PIANO
Latin Not classified 4,122 Piano & keyboards Piano solo 3,595 Piano, Vocal and Guitar 2,973 Piano, Voice 992 Easy Piano 943 C Instruments 687 Big Note Piano 132 1 Piano, 4 hands 112 Piano (band part) 107 Piano Accompaniment 78 Piano Trio: piano, violin, cello 28 2 Pianos, 4 hands 27 Piano Quartet: piano, violin, viola, cello 8 1 Piano, 6 hands 6 Piano Quintet: piano, 2 violins, viola, cello 6 Piano Quartet: piano, 2 violins, cello 3 2 Pianos, 8 hands 2
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11 sheet music found Come Sail Away
Come Sail Away # Euphonium, Piano (duet) # INTERMEDIATE # Rock # Styx # James M # Come Sail Away # jmsgu3 # SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549299 By Styx. By Dennis Deyoung. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 16...(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549299 By Styx. By Dennis Deyoung. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 16 pages. Jmsgu3 #3483849. Published by jmsgu3 (A0.549299). Duration: 4:25, score: 10 pages, 62 measures, solo part: 2 pages, piano part: 4 pages. Suitable for the recital stage or nightclub performance. Come Sail Away is a song by American progressive rock group Styx, featured on the band's seventh album The Grand Illusion (1977). Upon its release as the lead single from the album, Come Sail Away charted at #8 on the Billboard Hot 100, and helped The Grand Illusion achieve multi-platinum sales in 1978. It is one of the biggest hits of Styx's career. Come Sail Away
Come Sail Away # Euphonium, Piano (duet) # INTERMEDIATE # Rock # Styx # James M # Come Sail Away # jmsgu3 # SheetMusicPlus
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549298 By Styx. By Dennis Deyoung. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 16...(+)
Euphonium,Piano - Level 3 - Digital Download SKU: A0.549298 By Styx. By Dennis Deyoung. Arranged by James M. Guthrie, ASCAP. Pop,Rock. Score and part. 16 pages. Jmsgu3 #3483835. Published by jmsgu3 (A0.549298). Duration: 4:25, score: 10 pages, 62 measures, solo part: 2 pages, piano part: 4 pages. Suitable for the recital stage or nightclub performance. Come Sail Away is a song by American progressive rock group Styx, featured on the band's seventh album The Grand Illusion (1977). Upon its release as the lead single from the album, Come Sail Away charted at #8 on the Billboard Hot 100, and helped The Grand Illusion achieve multi-platinum sales in 1978. It is one of the biggest hits of Styx's career. Saving All My Love For You
Saving All My Love For You # Euphonium, Piano (duet) # EASY # Whitney Houston # Kevin P Holdgate # Saving All My Love For You # Kevin P Holdgate # SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1313095 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Kevin P Holdgate. 20th C...(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1313095 By Whitney Houston. By Gerry Goffin and Michael Masser. Arranged by Kevin P Holdgate. 20th Century,Broadway,Film/TV,Musical/Show,Pop,Wedding. Score and part. 7 pages. Kevin P Holdgate #901931. Published by Kevin P Holdgate (A0.1313095). Saving All My Love for You is a song written by Michael Masser and Gerry Goffin. American singer Whitney Houston recorded it for her self-titled debut studio album (1985). It was released on August 13, 1985, by Arista Records, as the second single from the album in the United States, and third worldwide. Whitney Houston's version of Saving All My Love for You garnered positive critical response, with reviewers praising its melodious production and her vocal performance, and picked it as one of the album's highlights. The song became a global success and represented a commercial breakthrough for her, topping the charts in four countries and reaching the top 10 in various other regions. It became her first song to top the US Billboard Hot 100, and was certified Platinum by the RIAA for sales of over 1 million copies. At the 28th Annual Grammy Awards, it won for Best Female Pop Vocal Performance. Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano
Bach-Gounod: Ave Maria for Baritone (or Euphonium) and Piano # Euphonium, Piano (duet) # EASY # J S Bach-Gounod # Colin Kirkpatrick # Bach-Gounod: Ave Maria for Bar # Colin Kirkpatrick Publications # SheetMusicPlus
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,W...(+)
Euphonium,Piano - Level 2 - Digital Download SKU: A0.1310506 Composed by J S Bach-Gounod. Arranged by Colin Kirkpatrick. Instructional,Religious,Sacred,Wedding. Score and part. 7 pages. Colin Kirkpatrick Publications #899564. Published by Colin Kirkpatrick Publications (A0.1310506). This ever-popular piece is often performed at weddings, funerals and many other solemn ceremonial events. It has always been a favorite among instrumental players and often used in recitals or concert encores. This arrangement by Colin Kirkpatrick is ideal for the intermediate baritone or euphonium player. Solo parts are provided (a) in bass clef in which the range is from the lowest G on the staff to the E just above it and (b) in treble clef transposed for B flat instrument in which the range is from the A just below the treble staff to the F sharp on the top line. In 1853, the well-known French composer Charles Gounod added his own melody over a rippling keyboard accompaniment which was a slightly adapted version of the Prelude No. 1 in C major, BWV846, from Book I of J. S. Bach's The Well-Tempered Clavier, published in 1722. The title of the “combined†piece was Méditation sur le Premier Prélude de Piano de S. Bach. Gounod’s original arrangement transposed Bach’s keyboard part from C major into F major and it was scored for violin (or cello), organ and piano. In 1859, the French music publishing company Jacques-Léopold Heugel brought out a vocal version based on the familiar Latin text. Ave Maria (Hail Mary) is a traditional Catholic prayer addressed to the Virgin Mary.The version of Bach's prelude which Gounod used included the so-called Schwencke measure (m. 27 in this arrangement), a measure (bar) allegedly added by the German composer and pianist Christian Friedrich Gottlieb Schwencke (1767-1822) in an attempt to correct what was considered a harmonic weakness in the original. Whether there actually was a “harmonic weakness†(or possibly an error in the manuscript) remains a matter of conjecture but the fact remains that the most familiar-sounding version of this piece, recorded countless times by both singers and instrumentalists includes this Schwencke measure. It is therefore included in this arrangement.Some published arrangements show minor inconsistencies in the rhythm of the melody. This arrangement uses the familiar rhythm of the Ave Maria version as it appeared in the 1859 edition.