin
Kirkpatrick Publications Here are three refreshing new modern arrangements of three popular traditional carols “like you ain’t never heard them before”. Intended for the intermediate oboe player and a reasonably competent pianist, they are sure to brighten up your Christmas events whether at home, school, church or recital hall. The pieces could be used during a Christmas service or as stand-alone pieces at an end-of-term presentation. The audio sample includes recordings of all three pieces.
The King Rides Out (based on “Good King Wenceslas”) starts conventionally enough but turns into a country-style song and then there’s a three-part Bach-like contrapuntal section, concluding with a wistful coda. Waltz with Holly – or Possibly Ivy (based of course on “The Holly and the Ivy”) turns into a dreamy waltz with long extended phrases and a good vehicle to show the oboe player’s tone quality. The Merry Gentleman go Latin is a lively rumba version of “God Rest You Merry, Gentlemen”.
Colin Kirkpatrick studied composition, cello and piano at London’s prestigious Royal College of Music and after graduation followed a career in music education. He was a High School Music Director in London for about fifteen years and later became a Music Education Adviser for local government, with the added responsibility for training teachers and directing the instrumental teaching service.
He has been published by Boosey & Hawkes, Novello, Paxton, Schott, Oxford University Press, Chester and Belwin Mills. He holds MA and PhD degrees and his other interests include reading, photography, travel, cooking and wine tasting. Bach-Gounod: Ave Maria for Oboe and Piano
Bach-Gounod: Ave Maria for Oboe and Piano # Oboe, Piano (duet) # EASY # Classical # J # Colin
Kirkpatrick # Bach-Gounod: Ave Maria for Obo # Colin Kirkpatrick
Publications # SheetMusicPlus
Composed by J. S. Bach - C.
Gounod. Arranged by Colin
Kirkpatrick. Easter, Mother's
Day, Wedding, Bar or Bat
Mitzvah, Funeral. Set of
Parts. 6 pa...(+)
Composed by J. S. Bach - C.
Gounod. Arranged by Colin
Kirkpatrick. Easter, Mother's
Day, Wedding, Bar or Bat
Mitzvah, Funeral. Set of
Parts. 6 pages. Published by
Colin Kirkpatrick
Publications This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined” piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary, the mother of Jesus.
The version of Bach's prelude which Gounod used included the so-called "Schwencke measure" (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness” (or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.
Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.